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    Oak panels and slatted screens adorn Carroll Gardens Townhouse in Brooklyn

    New York studios Starling Architecture and Emily Lindberg Design have renovated a Brooklyn townhouse for a young family, combining two units into a single home and unifying them through the use of white oak.

    The Carroll Gardens Townhouse was previously laid out as a two-family dwelling, but the owners needed more room for their growing kids, so decided to connect the units.
    White oak acts as a unifying element throughout the renovated townhouseStarling Architecture and Emily Lindberg Design were initially briefed to convert and cosmetically upgrade the townhouse, and add spaces such as a mud room, work-from-home and living areas, and a large dining room.
    Once the project was underway, the scope expanded to include a complete overhaul of the layout, a new staircase, an extensive millwork package, and the replacement of the furniture and artwork.
    A large dining area was created to accommodate group gatherings”Aside from giving everyone a little more space to work, live and grow, we also quickly focused on bringing in more light and connection between the various levels,” said Starling Architecture founder Ian Starling.

    Spanning five storeys, the building has a total living area of 3,700 square feet (344 square metres), with four bedrooms and four-and-a-half bathrooms.
    Oak millwork continues in the kitchen, which was relocated from the centre of the houseRearranging the program involved moving the second-floor kitchen from the centre of the plan to the south facade, where it received much more light.
    The dining room occupies the adjacent space, enveloped in European white oak panels that extend from a long built-in bench seat, across the ceiling, and down to a slatted screen in front of the stairs.
    Cool hues offset the warm oak flooring throughout the home, including in the lounge areaA walnut table with rounded corners provides enough space for hosting friends and extended family.
    White oak is continued on the staircase across all levels and the flooring throughout, to a corridor and the mudroom, powder room, office and wet bar at garden level.
    Oak panels define a corridor at garden level”All wood for the house was sourced from the same mill in Belgium, where they custom fabricated and finished it to our exact specifications,” said Starling.
    “All of the panels were CNC cut, so we were able to specify exact panel sizes based on as-built dimensions and each panel was divided into equal veneer widths.”
    A mud room was created as part of the renovation scopeThe earthy tones of the wood helped to guide the remaining decor choices, which include cool blue undertones offset by family-friendly materials like purple slate and clay brick.
    Cork lines the office space, while the children’s playroom in the cellar features brighter colours without feeling too juvenile.

    Studio Vural reinterprets Japanese interiors for Warren Street Townhouse

    “With a new layout overall, the clients were in an ‘out with old in with the new’ mentality, going forward with some bold splashes of color along the way,” said Starling.
    “There is a purity about much of the palette, working with organic texture and form rather than applied pattern,” added Lindberg.
    Cork covers the walls in a room used as an officeStarling Architecture is based in Brooklyn, while Emily Lindberg Design has a presence in both New York City and Providence, Rhode Island.
    The two studios previously collaborated on a similar project for friends of the Carroll Gardens Townhouse owners, who recommended them for this job.
    Brighter colours are introduced in the children’s playroom, located in the cellarBrooklyn’s townhouses are in high demand, and new owners waste no time in renovating these historic buildings to meet their needs.
    Recently completed examples include a property on Warren Street, for which Studio Vural used Kyoto merchant houses as a reference point, and a home in Park Slope that was designed to meet Passive House standards.
    The photography is by Eric Petschek.
    Project credits:
    Architecture: Starling ArchitectureInterior design: Emily Lindberg DesignContractor: Euro Art ConstructionWood surfaces: Madera Surfaces

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    Studio Vural reinterprets Japanese interiors for Warren Street Townhouse

    New York City architecture firm Studio Vural used Kyoto merchant houses as a reference point when renovating the interiors of this Brooklyn townhouse for a couple.

    A trip to the Japanese city in 2009 left such an impact on the clients that Studio Vural decided to adapt and update elements of the traditional minimalist architecture for the interiors of the Warren Street Townhouse.
    The townhouse renovation involved adding plenty of storage using European oak”Our design is the embodiment of an early memory our clients experienced as a young couple in Kyoto, an experience so powerful and authentic, that it found its way to a new reality in Brooklyn through our imagination,” said studio founder Selim Vural.
    The four-storey building was overhauled to create a rental apartment at the garden level, leaving the upper three floors for the clients to live in.
    A dining nook was created at the back of the parlour level, behind the staircaseWith a total of 3,200 square feet (300 square metres), the project involved reorganising rooms while bringing in contemporary renditions of traditional Japanese home features, such as a sunken hearth, folding and sliding screens, and undulating soffits.

    “[We] studied Kyoto houses’ serene interior emptiness, flow of asymmetrical spaces, rhythm of tatami mats and the placement of courtyards to make that interpretation possible,” Vural said.
    The nook is based on a recessed space in Japanese reception rooms known as a tokonomaAt parlour level, where the main entrance is located, the plan was opened up so the living and kitchen spaces flow together.
    Exposed brick walls were painted white, creating a blank canvas onto which a variety of light-toned European oak elements were placed.
    Traditional Japanese home features like a sunken hearth, folding and sliding screens, and undulating soffits were interpreted with a contemporary twistThe custom wooden furniture includes a window seat and a sofa. Both feature built-in storage, as well as a range of cabinets and shelves that run along one wall and incorporate a bar.
    Oak boards wer also laid across the floor to create homogeneity throughout the open-plan space.
    The staircase is enclosed by wooden slats and incorporates limestone platforms for displaying objectsAt the back of this level, the kitchen area is framed by a concrete-topped breakfast bar and includes a dining nook – based on a recessed space in Japanese reception rooms known as a tokonoma – tucked in behind the staircase.
    The stairs are enclosed by slatted oak screens, and the first seven treads are widened thanks to beige limestone slabs that act as platforms for displaying objects.
    The simple white and oak palette is continued in the bedroomsThree bedrooms and two bathrooms can be found on the storey above, while a further two bedrooms and a bathroom are located on the top floor.
    All of these rooms continue the same simple white and oak palette, and character is added by exposing the original wood ceiling beams.

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    The upper level also includes a lounge area, where the historic vertical columns are also made a feature.
    Skylights were added to bring more natural light into the centre of the long, narrow space, which reaches the windowless hallway below through a glass panel in the floor.
    A glass partition between the primary bedroom and bathroom helps the spaces to feel larger”Our work at the Warren House Townhouse powerfully demonstrates architecture’s capacity to cast distant memories into contemporary forms, revitalise historic typologies,” said Vural. “It is a prime example of a historic building’s rebirth for a new family in the history of Brooklyn.”
    Much of Brooklyn’s townhouse stock has been bought up and renovated over the past few years, after homeowners jumped at the opportunity for extra space compared to nearby Manhattan.
    Sklylights bring natural light into a lounge on the upper level and down through a glass panel in the floor to a windowless hallwayRecently completed examples include a passive house that features a dramatic cedar screen and a project that took its architect owners 17 years to complete.
    Studio Vural, which is based in the borough, has previously released images of a speculative off-grid house in the dunes of Cape Cod and a vision for a mixed-use Manhattan skyscraper covered with Asian lilies.
    The photography is by Kate Glicksberg.
    Project credits:
    Principal architect: Selim VuralProject architect: Rima AskinDesign team member: Angela TsaveskaEngineering: Ilya VeldshteynConstruction: David Nahm

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    Sarah Jefferys creates Passive House in Brooklyn with dramatic cedar screen

    American studio Sarah Jefferys Architecture + Interiors has renovated a slender townhouse in Brooklyn with airy rooms and a cedar screen on the facade to meet Passive House standards.

    Located in the Park Slope neighbourhood, the Passive House project involved the overhaul of a brick-faced, three-storey townhouse built in 1921 and owned by a family of four.
    Sarah Jefferys Architecture + Interiors remodelled a Brooklyn townhouse into a passive houseNew York-based Sarah Jefferys Architecture + Interiors sought to create a tranquil living atmosphere with elements that pay homage to the family’s Indian and Danish roots.
    Moreover, the team wanted the 3,000-square-foot (279-square-metre) building to align with Passive House standards for energy efficiency.
    High-quality windows were installedTo significantly reduce heating and cooling needs, the team installed triple-pane Zola windows, which are often used in passive houses. Walls were reconstructed to create an airtight envelope, which included the addition of cellulose insulation.

    The team also added an electric heat pump and an energy recovery ventilator, which helps purify the air.
    The front facade was kept intact and refurbished, while the rear wall was redesigned to add ample glazing. To provide privacy and to modulate incoming daylight, the team added an artful cedar screen that acts as both “a sculpture and a veil”.
    White oak was used to complement the bright coloursWithin the slender home, the team incorporated pops of colour and pale materials such as white oak.
    “We strategically used light hues and reflective materials, and created an airy environment to offset the narrow footprint of the townhouse,” the team said.
    The ground level has an open plan and holds the communal spaces.
    Reflective and light materials helped the studio meet environmental standardsUp front is the living room, where one finds a blue Living Divani sofa, rattan chairs from Fritz Hansen and a Muuto table.
    A wood-burning fireplace, an element not often found in passive homes, sits between the living and dining areas.
    To curb emissions from the hearth, the architects added a triple-pane glass enclosure and an extraction fan with an insulated cap. Still, because of the fireplace, the home does not fully meet the PHIUS certification requirements, the architect said.
    The all-white dining room is furnished with Ant chairs by Arne Jacobsen and a PH50 pendant by Poul Henningsen. Just beyond is the “showpiece kitchen”, which is framed with an LED light cove.
    The staircase has a skylight above”The light cove acts as a separation point – an outline – and provides an atmospheric glow throughout the kitchen,” the team said.
    In addition to the special lighting, the kitchen features slatted wooden cabinetry, yellow pendants by Louis Poulsen, and an island topped with Glassos crystallized glass.
    Part of the island consists of a live-sawn slab of white oak, which is lined with bar stools.
    The living room features a Muuto table”The beautiful juxtaposition between Glassos and white oak exemplifies the nature of the kitchen as both a practical work area and a leisurely lounge space for entertaining,” the team said.
    A sky-lit staircase leads to the upper levels. The first floor holds the main bedroom and bathroom, along with an office – all of which are arrayed along a corridor lined with frosted glass.

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    The main bedroom features a BoConcept bed, sconces by Robert Dudley Best for Bestlite and a graphic blanket by Pia Wallén for HAY. The bathroom is adorned with matte glass and penny-round tiles from Ann Sacks.
    The office is infused with a “touch of nostalgia”. Pieces include a Hans Wegner armchair, a teak Danish dresser and a 1962 copper pendant by Jo Hammerborg.
    Bright colours were used throughoutThe top level contains a den and two additional bedrooms. The house also has a cellar.
    Other Brooklyn townhouses include a house by Space4Architecture that has a skylit staircase and minimalist decor, and the family home of architects Fanny and Matthew Mueller, which features floating steps and a wood-and-steel bridge.
    The photography is by Morten Smidt.

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    BAAO extends Carroll Gardens Townhouse around a magnolia tree

    A family home in Brooklyn has been extended and renovated by local studio Barker Associates Architecture Office, to expand the kitchen and create larger rooms for the daughters.

    The Carroll Gardens Townhouse, located a block away from the Gowanus Canal, was the family of four’s home for a decade before they decided they needed more space.
    BAAO extended the home in Brooklyn to create more living space on all three floorsWorking around a magnolia tree in the back yard, Barker Associates Architecture Office (BAAO) designed an extension to all three storeys that provides additional living areas both inside and out.
    At parlour level, the floor plan was opened up and storage was created through built-ins.
    A dining roon occupies the extension at parlour levelIn the lounge area, colourful decor includes a custom Bower Studios mirror that hangs above the existing marble wood-burning fireplace.

    “The finishes feature lots of vibrant colour, pattern, texture, and cozy nooks,” said the architecture studio.
    The kitchen features white lacquer and fir cabinetryThe kitchen has white lacquer and fir cabinetry to complement the pine floors, which run through the majority of the home.
    The dining table is placed in the extension, where it enjoys views of the back yard through a large window that also accommodates a built-in bench.
    At garden level, a grey felt curtain can be drawn to partition the space for guestsLinking the multiple levels, the staircase was restored and modified to fit widened openings that make the most of the skylight above the hallway on the upper floor.
    Reorganised bedrooms upstairs are now more spacious, with bright colours and patterned wallpaper used to personalise each room.
    A seating area looks onto the back yardThe parents’ suite is at the front of the building, while the daughters’ twin rooms occupy the extended volume at the back.
    At garden level, a small kitchen for entertaining joins a sunken blue-tiled living space, a home office and a pegboard wall that allows the family to organise their outdoor gear.
    The architects created a giant pegboard wall for the family to store their outdoor gearA grey felt curtain can be drawn across to separate an area for guests.
    Outdoors, a new steel staircase with wooden treads leads down from the parlor-level deck to the garden.

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    A bluestone terrace curves around the magnolia tree and is sheltered by the deck above.
    Pavers lead past planting to another seating nook, built into the cedar fencing at the back of the property.
    The extension is designed around a magnolia tree”An arborist was consulted to determine the sizing and placement of the extension, deck, and garden terrace, and a plant consultant was employed to help choose appropriate native species for the garden,” the team said.
    BAAO was founded by Alexandra Barker in 2006, and the Brooklyn studio has worked extensively in the New York borough and beyond.
    A bluestone terrace is sheltered by a deck aboveLast year, the team’s completed projects included two daycare centres: one featuring curved apertures and blue tones, and another with house-shaped openings and cheerful hues.
    The photography is by Francis Dzikowski/OTTO.
    Project credits:
    Flooring: Hudson FlooringLighting: Allied Maker, Cedar and Moss, Dutton Brown, Hand and Eye Studio, Hollis and Morris, ApparatusWallpaper: Farrow and Ball, Hygge and West, SpoonflowerTile: Cle, Complete TilePlumbing fixtures and fittings: Vola, Watermark, California Faucets, KastRugs: Aelfie, Studio Proba

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