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      Eight renovated mid-century homes that marry period and contemporary details

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      From a modernist villa in Beverly Hills to a flat in one of Brasília’s iconic Superquadra apartment blocks, the mid-century renovations in this lookbook are a masterclass in updating a period home while retaining its distinctive character.

      Originally constructed in the post-war period between 1945 and 1969, mid-century homes have proved enduringly popular due to their prescient emphasis on natural light, clean lines, open floor plans and humble materials such as wood, stone and concrete.
      The renovations below see many of these original features retained and restored, supplemented with contemporary additions such as double-height ceilings and furniture by the likes of Tadao Ando and Mario Bellini.
      This is the latest in our lookbooks series, which provides visual inspiration from Dezeen’s archive. For more inspiration see previous lookbooks featuring art deco homes, sunny yellow interiors and serene bedrooms with striking natural views.
      Photo by Jack LovelCity Beach Residence, Australia, by Design Theory

      Australian studio Design Theory looked to preserve the “considerable mid-century charm” of this home on the coast of Perth during its renovation (top and above), remaining true to the rich palette of natural materials found in the original design.
      Contemporary furniture and lighting with gently curving forms were chosen to soften the rigorous lines of the original architecture and prevent the interiors from feeling like a period pastiche.
      Find out more about City Beach Residence ›
      Photo by An PhamBrandaw Residence, US, by 180 Degrees Design + Build and CBTWO Architects
      A new double-height living room with a pitched roof and full-height glazing was added to modernise this 1960s home in Phoenix, creating sightlines up and out towards nearby Camelback Mountain.
      Modernist touches remain on the interior in the form of plentiful wood panelling alongside finishes and furnishings in muted primary colours ranging from teal to mustard-yellow.
      Find out more about Brandaw Residence ›
      Photo by James O DaviesHampstead House, UK, by Coppin Dockray
      This house in Hampstead was originally designed by British architect Trevor Dannatt in 1960 as London’s answer to the post-war Case Study Houses built by the likes of Richard Neutra and the Eameses in California.
      When renovating and extending the property for a growing family, local studio Coppin Dockray contrasted vintage and contemporary furniture for a “domestic, lived-in” feel, with pieces ranging from a Togo chair to Mia Hamborg’s Shuffle table for &Tradition.
      Find out more about Hampstead House ›
      Photo by Gerhard HeuschBeverly Hills villa, US, by Heusch
      Historical images helped architecture firm Heusch to restore this Beverly Hills villa to its former glory and reverse some of its “unfortunate transformations” over the years.
      Existing terrazzo floors on the ground floor were restored and complemented with fluted glass details and dark timber furnishings, both new and old, including Ando’s cantilevered Dream Chairs and a bookshelf by Italian architect Augusto Romano from the 1950s.
      Find out more about Beverly Hills villa ›
      Photo by Justin ChungPalermo house, US, by OWIU
      California studio OWIU retained several original elements during the renovation of this 1955 home in LA’s San Rafael Hills, among them the glass-block walls and wooden ceiling beams, which were exposed from under false ceilings and sanded down to reveal their natural colour.
      These were contrasted with more neutral contemporary elements such as pale oak flooring and walls coated in Venetian plaster, with assorted lights by Isamu Noguchi and George Nelson – one of the founding fathers of American modernism.
      Find out more about Palermo house ›
      Photo by Joana FranceBrasília apartment, Brazil, by Debaixo do Bloco Arquitetura
      This apartment is located inside Brasília’s historic Superquadra 308 Sul, the first “superblock” apartment complex constructed as part of architect Lucio Costa’s 1957 master plan for the new Brazilian capital.
      Local studio Debaixo do Bloco Arquitetura cut open the building’s exposed concrete walls, opening up its layout to meet the needs of a modern family while preserving period details such as the building’s distinctive white breeze-block screens and its granilite flooring.
      Find out more about Brasília apartment ›
      Photo by Ingalls PhotographyMalibu Surf Shack, US, by Kelly Wearstler
      When interior designer Kelly Wearstler turned this 1950s beachfront cottage in Malibu into a bohemian retreat for herself and her family, she retained the original wood-panelled walls and selected finishes that were “hand-crafted, rustic and raw” to match the existing material palette.
      The interiors feature abundant planting, alongside an eclectic mix of period-agnostic furnishings including a 1980s green marble table by Bellini, paired with a plaster-covered Caféstuhl chair by contemporary Austrian designer Lukas Gschwandtner.
      Find out more about Malibu Surf Shack ›
      Photo by Rafael SoldiGolden House, US, by SHED
      Seattle architecture firm SHED had to make several aggressive interventions when renovating this 1950s building in nearby Shoreline, which was originally constructed as a family home but had previously been divided up to serve as a retirement home.
      Working around the existing post-and-beam structure, the studio updated the interior to maximise views of the Olympic Mountains and Puget Sound while enlarging the kitchen and reorganising it around a central island.
      Find out more about Golden House ›
      This is the latest in our lookbooks series, which provides visual inspiration from Dezeen’s archive. For more inspiration see previous lookbooks featuring art deco homes, sunny yellow interiors and serene bedrooms with striking natural views.

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      Relogged house by Balbek Bureau reinterprets traditional log cabins

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      Architecture studio Balbek Bureau has revamped a house in Ukraine using stainless steel and concrete to create a modern interpretation of a log cabin.

      The three-bedroom cabin was built from horizontally stacked logs, which the designers kept on display throughout the interior.
      Horizontally-laid logs clad both the exterior and interiorThe Kyiv-based studio aimed to deviate from conventional cabin interiors, instead creating an industrial, utilitarian scheme informed by the style of American fashion designer Rick Owens.
      “The pre-existing interior was in a classic log cabin style,” Balbek Bureau told Dezeen. “The logs were a lighter shade, closer to the natural wood colour – the furniture was mostly made of wood as well with traditional country-style shapes dominating the interior.”
      The stairs have cantilevered steps that appear to floatIn order to lend itself to a more industrial finish, the studio trimmed the interior of surplus logs and timber.

      “Our goal was to achieve a clean geometry of the space with as little extra lines as possible,” said the studio.
      “That is why we removed part of the log beams that were not load-bearing – we did the same with non-bearing walls to create an open space on the first floor.”
      A towering fireplace dominates the living spaceMicrocement flooring and project-bespoke furniture pieces such as stainless steel consoles were added to the spaces to contrast the traditional log walls.
      Vintage lounge and dining chairs from the owner’s own collection were added to character to the spaces, which were hung with paintings belonging to the client.
      Log beams juxtapose industrial finishes in the kitchenThe glass-fronted entryway contains a staircase comprising timber planks cantilevered out from wall. Beyond, the kitchen, dining room, home office and living room are contained within one fluid space.
      The cabin’s construction is most apparent in the double-height living space, where logs form tall bookcases accessed by a sliding metal ladder. These flank a tapered fireplace made from concrete blocks, at the foot of which sits a large sofa.

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      The use of concrete continues in the kitchen, which is dominated by a monolithic kitchen island flanked by floor-to-ceiling stainless steel cabinets.
      Plywood panelling replaces logs in the curtain lined theatre room leading off of the kitchen.
      Metal consoles on casters sit below the screenModern, black-framed windows were installed throughout the building, with vertical windows added in the home office and dining room to bring more sunlight into the space.
      Original ceiling beams were left exposed to highlight the cabin’s original construction.
      A clear desk contrasts the wooden dining room furnitureRecalling the sofas downstairs, the master bedroom features a sprawling custom-made bed that sits low to the floor. Its upholstered sides were bolstered by stainless steel consoles similar to those in the theatre room.
      Retro lamps were added as a playful touches including a bulbous standing lamp that arches over the bed.
      The main bedroom utilises warmer-toned woodA moveable mirror-panelled screen on castors sits against one wall, and a wooden mid-century console references the warm-toned timber-clad walls.
      Throughout the house black radiators, ceiling lights, window frames and power outlets punctuate the rooms.
      Upholstered sleeping nooks create a cosy atmosphereThe two bedrooms on the other side of the cabin retain the dark-toned log walls of the living room, adjoined by steel shelves and contrasted by soft, padded sleeping nooks.
      Both of the bathrooms are a stark contrast from the rest of the interiors, with almost no wooden finishes at all and housing white fixtures.
      Concrete covers the bathroom walls, floors and ceilings”[Relogged] allowed us to work on rethinking the rather established and traditional form of a log cabin,” concluded the studio.
      Other cabins featured on Dezeen include A-frame cabins in a remote Canadian forest by Atelier l’Abri and a cabin clad in ash wood on a rocky outcrop in Norway by Line Solgaard Arkitekter.
      The photography is by Andrey Bezuglov and Maryan Beresh.

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      Viruta Lab blankets former fisherman’s house in Valencia with chequerboard tiles

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      Spanish interiors studio Viruta Lab has renovated a compact house in El Cabanyal, Valencia’s traditional fishing neighbourhood, using geometric blue-and-white tiling for an understated nautical aesthetic.

      Built in 1946, the humble two-storey building once belonged to the grandparents of the current owner but had been boarded up for many years.
      Viruta Lab has renovated a former fisherman’s house in ValenciaViruta Lab was brought on board to transform the small 85-square-metre home into a modern holiday residence while respecting its great sentimental value to the family.
      “Emotion was a very important starting point,” the studio told Dezeen.
      The interior is dominated by chequerboard tiles”The house is a family legacy and the image they have of it is very deep, so it was necessary for any intervention to be as respectful as possible and with a language that they understood and took as their own,” Viruta Lab continued.

      “We understood that the architecture already had a value, that we only had to beautify it, preserve it.”
      Green upholstery provides a contrast with the blue-and-white colour schemeViruta Lab uncovered the building’s original brick walls from under layers of peeling paint and carefully repaired the pre-existing mouldings “to give height and nostalgic value to the interior design”.
      Liberal chequerboard tiling provides a contrast to these traditional design details, featured throughout all the rooms from the kitchen to the sleeping quarters.
      Viruta Lab restored the home’s original mouldingsIn a suitably nautical palette of navy and off-white, the tiles reference the great variety of tiled facades found in the El Cabanyal neighbourhood.
      “The dominant colours on the facades of the Cabanyal are white, blue and green, which are associated with a lifestyle linked to the resources offered by the sea,” the studio said.

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      “It was clear that we had to respect the local traditions, the architecture and the essence of the house and give it a maritime aesthetic, reinterpreting the Mediterranean style to adapt it to the tradition of the neighbourhood using its own materials.”
      Green shows up throughout the interior in the form of simple upholstered furniture – including a sofa, pouffe, benches and stools – all custom-designed by Viruta Lab for this compact space.
      European oak was used to form joinery detailsThe interior woodwork in European oak was stained to resemble Canaletto walnut, matching the tones of the two remaining original interior doors that were painstakingly restored and repurposed as sliding doors.
      “We wanted the woodwork to provide a quality counterpoint to the cold tones of the blues and greens, with an imprint and weight,” the studio said.
      The remaining interior doors were restored and repurposed as sliding doorsAnother key local material – esparto grass fibre – is less noticeable than the tiles but pops up throughout the house to add textural interest.
      Traditionally used to make ropes, baskets, mats and espadrille sandals, the flexible natural material was repurposed to form headboards and backrests, and even clad the suspended ceilings in the bathrooms.
      Esparto grass was used to from headboards and backrests”This material has been used because of its roots in the traditions and life in the Mediterranean area, especially in the Valencian community,” the studio said.
      “For Viruta Lab, the legacy comes from its use by men of the countryside and the sea, by the original residents of the Cabanyal, those men who used to wear espadrilles.”
      The house has a shaded outdoor dining area on the roofAs well as a clay-tiled roof terrace with a shaded outdoor dining area, the house also features a sensitively restored inner courtyard, complete with a stone water trough where the owner’s grandfather once dried his fishing nets at the end of a day’s work.
      Other projects that celebrate Valencia’s historic architecture include a 1920s penthouse that was renovated to celebrate its original mosaic floors and an octogenarian home in El Cabanyal that was updated using traditional construction techniques and local materials.
      The photography is by David Zarzoso.

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      Design Theory updates mid-century coastal home in Perth

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      In the City Beach suburb of Perth in Western Australia, interiors studio Design Theory has updated a tired house from the 1960s while remaining true to the rich palette of natural materials in the original design.

      The young client wanted a home where she could entertain friends and live with her dogs in a durable, easy-to-clean, pet-proof home with a reworked plan making space for three bedrooms and two bathrooms.
      Design Theory has renovated a 1960s house in Perth”The brief was, on the surface, simple: to update the home while keeping its considerable mid-century charm,” said Design Theory.
      “While its strengths lay in its architectural form and south-facing windows, our innovative approach to the project was essential in bringing contemporary functionality and sustainability to the fore,” the studio added.
      “By specifying with our client’s lifestyle in mind and considering every detail, she feels relaxed to use the house the way she wants to.”

      Carpet tiles bring tactility into the sunken loungeOnce the project was underway, Design Theory quickly discovered that the structure was largely rotten and had suffered significant termite damage, so extensive restoration work was required.
      “We established an early rationale to restore base-building elements in keeping with the original architecture and interior elements,” the studio said.
      “Joinery, finishes and furniture would be new, informed by mid-century design. This allowed the home to evolve yet respect the heritage of this special building.”
      Yellow mosaic tiles feature across the kitchen counterOtherwise, the house only needed sensitive restoration and a light touch to bring it up to date, according to the studio, due to its prescient emphasis on natural light, fresh air and modern, unpretentious living.
      “Our design cues were taken from the era of the house’s original design, a time of humbler, honest materials and restrained detailing,” said Design Theory co-founder Lisa Reeves.
      “Where cabinetry needed restoration, it was updated in respectful ways, always with a nod to what may have come before us.”
      Design Theory introduced Blackbutt timber details to the interiorThe material palette celebrates warm, earthy materials: exposed brick in terracotta tones, native Blackbutt timber and a cork-like Forbo Marmoleum on the floors.
      In the sunken lounge area, carpet tiles bring an added element of comfort and a distinctive gridded visual effect.
      The heavy use of richly toned timber and brick is balanced by the white of the painted wall sections, the grid-like window frames and low-hanging pendant lighting.

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      For the kitchen counters and the bathrooms, simple mosaic tiles continue the textural theme, while referencing the home’s early-60s origins.
      “We embraced a quintessentially West Australia landscape-inspired palette of Eucalyptus greens, warm timbers and sunset oranges,” the studio said.
      Forbo Marmoleum flooring was added for textural interestIn the kitchen, subtle detailing on the cabinetry such as the full-width handles adds visual interest without grabbing undue attention, while an orange range cooker adds a retro touch.
      The client acquired several pieces of vintage furniture along with the house, which Design Theory was keen to retain and restore.
      Mint green tiles feature throughout one of the two bathroomsAs a counterpoint to these mid-century elements, contemporary furniture in gently curving forms softens the rigorous lines of the original architecture and prevents the interiors from feeling like a period pastiche.
      Key pieces of hardware such as original door furniture and pendant lighting were also refurbished and reinstated, “lending an authenticity to the home’s new life”, according to the studio.
      The built-in bathtub is also made from multicoloured mosaic tilesOther residential projects in Perth that have been featured on Dezeen include a family home formed from arched panels of precast concrete and a wood-and-brick extension for a couple of empty nesters.
      The photography is by Jack Lovel.

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      2LG Studio brings colour and personality into London family home

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      Ornately corniced ceilings were preserved and painted pastel inside this detached Edwardian house in southeast London, which local firm 2LG Studio has renovated for a returning client.

      Set in the leafy residential area of Forest Hill, the house on Sunderland Road belongs to a couple who needed space for their three young children to grow and play.
      2LG has completed Sunderland Road house in Forest Hill”Having designed this couple’s previous home, we had a strong sense of their tastes and wanted to evolve that for them in this house,” 2LG Studio founders Jordan Cluroe and Russell Whitehead told Dezeen.
      “We wanted to bring out their characters by emboldening their love of colour and finding ways to build pattern and joy into the materiality of the home,” the duo added.
      “The intent here was to respect the period elements of the building, whilst reflecting the modern style of the family who live there.”

      Hand-printed wallpaper by Custhom Studio features in the lounge and hallwayThroughout the house, playful elements are in balance with a more serious aesthetic.
      Instead of treating the home’s elaborate ceiling mouldings separately – as tradition dictates – 2LG Studio applied a colour-block philosophy and painted them in the same pastel tones used across the upper walls and ceilings.
      The studio drew on a range of references for the interior, from 1980s colours to Italian design elements such as marble and Murano glass lighting, all the way to the Scandinavian influences seen in the natural materials and minimalist approach to furnishing.
      The kitchen is defined by sky-blue cabinetry and marble countertopsCreating impact in the entrance hall is a hand-printed wallpaper, designed by 2LG Studio with long-term collaborator Custhom Studio and used here in a bespoke calamine-pink colourway that’s repeated in the connecting spaces throughout the house, as well as in the rear living area.
      “It creates a welcoming, human feel as soon as you enter,” the design team said.
      This ballet-slipper colour is paired with a brighter candy pink, bringing calm and warmth to the overall scheme.
      2LG painted ceilings, mouldings and upper walls in pastel coloursPink-heavy palettes have become a signature for 2LG, also reflected in the natural pink undertones of the extra-wide Douglas fir floorboards that feature throughout the house alongside a grey poured-resin floor in the kitchen.
      “The floorboards set the tone with a nod to Scandi minimalism, adding a natural soul throughout that unites the bolder elements,” said 2LG Studio.

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      In the kitchen, sky-blue cabinetry is used alongside marble countertops and splashbacks, with arched forms uniting the two finishes while pink elements such as bar stools pop against this calm backdrop.
      “The colours are a key part of the atmosphere and identity of this house,” said 2LG. “The blues gets deeper and bolder as you move upstairs into the study and the family bathroom.”
      “Primary red details give structure to the colour palette in the living room. Pastel green in the baby’s room is serene and fresh, warmed up with a mix of wood tones and creams.”
      Pink details feature throughout the home’s interiorsThe project features bespoke joinery including a playhouse on stilts in one of the kids’ rooms alongside existing 2LG pieces such as the Luca bedhead in the loft bedroom and the Tilda sofa, both designed for London furniture company Love Your Home and upholstered here in Kvadrat x Raf Simons fabric.
      “The fitted elements of the furniture give a sense of coherent design and function to the spaces whilst the classic design pieces bring a curated gallery feel, not unlike a contemporary luxury fashion store,” said 2LG Studio.
      2LG designed custom joinery including a stilted playhouseVarious recycled materials provide textural interest throughout the house, among them the recycled plastic wall lights in the living room by Spark and Bell.
      2LG Studio also added a pink Foresso top made using waste wood chips and resin to the dining table, while the bespoke bathroom cabinet was made using leftover Douglas fir floorboards with recycled plastic details by UK company Smile Plastics.
      Pastel green was used to finish the baby’s roomSince Cluroe and Whitehead founded their design practice in 2014 under the name 2 Lovely Gays, the studio has completed a number of residential projects in the British capital.
      Among them is the couple’s own home and office – to which they recently added a garden pavilion with a “touch of Beetlejuice” – and an equally colour-led renovation of a period property in the Heaver Estate conservation area.
      The photography is by Megan Taylor.

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      YSG draws on beach clubs of Ibiza and Cancun for redesign of Sydney coastal home

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      Australian interiors studio YSG has updated a holiday home in Sydney’s Palm Beach suburb, layering it with a maximalist mix of colours, patterns and textures.

      The 400-square-metre house belongs to a young family who wanted a place to escape during the holidays while still providing space for remote working.
      YSG renovated a holiday home in Sydney’s Palm BeachThe home’s original furnishings were included in the sale but the clients were less than enthused by the nautical colour palette, seashells and model yachts.
      “The weathered features and cliched seaside tropes, amongst other things, deterred their visits,” said Yasmine Ghoniem, founder and director of YSG.
      Its living and dining area are separated by a small stepYSG took cues from the rustic beach clubs of Ibiza and Cancun for the revamp, with a touch of French Riviera refinement to create “a palpably playful mood for entertaining”.

      The house was given a full overhaul, with worn floorboards sanded back to reveal warmer timber accents while windows and doors were replaced with more slimline versions.
      Details from a painting in the lounge were carried over onto the wallsIn the sunroom, tongue-and-groove panelling was removed for a more contemporary look while a mirrored wall was taken out because it caused the room to overheat.
      A new rose-tinted marble floor extends to skirting height, amplifying the sense of space while helping to keep the room cool. In the kitchen, YSG added a stone island “that recalls the ombre shades of a freshly poured tequila sunrise”.
      Chequerboard tiles surround the poolThe couple also asked for a second master suite, so that they could each have their own retreat while working remotely.
      “We designed integrated marble and timber desks, enabling both to simultaneously work privately from their rooms whilst enjoying views from the upper level,” Ghoniem said.

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      For the all-important exterior areas, which wrap around the house on each level, YSG provided a material refresh by removing the old heavy paving and weathered grey timber as they distracted from the views.
      The pool area now features a chequerboard pattern of tumbled marble cobblestones while the dark blue pool tiles were replaced with a lighter finish and the chrome fence posts were powder-coated in a soft white tone to prevent glaring reflections.
      The home’s stone kitchen island is made from thickly veined stoneYSG added a playful painting in the living room that acted as a starting point for the home’s entire interior scheme, including the colour palette of ochres, yellows, and reds.
      Its motifs such as palm trees and fruit are repeated throughout the house across prints and cushions, as well as being hand-painted onto walls and doors.
      The home also has a second lounge areaEven the painting’s chequered top border is continued as a hand-painted datum line across the living room to enliven the otherwise plain walls.
      Ghoniem also repeated the same device on the side of the raised step that lead to the dining area, “artistically acknowledging a trip hazard”.
      The bedrooms were designed to provide space for remote workingIn the sunroom, hand-painted swirls soften the beams while in one of the master bedrooms, the vertical red lines of a nude painting were playfully continued onto the wall above the artwork.
      The rich material palette features many types of marble, including Giallo, Toledo and Tiberio along with honed travertine and French wash walls, while the textiles include linen and kimono silk.
      Chequerboard tiling also features in some of the bathroomsYSG has completed a number of projects across Sydney, including another house in a coastal suburb with tactile finishes and a penthouse for a couple of empty nesters.
      The photography is by Prue Ruscoe.

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      Oak panels and slatted screens adorn Carroll Gardens Townhouse in Brooklyn

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      New York studios Starling Architecture and Emily Lindberg Design have renovated a Brooklyn townhouse for a young family, combining two units into a single home and unifying them through the use of white oak.

      The Carroll Gardens Townhouse was previously laid out as a two-family dwelling, but the owners needed more room for their growing kids, so decided to connect the units.
      White oak acts as a unifying element throughout the renovated townhouseStarling Architecture and Emily Lindberg Design were initially briefed to convert and cosmetically upgrade the townhouse, and add spaces such as a mud room, work-from-home and living areas, and a large dining room.
      Once the project was underway, the scope expanded to include a complete overhaul of the layout, a new staircase, an extensive millwork package, and the replacement of the furniture and artwork.
      A large dining area was created to accommodate group gatherings”Aside from giving everyone a little more space to work, live and grow, we also quickly focused on bringing in more light and connection between the various levels,” said Starling Architecture founder Ian Starling.

      Spanning five storeys, the building has a total living area of 3,700 square feet (344 square metres), with four bedrooms and four-and-a-half bathrooms.
      Oak millwork continues in the kitchen, which was relocated from the centre of the houseRearranging the program involved moving the second-floor kitchen from the centre of the plan to the south facade, where it received much more light.
      The dining room occupies the adjacent space, enveloped in European white oak panels that extend from a long built-in bench seat, across the ceiling, and down to a slatted screen in front of the stairs.
      Cool hues offset the warm oak flooring throughout the home, including in the lounge areaA walnut table with rounded corners provides enough space for hosting friends and extended family.
      White oak is continued on the staircase across all levels and the flooring throughout, to a corridor and the mudroom, powder room, office and wet bar at garden level.
      Oak panels define a corridor at garden level”All wood for the house was sourced from the same mill in Belgium, where they custom fabricated and finished it to our exact specifications,” said Starling.
      “All of the panels were CNC cut, so we were able to specify exact panel sizes based on as-built dimensions and each panel was divided into equal veneer widths.”
      A mud room was created as part of the renovation scopeThe earthy tones of the wood helped to guide the remaining decor choices, which include cool blue undertones offset by family-friendly materials like purple slate and clay brick.
      Cork lines the office space, while the children’s playroom in the cellar features brighter colours without feeling too juvenile.

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      “With a new layout overall, the clients were in an ‘out with old in with the new’ mentality, going forward with some bold splashes of color along the way,” said Starling.
      “There is a purity about much of the palette, working with organic texture and form rather than applied pattern,” added Lindberg.
      Cork covers the walls in a room used as an officeStarling Architecture is based in Brooklyn, while Emily Lindberg Design has a presence in both New York City and Providence, Rhode Island.
      The two studios previously collaborated on a similar project for friends of the Carroll Gardens Townhouse owners, who recommended them for this job.
      Brighter colours are introduced in the children’s playroom, located in the cellarBrooklyn’s townhouses are in high demand, and new owners waste no time in renovating these historic buildings to meet their needs.
      Recently completed examples include a property on Warren Street, for which Studio Vural used Kyoto merchant houses as a reference point, and a home in Park Slope that was designed to meet Passive House standards.
      The photography is by Eric Petschek.
      Project credits:
      Architecture: Starling ArchitectureInterior design: Emily Lindberg DesignContractor: Euro Art ConstructionWood surfaces: Madera Surfaces

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      Daytrip creates calm broken-plan interior for Edwardian home in west London

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      Warm, tactile materials and rich colours are balanced with a newfound sense of openness in this early 20th-century house that architecture studio Daytrip has renovated and extended in London.

      Queen’s Park House is a double-fronted Edwardian property – set in the titular west London neighbourhood – which Daytrip has taken from a series of run-down and characterless bedsits to a calm, contemporary home for a TV producer and his family.
      An understated foyer leads into Queen’s Park HouseAs the house had lost many of its Edwardian features, the studio devised contemporary takes on these details.
      Among them are the cherry wood “portals” by London carpenter Studio Manolo, which have replaced the architraves that once surrounded doors throughout the house.
      Daytrip extended the home with a bold new double-height volume to the rear, accommodating a hybrid kitchen-dining-living space and an open gallery housing a small study. In addition, the studio created a new principal bedroom suite at loft level.

      Steps lead down into the bespoke kitchen designed by Edward CollinsonDaytrip’s approach to the layout focused on maximising the feeling of space by opening up the connection points between previously discrete rooms.
      Stepping away from the traditional idea of a central corridor, the studio shifted the main route through the house to take in each room in turn.
      The spaces are differentiated by a drop in levels, as part of the semi-open broken-plan layout devised by Daytrip.
      A clerestory window provides views out from the living roomWhile these spaces retain their own individual functions and character, there is now a closer relationship between the individual rooms.
      “Traditional homes are full of dead ends where rooms feel secluded and separated,” Daytrip told Dezeen. “We wanted to create more connections.
      “It felt appropriate for a modern family lifestyle to create an easy and accessible route, from arrival down through the social spaces.”
      The living area also opens out onto a small gardenThe “arrival room” with its central table by local furniture maker Edward Collinson was designed to create a sense of calm to reframe the family’s mindset as they return home.
      On a practical level, this room also provides storage for all of the family’s coats, shoes and bags, concealed behind panelling that’s an inverted version of the typical period panelling found in Edwardian homes.
      Throughout the house, cherry timber was used in combination with the darker tones of the fumed oak floors.
      A gallery-level study sits above the kitchen”We enjoy the smoky effect of the fumed oak and used the warmer tones of the cherry as a counterpoint to that,” the practice said. “We like to use timber to create a tonal background, as it brings more depth to a room than paint alone.”
      From the foyer, steps descend into a more intimate snug, which is lined with umber-toned textured wallpaper and cherry timber shelving. This creates a darker, more cosy atmosphere that contrasts with the previous space.
      More steps link the snug to the newly extended kitchen, dining and living room.

      Daytrip transforms east London terrace house into understated apartments

      Here, floor-to-ceiling glass doors open the space up to the minimalist courtyard garden beyond – designed by regular Daytrip collaborator Tyler Gold Finch Gardens.
      Above this area, a clerestory window creates a dual-aspect outlook and frames views of the surrounding tree canopy.
      The kitchen, also made by Edward Collinson, features cherry wood panelling and Fior Di Pesco marble splashbacks, while the island is topped with a solid piece of lava stone in a glazed finish.
      The study is furnished with an Ekstrem chair by Terje Ekstrøm”We build palettes that reflect the mood and character of the property, often introducing both harmony and contrast,” Daytrip said.
      A poured concrete floor that was polished to a soft sheen continues out into the garden, creating a sense of seamlessness between the two spaces.
      Above the kitchen floats an open gallery, decorated in shades of russet with a rust-coloured carpet by Swedish brand Kasthall.
      Bathrooms provide an unexpected splash of colourFor the home’s colour palette, Daytrip referenced its red brick front and the greenery of the nearby park with an earthy mix of rusty-reddish tones, balanced by shades of bronze and bright mossy green.
      Beyond the study, the first floor is family-focused with children’s bedrooms and bathrooms, while the principal bedroom suite resides at the top of the house, benefitting from views of the London skyline.
      The bedroom was designed as a comfortable retreat, enveloped by tactile grasscloth wallpaper, in a warm amber tone. There’s an emphasis on softness here, with an off-white pure wool carpet as well as floor-to-ceiling diaphanous linen curtains.
      The principal bedroom was designed as a calming retreatLondon design consultancy Monument Store was chosen to furnish and style the house.
      “We liked Monument Store’s contrast of abstract and brutalist sculptural objét alongside post-modernist pieces such as the cult iconic Ekstrem chair in the gallery space, or the Tito Agnoli cane chairs in the kitchen-lounge,” Daytrip said.
      Linen curtains hide views of the London skylineThe studio has completed a number of London home extensions in recent years.
      Among them are two properties in east London’s Clapton – a townhouse with a newly excavated basement level and a Victorian terrace, which is now home to three separate apartments.
      The photography is by Pierce Scourfield.

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