Markus Andrews

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    Keiji Ashizawa adds Blue Bottle Coffee shop to Kobe department store

    Japanese studio Keiji Ashizawa Design has created the interior of the Blue Bottle Coffee shop in Kobe’s Hankyu department store, taking advantage of its display windows to connect the cafe with the street outside.

    The 173-square-metre cafe, which shares the department store’s ground floor with a number of apparel brands, has five large display windows.
    To open the coffee shop up towards the street, designer Keiji Ashizawa turned one of the windows into a take-out counter.
    One display window was turned into a take-out counterThe remaining window niches were filled with blue built-in seating, creating a splash of colour among the wooden furniture.
    Inside the cafe, square-shaped and rectangular furniture nods to the graphic look of the facade and is contrasted by round tables and large circular ceiling lights.

    “The furniture is mainly made of domestic wood in collaboration with the Japanese furniture manufacturer Karimoku, who specializes in working with oak wood,” Ashizawa told Dezeen.
    Wooden furniture and terrazzo tabletops were used for the interiorThe studio also mixed in terrazzo amongst the wooden furniture to give the cafe a welcoming feel.
    “By placing a large terrazzo tabletop with fine textures created by mixing grounded glass into the material, it adds to the soft and welcoming atmosphere that identifies Blue Bottle Coffee and their hospitality,” Ashizawa said.

    Keiji Ashizawa builds Blue Bottle Coffee’s Tokyo outpost around volcanic-ash counter

    “It is also used for the low coffee table surrounded by the sofas, creating a sense of harmony and elegance throughout the space of the cafe,” he added.
    While the studio was unable to change the material of the existing rough concrete floor, the department store allowed it to create a discrete demarcation by polishing the floor underneath the central tables.
    Circular pendant lights were made from raw aluminiumLarge disc-shaped pendant lights add a sense of drama to the coffee shop’s pared-back design.
    “With the idea of creating a high ceiling within the space, the pendant lights were made from raw aluminum to complement the industrial structures,” Ashizawa said.
    “Six pendant lights are placed in the central space at equal distances in three zones, creating a sense of rhythm and spatial balance.”
    The concrete floor was polished in part of the cafeThe wooden furniture inside the Blue Bottle Coffe Hankyu cafe has mainly been kept in its natural colour, but Ashizawa added bright colour to some of the wood.
    “In the space with concrete structures, the yellow color was added to balance the combination of wood and concrete, and the blue color was placed as a contrast,” he said.
    “We also designed the space to fit in with the apparel brands that share the ground floor.”
    Shelves were painted a bright yellowAshizawa has previously created a number of cafes for the Blue Bottle Coffee company, including a Shanghai store decorated with traditional Chinese roof tiles and a Tokyo outpost with a volcanic-ash counter.
    The photography is by Tomooki Kengaku.
    Project credits:
    Architect: Keiji Ashizawa DesignProject architect: Keiji Ashizawa, Tomohiko Fujishita, Masaru KiotyaConstruction: TankDesign supervision: Miyachi Office/Kunihiko MiyachiLighting design: Aurora/Yoshiki IchikawaFurniture: Karimoku Case Study/Ichinomaki Laboratory by KarimokuMetal works: Super Robot

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    3 Tier Bathroom Rotating Organizer

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    How to organize small items like skincare and makeup on a counter or under a bathroom sink with a clear acrylic 3-tier bathroom counter organizer. Don’t limit only using it in a bathroom though, as it works equally well for holding and keeping craft supplies or other smaller items handy in any room.

    I usually organize small items in my home with all kinds of organizing baskets from wicker baskets that I find at thrift stores to plastic dollar store baskets.

    Recently I shared with you how I was going to add pull-out sliding basket organizers in the cabinet under my bathroom sink. Sadly, even though I measured, the slide-out basket organizers didn’t fit right. The plumbing for the sink got in the way.

    I had to find another way to organize my beauty products and skincare.

    360 Degree Rotating Makeup or Craft Organizer

    This 3 tiered bathroom organizer was made to to place on a vanity or bathroom counter for skincare and makeup items, but can be used to hold small items in any room.

    When I came across this rotating 3-tier bathroom counter organizer online, I ordered one to try it out.

    Bathroom countertop organizer

    It is sold to use as a bathroom counter organizer which would keep my cosmetics very handy, so I tried it on the counter. It has 2 removable compartment trays on the top tier to hold lipsticks, makeup brushes, nail polish or small items.

    I didn’t keep the tiered organizer on the counter though as I have a large sectioned drawer under the counter where I keep the small jars of lotions and potions and makeup I use every day.

    What I wanted was an easy access organizer to keep the extra beauty essentials I keep under the sink and the large items that do not fit in the drawer.

    I could not be happier with it.

    Not only does it rotate, it was super easy to assemble – no tools or DIY skills needed which was a nice treat for me since I usually make things from scratch.

    How to Assemble The Tiered Bathroom Counter Organizer

    Time needed: 10 minutes. How to Assemble 3 Tier Bathroom Counter Organizer Lay Out the Parts Open up the plastic wrap around the organizer parts and place on table. Fit Flat Sections Together The organizer comes with simple directions or you can watch the video on the product’s Amazon page. It is so easy to assemble I don’t think you will need to watch it.Fit the two flat sections together – one gets pushed into the other to create a center X section. Place bottom of center X section into the rotating base section making sure to keep the notched center of the X section at the top. Secure the X section into the base using the rubber washers. They stretch over the prongs that go into the base. Repeat on the other X sections under the base. Stand Base Upright Begin to attach the slots on the shelves into the center section slots. Close Up Of Rings The rubber rings are pretty ingenious and easy to place over the hooked sections to secure the 4 shelves. Arrange Shelves The 4 shelves on the organizer can be placed at different heights for each of the 4 sections.Place what you want on the bottom shelf of the organizer to determine where to place each of the 4 second tier shelves. To secure the shelves, place hook into the slot on the base then push the shelf left to lock it in place. Add a rubber washer over the hook. Repeat for each shelf. Place on Counter or In a Cabinet

    Spin It – Rotating 3 Tier Bathroom Makeup & Skincare Organizer

    This 3-tiered organizer did just what I wanted it to do – created an organized way to keep my skincare and toiletries easily accessible under my sink.

    Do you have any ready-made organizers or storage solutions that help you keep your stuff organized and spaces clutter free?

    If so, leave them in the comments, as all of us especially this time of year are seeking out ways to get clutter under control.

    More Clutter Free Home Organizing Ideas

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    GSL Gallery takes over disused Parisian factory with “punk” interiors

    Weathered walls and concrete floors feature in this design gallery that creative collective The Guild of Saint Luke and architecture firm Studio ECOA have set up inside a former factory in Paris.

    Spread across one storey and two mezzanines, GSL Gallery provides a mixture of studio and exhibition space for the group of architects, artists and artisans that make up The Guild of Saint Luke.
    GSL Gallery sits inside an old factoryThe gallery occupies a disused factory in Pantin, a neighbourhood in northeastern Paris with a growing arts and culture scene.
    In recent years, the building operated as a classic car garage but was purchased by art dealer and gallerist Hadrien de Montferrand during the pandemic with the aim of transforming the site into a gallery.
    The building’s concrete floors were retainedDe Montferrand enlisted locally based Studio ECOA to carry out all the necessary architectural changes and asked The Guild of Saint Luke (GSL) to steer the building’s design and become its first tenant.

    “We were charmed by the space and found the patina and raw walls to be punk and accidentally on-point,” GSL’s creative director John Whelan told Dezeen.
    Clean white panelling was added to give the space the look of a typical gallery”Working in close collaboration with Studio ECOA, we proposed a project that retained all of the rawness of the spaces with very minimal design interventions,” he continued.
    “We felt that it would be criminal to interfere with the existing mood, which is melancholic and eerily beautiful.”
    Studio ECOA restored the building’s facade and aluminium roof, as well as preserving its original concrete flooring.
    A live-work space can be found on GSL Gallery’s first mezzanineBoxy storage units were built on either side of the front door to form a corridor-like entrance to the ground floor, where white panelling was added across the lower half of the patchy, time-worn walls to emulate the look of a typical gallery.
    This ground-floor space will be used to display a changing roster of avant-garde installations, which GSL hopes to finance by using the gallery’s workspaces to produce more commercial projects for design brands.

    Maison François brasserie in London takes cues from Ricardo Bofill’s architecture

    “Commercial endeavours will help to fund more proactive ‘passion projects’, where we will exhibit GSL’s own designs along with designers and artists that we admire,” Whelan said.
    “Our chief motivation is creative freedom, as we hope to produce installations that do not necessarily adhere to a commercial brief.”
    Bathroom facilities are contained in a mirrored volumeThe building’s two existing mezzanines were cut back to create a central atrium, which draws natural light into the gallery’s interior.
    The lower mezzanine now houses a hybrid live-work space where GSL members or visiting artists can stay the night.
    This space is centred by a large Donald Judd-style wooden table and also accommodates a bed, kitchenette and a bathroom concealed within a mirrored volume.
    Metal sanitary ware reflects the light in the bathroomExtra exhibition space is provided on the secondary mezzanine that sits beneath the building’s roof, directly under a series of expansive skylights.
    Prior to now, GSL has largely specialised in hospitality interiors – restoring historic brasseries across Paris and devising opulent restaurants such as Nolinski near the Musée du Louvre and Maison Francois in London.
    The lower mezzanine also houses a bed and a large table”We hope that the gallery will be an extension of the aesthetic that we are trying to develop, embracing new ideas but never abandoning the pursuit of beauty,” Whelan explained.
    “It feels like a good time to do so, as Covid has cleared and a mood of optimism in design has emerged. This bracing, minimal space feels almost like a clean slate and invites a multitude of possibilities.”
    The second mezzanine sits directly underneath the building’s skylightsOther recent additions to Paris’s cultural landscape include a major extension of the Musée Albert Kahn by Kengo Kuma and Associates, which made room for a historic collection of 72,000 photographs.
    Elsewhere in the French capital, Bruno Gaudin Architectes just completed a 15-year renovation of the National Library of France, incorporating a number of new circulation routes and public spaces.
    The photography is by Oskar Proctor. 

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    Celine recalls “vintage spirit” at Rue Saint-Honoré boutique

    Celine creative director Hedi Slimane channelled “French elegance” when designing the latest Celine boutique in central Paris, which features expanses of brass and marble as well as Slimane-designed furniture.

    Located on Paris’ Rue Saint-Honoré, known for its luxury shopping, the store sits within a 19th-century Haussmann building and connects to a Celine Haute Parfumerie store that was opened in 2019 and references old art deco perfumeries.
    The store was designed by Hedi SlimaneSet over two floors, the 137-square-metre store is dedicated to the brand’s leather goods, accessories and fine jewellery. Its interior was designed by Celine’s creative director, Slimane, who has helmed the fashion house since 2018.
    The Rue Saint Honoré store continues Slimane’s vision for Celine’s global store interior identity, which the brand explained recalls a vintage spirit and ideas of French elegance – much like its recently opened Bond Street store.
    It references French modernism”Conceived as a timeless setting, the architecture of the boutique gives a sense of intimacy, precisely recalling old art deco perfumers’ designs,” said Celine.

    “The ground floor, dedicated to leather goods, fine jewellery and women’s accessories, is structured around the ideas of French elegance and ‘vintage’ spirit.”
    Slimane also referenced French modernism through the choice of materials and furniture for the store.
    Brass, wood, marble and glass were used throughout the storeIn a nod to the neighbouring perfume store, whose walls were clad in sheets of imposing black and white marble, identical sheets of antique marble were used for the floors of the accessories and jewellery store.
    A jewel-like, golden brass, semi-helicoidal staircase tops the white-veined marble floor and leads visitors up to a mezzanine level and Parisian-style salon used to display artisanal bags from Celine’s Haute Maroquinerie collection.

    Hedi Slimane uses “French elegance” to define Celine store in London

    The upper level of the store is host to an antique marble fireplace, zigzagging walls of mirrored panels and wooden furniture wrapped in leather and shaggy fur designed by Slimane.
    Oxidised metal panels clad the walls of the ground floor between backlit, ribbed glass louvres, while vitrine-style shelving and cabinetry recall opulent modernist interiors.
    The store will stock accessories and jewelleryArt pieces selected from the Celine Art Project are displayed throughout the store, including a totem by Ian LC Swordy, a painting by Will Boone and a suspended glass and golden brass mobile by Virginia Overton that was personally commissioned by Slimane.
    Earlier in December, Slimane showcased his 17th collection for Celine which saw the creative director return to Los Angeles to present his Autumn Winter 2023 womenswear show at the Wiltern Theatre – an art deco landmark built in 1931.
    Following Slimane’s appointment as Celine’s creative director, he began carrying out renovations of Celine stores worldwide developing signature design codes for the brand’s store interiors.
    The photography is courtesy of Celine.

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    RtA NYC store by Dan Brunn features broken crystal and red fitting rooms

    Pieces of broken crystal fill a display case that runs the length of this Manhattan boutique, completed by Los Angeles-based architect Dan Brunn for streetwear brand Road to Awe.

    The store on Mercer Street in SoHo is both the third location for Road to Awe, also known as RtA, and the third designed by Dan Brunn Architecture.
    Road to Awe’s third store by Dan Brunn is divided by a central displayFollowing outposts in West Hollywood and Las Vegas, the new 2,152-square-foot (200-square-metre) space occupies the ground floor of a historic landmarked building.
    “Honoring the more industrial nature of its surroundings, RtA Soho takes on a streamlined and contemporary approach with a raw edge directly opposing the more playful and ostentatious style of the Vegas location and serene nature of its West Coast counterpart,” said Brunn’s studio.
    The row of vitrines is filled with pieces of broken Baccarat crystalThe open floor plan is divided along the centre by a line of mirrored chrome vitrines.

    Created in collaboration with crystal brand Baccarat, the display contains 2,000 pounds (907 kilograms) of broken crystal that would have otherwise been discarded.
    Clothing is hung from suspended steel beamsEach case has an angled top to create a faceted surface, while a red glow surrounds the base of the structure.
    The crystal pieces are also back-lit, “casting rays of light throughout the store like a reverse disco ball” according to the brand.
    At the rear, a fitting room area is entirely red and illuminated with neon stripsMenswear and womenswear are displayed either side of this central axis, hung from floating horizontal blackened steel beams that help to divide the space.
    Brunn retained the original wooden flooring, but painted it in a gradient that blends from white to black towards the rear of the store.

    Delicate glass shelves illuminate Las Vegas boutique by Dan Brunn Architecture

    At the back is an entirely red area that provides access to the fitting rooms.
    A velvet-covered seating module runs down the middle of this space, flanked by repeated arches that puncture the side walls and are outlined by neon lights.
    Areas of missing brick in the fitting rooms are lined with gold leafNeon strips also traverse horizontally across the ceiling, while an LED display on the back wall plays RtA’s merchandising videos and fashion shows.
    Inside the fitting rooms, “valleys” in the existing brick wall “were sporadically filled with gold leaf paint employing the Japanese kintsugi method of embracing the beauty in imperfection”, said the studio.
    The RtA NYC store is located in a historic building on Mercer StreetBrunn’s first store for RtA opened on Melrose Avenue in 2017, followed by his boutique at the Wynn resort in Las Vegas in 2019.
    The architect has also renovated a Frank Gehry-designed house for an illustrator and designed a long slender home spanning a brook for himself.
    The photography is by Brandon Shigeta.

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    Ten modern homes with interiors informed by biophilic design

    Biophilic design, which aims to create spaces in which humans are more connected to nature, is becoming increasingly popular. In this lookbook, we’ve gathered 10 interiors with soothing biophilic designs.

    The design principle can be used in architecture and interior design through the use of natural materials, as well as the integration of more natural light and green plants.
    The 10 projects in this lookbook, which range from a Japanese home with decorative scaffolding to an Italian house with an indoor Ficus tree, show how biophilic design has been used in projects all over the globe.
    This is the latest in our lookbooks series, which provides visual inspiration from Dezeen’s archive. For more inspiration see previous lookbooks featuring colorful 1970s interiors, innovative stone furniture and interiors designed using the Color of the Year.
    Photo by Murray FredericksWelcome to the Jungle, Australia, by CplusC Architectural Workshop 

    The Welcome to the Jungle house in Sydney was designed by architecture studio CplusC Architectural Workshop for its director, Clinton Cole.
    Made partly from recycled materials, the building was designed as an experiment in sustainable urban living and has a rooftop vegetable garden as well as an aquaponics system containing edible fish, allowing its inhabitants to live in close connection to nature even in the city.
    Find out more about Welcome to the Jungle ›
    Photo courtesy of Suzuko YamadaDaita2019, Japan, by Suzuko Yamada
    This Japanese home may look industrial with its unusual permanent scaffolding. But designer Suzuko Yamada effectively brought its inhabitants closer to the environment by creating the steel structure, which allows them to step straight out to the garden on the first floor.
    On the second floor, two steel platforms form balconies filled with green plants, while the house’s 34 windows in different sizes let in plenty of natural light.
    Find out more about Daita2019 ›
    Photo by Hiroyuki OkiWall House, Vietnam, by CTA
    Vietnam’s Wall House was made from hole-punctured bricks and has a central atrium that gives the home a courtyard-like feel. Ho Chi Minh City-based CTA added leafy green plants and trees around the periphery of the room to make it feel almost like a garden.
    By using the hole-punctured bricks and adding plenty of light and green plants, the studio hoped to create a house that would be able to “‘breathe’ 24/7 by itself”, it said, thereby improving the home’s air quality.
    Find out more about Wall House ›
    Photo by Leonardo FinottiRibeirão Preto residence, Brazil, by Perkins+Will
    Perkins+Will’s drew on biophilic design principles when creating this house in Ribeirão Preto, a city in southeastern Brazil.
    It features retractable glass walls that open the interior up to the outside, as well as tactile wooden screens and a verdant green roof.
    Find out more about Ribeirão Preto residence ›
    Photo by ​Hiroyuki OkiBat Trang House, Vietnam, by Vo Trong Nghia Architects
    A series of elevated gardens function as a natural cooling system in Bat Trang House, which has an exterior made from ceramic bricks that was designed to function as a perforated skin.
    Gaps in the ceramic shell function as air vents. These circulate air thorough the home, which also has trees, bushes and other plants peeking out through the gaps and creating a second layer “buffer zone” that cools the interior.
    Find out more about Bat Trang House ›
    Photo courtesy of Tsukasa OnoSumu Yakushima, Japan, by Tsukasa Ono
    This co-operative housing project was designed by architect Tsukasa Ono to have a positive impact on its natural setting. Ono used a principle that he calls “regenerative architecture” to reframe the relationship between human habitation and nature.
    Sumu Yakushima was built using wooden piles with charred surfaces that promote the growth of mycelium (fungal threads), encouraging tree root growth and helping to strengthen the soil.
    Find out more about Sumu Yakushima ›
    Photo by Delfino Sisto Legnani and Alessandro Saletta from DSL StudioThe Greenary, Italy, by Carlo Ratti Associati and Italo Rota
    The Greenary’s living space centres around a 10-metre-tall Ficus tree, which designers Carlo Ratti and Italo Rota added to help “blur the boundaries between the natural and artificial”.
    The home, located in the countryside outside Parma, was designed as a “forever home” in a farmhouse and granary. A fully-glazed southern wall lets plenty of light into the interior and showcases the tree from the outside.
    Find out more about The Greenary ›
    Photo by Barton TaylorPepper Tree Passive House, Australia, by Alexander Symes
    This home in Unanderra, Australia, was given an angular addition by architect Alexander Symes. Featuring wood-lined living spaces, it opens onto a terrace that is perched in the canopy of a large tree.
    Green plants and a brown and tan colour palette enhance the feeling of being close to nature in the living area.
    “Sustainability is at the core of the project – embodied between the natural material palette, high performance design and strong biophilic connection,” said Symes.
    Find out more about Pepper Tree Passive House ›
    Photo by Hirouyki OkiThe Drawers House, Vietnam, by MIA Design Studio
    The Drawers House was designed to maximise the connection to the outdoors while maintaining privacy for its inhabitants and features multiple plant-lined courtyards.
    Its white rendered walls have also been covered in plants to enhance the feel of being immersed in nature, while a hallway was decorated with a wall of creeper plants that extend the length of the site.
    Find out more about The Drawers House ›
    Photo by Lenny CoddThe Cork Studio, UK, by Studio Bark
    Studio Bark constructed The Cork Studio almost entirely from cork, a natural material that can be completely recycled, reused or composted.
    Made using discarded granules from a wine cork manufacturer, the building was erected around an existing sycamore tree that was growing on the site, giving its interior a cosy treehouse-feel.
    Find out more about The Cork Studio ›
    This is the latest in our lookbooks series, which provides visual inspiration from Dezeen’s archive. For more inspiration see previous lookbooks featuring colorful 1970s interiors, innovative stone furniture and interiors designed using the Color of the Year.

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    Falken Reynolds applies beach-toned palette to Cadboro Bay House interiors

    Bringing the ocean inside was the primary goal of interiors studio Falken Reynolds when designing this waterfront home on Vancouver Island.

    The modern house at the southern tip of the island in British Columbia, Canada was completed by architect Chris Foyd of local firm Bo Form for an active couple with three sons.
    Maximising views of the ocean was Falken Reynold’s principal focus for the interiorsThe family relocated to Cadboro Bay from prairie city Edmonton, and wanted to maximise their coastal location after living so far from the sea.
    “The client had a clear vision for the house – a very pared back, durable and minimalist interior but with warmth and subtle sophistication,” said Falken Reynolds principal Chad Falkenberg, who led the design of the interiors.
    Low furniture helps to prevent blocking sightlines to the outdoorsMeasuring 5,400 square feet (501 square metres), the house appears like a bungalow from the street, while its lower level is tucked underneath and faces the ocean.

    Upstairs is an open-plan kitchen, dining and living room, a primary suite and two more bedrooms, as well as a study, powder room and mudroom.
    A selection of Danish and Italian midcentury pieces are placed throughout the homeDownstairs, at pool and beach level, are two further bedrooms, a large home gym, a media room and a rec room.
    The expansive views of the bay through huge floor-to-ceiling windows on both floors are the focus of every space.
    The neutral colours and materials echo the tones of the beach”We wanted to bring the peacefulness of the natural environment inside,” Falkenberg said. “When it came to the detailing we drew a lot of inspiration from modern Belgian architects who are masters at warm minimalism.”
    Low furniture, neutral tones and natural textures together create a casual and serene mood in harmony with the scenery outside.
    The primary suite is located on the upper level and overlooks the water”The palette is an extension of the beach: grays, whites and wood – light and desaturated for the oak millwork and hemlock ceilings – including the oak furniture in the dining room, living room and bedroom,” said Falkenberg.
    The pared-back materials, most of which were sourced locally, also help to highlight the family’s collection of mid-century Canadian art.

    Falken Reynolds gives Saint George House in Vancouver a “Canadian Nordic” feel

    Paintings displayed throughout the home add bold splashes of colour, along with pieces like a glass chandelier by Bocci over the dining table and green marble in the bathroom.
    Along with a selection of Danish and Italian modernist furniture designs, these details help to give the spacious home a more intimate feel.
    Green marble adds colour in the bathroom”The large open spaces and expansive views could easily have felt vacuous with the minimalist approach,” Falkenberg said.
    “The trick was to balance the clean lines with subtle details that add just the right layer of warmth to the spaces.”
    The house was designed by Bo Form and is positioned on the southern tip of Vancouver IslandBased in Vancouver, Falken Reynolds has completed several minimal residential interiors in and around its home city.
    They include a historic townhouse renovation, a house with 11 skylights and a loft apartment with a hidden sleeping nook.
    The photography is by Ema Peter Photography.
    Project credits:
    Interior design: Falken ReynoldsArchitect: Bo Form Architecture, Christian FoydLandscape design: Demitasse Garden Design

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    Ten pop-up shop interiors featuring memorable designs

    Our first lookbook of 2023 collects 10 pop-up shop interiors from around the world, from a swimming-pool-style store by fashion brand Jacquemus to a playful supermarket stocked with groceries made of felt.

    Pop-up shops are temporary retail spaces created as locations for brands to sell their products, generally installed for only a matter of weeks or months.
    Due to their fleeting nature, these stores often feature statement interior designs to capture the attention of their audiences, especially if their aim is to promote new or limited-edition goods.
    Showcasing a variety of material and colour palettes, here are 10 pop-up shops featured on Dezeen.
    This is the latest in our lookbooks series, which provides visual inspiration from Dezeen’s archive. For more inspiration see previous lookbooks featuring suspended fireplaces, homes with sliding doors and interiors informed by Bauhaus principles.

    Image courtesy of SelfridgesLe Bleu, UK, by Random Studio and Simon Jacquemus
    Experience design firm Random Studio created a series of pop-up installations at London’s Selfridges department store that served as temporary shops for French fashion label Jacquemus between May and June last year.
    Titled Le Bleu, the surrealist installations included a pale blue tiled space that was informed by swimming pool changing rooms, complete with dark blue lockers and cubicles holding a series of smaller installations within them.
    Find out more about Le Bleu ›
    Photo by Calle HuthA Better Place to Think, Norway, by Snøhetta
    A Better Place to Think was an Oslo pop-up store designed by architecture studio Snøhetta for tablet brand reMarkable, which looked to the tranquility of libraries for its interior design.
    Warm-hued reading lamps positioned on divided wooden desks illuminated curved leather banquettes where visitors were invited to sit and read. A squiggly neon overhead light took cues from the shape and energy of handwriting.
    Find out more about A Better Place to Think ›
    Image courtesy of Lucy SparrowThe Sparrow Mart, USA, by Lucy Sparrow
    Sushi rolls, pork chops and a playful ATM machine all made entirely out of felt featured in a makeshift supermarket installation in Downtown Los Angeles by British artist Lucy Sparrow.
    The Sparrow Mart was stocked with 31,000 purchasable plush renditions of grocery staples, which were arranged along aisles in colourful rows that took cues from 1980s American supermarkets.
    “As a child, I was obsessed with the exotic, turbo-charged technicolour glow emanating from across the Atlantic,” the artist told Dezeen.
    Find out more about The Sparrow Mart ›
    Photo by Gray HamnerSKKN pop-up shop, USA, by Perron-Roettinger
    Design studio Perron-Roettinger adopted a minimalist colour and material palette when creating the first pop-up shop for SKKN, Kim Kardashian’s skincare and homeware brand.
    Located in a Los Angeles shopping mall until the end of last year, the store’s curved alcoves and sculptural counters were clad in raw plaster and cement, which acted as shelving for the reality TV star’s pared-back products.
    Kardashian opened another pop-up shop in 2021 to promote her underwear brand SKIMS, featuring glossy display units designed by Willo Perron.
    Find out more about this SKKN pop-up store ›
    Photo by Jasper FryMugler Bodyscape, UK, by Random Studio
    Random Studio recently dressed the interior of Corner Shop, Selfridges’ ever-changing retail space, with chrome-effect fragments designed to mimic women’s body parts. The pieces formed an installation celebrating 30 years of fashion brand Mugler’s fragrances.
    Called Bodyscape, the striking large-scale fragments were made from painted wood, while a drop-shaped sculptural centrepiece dispensed Mugler scent intermittently, and also produced undulating lighting when visitors approached it.
    “Seen from the street, the sculptural installation forms an abstract side view of a woman elegantly reclining,” said Random Studio.
    Find out more about Bodyscape ›
    Photo by Benoit FlorençonTiffany & Co pop-up shop, France, by OMA
    Pieces from jeweller Tiffany & Co’s 185-year history are currently on display at a pop-up shop in Paris designed by architecture studio OMA, which will be edited throughout this year until its dismantling in May.
    The labyrinthine store includes a dramatic blue rotunda showcasing designs from Tiffany’s extensive archive, which are encased within pyramidal glass plinths mirrored by gigantic images of the jewellery – blown up to give visitors a closer look at the pieces’ delicate features.
    Find out more about this Tiffany & Co pop-up shop ›
    Photo by Jonathan HökkloSelf-Portrait pop-up shop, USA, by Storey Studio
    Luxury fashion brand Self-Portrait showcased its ready-to-wear Autumn Winter 2019 collection at a New York pop-up store in the city’s SoHo neighbourhood designed by Storey Studio.
    An immersive setting was created by hanging drapes of translucent pink-and-white lace that the studio attached to a concentric circular wooden structure, while suspended tubes of LED lighting illuminated the interior.
    Find out more about this Self-Portrait pop-up store ›
    Photo courtesy of Axel Arigato”Upside-down” Axel Arigato pop-up shop, UK, by Avoir
    Axel Arigato footwear is currently for sale at this “upside-down” pop-up shop in Selfridges, designed for the streetwear brand by French studio Avoir to recall an inverted office.
    Trainers fitted with magnets stick to the walls of the space, which features familiar polystyrene grid ceilings and other office-like materials such as strip lighting and exposed wires.
    “The concept was to flip the script both physically and figuratively on what customers expect from a pop-up, turning all elements upside down through an industrial office lens in which the ceiling becomes the floor and vice versa,” said Axel Arigato.
    Find out more about this “upside-down” pop-up shop ›
    Photo by GlossierGlossier pop-up shop, USA, by Studio Lily Kwong
    Landscape designer Lily Kwong looked to the topography of Capitol Hill, Seattle, to create a local pop-up shop for beauty brand Glossier.
    Conceived in collaboration with Glossier, the store contained moss-topped mounds referencing rolling hills and covered with the region’s native plants.
    Pink and purple accents featured throughout the space and nodded to the brand’s brightly coloured make-up collection, which was displayed on white plinths.
    Find out more about this Glossier pop-up shop ›
    Photo by Topia VisionFatface Coffee, China, by Baicai
    Fatface Coffee was a pop-up coffee shop designed by architecture studio Baicai and presented for a month at Shenyang’s Window Gallery in China.
    The focal point was 300 forest-green beer crates forming a central rectilinear bar and cork-seated stools – an installation that intended to blend the city’s fondness for beer with a local coffee culture that is emerging.
    Bacicai opted for this central seating area to create an open space encouraging free circulation and challenged the conventional floor plan of a cafe.
    Find out more about Fatface Coffee ›
    This is the latest in our lookbooks series, which provides visual inspiration from Dezeen’s archive. For more inspiration see previous lookbooks featuring suspended fireplaces, homes with sliding doors and interiors informed by Bauhaus principles.

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