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    This week we announced Dezeen Awards grand prize winners

    This week on Dezeen, we revealed the overall architecture, design and interiors winners of the 2022 Dezeen Awards at a party in London.

    At the ceremony, Argo Contemporary Art Museum and Cultural Centre by Ahmadreza Schricker Architecture North was named architecture project of the year, Ecole Camondo Méditerranée by Émilieu Studio won interiors project of the year, and the Wheeliy 2.0 wheelchair by Quantum was named design project of the year.
    The winners of the six studio categories were also announced, with all the winners receiving a Dezeen Awards trophy designed by Dutch studio Atelier NL.
    Plans to revamp the Sainsbury Wing were approved this weekAlso in London, planning permission was granted for the controversial revamp of the Grade I-listed postmodern Sainsbury Wing of the National Gallery, originally completed in 1991 and designed by Denise Scott Brown and Robert Venturi.
    Ahead of the decision, Scott Brown has urged planners to refuse permission for the remodel, describing the plans by US studio Selldorf Architects as “destructive”, “arbitrary” and “irreversible”.

    Foster + Partners revealed its design for the King Salman International AirportIn other architecture news, British studio Foster + Partners this week unveiled its design for the six-runway King Salman International Airport in Riyadh, which will be Saudi Arabia’s principal airport.
    Named after Saudi Arabia’s king Salman bin Abdulaziz Al Saud, the building is the third airport the studio is currently designing in the country.
    SANAA’s Art Gallery of New South Wales completed this weekIn Sydney, Pritzker Architecture Prize-winning studio SANAA completed the Art Gallery of New South Wales ahead of its public opening today.
    Occupying a series of overlapping pavilions that step down towards Sydney Harbour, the gallery was designed to contrast the 19th-century neo-classical architecture of the existing art gallery.
    We began our review of the year by focusing on reuse projectsAs 2022 draws to an end, we kicked off our review of the year with a round-up of the 10 most eye-catching reuse architecture projects completed over the last 12 months. Among them is a Dezeen Award-winning art museum in Tehran, a Marcel Breuer-designed hotel and the renovation of a former church in Edinburgh (above).
    We continued by looking at 10 skyscrapers that had the greatest impact this year, including the EU’s tallest building by Foster + Partners and the world’s skinniest skyscraper in New York.
    CLT House was one of this week’s most-viewed projectsPopular projects this week included a vibrant yellow-rendered CLT extension to a house in London (pictured), a concrete house in the Mexican desert and a Kéré Architecture-designed community centre in Uganda.
    Our most recent lookbook showcased homes with sliding doors and lounge areas with fireplaces suspended from the ceiling
    This week on Dezeen
    This week on Dezeen is our regular roundup of the week’s top news stories. Susbscribe to our newsletters to be sure you don’t miss anything. More

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    Architects and designers from around the world celebrate at Dezeen Awards 2022 party

    Dezeen Awards judges joined architects and designers from all over the world for this year’s Dezeen Awards party where this year’s overall winners were revealed.

    The event at One Hundred Shoreditch hotel in London welcomed guests from Australia, Mexico, India, Iran, USA, China, Brazil and Japan to celebrate 50 winners.
    The three overall project winners, which recognise the best building, interior and design of the year, were chosen from the project winners and were revealed at the party by head of Dezeen Awards Claire Barrett.
    Winners joined co-CEOs Benedict Hobson and Wai Shin Li (centre) for a group photographGuests included Italian architect Fabio Novembre, Sharjah Architecture Triennial curator Tosin Oshinowo, artist Rosey Chan, designer Tom Dixon and experiential designer Nelly Ben Hayoun, amongst others.
    Studios MVRDV, RSHP, Scott Whitby Studio and Proctor and Shaw were among the project category winners that attended to collect their Dezeen Awards trophies designed by Dutch studio Atelier NL.

    Guests networking and celebrating at the Dezeen Awards partyGuests at One Hundred Shoreditch enjoyed drinks provided by this year’s Dezeen Awards drinks sponsors X Muse, Pasqua, Maestro Dobel and The Dalmore, as well as music by Next Door Records. The winners also received a bottle of X Muse vodka.
    The photography is by Luke Fullalove. More

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    Yinka Ilori draws on “unapologetic” architecture of Burkina Faso for debut pop-up shop

    Modular display stands modelled on buildings in Burkina Faso feature in the first brick-and-mortar shop that London-based designer Yinka Ilori has created for his self-titled homeware brand.

    Taking over a compact retail space in Shoreditch in the leadup to Christmas, the pop-up shop features a colour-block interior designed to match the products on sale, as slime-green walls clash with pink and orange flooring.
    Yinka Ilori has opened a pop-up shop in LondonThis “more is more” philosophy to colour also extends onto the store’s glossy lacquered product displays, designed by Ilori to reference the construction of mosques and homes in Burkina Faso.
    “I am really obsessed with their design language which is very African, very rich and very unapologetic,” he told Dezeen.
    “There is a recurring use of squares and triangles and you sometimes also see poles sticking out of the structures. I found these poles fascinating. They are structural but also used to make it easy for people to climb up and repair the building.”

    Products are displayed in modular colour-block storage unitsIn the store, these shapes are reflected in the modular storage units, which are constructed from medium-density fibreboard (MDF) and each topped with a stepped pyramid.
    Strategically placed holes can be used much like those on a pegboard to add poles of different sizes and provide storage for a changing array of products.
    Longer rails can be slotted in to hang T-shirts and throws, while smaller pegs can hold umbrellas or prop up shelves for presenting mugs, notebooks and other lifestyle items.
    The units end in stepped pyramidsBulkier items such as the designer’s collection of tableware and limited-edition basketballs are displayed on counters panelled in ribbed MDF that is sprayed in a gradient of colours to emphasise their sinuous shapes.
    At the store’s entrance, six of Ilori’s hand-painted Square Stools are arranged into a towering window display that shows off their stackability.

    “I use colour as a way of starting a conversation” says designer Yinka Ilori

    The opening of the pop-up also coincides with Ilori’s latest product drop. Themed around “memory-making, togetherness and play”, this includes everything from notebooks and basketballs finished in sunny, childlike patterns to a collectible version of the traditional Yoruban strategy game Ayo.
    In line with this idea, the shop will also host different events for the local community, from an Ayo tournament to a tasting of Nigerian palm wine.
    The counters have slatted legs painted in a gradient of coloursOpening his first physical store is “an absolute dream come true”, Ilori said.
    “My public projects are all about interaction both between audiences and with the work itself but I don’t often get to interact directly with people and I feel it’s time for me to do that,” he added.
    “Through the store, I’m able to get their feedback on my work and also see how they interact with each of the products and the stories I’m trying to tell through these pieces.”
    The shop’s floor was finished in a vibrant colourIlori started his homeware brand in 2020 with the aim of reworking “unexpected, functional household items as artworks” by imbuing them with bold colours and patterns that reference his British-Nigerian heritage.
    The products feature many of the same patterns he previously developed for his large-scale installations, such as The Colour Palace pavilion he created for the London Festival of Architecture together with local studio Pricegore.

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    Finnish Design Shop creates forest-set logistics centre to enable “a more sustainable future”

    Avanto Architects and Joanna Laajisto have designed a logistics centre for retailer Finnish Design Shop that features warm timber, a foraged-food restaurant for staff and visitors, and views of the surrounding forest.

    Located on the outskirts of Turku, west of Helsinki, the logistics centre is the hub for storage, management and dispatch of products from the Finnish Design Shop, which says it is the world’s largest online store for Nordic design.
    The company needed a new logistics centre after a period of high growth, but founder and CEO Teemu Kiiski also aimed for it to be a meaningful place for employees and visitors.
    The Finnish Design Shop logistics centre is located in the Pomponrahka nature reserve in Turku. Photo is by KuvioEmployees of the logistics centre can enjoy plenty of light and forest views as well as warm timber environments and a restaurant run by Sami Tallberg, an award-winning chef who specialises in foraging.
    The Finnish Design Shop had first explored whether it could convert an existing building in the Turku area, but, finding nothing suitable, chose to build on a site in the Pomponrahka nature reserve, where the surrounding forest would provide a calming work environment and reflect the appreciation for wood in Nordic design.

    To undertake construction there responsibly, the Finnish Design Shop says the builders saved as many trees as possible and landscaped the area with natural forest undergrowth and stones excavated from the site.
    The entrance features glass curtain walls that connect the interior and exterior. Photo by KuvioAvanto Architects designed the 12,000-square-metre building to blend into the forest as much as possible — a challenge given its massing, a product of the warehouse layout.
    The layout was created beforehand by specialist consultants to maximise the efficiency of operations, which are carried out by robots in an automated system.
    The centre includes a showroom. Photo by Mikko RyhänenThe architects opted for a dark facade with a vertical relief pattern that becomes visible on approach and echoes the tree trunks in the surrounding woodlands.
    “The pattern forms a more human scale to the large facade surfaces,” Avanto Architects co-founder Anu Puustinen told Dezeen. “We also used warm wooden accents in the main entrance vestibule, balcony and windows.”
    There is also a restaurant that specialises in foraged food. Photo by Mikko RyhänenThe architects gave the office spaces large windows so the employees could enjoy frequent views of the forest and lots of light, and included a balcony for access to the outdoors on the first floor.
    The entrance to the centre is through the showroom, which features glass curtain walls that showcase the use of the building and a long, straight staircase made from two massive glulam beams.
    The first-floor offices have a view of the warehouse floor. Photo by KuvioThe interior was designed by Laajisto and her studio, who aimed to make the space feel well-proportioned and comfortable despite its size and to create a good acoustic environment by liberally applying sound-absorbing materials.
    She kept the colour and material palette neutral and natural, with lots of solid pine and ash wood to continue the forest connection, but used furniture from the Finnish Design Shop in bright colours to punctuate the space.

    Formafantasma and Artek’s Cambio exhibition explores Finnish design’s link to forestry

    “The aim was that every aspect in the interior should be done well and beautifully,” Laajisto told Dezeen. “Attention to detail was embraced in things that typically are overlooked, such as doors, plumbing fixtures and electrical hardware selections and applications, acoustic ceiling panels and ceramic tiles.”
    The project is the first logistics building in Finland to be certified BREEAM Excellent, the second highest level.
    Special attention has been paid to creating a good acoustic environment with sound-dampening materials. Photo by Mikko RyhänenKiiski, who positions the company as the opposite of multinational e-commerce players such as Amazon, aimed for the new centre to be the most socially and environmentally sustainable online store.
    “The values that life in the Nordic countries is based on include transparency, equality and respect for nature,” said Kiiski. “It would have been impossible to create this company and our new logistics centre without unwavering respect for these values.”
    Wood is featured throughout the interiorHe believes that global online shopping can be socially and environmentally sustainable when issues in supply chains, logistics and operations are addressed.
    “Many studies show that online shopping can have a lower carbon footprint as compared to in-store shopping,” said Kiiski. “This is due to the more efficient logistics in e-commerce and the fact that in-store shopping usually involves private transport.”
    “We want to push the whole industry towards a more sustainable future,” he continued.
    The hub is meant to offer employees a healthy and humane working environment. Photo by Mikko RyhänenPast work by Avanto Architects includes the Löyly waterfront sauna in Helsinki, which has a multifaceted exterior that visitors can climb, and the Villa Lumi, a house with a sculptural white staircase.
    Laajisto’s previous projects include office interiors for service design company Fjord and the Airisto furniture collection for Made by Choice, which was inspired by Scandinavian holiday culture.

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    Julia van Beuningen adds spiral stair in Dutch barn conversion

    A spiral staircase made from plywood is the showpiece of this thatched barn in Gelderland, the Netherlands, which architectural designer Julia van Beuningen has converted into a residence.

    Van Beuningen has overseen a complete transformation of the late 19th-century building, named Barn at the Ahof, turning it into a rental home with four bedrooms and a large open-plan living space.
    The plywood staircase was produced by manufacturer EeStairsThe plywood staircase, produced by manufacturer EeStairs, sits at the heart of the floor plan. With its precise curved geometry and slender components, it offers a playful contrast with the barn’s rustic wooden columns and beams.
    “We thought, if we’re going to do something, we have to do it properly,” Van Beuningen told Dezeen.
    The staircase leads up to a new first floor within the converted barn”This is very different and very unusual in a barn like this,” Van Beuningen added. “It’s something you either love or hate, but it’s definitely a statement.”

    Barn at the Ahof is one of several buildings on an ancient farming estate named Landgoed Appel that Van Beuningen inherited from her family.
    She is planning to overhaul the entire site through a mix of rebuilds and refurbishments and create a series of low-energy houses that can be used for either long-term or holiday rentals.
    An open-plan living space occupies the ground floorAs the barn had been previously renovated approximately 10 years ago, it didn’t require as much work as some of the other properties on the estate.
    Van Beuningen is not a qualified architect – she is primarily a cellist and works in architecture part-time – so she enlisted local studio Flip Wentink Architecten to oversee the planning stages.
    However, she decided to manage the detailed-design phase herself, adding in extra details like the spiral staircase and some built-in joinery elements.
    The first floor provides two bedrooms and bathroomsOn the ground floor, the staircase creates a divide between a dining area and a lounge with a wood-burning stove. A minimal steel kitchen island runs along the side of this space.
    Also on this storey is an accessible bedroom and bathroom suite.
    The newly added first floor, which is much smaller in size, accommodates two additional bedrooms and bathrooms.
    Bespoke joinery provides in-built storageVan Beuningen tried to use simple natural materials wherever possible.
    As well as the plywood staircase and joinery, the renovated barn features walls of flax and lime plaster.

    Alibi Studio cuts slice through disused barn to frame sky views

    “It’s quite a proud building,” said the designer, “and it’s quite strong and industrial.”
    “I wanted to respect this industrial nature, which is not easy when adding in a new floor that is quite a heavy element. So I thought we should be quite humble in terms of materials.”
    Glazing skirts the edge of the first-floor bedroomsClever glazing details help to elevate the design.
    Highlights include large glass doors that can be concealed behind stable-style shutters, tall and slender skylights, and a narrow strip of glazing that skirts the edge of the first floor.
    A third bedroom is located on the ground floorExternally, the building has a more traditional appearance thanks to its thatched roof and red brick walls.
    Barn at the Ahof is the second completed building at the Landgoed Appel estate, following the refurbishment of the former bakehouse. Still to come is the overhauled farmhouse, revamped sheep shed and a new-build barn.
    Large glass doors are fronted by stable-style shuttersEnvironmental sustainability is a key concern for Van Beuningen, so all of the buildings are being designed to incorporate solar panels and ground-source heat pumps.
    Some sections of the estate have been rewilded, while ancient wetlands have been reinstated.
    Skylights puncture the traditional thatch roofVan Beuningen hopes the project can pave the way for more sustainable tourism in Dutch rural communities. At a time when the government is restricting the farming industry, in order to reduce greenhouse gas emissions, she hopes to show farmers can explore other revenue streams.
    “It’s really a long-term project in that sense,” she added.
    Other recent barn conversions featured on Dezeen include the stone Woodthorpe Stables in Surrey by Delve Architects and North River Architecture’s extension of an 18th-century farm building in New York.
    The photography is by Alex Baxter.
    Project credits
    Client: Landgoed AppelArchitect: Flip Wentink ArchitectenInterior architect: Julia van BeuningenStructural engineer: Peter Rommers/Luuk van Doeveren ArchitektuurM&E consultant: Peter RommersQuantity surveyor: Peter RommersLighting consultant: Julia van BeuningenStaircase engineering/fabrication: EeStairs

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    Antti and Vuokko Nurmesniemi's “common design philosophy” showcased at Helsinki Design Museum retrospective

    A vivid orange Helsinki subway seat and an iconic timber sauna stool are among the pieces in this exhibition of work by design duo and couple Antti and Vuokko Nurmesniemi.

    Various works by the late interior architect Antti Nurmesniemi and textile designer Vuokko Nurmesniemi are presented in this eponymous exhibition at Helsinki Design Museum, which charts the pair’s work from the 1950s to the 2000s.
    An orange Helsinki subway seat is included in the exhibition. Photo is by Mari KallionpääFrom kitchen crockery to colourful textiles, the Nurmesniemis created a broad range of designs together and individually over their solo and shared careers before Antti’s death in 2003.
    “The exhibition is important because there has never been a joint retrospective exhibition about this central designer couple in Finnish design history,” curator Susanna Aaltonen told Dezeen.
    Colourful garments by Vuokko also featureArranged across a gallery at Helsinki Design Museum, the show includes a striking orange subway seat that Antti created in 1982 in collaboration with industrial designer Börje Rajalin – a model that is still in use on Helsinki transportation today.

    Visitors can also find an extensive cluster of garments featuring bright hues and geometric patterns, designed by Vuokko for her fashion label Vuokko Oy, which she founded in 1964.
    Antti’s red Pehtoori coffee pot is well-known in Finland. Photo is by Mari KallionpääA red Pehtoori coffee pot from 1957 by Antti is also on display – described by Aaltonen as a product that is “often highlighted as Finland’s early industrial design item” – as well as elegant models of electricity pylons created with interior architect Jorma Valkama in 1997.
    Also central to the exhibition are photographs of and furniture from Studio Home Nurmesniemi, the couple’s live-work home and atelier in Kulosaari, Helsinki, which was completed in 1975.
    Lounge chairs by the couple are defined by black, white and red pinstripesThese pieces include signature wooden sauna stools and 1980s geometric lounge chairs designed by Antti and upholstered in Vuokko Oy pinstripe fabrics.
    This furniture is displayed alongside archival imagery of the designers in their modernist house – a setting still used for Vyokko Oy photoshoots.

    Fyra celebrates bohemian history of Helsinki’s Hotel Torni in contemporary revamp

    “All in all, the couple’s shared home and studio house is the finest example of the [their] lifestyle dedicated to design,” reflected Aaltonen.
    “I hope that the exhibition will increase people’s understanding of Finnish cultural heritage and that people will also learn to cherish and preserve objects better, especially interiors.”
    Artefacts on display vary from furniture to pylon scale modelsOther shows at Helsinki Design Museum include a recent exhibition by design studio Formafantasma and furniture brand Artek and a temporary “insect hotel” installation that is currently on display outside the museum.
    Previous retrospectives at the museum include one centred on the plastic furniture and chairs of Finnish designer Eero Aarino.
    The exhibition is held at Helsinki Design MuseumAntti + Vuokko Nurmesniemi is on display at Helsinki Design Museum from 28 October 2022 to 9 March 2023. See Dezeen Events Guide for an up-to-date list of architecture and design events taking place around the world.
    The photography is by Paavo Lehtonen unless otherwise stated. 

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    No Architecture inserts “garden folly” into New York duplex apartment

    Wooden structures supporting net hammocks rise up through the two-storey interior of this apartment in New York’s West Village, designed by No Architecture.

    The Urban Tree House residence comprises two units in a skyscraper overlooking the Hudson River called 165 Charles Street, designed by Richard Meier & Partners and completed in 2005.
    A spiral staircase connects the pair of timber towers added into the double-height living space”We combined two units by first, redrawing all rooms into a cohesive ‘matrix plan’ and second, inserting a ‘garden folly’ that relates the interior to the adjacent Hudson River Greenway,” said New York-based No Architecture.
    Spanning 3,512 square feet (326 square metres), the apartment’s new double-height living space is surrounded by 22-foot-tall (6.7-metre) glass walls on three sides.
    Net hammocks are suspended above seating areasTo reduce the scale of this volume without blocking the light from entering, the architects added two “tree houses” constructed from vertical, horizontal and diagonal timber beams.

    One of the structures aligns with the home’s floor plan, while the other is rotated to face the park and the river beyond.
    One structure is aligned with the floor plan and the other is angled to face the park and river beyondBoth incorporate elevated hammocks made from black netting stretched between the beams, which are accessed via a spiral staircase between the two towers.
    “Like inhabitable diagrams, these installations can be read as two fragments of a 3D gridded matrix – the timber framework expressing x-, y- and z-lines of interconnecting spatial relations,” said No Architecture.
    Rooms are made flexible thanks to operable walls, like a bookshelf that rotates 360 degreesUnder and around these structures, tall plants add to the tree house aesthetic, and furniture is coloured in grey and neutral shades to match the exposed concrete columns and ceilings.
    This palette continues throughout the apartment, which includes four bathrooms and four bedrooms that the architects refer to as “chambers” due to their multi-functional capabilities.

    No Architecture arranges Flower House in the Berkshires around hexagonal courtyard

    The flexibility is made possible by a series of operable walls that can be shifted to control levels of privacy or connectivity.
    For example, giant moveable bookshelves divide the open living space and adjacent chambers. One slides sideways on tracks, while the other rotates 360 degrees.
    Douglas fir panelling is used throughout the apartmentThe same concept is applied to several of the doors, which are detailed to match the full-height Douglas fir panelling found in many of the rooms.
    “Across these multiple iterations, the architectural question of the ‘wall’ no longer functions primarily as separation, but also –through the added quality of motion – as connection,” No Architecture said.
    A neutral and grey palette complements the exposed concrete structureThe studio was founded by Andrew Heid in 2014, and has completed projects across the US – from a family nature retreat in rural Massachusetts to a house designed around a glazed garden in Oregon’s wine country.
    The Urban Tree House is one of many homes that incorporates net hammocks as playful furniture to occupy spare space – see six examples here.
    The photography is courtesy of No Architecture.
    Project credits:
    Team: Andrew Heid, Chengliang Li, Chuhan Zhou, Feng Zhao, Kun Qian, Nadya Mikhaylovskaya, Theo Dimitrasopoulos, Trendelina Salihu, Wanpeng Zu, Xiangxiang Wang, Zhe Cao, Ziwei DengCollaborators: GMS, Gallon Engineering, Blueberry Construction

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    AMO experiments with materials for Stone Island store in Chicago

    Fashion brand Stone Island has debuted a retail concept by Dutch studio AMO, which includes surfaces made from compressed shredded paper, burnt cork and sand-coated steel.

    The research studio, affiliated with architecture firm OMA, created the store concept to celebrate Stone Island’s 40th anniversary.
    Stone Island’s Chicago store features a digital chandelier at its entranceAs well as an update to the look and feel of the interiors, AMO has designed the spaces to host a program of public presentations, salons, workshops and private events beyond store opening hours.
    For the store’s architecture, the studio referenced the “innovative” approach taken by the Italian brand to transforming materials for its products, particularly outwear.
    The interior was designed by AMO to reflect the brand’s experimental approach to materials”Research and innovation are at the core of Stone Island,” said AMO director Samir Bantal, who worked with Natalie Konopelski, Giulio Margheri and Mateusz Kiercz on the project.

    “The space, materiality, and program of the stores underpin the brand’s ethos, and reinforce a sense of belonging of its community of like-minded people,” he continued.
    Walls are lined in cork that has been burnt, sandblasted and coatedThe inaugural store to be designed based on this direction is the 180-square-metre space in Chicago, Stone Island’s first in the city.
    The space features altar-like niches for displaying archival pieces and prototypes to highlight Stone Island’s focus on technology and development.
    A niche at the back of the store displays archival products and prototypesSurfaces throughout the store are intended to look like stone, though none are actually made from it. Instead, off-the-shelf materials have been treated in a variety of ways to replicate the same visual qualities.
    Shredded paper and resin were compressed under high pressure to produce durable panels that mimic concrete, and used to create sculptural displays for products.
    Sculptural display stands are formed from shredded paper and resin that’s compressed to look like concreteCork – which is a staple in existing Stone Island stores – was burnt, sandblasted and coated to create a dark texture. Applied to the walls, the material helps to both absorb sound and control humidity, while the ceiling is covered with a sawtooth arrangement of translucent light boxes.
    Corrugated steel panels were sand-coated to create a softer finish and used to form a curved partition around the fitting rooms.
    The fitting rooms are surrounded by sand-coated corrugated steelAt the store’s entrance, which has a bright orange floor, a digital chandelier is suspended from the ceiling and broadcasts messages to shoppers.
    Following the opening of the Chicago store in October 2022, plans are in place to roll out the concept at locations including Seoul, Munich and Stockholm.

    AMO cocoons Jacquemus store in pillows to create “bedroom-like” interior

    “Stone Island and AMO share values of innovation, functionality, and passion,” said Stone Island creative director and president Carlo Rivetti.
    “I am very happy to begin this important partnership, a new visual approach for our stores, to speak to our communities.”
    Stone Island’s research is explained through displaysAMO was founded as the research arm of OMA, and has developed long-standing relationships with several fashion brands.
    One of its most frequent collaborators is Prada – the studio has designed a number of environments for the Italian brand’s runways shows over the years.
    The Chicago store is the first iteration of the concept by AMOMost recently, AMO worked with French brand Jacquemus to create a Paris boutique with a “bedroom-like” interior and a terracruda-clad shop-in-shop at London’s Selfridges.
    The photography is by Marco Cappelletti, courtesy of Stone Island and OMA/AMO.

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