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    No Architects completes “seamless” revamp of 1920s house in Prague

    Czech studio No Architects has renovated and extended a 1920s villa in a Prague suburb, adding bespoke joinery and modern details that complement the original architecture.

    The studio headed by artist Daniela Baráčková and architect Jakub Filip Novák oversaw the modernisation of the property in the Smíchov district on the left bank of the Vltava river.
    The joinery on the ground floor was painted duck-egg blueThe extensive remodelling and extension aimed to retain the character of the house, which was built in the 1920s in a romantic style that references the steep-pitched roofs and brick cladding of arts and crafts-style English villas.

    No Architects removed all of the existing floors, ceilings and non-load-bearing walls of the semi-detached property and added a side extension to accommodate containing a ground-floor guest suite and a bedroom on the first floor.
    Bespoke joinery was added throughout the interiorThe extension utilises the same palette of clay roof tiles, painted brick and a pumice stone plinth in order to produce a timeless aesthetic that is in keeping with the original architecture.

    “Other contemporary extensions in this neighbourhood got very old very quickly and don’t fit in well anymore,” Jakub Filip Novák told Dezeen.
    “Our addition refers to the original facade details and is hardly recognisable as separate to the original house. The connection between the new and old parts is not just via design, but it seems seamless even by structure and same ageing of material.”
    The interior layout was reconfigured to modernise the villaThe revamped interior has a contemporary layout, with an open living and dining area linked to the adjacent kitchen. A new doorway in the rear elevation provides direct access from the kitchen to the garden.
    A custom-built unit next to the back door discreetly conceals a pantry and toilet, along with plenty of storage and space for the refrigerator.

    Butterfly House renovation contrasts traditional features with modern materials

    No Architects designed bespoke joinery added throughout the house to make optimal use of the available space and to create a sense of aesthetic consistency between the various rooms.
    “The living space consists of many details and we like to frame them because it helps connect plenty of technology and infrastructure which surround us in any house,” said Novák.
    “It’s also an economic decision,” he added, “because every square metre of living space in Prague is expensive so it is rational to use it sensibly. We see joinery as part of such thinking, uniting architecture, construction and technology.”
    Green woodwork adds a splash of colour to the staircaseSome of the interventions were painted in pastel shades that add a distinctive character to the spaces. The upper floor and staircase feature green woodwork, while the ground-floor joinery is painted a shade of duck-egg blue.
    The clients spent part of their lives working in Japan and the United Kingdom, so some of the colours and details reference these experiences.
    The decorative panelling and exposed radiators on the first floor recall traditional British houses, while the minimal bench seating in the living room and the tiled porch evoke Japanese living.
    The studio designed built-in seating in the living roomA small door on the first-floor landing provides access to a previously unused space above the entrance that now contains a private play area accessible only by the children.
    Throughout the project, No Architects adapted existing features to give them a new purpose or to enhance the character of the building while ensuring it meets the client’s requirements.
    The bespoke joinery was designed to optimise space in the home”We work with intuitive ‘memory of architecture’ and aesthetics which belongs to the original era but we don’t follow it directly,” Novák added, “we just use it to make a nice place that makes the most of the potential which is in the atmosphere of the house.”
    No Architects’ founders met while studying at the Academy of Arts, Architecture and Design in Prague. The studio combines the disciplines of art and architecture to produce detailed-oriented solutions that reflect their clients’ requirements and personalities.
    The photography is by Studio Flusser.

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    Tala Fustok fills Hyde Park apartment with contemporary art and vintage furniture

    Tala Fustok Studio has transformed the interior of an apartment in west London into a “calm sanctuary” containing carefully chosen artworks and furnishings influenced by the travels of its owner.

    The Palace Gate apartment is located on the fourth floor of a Victorian mansion block neighbouring Hyde Park in the Royal Borough of Kensington and Chelsea.
    Tala Fustok has designed the The Palace Gate apartment in LondonLocal interior designer Tala Fustok set out to turn the four-bedroom property into a relaxing pied-a-terre containing a collection of contemporary artworks.
    “I wanted to create a calm sanctuary to balance the hustle and bustle of the city and the owner’s lifestyle,” Fustok told Dezeen.
    “Our client is an ardent traveller, frequenting North Africa and copious European cities,” she added. “We wanted to ensure this was reflected in the design, as a sort of escapism and bringing a dose or reminder of those settings to their London home.”

    Integrated storage conceals steel beams in the living roomThe interior features a palette of soft colours intended to evoke a sunset, with textures of stone and earthy fabrics adding to the nomadic and natural feel.
    The 252-square-metre interior was reorganised through several structural interventions that opened up the living and dining area, as well as combining two bedrooms to form a large principal bedroom and dressing area.
    A woven chair and a vase from east London’s M.A.H Gallery stand in the entrance hallIn the main living space, steel beams are concealed within a room divider featuring curved surfaces and open shelves that allow light and views throughout, while providing spaces for displaying artwork.
    Deep hues and textures including plastered walls and velvet upholstery add richness and variety to the scheme, making the most of the light that floods into the southwest-facing spaces.
    Wooden cabinetry contrasts with brass details in the kitchenA monochromatic colour scheme forms a simple backdrop for the artworks, vintage furniture and bespoke elements created to enhance the home’s restful atmosphere.
    Fustok’s studio was involved in selecting the unique furnishings and art for the home in order to elevate the spaces and create consistency throughout the different rooms.

    Tala Fustok Studio layers different metals to create calm ambience in Manhattan loft apartment

    A pared-back entrance hall – containing a Venetian mirror, a woven chair and a vase from east London’s M.A.H Gallery – leads through to the dining room where a mirror from The Antique Mirror Company hangs above a painted brick fireplace.
    A 1970s Italian travertine table combines with a curved sofa to create a space for informal dining. On top of the table is a centrepiece from London’s Vessel gallery and beneath sits a shaggy rug by designer Tim Page.
    A huge pink-velvet bed is the centrepiece of the bedroomFustok added double arched doors to connect the dining room with the adjacent kitchen, where wooden cabinetry contrasts with brass details including the cooker hood.
    The living room features a travertine fireplace along with a mirror and rug that match those used in the dining room. Bespoke furnishings made of bleached plywood, brass and timber contribute to the space’s relaxed, rustic character.
    The same pink tones carry over into the bathroomIn the main bedroom, a 1960s-style bed upholstered in dusty pink velvet provides a bold centrepiece.
    The tapestry above the bed is from London gallery Schmid McDonagh, while a bespoke mirror by French artist Christophe Gaignon is positioned above the stone fireplace.
    A dressing area alongside the main bedroom is arranged around a bespoke storage island wrapped in leather and plywood, which is illuminated from above by a pendant light from British design studio Pinch.
    The dressing room is arranged around a bespoke storage islandThe Moroccan-informed en-suite bathroom contains a bespoke travertine sink and zellige tiles in the shower. The design of this space encapsulates the nomadic inspirations seen throughout the residence.
    Tala Fustok studied at the Architectural Association before setting up her studio in west London.
    Her previous projects include a Manhattan loft with a calm ambience and an office for game developer Ninja Theory in Cambridge, which features a blood-red bar and an all-blue cinema room.
    The styling is by Sania Pell and photography by Michael Sinclair.

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    Dezeen's top 10 hotels of 2022

    A temple-like hotel in Mexico and a converted prison in Berlin feature in this roundup of the best hotel designs of 2022, as we continue Dezeen’s review of the year.

    Over 50 hotel and short-stay projects featured on Dezeen in 2022. Our list includes both destination hotels, such as the idyllic Patina Maldives, and stylish urban boltholes like Ace Hotel Toronto.
    Key hospitality trends include growing demand for staycations, as offered by venues like Sweden’s Treehotel, and the rise of the work retreat, thanks to venues like Artchimboldi Menorca.
    Read on for our top 10 hotels of 2022:
    Photo by Jaime NavarroCasa TO, Mexico, by Ludwig Godefroy

    Natural cooling was the priority for architect Ludwig Godefroy when designing this boutique hotel near Puerto Escondido, on Mexico’s Pacific coast.
    The cast-concrete structure integrates various openings – including large circular cutaways – to allow the breeze to flow through. There’s also a pool spanning the building and a series of outdoor baths for first-floor rooms.
    Godefroy described the hotel as “like the reinterpretation of an Oaxacan temple, generating a radical sensory experience upon entering”.
    Find out more about Casa TO ›
    Photo by Tom de PeyretHotel Terrestre, Mexico, by Taller de Arquitectura X
    Also near Puerto Escondido, Mexican architect Alberto Kalach and his studio Taller de Arquitectura X designed a monumental hotel complex that runs entirely on solar power.
    Hotel Terrestre consists of a series of buildings constructed from concrete and hand-made mud bricks, including 14 villas, an open-air restaurant, a spa and swimming pools.
    The ambition of the design was to embed structures in the landscape as if they have been there for years.
    Find out more about Hotel Terrestre ›
    Photo by The IngallsDowntown LA Proper Hotel, USA, by Kelly Wearstler
    Named hotel and short-stay interior of the year at Dezeen Awards 2022, this 148-room hotel in downtown Los Angeles has an eclectic interior created by designer Kelly Wearstler to reflect the city’s thriving creative scene.
    A former private club built in the 1920s, the property has been transformed with influences from Mexico, Morocco, Spain and Portugal, as well as references to local culture and history.
    Arriving guests are greeted by a hand-painted multicoloured mural designed by artist Abel Macias and a graphite reception desk designed by ceramicist Morgan Peck. Other highlights include a suite with its own pool.
    Find out more about Downtown LA Proper Hotel ›
    Photo by Patricia ParinejadWilmina, Germany, by Grüntuch Ernst Architects
    One of the most surprising new hotels of 2022 occupies an abandoned women’s prison and courthouse in Berlin.
    Locally based Grüntuch Ernst Architects transformed former cells within the 19th-century Charlottenburg facility into tranquil guest rooms finished in light colours, soft textures and warm, tactile materials.
    The U-shaped cell block now also contains a library, bar, spa and gym, while an extension housing Wilmina’s restaurant links the building with the former courthouse, which houses the hotel reception and a gallery called Amtsalon.
    Find out more about Wilmena ›
    Photo courtesy of BIGBiosphere, Sweden, by BIG
    The ever-popular Treehotel added another architect-designed treehouse in 2022, this time by Danish firm BIG.
    Joining designs by the likes of Snøhetta and Tham & Videgård, BIG’s Biosphere is the eighth treetop suite to be installed on the remote woodland site in Swedish Lapland.
    The building exterior is formed of 350 birdhouses of different sizes, fixed to a metal grid. Behind this is a 34-square-metre glass cube containing a bed, a toilet and a lounge space designed with birdwatching in mind.
    Find out more about Biosphere ›
    Photo by Fernando GuerraPatina Maldives, Maldives, by Studio MK27
    This project by Brazilian office Studio MK27 turned an island in the artificial Fari Islands archipelago in the Maldives into a luxury hotel resort, featuring secluded beach suites and water villas that project out to sea.
    The buildings – which include the Dezeen Awards-shortlisted spa – feature a materials palette of earthy colours, matt finishes and natural textures that chime with the natural landscape.
    Never rising above the tree canopy, they are dotted around the island in an arrangement designed to create areas of vibrant social activity and spaces of complete seclusion.
    Find out more about Patina Maldives ›
    Photo by William Jess LairdAce Hotel Toronto, Canada, by Shim-Sutcliffe Architects
    The Ace Hotel brand continued its tradition of collaborating with prolific architects for its first venue in Canada, which is designed by the RAIC Gold Medal-winning Shim-Sutcliffe Architects.
    The 123-room Ace Hotel Toronto features a facade of red brick laid in various patterns and an elevated lobby suspended from huge concrete arches.
    Original artworks by primarily Canadian artists feature throughout the hotel rooms and common areas, including a three-storey installation by Shim-Sutcliffe co-founder Howard Sutcliffe.
    Find out more about Ace Hotel Toronto ›
    Photo by Xun ZhengFloating Cloud Township Villa, China, by More Design Office
    Chinese studio More Design Office (MDO) renovated six traditional rammed-earth houses to create these contemporary guesthouses in the village of Qinglongwu, in Zhejiang Province.
    The properties were upgraded with new windows, partition screens and furniture, which offer a contemporary contrast to the rough-textured earth walls, and the original doors and window shutters.
    The vacation homes form part of newly established tourist destination, the Fangyukongxiangsu Cultural and Creative Complex. They are joined by two new concrete buildings that contain a bar and lounge.
    Find out more about Floating Cloud Township Villa ›
    Photo by Lizzet Ortiz and DesliorHotel Flavia, Mexico, by RootStudio
    Mexican architecture firm RootStudio delivered this 27-room hotel in Oaxaca without drawing up any plans.
    Located on a steep site, the building was commissioned in stages, as a “habitable sculpture”, so most of the design details were worked out on site.
    The result is a building organised around a courtyard filled with endemic vegetation. Visitors enter from the top level and make their way down toward the hotel’s rooms and amenities.
    Find out more about Hotel Flavia ›
    Photo by Pol ViladomsArtchimboldi Menorca, Spain, by Emma Martí
    This former girls’ school in Menorca is now home to a different type of workspace – hospitality company Artchimboldi and architect Emma Martí have turned it into a work retreat.
    The building features design-focused spaces where businesses can host meetings or team-building sessions, plus wooden “pods” that serve as bedrooms.
    Find out more about Artchimboldi Menorca ›

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    Parramon + Tahull adds tiled floors and bespoke joinery to refurbished Barcelona apartment

    Barcelona studio Parramon + Tahull has renovated a traditional apartment in the city’s Gracia neighbourhood, adding birch plywood joinery and ceramic tiling to complement the building’s original features.

    The apartment is home to a family of four, which has lived there for several years and wanted to carry out a significant overhaul of the outdated interior.
    Parramon + Tahull has renovated an apartment in BarcelonaThe clients asked local architects Lluís Parramon and Emma Tahull to oversee the transformation of the space to provide an open living area and kitchen, along with separate bedrooms for each of their two daughters.
    The apartment is located on the upper floor of a five-storey building dating from the 1900s. A previous renovation undertaken around 20 years ago had altered the layout and destroyed most of the original features.
    The studio added bespoke joinery including a small built-in deskParramon + Tahull began by removing all of the existing partition walls in order to create a brighter and more practical series of spaces within the compact floor plan.

    The rearranged interior also provides plenty of usable storage and restores some of the original details, including wooden beams that had been painted white by the previous owners.
    Terracotta tiles cover floors throughout the apartment”We wanted to bring natural light into all the spaces and to achieve a sense of flowing, continuous space despite the limited surface area,” Tahull told Dezeen.
    “We were interested in working with natural materials and returning some of the original spirit of the building to the apartment.”
    Bespoke joinery is also provides storage in the bedroomsDue to its small size, the architects paid close attention to the choice of materials and layout in order to create a serene, spacious feel.
    “To achieve all the client’s goals, we had to work on a very precise scale of detail, designing all of the furniture to measure in order to take advantage of every square centimetre,” Tahull explained.

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    The interior utilises a palette of predominantly natural materials, chosen to complement the wooden beams while providing an element of tonal and textural contrast.
    Parramon + Tahull chose ceramic tiles from Spanish manufacturer Wow to create a continuous flooring surface throughout the entire apartment, including the kitchen and bathroom.
    Glossy white tiles clad the walls in the bathroom”We were looking for a small-format tile so the feeling of space would be bigger,” Tahull added. “We also wanted to play with a tapestry-like colour scheme that included white, because white gives a great luminosity and echoes the white of other elements.”
    The white and terracotta-coloured tiles include different formats, textures and surface finishes ranging from glossy to matte.
    White grout is used for the floors throughout the rooms, while the bathroom walls are clad in white tiles with contrasting reddish grout.
    Reddish grout provides a visual contrastBespoke fitted cabinetry made from birch plywood provides practical storage in every room, as well as in the hallway. Along with the tiles, the wood forms a consistent element that unites the spaces.
    Lluís Parramon and Emma Tahull founded their studio in 1997. The office focuses on delivering comfortable, contextual and energy-efficient architectural projects for private and commercial clients.
    The photography is by Judith Casas Sayós.

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    VSHD Design creates “intriguing and mysterious” interior for sushi restaurant Origami

    Emirati studio VSHD Design has completed a dark and dramatic interior for a restaurant in The Dubai Mall, featuring a pared-back palette of natural materials chosen to reflect Japanese minimalism.

    Origami is a sushi restaurant, whose first outpost opened in Dubai’s Jumeriah neighbourhood in 2014.
    VSHD Design has designed the Origami restaurant in The Dubai MallFor its second branch, the owners asked VSHD Design to create a space that provides a unique experience within the cookie-cutter environment of a shopping mall.
    The studio, led by interior architect Rania Hamed, used materials such as textured grey plaster, matte-black tiles and low lighting to create an atmosphere that evokes the underground sushi bars found throughout Japan.
    Glass bricks form a low bar in the waiting area”Origami’s interior makeover features simple forms in natural materials, and organic shapes reflecting the simplicity and minimalism of traditional Japanese culture,” VSHD Design explained.

    The interior features monolithic columns and walls informed by the architecture of temples, along with seating covered with draped fabric and textured glass partitions that contribute to the feeling of “intrigue and mystery”, the studio said.
    Six-metre-thick columns frame the restaurant’s entranceThe restaurant is entered through the gaps between a number of six-metre-thick columns, designed to enhance the sense of separation between the mall and the main dining room.
    A small retail space on one side of the entrance hosts a concession selling chocolates while on the other side, a low bar area with wooden stools and a glass-block counter provides a waiting area for diners.

    Weathered rocks inform interior of Orijins coffee shop by VSHD Design

    “The solid shop front facade made of rammed-earth clay and glass bricks evokes a feeling of intrigue meant to draw people inside,” said VSHD Design.
    The narrow entrance also limits the amount of natural light entering the dining room, which helps to maintain the dark and intimate feel.
    The main dining room is dimly litThe restaurant is arranged over two split levels that offer different seating arrangements, with the main area featuring built-in bench seating arranged around its perimeter.
    Three steps lead up to a space housing the sushi bar, which is illuminated by an overhead light box and allows diners to watch the chefs at work.
    A sushi counter at the back allows diners to watch the chefs at workBlack tiles covering the walls, floors and counter create a dark and minimalist ambience throughout the interior.
    The furnishings, including wooden chairs and benches upholstered with draped white fabric, provide a more relaxed and tactile element.
    “Overall, it is the lines, the materials and the colours incorporated within the design that uphold a Japanese sensibility and spirit, while still appealing to a modern sense of luxury,” the studio said.
    Black tiles cover the walls and floorsRania Hamed founded VSHD Design in 2007 and has since worked on residential and commercial projects in countries including Jordan, Egypt and the United Kingdom.
    The studio’s projects in Dubai include a gym that references brutalist architecture and underground fight clubs, as well as a coffee shop with a curved ceiling and boulder-like counters.
    The photography is by Oculis Project.

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    Merry Christmas from Dezeen!

    Merry Christmas! We’ll be back tomorrow – in the meantime read our review of 2022 and enjoy this Christmas tree designed by Japanese studio Nendo.

    The review of 2022 rounds up the most interesting and popular architecture, design and interior stories from the past year. It includes roundups of the top houses, home interiors, staircases, skyscrapers, rebrands, furniture and much more.
    Read the review of 2022 ›

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    Space-age design informs Nodaleto shoe store by Rafael de Cárdenas

    French shoe brand Nodaleto has chosen Miami as the location of its first US store, which New York studio Rafael de Cárdenas designed with sci-fi-influenced red and chrome interiors.

    The shop opened in Miami Design District during the city’s art week earlier this month, starting a two-year lease in the 1,000-square-metre space (10,764 feet).
    Sculptural red seats run through the middle of the Nodaleto storeRafael de Cárdenas based the interior on mid-century French design, as a homage to the influence this movement had on sets created for sci-fi movies.
    The studio also linked the shape of Nodaleto’s signature heels to chairs featured in Stanley Kubrick’s film 2001: A Space Odyssey.
    The interiors pay homage to midcentury French design and space-age movie sets”The design, driven by the concept of ‘hyper-modern hospitality’, explores shapes and materials that echo the feel of a space station as well as an idea of a glamorous future,” said the Rafael de Cárdenas team.

    “In many ways, midcentury French design defined the frontier of space as much as NASA; the interior reflects that.”
    Shoes are displayed on white shelves in front of brushed chrome panelsSci-fi references can be seen across the store, which is fully carpeted in bright red and features brushed chrome panels divided by thin light strips along its walls.
    “In cinematographic style, a warm satin velvet floor meets cold steel shelves,” the studio said. “The store space – in line with brand’s creative tone – strives to induce the experience of contemporary luxury.”
    The shape of Nodaleto’s signature heel reminded Rafael de Cárdenas of the seats in 2001: A Space OdysseyShoe displays run the length of the narrow space, with white shelves suspended in front of the metallic panels.
    Through the middle are a series of sculptural, undulating modular seats for shoppers to sit and try on the footwear.

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    A large red volume right at the centre is emblazoned with the brand’s backlit logo, as well as three pairs of white mannequin legs that emerge from the vertical surface.
    “The store serves as a moldable creative field for the brand and strives to offer an intimate immersion into Nodaleto’s mischievous personality,” said the studio.
    White mannequin legs emerge from a wall under the Nodaleto logoRafael de Cárdenas was shortlisted for interior design studio of the year at the Dezeen Awards 2022. Named after its founder, the studio’s previous projects include a bar inside New York’s Nordstrom department store and the Manhattan offices of beauty brand Glossier.
    Miami Design District is home to the stores of many luxury brands, with architecture and interiors by internationally renowned studios, including Louis Vuitton’s menswear store wrapped in a diamond-patterned facade by Marcel Wanders.
    The brand’s first US store is located in Miami Design DistrictThe city, seen by some as the capital of Latin America, received an influx of creative talent during the Covid-19 pandemic and continues to grow as a cultural destination.
    “Nodaleto chooses Miami because it’s a crossroad of cultures, a city permanently kissed by the sun, a hub for arts and design, because of its daring nerve and unapologetic energy,” said the studio.
    Also during this year’s Miami Art Week, Kelly Wearstler debuted a collection of knotted marble furniture and Nike showcased hundreds of Virgil Abloh-designed sneakers.
    The photography is by Kris Tamburello.

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    Casa Olivar is a Madrid apartment designed as a “sensorial refuge”

    Designers Matteo Ferrari and Carlota Gallo have transformed a traditional two-storey apartment in Madrid, Spain, into a tranquil home for themselves featuring a pared-back palette of natural materials and crafted details.

    Casa Olivar is located in a typical corrala – a type of apartment building found in the old parts of Madrid, where housing units are accessed from external covered corridors.
    Matteo Ferrari and Carlota Gallo have designed their own apartment in MadridThe apartment’s interior was in poor condition when Ferrari and Gallo purchased the property, and decided to convert it into a contemporary home.
    The design retains some of the building’s historical features while reorganising the compact interior to create a series of light and bright interconnected spaces.
    Its living room is flooded with light via two huge windowsFerrari and Gallo describe the apartment as a “non-urban place, a sensorial refuge to reconnect with ourselves, regulate our emotions and disconnect from the hustle and bustle of the outside world”.

    The couple used a pared-back material palette to create a warm and comfortable atmosphere, making the most of the daylight that enters the interior through two large windows in the living room.
    Arched openings separate the dining area from the living room”The intervention is characterised by a spatial continuity and a warm minimalism,” the duo explained. “It seeks to elevate natural light and encourage the use of local craft materials, generating a close dialogue between light and materiality.”
    A central partition dividing the dining area from the living room was altered by adding a pair of lowered arches that echo the proportions of the facade openings.
    Aluminium kitchen fronts provide a counterpoint to the muted colour paletteLight from the windows passes through the openings to reach the kitchen, while the bedroom downstairs receives indirect illumination from a pair of openings in the floor above.
    Throughout the interior, the designers chose to use simple and authentic materials, featuring predominantly earthy tones.
    “The approach is to be honest with the materials, respecting their authentic appearance and textures while prioritising natural resources and local craftsmanship,” Ferrari and Gallo explained.

    Vibrant glazed tiles divvy up Madrid apartment by Sierra + De La Higuera

    The apartment’s entrance opens directly into the kitchen and dining area, which is arranged around a sculptural table designed by the couple that features a textural Tadelakt plaster finish.
    Floors are covered with handmade terracotta tiles to create consistency between the spaces. The same tiles are used in the bathroom, with their varying dimensions giving each space a unique quality.
    The bedroom receives indirect illumination from openings in the floor aboveTables and display stands were created using stone salvaged during the renovation process, while the kitchen’s aluminium storage units provide a contemporary counterpoint to the natural tones and textures.
    Gallo designed the textiles used within the apartment to add texture and dynamism to the spaces. These include a draped nylon curtain that echoes the warm tones used in the bathroom.
    Draped nylon fabric acts as a shower curtain in the bathroomOther works of art and craft bring personality to the apartment, such as the washbasin made by designer María Lázaro and a hammock woven in Colombia using traditional techniques.
    Ferrari moved from Italy to Madrid in 2008 after completing his architecture studies at the University of Ferrara. He founded his own studio in 2015, which focuses on using simple gestures to create timeless and familiar spaces.
    The photography is by Asier Rua.

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