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    Maison Pour Dodo by Studio Merlin is a north London flat with a “spectrum of storage”

    Studio Merlin has revamped a Stoke Newington flat for its founder, Josh Piddock, by incorporating an abundance of storage to form serene, clutter-free living spaces.

    The project’s nickname, Maison Pour Dodo – which loosely translates from French to “house for sleep” – was inspired by Piddock’s desire for a tidy, restful home that had little material noise.
    To achieve this brief, Studio Merlin decided to install a range of storage throughout the two-floor flat that could comfortably accommodate Piddock’s and his girlfriend’s belongings.
    A tall bookshelf has been erected in the living area”The ‘spectrum of storage compression’ idea was taken from previous work assessing museum collections where some objects are in dense storage and others are on display and readily accessible,” explained Piddock, who founded Studio Merlin in 2020.
    “We all filter and organise to some degree and the answer is more cupboards and shelves, but specifically repurposed for a domestic setting,” he added.

    “The real principle is of auditing one’s possessions to create a hierarchy between household articles that reflect their value, favour and practical needs on a daily basis.”
    An opening looks through to the kitchenOne of the first rooms Studio Merlin tackled was the flat’s living and dining area, where a large floor-to-ceiling shelf has been erected to hold the inhabitants’ collection of books and ornaments.
    At the heart of the space is a plump blue sofa by Muuto, which directly faces onto a wall where the inhabitants will project tv shows and movies. This solution was chosen instead of a television to avoid the space becoming “dominated by consumer electronics”.
    The room’s warm, plaster-coloured surfaces and pale Douglas fir floorboards are also meant to add to the calming ambience.
    The cabinetry features smoke-blue cupboards fronts from ReformA newly created opening looks through to the kitchen, where there’s a wall of deep-set IKEA cabinets with smokey blue door fronts from Danish brand Reform.
    Matching low-lying cabinets run along the other side of the room, topped by a concrete counter from Caesarstone where food can be prepared.
    In the corner of the kitchen, there’s also a small seating nook above which are a series of open, pantry-style shelves where the owner can display jars of cooking ingredients.
    Blue paint forms a faux balustrade in the stairwellA paint in a similar shade of blue as the kitchen cabinetry has been applied on the white walls of the apartment’s stairwell to form a faux balustrade.
    Stairs on the first-floor landing are fitted with what the studio describes as “in and out storage”, designed to hold day-to-day essentials that inhabitants need to grab before heading out the door.
    An arched cut-out leads to the cat’s litter trayThe second-floor landing houses more storage cupboards, one of which has been punctuated with an arched cut-out through which Piddock’s cat can access its litter tray.
    There’s also a small study nook for working-from-home days, complete with a desk and Douglas fir stool.
    A small study nook offers a place for inhabitants to take work callsThis second level of the home accommodates the sleeping quarters. In the principal bedroom, built-in wardrobes help to neatly conceal the inhabitants’ clothes.
    Douglas fir offcuts have also been used by the studio to fashion custom curved bedside tables, where books and other trinkets can be tucked away.
    Built-in wardrobes conceal clutter in the bedroomPart of the original bedroom was sectioned off to allow space for a tub in the adjacent bathroom, which features terrazzo-style flooring and gold-tone hardware.
    Storage has been considered here, too – above the toilet is a series of vanity cabinets that have been made to sit flush against the room’s dark green walls.
    “The effect is a composed space where each thing has a home; sometimes concealed, densely packed and understated, others as pride of place, carefully curated and easily physically or visually accessible,” concluded Piddock.
    The bathroom subtly incorporates more storageLondon’s trendy Stoke Newington neighbourhood is host to a number of design-focused homes.
    Others include Two and a Half Storey House, which has an extension that’s hidden from the street, and Gallery House, which features a huge storage wall where the owner can display his personal collection of ceramics and glassware.
    Photography is by Richard Chivers.
    Project credits:
    Architect and interior design: Studio MerlinEngineer: Elliott WoodMain contractor: H Quality Construction

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    Ten residential interiors showcasing exposed plaster walls

    An award-winning council house renovation and homes with curved design elements feature in our latest lookbook, which collects ten interiors that celebrate the versatility of plaster walls.

    Plaster is a protective building material traditionally used to coat walls and ceilings, which are often then covered with decorative paint or wallpaper.
    But architects and designers can also leave a room’s plaster exposed to reduce the cost of a project or create a more rugged visual effect.
    From a bright cottage extension in Australia to a renovated rooftop apartment in Israel, here are ten examples of residential projects with textured plaster walls that complement the rest of their interior designs.
    This is the latest in our lookbooks series, which provides visual inspiration from Dezeen’s archive. For more inspiration see previous lookbooks showcasing compact bedrooms, white kitchens and escapist holiday homes.

    Photo is by Eric StaudenmaierRadius House, USA, by Pentagon
    Curved plaster walls create a sculptural composition in Radius House, a residential project in Los Angeles’ Venice Beach designed by local studio Pentagon.
    Pared-back in colour but dynamically shaped, the walls intend to create an eye-catching backdrop for more contrasting interior elements, such as a walnut grand staircase.
    “The Venetian plaster walls give the residence a luminous continuity and a handcrafted quality throughout,” said Pentagon.
    Find out more about Radius House ›
    Photo is by Nicole FranzenLong Island home, USA, by Athena Calderone
    Walls covered in plaster by Kamp Studios join linen fabric and marble finishes to create this mid-century Long Island home’s pale interior palette.
    New York designer Athena Calderone owns and lives in the dwelling, which she updated to showcase a mixture of contemporary and vintage furniture.
    “The walls were just crisp white, and I wanted to make them plaster and a bit warmer and creamier, so that really changed the house a lot,” explained Calderone.
    Find out more about this Long Island home ›
    Photo is by Jim StephensonCouncil House Renovation, UK, by VATRAA
    Architecture studio VATRAA added dusty-pink plaster walls to this council house renovation in London that won a Don’t Move, Improve! award for its design.
    The warm-hued, textured walls feature British Gypsum Multifinish – a plaster that the studio defined as “banal” – which saved on the cost of paint and created an eclectic canvas for the occupant’s collection of art and design objects.
    Find out more about Council House Renovation ›
    Photo is by Tash McCammonPlaster Fun House, Australia, by Sans-Arc Studio
    Another residential project that celebrates white plaster walls, Plaster Fun House is a south Australian cottage with an extension characterised by terrazzo and playfully-arched windows and doors.
    Sans-Arc Studio took cues from the aesthetic of 1930s cruise liners by incorporating art deco and P&O architecture-style design elements into the extension, which intends to stand out against the neighbourhood’s more commonplace brown-brick houses.
    Find out more about Plaster Fun House ›
    Photo is by Karin MatzHB6B, Sweden, by Karin Matz
    Peeling plaster walls and crumbling bricks were left deliberately exposed during the renovation of HB6B, an apartment in Stockholm measuring just 36 square metres.
    Swedish architect Karin Matz refurbished the open-plan space for herself. It fits a kitchen on one side and a bedroom on the other, interrupted only by a central bathroom.
    According to Matz, HB6B’s peeling walls were designed to maintain “the previous layers and stories” of the apartment, which also features low-hanging lights at different levels.
    Find out more about HB6B ›
    Photo is by Gonzalo ViramonteMaricel’s House, Argentina, by Edgardo Marveggio
    Designed by architect Edgardo Maraveggio for his ex-wife, the thick, textured plaster that covers Marciel’s House in Córdoba also forms its brightly-coloured interior canvas.
    Vivid artworks and furnishings complete the living space, which reveals the yellow waffle-slab roof that tops the dwelling and extends over its front patio.
    Find out more about Maricel’s House ›
    Photo is by Dan BronfeldJaffa Roofhouse, Israel, by Gitai Architects
    The ancient limestone buildings of the Israeli city Jaffa informed this rooftop apartment renovated by Gitai Architects, which is characterised by three curved plaster walls that blend into pale floors.
    The walls were covered in plaster and shaped to soften Jaffa Roofhouse’s existing boxy shell. Their appearance changes from shades of gold to lavender as the sun rises and sets across the city.
    Find out more about Jaffa Roofhouse ›
    Photo is by Simone BossiHouse in a Park, Switzerland, by Think Architecture
    House in a Park is a collection of stone and plaster-lined volumes created by local studio Think Architecture atop a hill in Zurich.
    The home has lime-plaster walls designed to provide a minimal interior setting and focus attention on the surrounding forest views, which can be seen from rectilinear glass windows.
    Find out more about House in a Park ›
    Photo is courtesy of Antonio CardilloHouse of Dust, Italy, by Antonio Cardillo
    A band of craggy, textured plaster lines the upper walls and ceilings of this apartment in Rome to create an unusual visual effect.
    Italian architect Antonio Cardillo used the geometric ratio of the golden section to design a horizontal division that separates House of Dust’s living spaces with contemporary furniture from its statement plaster features.
    Explaining what informed the project, Cardillo said, “[I was] craving for primordial caverns, for Renaissance grotesques, for nymphaeums in Doria Pamphilj, for faintly Liberty facades in the streets off Via Veneto”.
    Find out more about House of Dust ›
    Photo is by Jack HobhouseSkip Stop House, UK, by Design Haus Liberty
    A group of London apartments was completed on a low budget by “using the palette that was already there”, according to Dara Huang of local studio Design Haus Liberty.
    Layers of paint and wallpaper were removed to expose patinated plaster, while the studio also used off-the-shelf materials to create industrial-looking but affordable interiors.
    “We used the palette that was already there but was hidden, so if we uncovered a wall and there was brick behind it we left it and tidied it up,” added Huang.
    “The things that were already there just needed to be uncovered and paired with the right materials.”
    Find out more about Skip Stop House ›
    This is the latest in our series of lookbooks providing curated visual inspiration from Dezeen’s image archive. For more inspiration see previous lookbooks showcasing plant-filled hotels, self-designed studios by architects and designers and interiors with room dividers in place of walls.

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    Floral installations decorate Atrium bar in Atlanta by Smith Hanes Studio

    Handmade fluted ceramic tiles, pink blown-glass lighting and tropical patterned fabrics all feature in this Atlanta bar and restaurant by local architecture firm Smith Hanes Studio.

    Atrium opened earlier this year inside Ponce City Market, located in the city’s Old Fourth Ward neighborhood northeast of Downtown.
    Atrium is split into two main sections, one of which is called The ParlorThe mixed-use development contains a variety of restaurants and retailers, and occupies a converted, historic Sears building.
    Atrium’s interiors by Smith Hanes Studio combine rich tones of green, pink and gold to create spaces that feel simultaneously moody, whimsical and tropical.
    The Parlor features a long bar fronted with handmade ceramic tiles”The design was inspired by colorful French cafes and Art Deco buildings,” said studio founder Smith Hanes. “The lines, colours, shapes and patterns are fascinating, unafraid and daring.”

    The establishment is split over two main rooms: The Parlor and The Bistro.
    A mural of tropical ibis birds accompanies pink seating and a floral installation in the fireplaceThe Parlor accommodates a 1,200-square-foot (110-square-metre) cocktail lounge, where the front of the bar counter and a large column behind are clad in emerald green ceramic tiles handmade by local artisan Charlotte Smith.
    “Similar to the name Atrium, the tiles were inspired by Roman columns and architecture,” she said. “A translucent glaze was applied to accentuate dimension with the pooling of rich colour.”
    A casual lounge area separates The Parlor from The BistroLiquor is displayed in open cabinets with decorative rounded tops, also painted green to contrast the pink shade that covers the remaining walls, ceiling, ductwork and pipes.
    The terrazzo bar countertop, also flecked with pink, curves around to a seating area where banquettes tuck into each corner on either side of a fireplace that has a floral installation.
    The Bistro dining room also features a green and pink colour schemeA hand-painted wall mural by Savannah-based artist Kipper Millsap depicts a flock of ibis birds in flight and is lit by fringed sconces imported from Spain.
    “When I heard that Kipper was painting murals of these glossy ibis from South Africa, I designed a mossy landscape at the fireplace to abstractly house these cool birds,” said floral designer Skye Lind.
    Curtains patterned with tropical plants cover an entire wallFrom The Parlor, arched openings lead through to a bright lounge that is populated by soft, casual seating atop green and white floor tiles.
    More arches on the other side provide access into The Bistro — a dining area with mottled green walls and a striped diagonal pattern applied over its wood flooring.
    Pink banquettes sit atop wooden floors painted with diagonal stripesDusty-pink banquettes and deep-teal love seats surround dark wooden tables, which are also paired with matching chairs for smaller parties.
    Hand-blown pink glass sconces supported by brass arms cantilever over the tables, giving off a warm glow. Further lighting is provided by green cloche-shaped pendants with bronze undersides.

    Five restaurants and bars worth going out for in Atlanta

    These are suspended from the 12-foot (3.7-metre) ceiling among an installation of vines and hanging plants, also by Lind, who founded local florist Pinker Times.
    “Thousands of pieces of florals and foliage are suspended in the air,” Lind said. “Composed like a piece of music, the art installation moves harmoniously around the room to celebrate the culinary experience at Atrium.”
    Tables are illuminated by the glow of pink blown-glass lightsThe verdant theme is also continued in patterns across floor-to-ceiling curtains that drape across the entire back wall.
    “The dining experience at Atrium is reminiscent of a garden party where you’re free to enjoy yourself among the unique natural beauty of each petal and branch,” said the team.
    Atrium is located in Ponce City Market, northeast of Downtown AtlantaSmith Hanes Studio was founded in Atlanta in 2004, then opened a New York office in 2020. Best known for its hospitality projects, the firm also collaborated with R&A on the Woodlark Hotel in Portland.
    Atlanta’s culinary scene has been on the rise for some time. In 2019, we rounded up five bars and restaurants with impressive interiors in the city, including a snug club by Workstead and a cocktail lounge by Tom Dixon.
    The photography is by Tim Lenz.

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    Ten home interiors animated by sculptural winding staircases

    Sculpture-like concrete steps and a curving stair suspended above ground feature in this lookbook, which spotlights ten residential interiors with standout spiral or helical staircases.

    Winding stairways are found in two styles known as spiral or helical stairs. Though they appear similar and both make use of tapered treads, spiral staircases are arranged around a central column, while helical staircases encircle voids.
    Spiral staircases are also typically round in shape and used in interiors with limited space because they require less space than traditional linear stairs.
    Meanwhile, helical stairs require a larger floor area and are therefore more suitable when making a staircase the focal point of a room. These systems commonly have wider elliptical shapes than the spiral versions.
    This is the latest in our lookbooks series, which provides visual inspiration from Dezeen’s archive. For more inspiration see previous lookbooks showcasing bedrooms with clever storage solutions, homes with decorative vaulted ceilings and offices with wooden bleachers.

    Photo is by Cristiano BauceLoft Diego, Brazil, by Arquitetura Nacional
    Arquitetura Nacional suspended this sculptural black staircase from the upper floor of an apartment in Porto Alegre so that its base doesn’t touch the floor.
    Crafted from folded steel and finished with plastic covering, the helicoidal structure helped the studio to transform the duplex into a more “fluid space”.
    Find out more about Loft Diego ›
    Photo is by Olmo PeetersRiverside Tower apartment, Belgium, by Studio Okami Architecten
    While renovating a duplex apartment in the brutalist Riverside Tower in Antwerp, Studio Okami Architecten introduced a pastel blue staircase between its two levels.
    The position and form of the spiralling stair were chosen to help maximise floor space in the dwelling, while its bright finish creates a striking contrast to the exposed concrete behind it.
    Find out more about Riverside Tower ›
    Photo is by Leonardo FinottiCasa Thomé Beira da Silva, Brazil, by Marcos Bertoldi Arquitetos
    Wooden panels line this helical staircase, which Marcos Bertoldi Arquitetos created as a sculptural centrepiece for the double-height living room at Casa Thomé Beira in the south of Brazil.
    Visible from the outside of the home, the staircase leads up to a series of bedrooms and is complemented by a wooden material palette that runs throughout.
    Find out more about Casa Thomé Beira da Silva ›

    Haus JJ, Germany, by NOWlab
    Colourful flooring and a rope balustrade animate this compact spiral staircase, which NOWlab designed to save valuable floor space in a small two-storey apartment in Berlin.
    Enclosed by walls at the centre of the dwelling, the structure has slender wooden treads that fan out from a central column and complement the surrounding herringbone floors.
    Find out more about Haus JJ ›
    Photo is by Juan SolanoCasa Blanca, Peru, by Martin Dulanto
    This self-supporting, fluorescent orange staircase twists up through the centre of the Casa Blanca residence in Lima to connect all three of its levels.
    Made from reinforced concrete with a concealed iron core, it is designed by Martin Dulanto Sangalli as the focal point of the house that has an otherwise muted colour scheme.
    Find out more about Casa Blanca ›
    Photo is by Mia MortensenTommy Rand’s House, Denmark, by Tommy Rand
    More than 600 pieces of CNC-cut plywood were glued together by hand to build this spiral staircase, located in the house that architect Tommy Rand designed for his family in Denmark.
    Visible from the exterior of the dwelling, the curved form has been placed against a concrete backdrop that draws attention to the intricacy of its design and adds warmth to the home.
    Find out more about Tommy Rand’s House ›
    Photo is by Ben HoskingOgimachi House, Japan, by Tomoaki Uno Architects
    A helical staircase with petal-shaped wooden treads breaks up the gridded layout of this skylit house in Japan.
    Resembling a flower when viewed from above, its form helps to save floor space while also providing access to four private rooms on the top floor.
    Find out more about Ogimachi House ›
    Photo is by Tim Van de VeldeHouse Dede, Belgium, by OYO Architects
    This wood-lined staircase sits at the heart of the cross-shaped plan of House Dede, which OYO Architects completed on the site of an old barn in Drongen.
    Winding upwards through a circular hole that punctures a board-marked concrete ceiling, it forms a sculptural yet functional centrepiece for the house.
    Find out more about House Dede ›

    Sacha, France, by SABO Project
    Thin slats of plywood and a bespoke baby gate that can be easily removed are key features of this cylindrical staircase, which is located in a refurbished apartment in Paris.
    It was designed as part of a quirky yet “child-proof” renovation project that was carried out by SABO Project for a young couple expecting their first child.
    Find out more about Sacha ›
    Photo is by Kazunori FujimotoHouse in Akitsu, Japan, by Kazunori Fujimoto
    This guardless staircase juxtaposes the cubic concrete forms of the House in Akitsu, which overlooks a seaside spot near the city of Higashihiroshima.
    The twisting form, which links the home’s bedrooms and living spaces, was engineered to negate the need for a central pillar and in turn, offers a sculptural look.
    Find out more about House in Akitsu ›
    This is the latest in our series of lookbooks providing curated visual inspiration from Dezeen’s image archive. For more inspiration see previous lookbooks showcasing bedrooms with clever storage solutions, homes with decorative vaulted ceilings and offices with wooden bleachers.

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    Fettle designs apartment block The Gessner to resemble a private members' club

    Interiors studio Fettle took cues from hospitality spaces when fitting out this contemporary residential block in London, which houses 164 apartments alongside a co-working area and an in-house cafe.

    Managed by property developer Way of Life, The Gessner is set in a former pencil factory in the rapidly regenerating industrial area of Tottenham Hale.
    The Gessner’s lounge doubles up as a workspace for residentsFettle created refined and cohesive interiors for the development, informed by its experience in designing hotels such as The Hoxton in Boston and Schwan Locke in Munich
    “Most of our work as a company currently is hotel-based, so we have a strong understanding of what makes these kinds of spaces special,” co-founder Andy Goodwin told Dezeen.
    There’s also a cafe inside the apartment block”A lot of the other commercial clients we work with are aiming to achieve a very layered, somewhat residential feel to their spaces so there is a lot of overlap,” he continued.

    “We utilised many of the same suppliers we use within members clubs, hotels and restaurant projects.”
    As well as apartments, The Gessner includes guest suites for temporary visitorsAfter coming through the ground floor entrance of The Gessner, residents arrive at a lobby that’s richly furnished with sofas, patterned armchairs and a mix of vivid artworks curated by art consultant Kate Anniss.
    During the day this area serves as a communal workspace, while in the evenings it can be used as an oversized living room where residents can convene and chat.
    Nearby, there’s a cafe with wood-lined walls, tan leather seating and a terrazzo service counter inlaid with orange aggregate.

    Fettle designs Schwan Locke Hotel in homage to early German modernism

    Furnishings and fabrics found on The Gessner’s ground floor are also incorporated throughout the apartments, which are available furnished or unfurnished, as well as in a pair of guest suites located on the building’s 13th floor.
    These can be reserved by residents who have friends and family coming to visit, or by other travellers hoping to stay in the area.
    Residents can make meals in the building’s communal kitchenThe 13th floor plays host to a number of other communal facilities, which were designed to encourage socialising among residents.
    This includes a large dining room and kitchen with wooden cabinetry and a greenery-filled gantry that stores pots and pans.
    The kitchen adjoins a private dining roomThere’s also a lounge and a spacious outdoor terrace complete with sun loungers, beach-style umbrellas and a BBQ station set beneath a shady pergola, where residents can while away the warmer summer months.
    “One of the key things with both hotels and apartment buildings is having some synergy between the public and private spaces, which was successful at The Gessner as they feel like a continuation of each other,” Goodwin said.
    Residents can also make use of The Gessner’s roof terraceFettle was established in 2013 by Andy Goodwin and Tom Parker.
    The Gessner isn’t the only project to come from the studio this year. Last month, the duo finished work on The Malin, a homely co-working space in New York with loft-style interiors.
    The images are courtesy of Way of Life. 

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    Watch Open House Worldwide's Housing and the People festival explore extraordinary housing

    Dezeen is teaming up with Open House Worldwide to livestream its festival exploring the future of housing and neighbourhood planning. Tune in to the broadcast from 7am-7pm UK time on 9 April 2022.

    Called Housing and the People, the virtual festival is a 12-hour livestream featuring live tours of pioneering housing and critical debates about the future of housing.
    It will also showcase films and podcasts exploring historic and contemporary residential schemes and local approaches to housing issues.
    The festival features over 50 contributions from the global Open House network, from locations including London, Lagos, Melbourne, New York, Taiwan, Seoul and more. It is organised by London-based architecture charity Open City.
    Featured speakers and tour guides include architects Antonio Cortés Ferrando, Johannes Eggen and Farshid Moussavi among other renowned designers.

    The festival includes a live tour of Karakusevic Carson Architects’ redevelopment of the Colville EstateThis year’s instalment of the festival will explore the various ways that architects and city planners are trying to advance housing models and residential areas in line with the acceleration of technology, climate change and the evolving nature of how we live and socialise with one another since the coronavirus pandemic.
    Other topics include how to build low-carbon housing to accommodate growing populations, what can be learnt from indigenous and vernacular architecture and how to retain the character of local townscapes when building on a larger scale.
    Highlights of the festival include a live tour of Karakusevic Carson’s ongoing redevelopment of the Colville Estate in east London, which comprises over 900 new residences as well as improved community facilities and public spaces.
    Also featured is a presentation and panel discussion led by Studio Bright director Mel Bright exploring the complex economic, political and cultural implications that affect access to affordable and safe housing for women in Victoria, Australia.
    Studio Bright director Mel Bright will present the studio’s affordable housing project for women in MelbourneEstablished in 2010, Open House Worldwide is a network of over fifty organisations in cities across the globe that present festivals, events and open a dialogue focusing on architecture, design and cities.
    The first edition of the Open House Worldwide festival took place in November 2020 in response to the coronavirus pandemic. The 48-hour virtual festival was broadcast to a global audience of over 40,000 viewers and was named one of Dezeen’s top events of 2020.
    The full lineup of talks and more information about the festival can be found here.
    Housing and the People will take place from 7am-7pm UK time on 9 April 2022. See Dezeen Events Guide for an up-to-date list of architecture and design events taking place around the world.
    Partnership content
    This article was written as part of a partnership with Open House Worldwide. Find out more about our partnership content here.

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    Archmongers uses eco-friendly materials in colourful Bakken & Bæck office

    Materials like cardboard and recycled rubber are paired with softly contrasting colours in the London office of Bakken & Bæck, designed by local architects Archmongers.

    The ambition was to create a distinct identity for the Norwegian tech design agency’s London team, but to achieve this in the most eco-friendly way possible.
    A red conference table contrasts with mint-green wallsArchmongers founders Margaret Bursa and Johan Hybschmann felt the best way to make a bold statement was to develop a playful palette of colours, similar to Bakken & Bæck’s offices in Oslo, Amsterdam and Bonn.
    They selected muted shades of red, yellow and green, creating subtle but memorable colour contrasts.
    Cardboard tubes create a scallop wallpaper effect”The space is flooded with daylight, which helped us choose strong colours to work against the neutral background,” Bursa told Dezeen. “We worked with various combinations until we arrived at the right one.”

    To minimise the carbon footprint of the design, the architects chose some natural and recycled materials.
    Fast-growing Douglas fir provides the frames of glazed partition walls, while recycled rubber was chosen for the flooring. Cardboard tubes were also used, to create an unusual scalloped wallpaper effect.
    Recycled rubber provides an acoustic flooring”We found some cardboard tubes that are used for concrete formwork, but we used them to give parts of the space definition and warmth,” said Bursa.
    The studio occupies two floors of De Beauvoir Block, a workspace community in east London.
    The lower level offers conference and lounge spaces, while the upper level contains an office and three smaller meeting rooms.
    Ceiling beams and surfaces are painted the same colour as the wallsCurtains and colour-blocking help to create definitions between different zones.
    On the lower level, the red conference table stands out against the mint-green walls, while the two lounge spaces are characterised by deep purple tones.

    Kvistad creates tonal workspaces inside Oslo office

    Upstairs, the same shade of red draws attention to the meeting rooms. The effect was achieved using natural wood stains.
    In the office, ceiling beams and surfaces are all painted the same shade as the walls, while a small kitchen features dark fronts and a monochrome terrazzo surface.
    Glazed screen made from red-painted Douglas fir define meeting rooms”We focused our efforts sourcing a materials palette that is sustainable and hardwearing, but also enduringly beautiful,” said Hybschmann.
    The Archmongers duo often use colour to add an extra layer of interest to their projects, with examples including a renovation in the modernist Golden Lane Estate and a tile-clad house extension.
    Here, acoustics were also an important consideration. The rubber floor and textile wall panels help to dampen sound.
    Textile panels improve acoustics in meeting roomsOther details include angled ceiling mirrors, which provide visual connections between spaces, and furniture by designers including Alvar Aalto, Verner Panton, Barber Osgerby, and the Bouroullec brothers.
    “Our design evokes a homely environment rather than a conventional workspace,” added Hybschmann.
    “We were mindful of the need to coax people back from their home offices, through providing attractive, comfortable spaces that encourage collaboration.”
    The office houses the London studio of tech design agency Bakken & BæckBakken & Bæck describes the space as “our shared home-away-from-home”.
    “It plays a huge role in how we socialise,” said the team. “We gather daily for lunch around the bespoke table on the ground floor, use the snug as a place to connect with other BB offices over a game of Mario Kart, and on the first floor we are lucky to have a plant-filled space with a lot of natural light where we get the work done.”
    Photography is by French + Tye.

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    Kelly Wearstler renovates swimming pool for suite in Downtown LA Proper Hotel

    American designer Kelly Wearstler has refurbished a pool for a suite in the Downtown LA Proper Hotel, which opened earlier this year.

    As part of her studio’s extensive refurbishment of the building, Wearstler took the 35-foot (10.6-metre) pool from its previous use as a YWCA and turned it into a feature for the Pool Suite on the seventh floor.
    Kelly Wearstler remodelled the swimming room as part of a standalone suiteWith Omgivning as the project architect, the 2,777-square-foot (258-square-metre) room is one of 148 that she renovated for the launch of the hotel in February 2022. It is the only location in the Proper Hotel group chain thats feature an in-suite swimming pool.
    The room’s interior takes art deco influences from the club that the building was originally designed for in the 1920s.
    The Italian marble tile continues into the kitchen”During our initial research into the landmark building, we discovered this pool room originally shared a floor plate with guest rooms and so thought it would be a novel idea to transform it into an iconic suite with a private pool,” said Wearstler.

    Over the pool is an ivory ceramic mirror mural that covers the whole wall, created by artist Ben Medansky, who also worked with Wearstler on the Proper hotel in Santa Monica.
    The bedroom has a Kelly Wearstler-designed Matador bed”It was important to me to avoid a repeating pattern and instead treat each tile as its own canvas – no two are exactly alike,” said Medansky.
    “I drew inspiration from my Los Angeles-to-Arizona road trips over the years, and incorporated motifs of tire treads, traffic signs, and cacti, which were then minimized, abstracted, and put back together in a puzzle formation.”
    A mustard yellow shade covers the bedroom wallsIn the pool room, there is also an expressive wooden statue that sits in front of a window that naturally illuminated the space. Against the mosaic, Wearstler has placed a thin black metal bench.
    The floors surrounding the pool comprise multicoloured marble tiles – contributing to the 136 unique types of tile used across the hotel.

    Kelly Wearstler’s “fiercely local” Santa Monica Proper Hotel named AHEAD Americas Hotel of the Year

    A small lounge area with pink chairs by Michael Felix is placed in the entryway that separates the pool from the rest of the suite.
    The pool deck leads into an open kitchen, with similarly tiled floors and pink plaster walls by Studio One Plaster.
    The bathroom tile design was completed in houseA marble backsplash, custom millwork made with light wood, and an island with Lostine barstools also feature in this space.
    Meanwhile, a small dining table is accompanied by a set of Kelly Wearstler Martel Chairs.
    Much of the furniture in the suite was sourced from vintage outlets in the US and EuropeA bedroom and lounge area have dark-stained wood floors and walls painted a rich yellow colour that surround windows overlooking Downtown LA.
    The bathroom was lined with bronze and black tile made in house by Wearstler’s team.
    The LA-based designer is also behind a third Proper hotel in California, located in San Francisco and featuring an as the “eclectic” interior filled with vintage and European furniture.
    The photography is by The Ingalls.
    Project credits:
    Design: Kelly WearstlerArchitect: OmgivningCompany: McGuire BuildersHospitality: Group Proper HospitalityDeveloper: The KOR Group

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