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    Woods Bagot designs art deco-informed restaurant at Rockefeller Center

    Dim lighting and dark tones define the interiors of the second Smith & Mills restaurant in New York, recently completed by architecture studio Woods Bagot.

    Situated in New York’s Rockefeller Center, the restaurant’s interiors were designed by Woods Bagot in collaboration with New York City-based hospitality management consultancy Neighborhood Projects.
    To enter the space, guests walk through a snug hallway covered with vintage elevator-cab panels.
    Architecture studio Woods Bagot has completed the Smith & Mills restaurant in New York”It was very important to us that we created a transition zone off the concourse before you enter the main dining room,” explained Wood Bagot’s Krista Ninivaggi.
    “This would act as a buffer to feel the buzz of the heart of Rock Center diminish, and then be enveloped in our warm amber glow.”

    “We achieved this by using old wrought iron elevator cab screens to partition off the entry and lowering the ceiling for a classic design move of compression before being ‘released’ into the carefully crafted atmosphere of the restaurant,” she continued.
    To enter the space, guests walk through a hallway covered with vintage elevator-cab panelsColumns clad in zellige tiles and mirrors divide the space, while antique-style mirrors on the walls and reclaimed wood panelling were used to create a vintage feel in the restaurant, which is the second Smith & Mills to open in the city.
    “We used the reclaimed panelling and zellige tile to ‘paint’ all of the wall surfaces,” Ninivaggi explained. “We alternated them in key locations by deciding what should feel ‘warm’ with the wood or ‘hard’ with the tile.”
    An oval bar made of zinc and walnut is also featuredAn oval bar made of zinc and walnut, which sits on a tiled black stone floor, functions as the restaurant’s focal point.
    In the dining area, the studio chose banquette seating dressed in oxblood velvet in a nod to the restaurant’s original location in New York’s Tribeca neighbourhood. Marble tables with brass accents and bistro chairs complement the design.
    Banquette seating in the restaurant is dressed in oxblood velvetThe interior of the restaurant’s private dining room features a transition from handmade red zellige tiles sourced from Morocco on one wall to a botanical print wall covering above.
    Lighting fixtures, such as pendants and sconces, cast ambient lighting throughout the space. Artwork by Ukrainian artist Yelena Yemchuk hangs on the walls.

    Brasserie des Pres draws on the vibrant history of Paris’s Latin Quarter

    “The lighting was very carefully considered both in its design and light quality, to give the appropriate hue to the space,” Neighborhood Projects’ Matt Abramcyk told Dezeen.
    “We went so far as to undertake tests to find the right vinyl to veil the light from the concourse to give a warm backdrop,” he continued.
    Pendants and sconces provide ambient lighting throughout the spaceThe location of the new restaurant also had a big influence on the design.
    “At both locations, Smith & Mills strives for simple, rustic design, with materials that nod to the past,” Abramcyk concluded. “Because of the new location’s iconic surroundings, the Rockefeller Center design also nods to art deco, in particular.”
    Other restaurant interiors recently featured on Dezeeen include a Korean fried chicken restaurant in New York designed by Rockwell Group and a cocktail lounge in Las Vegas created by musician Bruno Mars in collaboration with design studio Yabu Pushelberg.

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    Panter & Tourron and Davide Rapp create “speakeasy-style secret lounge” in Milan

    Experimental furniture and nostalgic films combine in Diurno, a Milan design week installation exploring the past and future of the living room.

    Curated by Gianmaria Sforza, the show features the work of Lausanne-based design studio Panter & Tourron and Italian video artist Davide Rapp.
    Purple curtains framed an octagonal roomIt saw a Milanese studio apartment transformed into a “speakeasy-style secret lounge” where a limited number of guests were invited into an octagonal room surrounded by purple curtains.
    Once they had swapped their shoes for slippers, guests were encouraged to get comfortable on a yellow sofa-bed hybrid. Here, they could chat to other guests, enjoy a drink and watch the montage-style videos playing around them.
    Guests wre invited to sit on a yellow sofa-bed hybridRapp produced three videos, with hundreds of clips that show living room interiors depicted primarily in Italian cinema.

    Each film focuses on a different piece of furniture. The sofa, the television and the bar are all featured.
    “Diurno is an invitation to take a break from the hustle and bustle of Milan’s design week, a speakeasy-style secret lounge where guests can relax in a setup that oscillates between nostalgia and science fiction,” said the design team.
    Other furniture included a tubular floor lamp, a curved display shelf and slender vasesPanter & Tourron founders Stefano Panterotto and Alexis Tourron developed six pieces of original furniture for the space.
    As well as the modular sofa platform, the Hall collection includes a lightweight chandelier, a tubular floor lamp, mirrored stools, a curved display shelf and slender vases.
    Drinks and snacks were served on mirrored traysThe duo hoped to draw attention to the changing nature of lounge and passage spaces in the home.
    The project has an affinity with another of their recent works, Couch in an Envelope, which imagines a sofa that can be folded up and carried from place to place.
    “Looking at the decors from gathering spaces like entrance halls, lobbies and lounge rooms, the pieces in the collection function like a reenactment element, questioning the evolution of these places today and our relationship to shared environments at large,” they said.

    Form Us With Love and Samsung replace the sofa with textile “watching platform”

    Drinks and snacks were served on matching mirrored trays, on linen cocktail coasters embroidered with the Diurno brand logo. These were produced in collaboration with La Colombarola.
    Danish textile brand Kvadrat, Italian steel manufacturer Fittinox and material supplier Formtech also donated materials to make the event possible.

    One of the videos featured movie clips of scenes that centred around a sofa
    This isn’t the first takeover of this apartment. Under the name Studio di Pittura, it is primarily an art space with the goal of facilitating collaboration between international and local creatives.
    Diurno was one of Dezeen’s pick of the 12 key installations on show for Milan design week.
    Diurno was open by appointment only from 13 to 20 April. See Dezeen Events Guide to discover our Milan design week guide, or for more architecture and design events taking place around the world.

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    Nine home interiors brightened with colourful window frames

    Shades of green, red and yellow run throughout this lookbook, which collects nine home interiors enlivened by colourful window frames.

    Whether painted wood, plastic or metal, opting for colourful window frames is an easy way to brighten a residential interior.
    The examples in this lookbook demonstrate how they can be used to create a focal point in a pared-back space, draw attention to a view or simply help establish a colour theme.
    This is the latest in our lookbooks series, which provides visual inspiration from Dezeen’s archive. For more inspiration, see previous lookbooks featuring organic modern interiors, eclectic hotels and flooring that enhances the connection between indoors and outdoors.
    Photo by Fred HowarthCamberwell Cork House, UK, by Delve Architects

    A bright forest green paint lines the window frames at Camberwell Cork House, helping to draw focus to the lush planting outside.
    The paint juxtaposes the deliberately simple, white-walled interiors of the house extension, while outside it pops from against walls of tactile cork cladding.
    Find out more about Camberwell Cork House ›
    Photo by Mikael OlssonHouse 669, Sweden, by HelgessonGonzaga Arkitekter
    HelgessonGonzaga Arkitekter incorporated sunny yellow frames throughout House 669, a prefabricated home it created in Stockholm.
    The irregularly placed windows help enliven the otherwise neutral finishes to the home while adding a sense of “individuality” to its uniform structure, the studio said.
    Find out more about House 669 ›
    Photo by Megan TaylorCork House, UK, by Nimtim Architects
    Another studio to have married bright window frames with cork cladding is Nimtim Architects. At this extension in London, the studio punctured the cork-lined walls with Barbie pink timber frames, offering a contemporary counterpoint to the Victorian house to which it is attached.
    The windows are complemented by more subtle pops of pink inside, including the kitchen splashback and metal legs of the dining chairs.
    Find out more about Cork House ›
    Photo by José CamposBouça Family House, Portugal, by Fahr 021.3
    Turquoise accents feature throughout this family home by Fahr 021.3 in Porto, including its window frames and doors.
    The colour was intended to help liven up the interiors, which are finished with white walls, wooden floorboards and wall panelling, while also giving the home “an element of distinction”, the studio said.
    Find out more about Bouça Family House ›
    Photo by French & TyeValetta House, UK, by Office S&M
    Among the distinguishing features of the Valetta House loft extension in London are its yellow-framed arch windows, three of which feature in one of the bedrooms.
    Office S&M modelled these on the arched sash windows found in neighbouring Victorian residences but gave them a vivid yellow finish to appeal to the client’s children. The colour was based on a light fitting the client had picked for the kitchen.
    Find out more about Valetta House ›
    Photo by Séverin MalaudDailly, Belgium, by Mamout
    Slender sage-green frames trim the window openings in Dailly, a courtyard house nestled between two buildings in Belgium.
    It is among the pastel tones that its architect Mamout has used to bring character to the home, in addition to an array of reclaimed materials sourced from a warehouse that previously occupied the site.
    Find out more about Dailly ›

    Ugly House, UK, by Lipton Plant Architects
    Ugly House is a 1970s house in Berkshire that Lipton Plant Architects expanded with a contrasting two-storey extension.
    A bright orange finish was chosen for the windows, including the large garden-facing opening in the kitchen that juxtaposes pastel-blue cabinetry and wooden floorboards.
    Find out more about Ugly House ›
    Photo by Francisco AscensãoHouse in Ancede, Portugal, by Atelier Local
    Large rectangular and circular windows bring light inside House in Ancede, which Atelier Local completed on a sloped site in a nature reserve near Porto.
    The openings are outlined with bright red aluminium, brightening the cool-toned interiors that are defined by exposed blockwork and concrete to evoke brutalist architecture.
    Find out more about House in Ancede ›
    Photo by Megan TaylorYellow House, UK, by Nimtim Architects
    Another project on the list by Nimtim Architects is Yellow House, named after the spectrum of yellow-green hues that run throughout its interior.
    This includes the buttercup-coloured wooden frames of the rear picture window and three skylights in the living room, which stand out against a backdrop of white walls and neutral furnishings.
    Find out more about Yellow House ›
    This is the latest in our lookbooks series, which provides visual inspiration from Dezeen’s archive. For more inspiration, see previous lookbooks featuring tactile organic modern interiors, eclectic hotels and flooring that enhances the connection between indoors and outdoors. 

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    MYT+GLVDK creates industrial-style restaurant in Mexico City

    Mexico City studio MYT+GLVDK has designed a fast-casual restaurant where exposed concrete walls are covered in wavy green metal mesh.

    The office led by Andrés Mier y Terán and Regina Galvanduque completed both the architectural and graphic identities for Órale Milanga, located in the city’s upscale Polanco neighbourhood.
    The Órale Milanga restaurant is designed to have a relaxed atmosphere, which is channelled through both its interiors and brandingThe restaurant celebrates the “comforting and beloved” dish, the Milanese – which many countries claim to have birthed – in a new concept by Venezuelan chef Jorge Udelman.
    “Órale Milanga proposes a fast casual concept that invites you on a journey through Milanese, the main character of a single-item menu that honours different culinary traditions with a variety of ingredients and preparations,” said MYT+GLVDK.
    Olive green accents are a common theme, found in metal-mesh wall panels and seating upholsteryFor the interiors, the multidisciplinary studio overlaid the original exposed concrete walls with panels of wavy, olive-green mesh within metal frames in the same hue.

    Mirrors also fill a row of the wall-mounted frames, creating the impression of more space for the narrow footprint.
    Tubular-steel stools accompany the pale wood bar counterSimilar framework forms a tall, open shelving unit on the other side of the restaurant, partially concealing a green staircase that leads up to additional seating on a mezzanine level.
    “The presence of the green tones, as well as the wood and ironwork accents, evoke the classic neighbourhood cafes and bars in Milan,” the studio said.
    A green metal framework forms an open shelving system that partially conceals a staircasePale wood shelves display Órale Milanga’s branded products that include take-out boxes, mugs, canned goods and glass water bottles.
    Diners are encouraged to eat at either formica-topped tables or a pale wood bar counter, both of which keep the atmosphere in the space light and bright.

    MYT+GLVDK completes eclectic food court Cocina Abierta in Mexico City

    Modernist-style tubular steel chairs have seats and cylindrical backs wrapped in beige and olive leather, matching the built-in seating.
    Warm LED lighting is emitted from glass diffusers, linked in pairs on curved brass rods that attach to the metal frames.
    The restaurant’s graphic identity features chunky typography, which is applied to signage and branded paraphernaliaThe restaurant’s laid-back spirit is reflected in its graphic identity, which features yellow and green tones “that communicate the naturalness and joy of the atmosphere… as well as the ingredients used in the kitchen” according to MYT+GLVDK.
    Along with bold colours and chunky typography, the branding also features an illustrated group of characters and expressive lines.
    “The branding proposal confirms Órale Milanga as a democratic, open and unpretentious space, where enjoying and sharing are the only premises,” the studio said.
    Órale Milanga is located in Mexico City’s Polanco neighbourhoodMier y Terán and Galvanduque founded their studio in the Mexican capital in 2015, offering architecture, industrial design and branding concepts and execution.
    The team has previously completed a food court inside a Mexico City shopping mall with elements that take cues from Japanese and Mexican design traditions.
    The photography is courtesy of MYT+GLVDK and Órale Milanga.

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    Eight kitchens with striking material palettes of contrasting colours and textures

    In this lookbook, we collect eight kitchens that contrast rough and smooth textures, glossy and grainy surfaces, and a variety of colours for an overall eye-catching interior.

    The kitchens in this roundup exemplify how a combination of seemingly clashing materials can create a rich and interesting palette.
    Some opted for contrasting a number of cool-toned colours with warmer hues, while others made a striking impact by setting colours on opposite sides of the colour wheel side-by-side, like greens with pink or red.
    Here are eight kitchens with eye-catching material palettes made up of contrasting colours and textures.
    This is the latest in our lookbooks series, which provides visual inspiration from Dezeen’s archive. For more inspiration, see previous lookbooks featuring eclectic hotel interiors, organic modern living rooms and homes where continuous flooring creates a connection between indoors and outdoors.

    Photo by Benjamin HoskingBrunswick apartment, Australia, by Murray Barker and Esther Stewart
    Architect Murray Barker and artist Esther Stewart opted for colours and materials in keeping with mid-century interiors when updating this 1960s apartment in Melbourne’s Brunswick neighbourhood.
    The duo reconfigured the apartment layout, creating an L-shaped kitchen with pistachio green units set against red Rosa Alicante marble on the tabletop, worktops and backsplash.
    Find out more about the Brunswick apartment ›
    Photo by Mariell Lind HansenSt John Street, UK, by Emil Eve Architects
    In its renovation of a London warehouse apartment, local studio Emil Eve Architects aimed to add warmth and colour to the interior without losing its industrial character.
    In the kitchen, the glossy and colourful surfaces of the dark green wall tiles and bright yellow pendant lights contrast with the rough textures of the exposed concrete structure and brick walls.
    Find out more about the St John Street ›
    Photo by Ruth Maria MurphyLovers Walk, Ireland, by Kingston Lafferty Design
    Dublin studio Kingston Lafferty Design also used a red-toned stone in this family home in Cork, Ireland.
    The kitchen was overhauled with red tones in various mix-matched materials, including ruby-hued timber cabinets with bright red trims and veiny red quartzite used in the island, splashback and countertops.
    This was contrasted with cool tones in the polished floor and steel-blue-painted ceiling.
    Find out more about Lovers Walk ›
    Photo courtesy of Locke and Sella ConceptLocke am Platz, Switzerland, by Sella Concept
    Smooth, red cabinets are set against a blue-green marble back and worktop in this kitchenette, which is located in a studio apartment in the Locke am Platz hotel in Zurich.
    London design studio Sella Concept used vibrant colours and an assortment of different materials throughout the hotel interior, with the aim of “juxtaposing modernism with a classic theatrical flair”.
    Find out more about Locke am Platz ›
    Photo by François CoquerelParis apartment, France, by Hauvette & Madani
    Green and pink tiles create a contrasting wall pattern in the kitchen of this Haussman-era Parisian apartment, which was revamped by local design studio Hauvette & Madani.
    Light pink wall cabinets and a bright green stove complement the wall pattern behind them, while a sculptural wooden table adds to the eclectic selection of mixed and matched furniture throughout the home.
    Find out more about the Paris apartment ›
    Photo by Seth CaplanDumbo Loft, USA, by Crystal Sinclair Designs
    This loft apartment in Brooklyn’s Dumbo neighbourhood was renovated by interiors studio Crystal Sinclair Designs, which aimed to add European flair to the industrial space.
    The studio offset the cool tones of the steely appliances and grey-veined arabascato marble with a wooden farmhouse-style island and deep-red qashqai rug.
    Find out more about Dumbo Loft ›
    Photo by Prue RuscoeBudge Over Dover, Australia, YSG
    Paired-back hues in the terracotta brick flooring and Marmorino plaster walls provide the backdrop to a rich material palette in the Budge Over Dover house in Sydney, which was revamped by interior design studio YSG.
    The studio used a combination of raw and polished finishes in the open-plan kitchen and living room, with black-stained timber cabinetry and a kitchen island composed of a Black Panther marble worktop set atop an aged brass base.
    Find out more about Budge Over Dover ›
    Photo by Jacob MilliganJewellery Box, UK, by Michael Collins Architects
    Jewellery Box is a two-storey extension to a terraced house in London by Michael Collins Architects, which is characterised by vibrant interiors concealed by a subdued exterior.
    The kitchen features bright blue units that contrast with shiny gold backsplashes and slender handles on the tall cabinets.
    Find out more about Jewellery Box ›
    This is the latest in our lookbooks series, which provides visual inspiration from Dezeen’s archive. For more inspiration, see previous lookbooks featuring eclectic hotel interiors, organic modern living rooms and homes where continuous flooring creates a connection between indoors and outdoors.

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    Patrick Carroll presents knitted “paintings” at JW Anderson store

    Artist Patrick Carroll has used recycled yarn to create hand-knitted painting-style pieces for the Days textile exhibition at JW Anderson’s Milan store during Milan design week.

    Carroll presented translucent artworks that look “as if they are paintings”, which were made using a 1970s flatbed domestic knitting machine and displayed on wooden stretcher bars – the skeleton of a traditional art canvas – in the store.
    Days is a textile exhibition by Patrick Carroll”My stuff is a little bit transparent – you can see the architecture of it all,” Carroll told Dezeen at the JW Anderson flagship store in Milan, where the work is exhibited in a show called Days.
    “I was making clothing initially,” he explained, donning one of his own pink creations.
    The pieces are on display at Milan’s JW Anderson storeCarroll decided to apply his practice to artworks, designing pieces made from yarn salvaged from remainder shops that liquidate the fashion industry’s leftover textiles rather than sourcing new materials.

    Recycled wool, linen, mohair, silk and cashmere all feature in the rectilinear works, which are finished in colours ranging from coral to aqua to ochre.
    They range from big to smallLike Carroll’s clothing, each piece was characterised by one or a handful of words lifted from sources including literature, existing artworks or the artist’s own writing.
    The smallest pieces in the collection were displayed on gridded shelving while larger pieces can be found on various walls throughout the store.
    When viewed together, the works were position to create a “modular chorus”, explained the artist, who encouraged viewers to form their own relationships with the words weaved into the textiles.

    David Lynch designs gigantic wooden chair within meditative A Thinking Room

    Days follows Carroll’s first collaboration with JW Anderson in 2022 when the artist designed seven knitted outfits for the brand. The clothes were worn by models posing on chunky blue plinths positioned outside the venue of JW Anderson’s Spring Summer 2023 menswear show in Milan.
    “I think what makes the works a little bit unique is that they have legs in all these disciplines – fashion, design and art,” added Carroll.
    Carroll’s artworks display a mix of single words and phrasesFounded by Loewe creative director Jonathan Anderson, JW Anderson previously created hoodies and tailored shorts moulded from plasticine for its Spring Summer 2024 womenswear show at London Fashion Week.
    Various other fashion brands have a presence at this year’s Milan design week. Hermès has created an installation that uses reclaimed bricks, slate, marble and terracotta to draw attention to the brand’s artisan roots while Marimekko has transformed a traditional Milanese bar into a flower-clad day-to-night cafe.
    The photography is courtesy of Patrick Carroll and JW Anderson. 
    Days is on display from 17 to 21 April 2024 at the JW Anderson store, Via Sant’Andrea 16, Milan. See our Milan design week 2024 guide on Dezeen Events Guide for information about the many other exhibitions, installations and talks taking place throughout the week.

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    Marimekko transforms “real Milanese institution” into flower-clad cafe

    Jumbo poppies synonymous with Marimekko cover the floor of Bar Unikko, a pink-hued pop-up cafe created as a Milan design week pit stop to mark the print’s 60th anniversary.

    Named after Unikko, the recognisable poppy pattern designed by Maija Isola in 1964, the cafe is a pop-up project at Bar Stoppani in Milan.
    Bar Unikko is a collaboration between Marimekko and Apartamento magazineMarimekko purposefully left the interior layout of the cafe, which is a collaboration with interior design magazine Apartamento, largely untouched to create a contrast between the Finnish brand’s design language and traditional Italian eateries.
    “The idea was to really acknowledge where we are and find a real Milanese institution,” creative director Rebekka Bay told Dezeen at the cafe. “If that hadn’t been our intent, then we could have just taken on an empty space.”
    The cafe features poppy-clad awningBar Unikko is positioned on a corner site with a large pink and orange awning emblazoned with oversized poppies, which also feature on table umbrellas that create a striking landmark when approaching the cafe.

    “We’ve really taken the pattern out of its normal context and let it come to life in a whole new way,” added Bay, who described the contrast between Marimekko motifs and the existing bar interior as “refreshing”.
    “In the Nordics, we’re obsessed with cleanliness, systems and functionality,” she continued. “Whereas here, it’s dramatic and complex.”
    Oiva espresso cups were designed specifically for Bar UnikkoSpread across a single room, the interior kept its existing dark blue accents, burl wood panels, circular tables and a large bar positioned in front of mirrors.
    A neon poppy was placed above one of the tables, which were topped with gold Verner Panton Flowerpot lamps.
    The brand also added its signature pattern to the floor, characterised by poppies finished in two shades of pink, and a blue and yellow curtain at the back of the space.
    All of the crockery is Marimekko-brandedOther than these bold features, Bay explained that the Marimekko touches are found in the “little things”.
    Floral crockery, coasters, napkins and matches appear throughout Bar Unniko, which also includes Oiva – a collection of petite patterned espresso cups designed specifically for the takeover.
    “At first glance, you’re walking into a Milanese bar, and it doesn’t actually look like we’ve done much – but then the more you immerse yourself you start noticing these things,” said Bay.

    Printed textiles are “not just an accessory but something that can create a space” says Marimekko creative director

    Framed black and white photographs of the late Marimekko founder Armi Ratia were mounted to the walls as a nod to the brand’s history.
    Throughout the day, the changing light alters the pink glow that illuminates the interior while a shifting soundtrack signals the transition from morning to afternoon to evening.
    Bar Unikko is a day-to-night cafeBay explained that communal gathering is at the heart of Marimekko, which is why the brand chose to create a day-to-night cafe to celebrate 60 years of its well-known print.
    “Our founder famously said, I think at the beginning of Marimekko, that the brand could’ve been anything,” reflected the creative director. “Our mission is not only to bring joy to people’s lives but to bring people together.”
    Other highlights from this year’s edition of Milan design week include Faye Toogood’s Rude Arts Club exhibition, furniture made from reused skyscraper formwork and an inflatable gaming chair from IKEA.
    The photography is by Sean Davidson.
    Bar Unikko is open from 15 to 21 April 2024 at Bar Stoppani, Via Antonio Stoppani 15, 20129, Milan. See our Milan design week 2024 guide on Dezeen Events Guide for information about the many other exhibitions, installations and talks taking place throughout the week.

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    Triennale Milano celebrates Alessandro Mendini at Milan design week

    Cultural institutions Triennale Milano and Fondation Cartier are hosting a retrospective show of Italian designer Alessandro Mendini at this year’s Milan design week, showcased in this video produced by Dezeen for Triennale.

    [embedded content]The exhibition takes place at Trienalle Milano
    Triennale Milano partnered with the Fondation Cartier pour l’art contemporain to host the exhibition, which explores Mendini’s work across the fields of architecture, art, design and theory.
    Titled Io Sono Un Drago (I am a dragon), the show brings together over 400 different works and intends to explore Mendini’s philosophical approach to the world around him.

    Mendini was an Italian architect and designer known for his role as a key figure in the radical design and postmodernist movements of the 1960s and ’70s.
    Through his 60-year career he created some of the most iconic design pieces of the 20th century, such as the Proust armchair, which combined baroque references with pointillist patterns. Mendini passed away at the age of 87 in February 2019.
    The exhibition is named after a self-portrait Mendini drew depicting himself as a dragonSplit into six thematic sections, the show looks back on Mendini’s life and work, with the first section, titled Identikit, showcasing a series of self-portraits Mendini created over the course of his life.
    The following sections explore aspects of his work including his firm Atelier Mendini, which designed buildings such as the Groninger Museum and the Arts metro stations in Naples, as well as exploring his research in radical design theory.
    The last section of the exhibition consists of three immersive installations that Mendini created towards the end of his life, which play with the concepts of dreams and nightmares.
    The exhibition covers Mendini’s contribution to the postmodernist design movementAs part of the wider exhibition, French designer Phillipe Starck will also debut an immersive installation created in homage to Mendini during the run of the design week.
    Titled What? A homage to Alessandro Mendini, the installation aims to take visitors into a sensory journey through Mendini’s subconscious.
    Speaking on the installation, Starck said “before being a human, [Mendini] was an idea, a sensation, an osmotic vibration that I wanted to recapture through the installation, conceived as an immersive experience in Alessandro Mendini’s brain”.
    Starck’s installation will be located in Triennale Milano’s Impluvium space.

    Triennale Milano brings together iconic works of Italian design at Museo del Design Italiano

    Io Sono Un Drago is open to the public at the Trienalle Milano 13 April to 13 October. What? A homage to Alessandro Mendini runs from the 16 April- 13 October. See our Milan design week 2024 guide on Dezeen Events Guide for information about the many other exhibitions, installations and talks taking place throughout the week.
    Partnership content
    This video was produced by Dezeen for Triennale as part of a partnership. Find out more about Dezeen’s partnership content here. 

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