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    CitizenM aims for “differentiation through massing” at Downtown Austin location

    Architecture studio Concrete has designed a hotel block for Dutch chain CitizenM in Downtown Austin, which is the brand’s first Texas location and features artwork created in partnership with locals.

    CitizenM worked with long-time collaborator architecture studio Concrete to purpose-build a 16-storey structure at the top of a slope in the city’s downtown.
    CitizenM has opened a location in AustinWorking with US architecture studio Baskervill to create the symmetric facade, which features wide spans of black steel interspersed with wide windows, with a stretch of aluminium panelling above the entrance.
    The brand said that the modern form was meant to stand out from the surrounding buildings – a mix of historical stone buildings and contemporary glass-clad skyscrapers.
    It is housed in a 16-storey building”Downtown Austin is quite a dynamic urban environment with many new constructions gradually changing the character of this part of the city,” CitizenM told Dezeen.

    “We are surrounded by lower, older buildings as well as some of the new office towers. While CitizenM is standing out as one of the new additions to the neighborhood we try to add character and interest to our buildings by creating differentiation through massing, materials and facade design.”
    It features a mix of local and international artThe double-height entrance space features a floor-to-ceiling glass wall that wraps the corner of the block. It has been set back from the street with an overhang created by a cantilever on the lobby level.
    CitizenM placed its signature red staircase at the entrance. It leads up to the lobby floor past built-in shelving cluttered with Pop Art pieces, many of which were gathered from local artists and sources.
    The eclectic collection of art continues in the lobby and the 344 guest rooms, which have works selected with the help of Austin Contemporary Museum.
    Large windows characterise the facadeThe lobby was divided into a variety of spaces separated by built-in shelving and furnished with brightly coloured editions of modern furniture, most of which was supplied by Vitra.
    The bar and social area feature banquette seating placed under the glass walls.

    CitizenM to become “first hospitality company to build in the metaverse”

    In the hallways of the upper floors, the mix of standardisation and localisation continues. Red carpets have been printed with the black outline of an aerial view of the Austin city grid.
    Each room has a large king bed wedged under a window with blinds remote-controlled from a bedside iPad, which also controls the lights. A wrapped polycarbonate pane separates the shower from the rest of the room and a small sink sits opposite.
    It sits among a mix of historical and modern buildingsAmenities include a workout room that includes an AI fitness instructor that operates through video feedback and a rooftop pool adorned with a mural by Mexican artist Hilda Palafox.
    CitizenM was founded to give contemporary travellers a sense of “affordable luxury”, according to the brand, and has recently opened in Miami.
    The photography is courtesy of CitizenM.

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    Christian de Portzamparc wraps Dior flagship store with “resin shells” in Geneva

    Six interweaving “petals” encase the facade of Dior’s store in Geneva, Switzerland, which has been designed by Pritzker Architecture Prize-winner Christian de Portzamparc.

    The Dior store’s expressive facade elements echo those of its Seoul flagship store – also designed by French architect De Portzamparc – that similarly draws on fabrics used for Dior’s creations.
    Six interweaving “petals” wrap around the store’s facade”Between these veils, the glass walls let the sun’s rays penetrate in a captivating interplay of light and shade, a poetic dialogue between the inside and outside,” Dior said.
    “At night, the lighting appears to filter – through the elegant resin shells – transforming the building into a majestic urban lantern.”
    Display cases line the facade at street level. Photo by Serge de PortzamparcThe facade elements rise up from the building’s base widening at their centres before tapering towards the building’s roof.

    Behind them, floor to ceiling openings wrap around the building – revealing the building’s six floors and providing views into the interiors. Additionally, a series of display cases decorate the facade at street level.

    ArandaLasch creates glowing facade with undulating fins for Dior in Qatar

    Inside, the spaces were finished with neutral-toned surfaces and wood panelling, which is set off by the colours and patterns of Dior’s spring-summer 2024 collection.
    Built in display cases fitted with sleek shelves and glass cabinets line the interior spaces and are illuminated by gallery-style lighting fixtures.
    Plush seating decorates the boutique’s interior and is coupled with consoles made by Berlin-based Stefan Leo Atelier and tables by Anglo-Brazilian designer Hamrei.
    Neutral-toned surfaces and wood panelling feature on the interior”The rooms combine airy dimensions with the intimacy of hushed cocoons and reveal artisanal finishes,” said the brand.
    “Adorned in touches of ivory and gold, with hints of white and blue enhanced by the naturalness of the wood.”
    Floor to ceiling openings wrap around the buildingDe Portzamparc was awarded the Pritzker Prize in 1994 and became the first French architect to receive the prestigious architecture award.
    Other recently completed flagship stores include a marble “immersive experience” for APL’s flagship store in New York City and Huawei’s store in Shanghai with a “petal-like” facade.
    Other fashion brand stores that have recently opened include a “sensual” boutique in Milan designed by Vincent Van Duysen for fashion house Ferragamo and a boutique decorated with hand-painted murals by Cúpla for fashion brand Rixo in central London.
    The photography is by Jonathan Taylor unless otherwise stated.

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    “I think my work stands out because I follow my gut” says Kelly Wearstler

    Kelly Wearstler is often hailed as contemporary interior design’s most recognisable name. In this interview, she tells Dezeen about crafting her textured and eclectic style.

    American interior designer Wearstler has been dressing rooms since her mid-twenties, rising to become one of the discipline’s most significant names.
    “I’m obsessed with nuance,” she told Dezeen. “I view design as boundless and undefined, but if I had to choose a single word to describe my approach it would be ‘mixology’.”
    Top: Kelly Wearstler designed the interiors for the Austin Proper hotel. Photo by Ingalls Photography. Above: she started her eponymous studio in 1995. Photo by Joyce ParkHigh-end interior design has been dominated by minimalism and sleekness in recent years, but Wearstler’s projects are known for their eclectic grandeur.
    Her studio is responsible for the interiors at a slew of luxury hotels, including four locations across North America for the Proper Hotel Group.

    For example, she created an Austin branch with a sculptural oak staircase that doubles as a ziggurat of plinths for individual ceramic pots. Meanwhile, The Downtown LA Proper features 136 unique types of vintage or custom-made tile.
    “Luxury is more of a feeling than a specific quality”
    “To me, luxury is more of a feeling than a specific, tangible quality,” Wearstler said. “It’s all about texture and sensation, but also storytelling and considered curation.”
    “The most luxurious spaces bring together unique objects that each have their own history, essence and character, and encourage an elegant conversation between them,” she added.
    “A technique I always like to use when pursuing a sense of luxury is mixing vintage and antique items with more contemporary pieces. The history and character that come with vintage furniture help to create a ‘luxurious’ experience.”
    This approach is also reflected in Wearstler’s residential and retail projects, which she tends to fill with unlikely combinations of pieces – a habit she traces back to visiting antique shows and auctions with her mother, who was an antique dealer, as a young girl.
    Wearstler also created her own Malibu holiday home. Photo by Ingalls PhotographyAmong these projects is the designer’s own 1950s beachfront cottage in Malibu, California, furnished with objects chosen to be “hand-crafted, rustic and raw”.
    Wearstler also replaced the home’s existing shag carpet with seagrass as a nod to the surrounding coastal setting.
    “My design philosophy is rooted in a firm commitment to juxtaposition and contrast, whether this be in relation to textures and colourways, materials or even eras in time,” said Wearstler.
    “For me, contrast is what brings a sense of soul to a space. It creates interest, lets the space take on a life of its own and imbues it with a feeling of genuine authenticity.”
    “AI has exponentially enriched our creative process”
    Wearstler says her design philosophy was partly shaped by working in the film industry early on in her career.
    Before forming her eponymous studio in California in 1995, she worked in various roles including set decoration and art direction – an experience she claims shaped her appreciation of the “emotion and atmosphere” of a space.
    “My time working as a set designer definitely impacted my approach to interior design,” Wearstler told Dezeen.
    “Working on film sets taught me the importance of dramatic intent, and that’s remained a key element of my work throughout my career.”

    Kelly Wearstler designs Ulla Johnson store to capture the “spirit of southern California”

    Despite her penchant for vintage pieces, Wearstler stressed the importance of rising to contemporary challenges – not least artificial intelligence (AI) and its impact on design.
    Wearstler’s studio has been using generative AI – which she calls an “ally” – since 2021, citing image-generating platforms including DALL-E and Midjourney as tools to generate ideas.
    The same year, the designer created a virtual garage, playfully imagined as a home for basketball player LeBron James’s electric Hummer, decked out with renderings of Wearstler-designed furniture including the studio’s Echo bench and Monolith side table.
    “Many people see the introduction of AI as a challenge, but I think of it as one of the greatest tools for growth,” said Wearstler. “AI has exponentially enriched our creative process.”
    “As designers, it’s our responsibility to push the boundaries of our craft and to create spaces that elegantly and artistically reflect the world around us,” she added. “AI is a vital tool in allowing us to do this in new and extraordinary ways.”
    Wearstler’s projects include a virtual garage for LeBron JamesWearstler has published six books and with 2.2 million Instagram followers, she is often considered interior design’s most recognisable name.
    “I think my work stands out because I follow my gut,” she reflected. “Whether I’m designing a hotel, a private residence or a product, I give its emotional and physical attributes equal consideration.”
    “Most importantly, I strive to bring my clients and customers joy through my designs. I’m not sure if that’s what makes me the ‘most recognisable name’, but if you design with the person who will be living in a space, or with a light fixture or chair, in mind, your work will resonate.”
    Dezeen In DepthIf you enjoy reading Dezeen’s interviews, opinions and features, subscribe to Dezeen In Depth. Sent on the last Friday of each month, this newsletter provides a single place to read about the design and architecture stories behind the headlines.

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    There’s still time to feature in Dezeen’s digital guide to NYCxDesign 2024

    There’s still time to get listed in Dezeen Events Guide’s digital guide to the 12th anniversary of NYCxDesign, the annual festival located in New York City.

    Running this year from 16 to 23 May 2024 and located across the city’s five boroughs, the festival hosts an eight-day programme of talks, exhibitions, installations, open studios, product launches and tours.
    Among the events are International Contemporary Furniture Fair (ICFF) and WantedDesign Manhattan, which take place from 19 to 21 May 2024 at the Javits Center.
    The interdisciplinary festival explores a range of mediums, including design, fashion, textiles, architecture, art and photography.
    Get listed in Dezeen’s digital NYCxDesign guide

    Get in touch with the Dezeen Events Guide team at [email protected] to book your listing or to discuss a wider partnership with Dezeen.
    There are three types of listing available:
    Standard listings cost £125 ($160) and include the event name, date and location details plus a website link. These listings will feature up to 50 words of text about the event.
    Enhanced listings cost £175 ($225) and include all of the above plus an image at the top of the listing’s page and a preview image on the Dezeen Events Guide homepage. These listings will also feature up to 100 words of text about the event.
    Featured listings cost £350 ($450) and include the elements of an enhanced listing plus a post on Dezeen’s Threads channel, inclusion in the featured events carousel on the right hand of the homepage for up to two weeks and 150 words of text about the event. This text can include commercial information such as ticket prices and offers and can feature additional links to website pages such as ticket sales and newsletter signups.
    For more details about partnering with us to help amplify your event, contact the team at [email protected].
    About Dezeen Events Guide
    Dezeen Events Guide is our guide to the best architecture and design events taking place across the world each year.
    The guide is updated weekly and includes events, conferences, trade fairs, major exhibitions and design weeks.
    The illustration is by Justyna Green.

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    Woods Bagot designs art deco-informed restaurant at Rockefeller Center

    Dim lighting and dark tones define the interiors of the second Smith & Mills restaurant in New York, recently completed by architecture studio Woods Bagot.

    Situated in New York’s Rockefeller Center, the restaurant’s interiors were designed by Woods Bagot in collaboration with New York City-based hospitality management consultancy Neighborhood Projects.
    To enter the space, guests walk through a snug hallway covered with vintage elevator-cab panels.
    Architecture studio Woods Bagot has completed the Smith & Mills restaurant in New York”It was very important to us that we created a transition zone off the concourse before you enter the main dining room,” explained Wood Bagot’s Krista Ninivaggi.
    “This would act as a buffer to feel the buzz of the heart of Rock Center diminish, and then be enveloped in our warm amber glow.”

    “We achieved this by using old wrought iron elevator cab screens to partition off the entry and lowering the ceiling for a classic design move of compression before being ‘released’ into the carefully crafted atmosphere of the restaurant,” she continued.
    To enter the space, guests walk through a hallway covered with vintage elevator-cab panelsColumns clad in zellige tiles and mirrors divide the space, while antique-style mirrors on the walls and reclaimed wood panelling were used to create a vintage feel in the restaurant, which is the second Smith & Mills to open in the city.
    “We used the reclaimed panelling and zellige tile to ‘paint’ all of the wall surfaces,” Ninivaggi explained. “We alternated them in key locations by deciding what should feel ‘warm’ with the wood or ‘hard’ with the tile.”
    An oval bar made of zinc and walnut is also featuredAn oval bar made of zinc and walnut, which sits on a tiled black stone floor, functions as the restaurant’s focal point.
    In the dining area, the studio chose banquette seating dressed in oxblood velvet in a nod to the restaurant’s original location in New York’s Tribeca neighbourhood. Marble tables with brass accents and bistro chairs complement the design.
    Banquette seating in the restaurant is dressed in oxblood velvetThe interior of the restaurant’s private dining room features a transition from handmade red zellige tiles sourced from Morocco on one wall to a botanical print wall covering above.
    Lighting fixtures, such as pendants and sconces, cast ambient lighting throughout the space. Artwork by Ukrainian artist Yelena Yemchuk hangs on the walls.

    Brasserie des Pres draws on the vibrant history of Paris’s Latin Quarter

    “The lighting was very carefully considered both in its design and light quality, to give the appropriate hue to the space,” Neighborhood Projects’ Matt Abramcyk told Dezeen.
    “We went so far as to undertake tests to find the right vinyl to veil the light from the concourse to give a warm backdrop,” he continued.
    Pendants and sconces provide ambient lighting throughout the spaceThe location of the new restaurant also had a big influence on the design.
    “At both locations, Smith & Mills strives for simple, rustic design, with materials that nod to the past,” Abramcyk concluded. “Because of the new location’s iconic surroundings, the Rockefeller Center design also nods to art deco, in particular.”
    Other restaurant interiors recently featured on Dezeeen include a Korean fried chicken restaurant in New York designed by Rockwell Group and a cocktail lounge in Las Vegas created by musician Bruno Mars in collaboration with design studio Yabu Pushelberg.

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    Panter & Tourron and Davide Rapp create “speakeasy-style secret lounge” in Milan

    Experimental furniture and nostalgic films combine in Diurno, a Milan design week installation exploring the past and future of the living room.

    Curated by Gianmaria Sforza, the show features the work of Lausanne-based design studio Panter & Tourron and Italian video artist Davide Rapp.
    Purple curtains framed an octagonal roomIt saw a Milanese studio apartment transformed into a “speakeasy-style secret lounge” where a limited number of guests were invited into an octagonal room surrounded by purple curtains.
    Once they had swapped their shoes for slippers, guests were encouraged to get comfortable on a yellow sofa-bed hybrid. Here, they could chat to other guests, enjoy a drink and watch the montage-style videos playing around them.
    Guests wre invited to sit on a yellow sofa-bed hybridRapp produced three videos, with hundreds of clips that show living room interiors depicted primarily in Italian cinema.

    Each film focuses on a different piece of furniture. The sofa, the television and the bar are all featured.
    “Diurno is an invitation to take a break from the hustle and bustle of Milan’s design week, a speakeasy-style secret lounge where guests can relax in a setup that oscillates between nostalgia and science fiction,” said the design team.
    Other furniture included a tubular floor lamp, a curved display shelf and slender vasesPanter & Tourron founders Stefano Panterotto and Alexis Tourron developed six pieces of original furniture for the space.
    As well as the modular sofa platform, the Hall collection includes a lightweight chandelier, a tubular floor lamp, mirrored stools, a curved display shelf and slender vases.
    Drinks and snacks were served on mirrored traysThe duo hoped to draw attention to the changing nature of lounge and passage spaces in the home.
    The project has an affinity with another of their recent works, Couch in an Envelope, which imagines a sofa that can be folded up and carried from place to place.
    “Looking at the decors from gathering spaces like entrance halls, lobbies and lounge rooms, the pieces in the collection function like a reenactment element, questioning the evolution of these places today and our relationship to shared environments at large,” they said.

    Form Us With Love and Samsung replace the sofa with textile “watching platform”

    Drinks and snacks were served on matching mirrored trays, on linen cocktail coasters embroidered with the Diurno brand logo. These were produced in collaboration with La Colombarola.
    Danish textile brand Kvadrat, Italian steel manufacturer Fittinox and material supplier Formtech also donated materials to make the event possible.

    One of the videos featured movie clips of scenes that centred around a sofa
    This isn’t the first takeover of this apartment. Under the name Studio di Pittura, it is primarily an art space with the goal of facilitating collaboration between international and local creatives.
    Diurno was one of Dezeen’s pick of the 12 key installations on show for Milan design week.
    Diurno was open by appointment only from 13 to 20 April. See Dezeen Events Guide to discover our Milan design week guide, or for more architecture and design events taking place around the world.

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    Nine home interiors brightened with colourful window frames

    Shades of green, red and yellow run throughout this lookbook, which collects nine home interiors enlivened by colourful window frames.

    Whether painted wood, plastic or metal, opting for colourful window frames is an easy way to brighten a residential interior.
    The examples in this lookbook demonstrate how they can be used to create a focal point in a pared-back space, draw attention to a view or simply help establish a colour theme.
    This is the latest in our lookbooks series, which provides visual inspiration from Dezeen’s archive. For more inspiration, see previous lookbooks featuring organic modern interiors, eclectic hotels and flooring that enhances the connection between indoors and outdoors.
    Photo by Fred HowarthCamberwell Cork House, UK, by Delve Architects

    A bright forest green paint lines the window frames at Camberwell Cork House, helping to draw focus to the lush planting outside.
    The paint juxtaposes the deliberately simple, white-walled interiors of the house extension, while outside it pops from against walls of tactile cork cladding.
    Find out more about Camberwell Cork House ›
    Photo by Mikael OlssonHouse 669, Sweden, by HelgessonGonzaga Arkitekter
    HelgessonGonzaga Arkitekter incorporated sunny yellow frames throughout House 669, a prefabricated home it created in Stockholm.
    The irregularly placed windows help enliven the otherwise neutral finishes to the home while adding a sense of “individuality” to its uniform structure, the studio said.
    Find out more about House 669 ›
    Photo by Megan TaylorCork House, UK, by Nimtim Architects
    Another studio to have married bright window frames with cork cladding is Nimtim Architects. At this extension in London, the studio punctured the cork-lined walls with Barbie pink timber frames, offering a contemporary counterpoint to the Victorian house to which it is attached.
    The windows are complemented by more subtle pops of pink inside, including the kitchen splashback and metal legs of the dining chairs.
    Find out more about Cork House ›
    Photo by José CamposBouça Family House, Portugal, by Fahr 021.3
    Turquoise accents feature throughout this family home by Fahr 021.3 in Porto, including its window frames and doors.
    The colour was intended to help liven up the interiors, which are finished with white walls, wooden floorboards and wall panelling, while also giving the home “an element of distinction”, the studio said.
    Find out more about Bouça Family House ›
    Photo by French & TyeValetta House, UK, by Office S&M
    Among the distinguishing features of the Valetta House loft extension in London are its yellow-framed arch windows, three of which feature in one of the bedrooms.
    Office S&M modelled these on the arched sash windows found in neighbouring Victorian residences but gave them a vivid yellow finish to appeal to the client’s children. The colour was based on a light fitting the client had picked for the kitchen.
    Find out more about Valetta House ›
    Photo by Séverin MalaudDailly, Belgium, by Mamout
    Slender sage-green frames trim the window openings in Dailly, a courtyard house nestled between two buildings in Belgium.
    It is among the pastel tones that its architect Mamout has used to bring character to the home, in addition to an array of reclaimed materials sourced from a warehouse that previously occupied the site.
    Find out more about Dailly ›

    Ugly House, UK, by Lipton Plant Architects
    Ugly House is a 1970s house in Berkshire that Lipton Plant Architects expanded with a contrasting two-storey extension.
    A bright orange finish was chosen for the windows, including the large garden-facing opening in the kitchen that juxtaposes pastel-blue cabinetry and wooden floorboards.
    Find out more about Ugly House ›
    Photo by Francisco AscensãoHouse in Ancede, Portugal, by Atelier Local
    Large rectangular and circular windows bring light inside House in Ancede, which Atelier Local completed on a sloped site in a nature reserve near Porto.
    The openings are outlined with bright red aluminium, brightening the cool-toned interiors that are defined by exposed blockwork and concrete to evoke brutalist architecture.
    Find out more about House in Ancede ›
    Photo by Megan TaylorYellow House, UK, by Nimtim Architects
    Another project on the list by Nimtim Architects is Yellow House, named after the spectrum of yellow-green hues that run throughout its interior.
    This includes the buttercup-coloured wooden frames of the rear picture window and three skylights in the living room, which stand out against a backdrop of white walls and neutral furnishings.
    Find out more about Yellow House ›
    This is the latest in our lookbooks series, which provides visual inspiration from Dezeen’s archive. For more inspiration, see previous lookbooks featuring tactile organic modern interiors, eclectic hotels and flooring that enhances the connection between indoors and outdoors. 

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    MYT+GLVDK creates industrial-style restaurant in Mexico City

    Mexico City studio MYT+GLVDK has designed a fast-casual restaurant where exposed concrete walls are covered in wavy green metal mesh.

    The office led by Andrés Mier y Terán and Regina Galvanduque completed both the architectural and graphic identities for Órale Milanga, located in the city’s upscale Polanco neighbourhood.
    The Órale Milanga restaurant is designed to have a relaxed atmosphere, which is channelled through both its interiors and brandingThe restaurant celebrates the “comforting and beloved” dish, the Milanese – which many countries claim to have birthed – in a new concept by Venezuelan chef Jorge Udelman.
    “Órale Milanga proposes a fast casual concept that invites you on a journey through Milanese, the main character of a single-item menu that honours different culinary traditions with a variety of ingredients and preparations,” said MYT+GLVDK.
    Olive green accents are a common theme, found in metal-mesh wall panels and seating upholsteryFor the interiors, the multidisciplinary studio overlaid the original exposed concrete walls with panels of wavy, olive-green mesh within metal frames in the same hue.

    Mirrors also fill a row of the wall-mounted frames, creating the impression of more space for the narrow footprint.
    Tubular-steel stools accompany the pale wood bar counterSimilar framework forms a tall, open shelving unit on the other side of the restaurant, partially concealing a green staircase that leads up to additional seating on a mezzanine level.
    “The presence of the green tones, as well as the wood and ironwork accents, evoke the classic neighbourhood cafes and bars in Milan,” the studio said.
    A green metal framework forms an open shelving system that partially conceals a staircasePale wood shelves display Órale Milanga’s branded products that include take-out boxes, mugs, canned goods and glass water bottles.
    Diners are encouraged to eat at either formica-topped tables or a pale wood bar counter, both of which keep the atmosphere in the space light and bright.

    MYT+GLVDK completes eclectic food court Cocina Abierta in Mexico City

    Modernist-style tubular steel chairs have seats and cylindrical backs wrapped in beige and olive leather, matching the built-in seating.
    Warm LED lighting is emitted from glass diffusers, linked in pairs on curved brass rods that attach to the metal frames.
    The restaurant’s graphic identity features chunky typography, which is applied to signage and branded paraphernaliaThe restaurant’s laid-back spirit is reflected in its graphic identity, which features yellow and green tones “that communicate the naturalness and joy of the atmosphere… as well as the ingredients used in the kitchen” according to MYT+GLVDK.
    Along with bold colours and chunky typography, the branding also features an illustrated group of characters and expressive lines.
    “The branding proposal confirms Órale Milanga as a democratic, open and unpretentious space, where enjoying and sharing are the only premises,” the studio said.
    Órale Milanga is located in Mexico City’s Polanco neighbourhoodMier y Terán and Galvanduque founded their studio in the Mexican capital in 2015, offering architecture, industrial design and branding concepts and execution.
    The team has previously completed a food court inside a Mexico City shopping mall with elements that take cues from Japanese and Mexican design traditions.
    The photography is courtesy of MYT+GLVDK and Órale Milanga.

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