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    Eight pared-back and elegant Scandinavian kitchen designs

    For our latest lookbook, we’ve collected eight peaceful kitchens with Scandinavian design details, in homes including a chalet in Belgium and a forest retreat in Sweden.

    Plenty of wood and stone, minimalist details and practical solutions make these eight interiors from across the world good examples of Scandinavian kitchen design.
    As well as being stylish, the pared-down interiors make for functional, clutter-free kitchens where it is easy to find and use all the items needed to make a meal in a relaxing atmosphere.
    This is the latest in our lookbooks series, which provides visual inspiration from Dezeen’s archive. For more inspiration see previous lookbooks featuring outdoor showers, interiors with exposed services and Milanese homes with eye-catching material palettes.
    Photo by Jonas Bjerre-PoulsenForest Retreat, Sweden, by Norm Architects

    Architecture studio Norm Architects designed this kitchen in a traditional Swedish timber cabin using oakwood to create a warm feel.
    Its discrete handleless low-lying cupboards have plenty of storage space, while a stone splashback is both decorative and functional. A black tap adds graphic contrast.
    Find out more about Forest Retreat ›
    Photo by Julian WeyerVilla E, Denmark, by CF Møller Architects
    A carved lightwell brings light into this sundrenched kitchen in a villa in Denmark. The brick tiles that clad the kitchen wall give the room a tactile feeling.
    The floor of the open-plan kitchen is made from herringbone parquet, a style often seen in living room that here gives the kitchen area a more luxurious feel.
    Find out more about Villa E ›
    Photo by Jesper WestblomStockholm apartment, Sweden, by Westblom Krasse Arkitektkontor
    This Stockholm flat might be the exception that proves the rule when it comes to Scandinavian kitchen design – that it has to be designed using discrete colours and materials.
    Instead, local studio Westblom Krasse Arkitektkontor chose a pale lilac hue for the kitchen, which nevertheless features wooden details in the form of a table and chairs. An orange pendant light contrasts nicely with the monochrome kitchen.
    Find out more about Stockholm apartment ›
    Photo by Anders SchønnemannVipp Pencil Factory, Denmark, by Vipp
    Danish homeware brand Vipp used one of its own modular kitchens for Vipp Pencil Factory, a pop-up supper club in Copenhagen.
    The dark-brown wood, commonly used in Scandinavian kitchens, contrasts against the grey concrete walls of the former pencil factory and is complimented by glass cabinets and a marble benchtop.
    Find out more about Vipp Pencil Factory ›
    Photo by Itay BenitHabima Square apartment, Israel, by Maayan Zusman
    Local designer Maayan Zusman renovated this apartment in Tel Aviv using plenty of Scandinavian brands and details, including lamps by Gubi and chairs by Ferm Living.
    A pared-back colour palette and Crittal windows that let the light in also give the kitchen a slightly industrial feel.
    Find out more about Stockholm apartment ›
    Photo by Jeroen VerrechtChalet, Belgium, by Graux & Baeyens Architecten
    This 1960s chalet in Belgium features light-filled living spaces, including a wood-and-stone kitchen that has plenty of storage spaces and large windows that open up towards a lush garden.
    Even the kitchen fan has a plywood cover to ensure it matches the rest of the space.
    Find out more about the Belgian chalet ›
    Photo by Johan DehlinSaltviga House, Norway, by Kolman Boye Architects
    Nicknamed the “house of offcuts” because it has a facade made of offcuts of wooden flooring material, this weekend retreat in Lillesand, Norway, has a kitchen with a view.
    The Scandinavian kitchen design is underlined by the use of Danish furniture brand Carl Hansen & Søn’s classic CH24 Wishbone chairs, which have been placed around a wooden dining table.
    Find out more about Saltviga House ›
    Photo by Jim StephensonThe Hat House, Sweden, by Tina Bergman
    Located in the forested landscape of Tänndalen in western Sweden, The Hat House has a traditional Swedish kitchen with an entirely wood-lined interior.
    To save space, a small floating shelf was used to provide open storage, rather than cupboards. Contrasting dark black and grey colours were used for the splashback as well as the kitchen island.
    Find out more about The Hat House ›
    This is the latest in our lookbooks series, which provides visual inspiration from Dezeen’s archive. For more inspiration see previous lookbooks featuring outdoor showers, interiors with exposed services and Milanese homes with eye-catching material palettes.

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    Krista Ninivaggi looks to “future rather than nostalgia” for Brooklyn Tower lobby interiors

    International architecture studio Woods Bagot has completed the lobby design of the Brooklyn Tower, a supertall skyscraper that is the tallest in the New York City borough.

    Woods Bagot was commissioned for the interior spaces – including lobbies, amenities spaces and furniture – for the SHoP Architects-designed skyscraper, which is completing this year. So far, it has completed the two entrances that will usher residents into the lobby.
    Woods Bagot designed the lobby for Brooklyn’s tallest towerThe tower itself rises from the historic Dimes Saving Bank in Downtown Brooklyn, so Woods Bagot needed to navigate the historic design as well as the “future landmark”.
    “Together with the architect we looked to the future rather than focus on a nostalgia for the past,” Woods Bagot principal Krista Ninvaggi told Dezeen.
    It features oak panelling”Ironically, [American architect] Hugh Ferriss’s work and dedication to retro-futurism influenced our designs,” she added.

    “We very much wanted the interiors to be in dialogue with the ethos of the exterior of the building, so that it felt like a complete work and continued the vision of the exterior. The goal was for the inside and outside to be unified as a total work.”

    SHoP Architects principal knew Brooklyn Tower would be “like the Empire State Building of Brooklyn”

    Woods Bagot’s solution to create this unification was to focus on small details, such as the wood panelling in the main lobby, which was milled at one-half the scale of the exterior facade extrusions.
    The design included both of the two residential entrances to the tower, one of which passes through the Dimes Savings Bank building on Fleet Street.
    Both entrances have oak panelling and cream-coloured hexagonal flooring that was based on the original flooring for the bank.
    The elevator entrance room has a ceiling clad in dimesThe Flatbush Avenue entrance, through the extension built for the tower, acts as the primary lobby and has a concierge desk positioned in front of a recess.
    Gold and bronze detailing and custom furniture designed by Ninvaggi – such as a built-in stone bench – were arranged around the desk and the wood panelling is backlit.
    From here, a passageway with arches clad in stone connects the main lobby with the Fleet Street entrance. Also accessed from the main lobby is the elevator bank.

    Miller Hull Partnership and Woods Bagot design timber Sea-Tac airport expansion

    This area has a vaulted ceiling clad in liberty dimes, another reference to the bank, and the elevators are framed by gold detailing.
    “We also used an abstracted mercury dime face as the signage for the ATM tucked away in the lobby,” said Ninvaggi.
    “Though we wanted to reference the bank we intentionally incorporated wood, which was not found in the bank’s original material palette. This warmed the space and gives it a more residential feel and the lighter wood tone compliments the stone.”
    “Overall, we made strides to abstract our references for a modern-day audience,” she added.
    A passageway connects the two entrancesWoods Bagot was founded in Adelaide, Australia in 1869. Other recent projects by the studio include a convention centre in Christchurch with a curved, tile facade in collaboration with New Zealand studio Warren & Mahoney and an expansion to Seattle’s Sea-Tac airport.
    The Brooklyn Tower is scheduled to be completed in the next few months, with most of its black facade already having been installed.
    The photography is by Adrian Gaut.

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    Of Architecture builds beachside home for surfer-and-artist couple in Cornwall

    London practice Of Architecture has used a fuss-free colour and material palette to create this understated home for a young couple in the town of Newquay in Cornwall.

    House by the Sea belongs to an artist and a surfer, who told Of Architecture that they wanted a home without extravagant finishes, instead preferring a living space that appears “simple, robust and utilitarian”.
    Of Architecture has designed House by the Sea for a couple in CornwallThough the brief was relatively straightforward, erecting the home proved tricky for the practice.
    “The house is located by the cliff side of Pentire peninsula and has a very steep driveway, so transporting material was a big challenge for everyone on site,” the Of Architecture co-founder James Mak told Dezeen.
    “We had to work with materials that could be carried by a small vehicle or by hand.”

    One of the sitting areas has uninterrupted views of Pentire Steps beachOnce the framework was in place, the house was finished with a “monolithic and modest” lime plaster facade.
    Key rooms were dispersed across the home’s open-plan first floor, where walls are almost exclusively painted an off-white shade.
    Prefabricated steps grant access to a cosy mezzanineIn one corner is the kitchen, which features black melamine plywood cabinetry and a large breakfast island topped with stainless steel.
    Overhead hangs a couple of industrial-style pendant lamps.
    The space is filled with artworks and other trinketsAdjacently lies a sitting area that directly overlooks Newquay’s picturesque Pentire Steps beach.
    Fronted by expansive sliding windows, the space is dressed with a classic Eames lounge chair and an L-shaped sofa upholstered in beige marl fabric.

    Jubilee Pool in Penzance reinvented as UK’s first geothermal seawater lido

    Another sitting area lies towards the rear of the first floor, facing a concrete blockwork wall.
    Backed against the wall is a wood burner with a tall slender flue that stretches up to meet the four-metre-high ceiling.
    A skylight in the beam-lined roof helps brighten the mezzaninePrefabricated plywood steps lead up to a mezzanine level tucked beneath the home’s sloping roof, which is held up by steel beams.
    Intended to serve as a cosy retreat, the space is illuminated by a single skylight while artworks are casually leaned up against its walls and books are showcased on a wrap-around gridded shelf.
    The minimalist aesthetic of the first floor then carries over onto the home’s ground floor, which accommodates two guest bedrooms – complete with their own en suites – a cloakroom and a utility room.
    Rooms on the home’s ground floor are also pared backA number of other architecturally striking homes can be found along the British coast.
    Examples include RX Architects’ Seabreeze in East Sussex, which is coated in smooth pink concrete, and Mole Architects’ Marsh Hill House in Suffolk, which is shaped like a seagull’s wing.
    The photography is by Lorenzo Zandri.

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    Sarit Shani Hay references the outdoors to design indoor playground in Tel Aviv

    Tree-like columns and other nature-inspired details feature in this indoor playground, which design studio Sarit Shani Hay has created for the children of employees at an Israeli software company.

    The playground is set on the 15th floor of a skyscraper, surrounded by floor-to-ceiling glass windows that provide uninterrupted views across the city of Tel Aviv.
    Tree-like plywood columns can be seen throughout the playroomDespite this urban setting, Sarit Shani Hay wanted the space to “emphasise closeness to nature” and subtly incorporate biophilic design principles.
    The studio has therefore made reference to the outdoors throughout the scheme.
    Plywood has been used to create other elements in the room, like the playhousesHuge, round pieces of sea blue and forest-green carpet have been set into the floor. Circular panels in the same blue and green hues have also been put on the ceiling, bordered by LED tube lights.

    Parts of the floor that are not covered with carpet have been overlaid with plywood or rubber to account for shock absorption.
    The playhouses include features such as ramps and secret nooksA series of tall plywood “trees” with spindly branches have been dotted across the room; a couple of them suspend a swinging hammock, while another supports a gridded toy shelf.
    Plywood was also used to make house-shaped volumes for the children to play in.

    “Whimsical” marble play sculptures erected in Denmark

    Each of these volumes includes playful interactive features such as ramps, tunnels, rope ladders, sliding poles and secretive nooks.
    The children also have the option of using a climbing wall at the rear of the room, which has different-coloured footholds.
    Sea blue and forest-green carpet has been laid across the floorThe project also saw Sarit Shani Hay create a small kitchen where the children can wash their hands and have snacks prepared for them. This space was finished with sea-blue cabinetry and a gridded tile splashback.
    The indoor playground also features a small cafe area, where employees can enjoy their lunch breaks whilst being close to their children.
    A similar colour palette has been applied in the kitchenPlaygrounds are increasingly offering more than just swing sets and slides. Architecture studio KWY.studio created a play area for a park in Billund, Denmark that includes pink marble sculptures.
    Artist Mike Hewson has also designed a public playground in Melbourne that features giant boulders on wheels, encouraging children to climb and explore intuitively.
    The photography is by Roni Cnaani.
    Project credits:
    Design: Sarit Shani HayLead designer: Adi Levy Harari

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    Hollie Bowden converts London pub into pared-back jewellery showroom

    Lime-washed walls meet aluminium display fixtures in this minimalist studio and showroom that designer Hollie Bowden has devised for London brand Completedworks.

    Set over two floors of a former pub in Marylebone, it provides space for Completedworks to design and display its jewellery and ceramics, as well as to host an array of craft-focused classes.
    Hollie Bowden has designed a studio and showroom for CompletedworksThe brand was established in 2013 and up until now, has largely been sold via high-end department stores such as Dover Street Market and Liberty. But founder Anna Jewsbury felt it was time for Completedworks to have its own brick-and-mortar space.
    “We increasingly had clients asking to come and see our pieces in person but felt that we didn’t have a space that felt considered and reflected our vision,” she said. “We wanted people to be able to enter our world and get to know us, and for us to get to know them.”
    Display shelving was crafted from lustrous aluminiumFor the design of the showroom, Jewsbury worked with London-based designer Hollie Bowden, who naturally looked to the brand’s jewellery for inspiration.

    This can be seen for example in the hammered-metal door handles that appear throughout the studio and directly reference the creased design of the gold Cohesion earrings.
    A modular display system in the showroom is clad in lilac linen”[Completedworks] is known for the beauty of the textural surfaces and flowing almost baroque forms,” Bowden explained. “We developed a display language that played off that, with minimal details and strict lines.”
    Almost every surface throughout the studio is washed in beige-toned lime paint, with only a few slivers of the original brick walls and a worn metal column left exposed near the central staircase.

    Hollie Bowden channels the ambience of dimly lit gentlemen’s clubs for London office

    Bowden used brushed aluminium to create a range of display fixtures, including chunky plinths and super-slender shelving units supported by floor-to-ceiling poles.
    The space also houses a couple of angular aluminium counters for packing orders that include discrete storage for boxes and subtle openings, through which tissue paper or bubble wrap can be pulled.
    Shoji-style storage cabinets can be seen in the officeA slightly more playful selection of colours and materials was used for the studio’s custom furnishings.
    In the main showroom, there’s a modular display island sheathed in lilac linen. Meanwhile in the office, designer Byron Pritchard – who is also Bowden’s partner – created a gridded wooden cabinet inlaid with translucent sheets of paper, intended to resemble a traditional Japanese shoji screen.
    Hammered-metal door handles in the studio resemble Completedworks’ earringsThis isn’t Bowden’s first project in London’s affluent Marylebone neighbourhood.
    Previously, the designer created an office for real estate company Schönhaus, decking the space out with dark-stained oak and aged leather to emulate the feel of a gentleman’s club.
    The photography is by Genevieve Lutkin.

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    MRDK creates a “journey through nature” at Attitude boutique in Montreal

    Blocks of granite among planted beds are used to display plastic-free beauty products at this Montreal store, designed by local architecture firm MRDK.

    MRDK, also known as Ménard Dworkind, designed the interiors of the Attitude boutique to reflect the sustainable focus of the cosmetics for sale.
    Planted beds are surrounded by a raised ceramic floor at the Attitude store”From the moment you step inside, the design of the space reflects their commitment to sustainability and a connection to nature,” said the studio.
    Located on Saint Denis Street in the Plateau Mont-Royal neighbourhood, the 1,000-square-foot (93-square-metre) shop is laid out to evoke a “journey through nature” according to MRDK.
    A large granite block at the centre has two sinks carved into its topPlanted beds in the store window and around the space overspill with greenery, and a raised ceramic floor creates the impression of traversing a boardwalk between them.

    “This subtle elevation change immediately transports you into a new space, a forest floor full of life and colour,” MRDK said.
    The brand’s plastic-free beauty products are display on oak shelves that emerge from the greeneryChunks of granite are used as pedestals for displaying products in the window, while a much larger block in the centre has a pair of sinks carved into its flat top.
    “The boulder-like shape and texture of the island suggest a natural element, as if it has been carved by the forces of nature over time,” said MRDK.

    Ménard Dworkind fills Tiramisu restaurant in Montreal with plants and mirrors

    “This centerpiece perfectly complements the natural theme of the space, giving customers the sense of being in a nature surrounded by rock formations.”
    The majority of Attitude’s products are presented on white oak shelves that emerge from the plant beds on both sides of the store.
    The raised floor is designed to create a boardwalk between the planted bedsSuspended on white poles and backed by fritted glass, these shelves match the rectangular cashier’s desk at the back, into which the brand’s name is hewn.
    There’s also a refill station that customers can use to replenish the aluminium bottles, further promoting sustainability.
    Smaller blocks of granite are used as plinths to showcase the products in the storefrontMRDK was founded by partners Guillaume Ménard and David Dworkind in 2010, and has completed a wide variety of projects in and around Montreal.
    These include a 1970s-themes pizza restaurant, a colossal Chinese brasserie and a wine bar that takes cues from bottle labels, as well as a renovated 1980s home and a cedar-clad hideaway.
    The photography is by David Dworkind.
    Project credits:
    Architecture: MRDKTeam: David Dworkind, Benjamin Lavoie LarocheContractor: Groupe STLC

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    IKEA reflects on “the past, the present and the future” of the home at Milan design week

    Swedish retailer IKEA marked its 80th anniversary at Milan design week with Assembling the Future Together, an immersive exhibition that charts the furniture company’s history and addresses its future.

    Assembling the Future Together took place at Padiglione Visconti in Milan and explored the brand’s progression since the 1950s.
    Assembling the Future Together is on display at Milan design week”The whole exhibition is about the past, the present and the future,” said IKEA designer and chief creative officer Marcus Engman.
    “So it’s a little bit like telling the story of IKEA furniture, things we have done and things that we will do even more,” he told Dezeen in Milan.
    Furniture from IKEA’s history is on display to reflect its pastTo reflect this idea, the space was divided into three main sections. One area dedicated to the past features designs from IKEA’s 80-year history displayed on geometric white shelving.

    Among the pieces was furniture from the 1970s with bright fabrics and bold shapes, which were influenced by the increasing emergence of youth culture during this decade, according to the brand.
    Chunky children’s furniture from IKEA’s Mammut series was also included. The line was first designed in the 1990s and has remained popular ever since.
    IKEA is also debuting its new Nytillverkad collectionFor the present portion of the exhibition, the brand launched the first products in its new Nytillverkad collection.
    Characterised by “simple, functional and playful” elements, the furniture, bedding and accessories intend to pay homage to past iconic IKEA pieces in line with the current wide-spread revival of interest in vintage designs, according to the brand.
    The colourful collection takes cues from previous IKEA designsWhile the collection nods to IKEA’s roots, the brand used contemporary materials to create the pieces.
    “It’s putting old things into a new perspective,” explained Engman.
    Crowd-sourced images of people using the brand’s iconic Frakta bag are suspended in the spaceLarge-scale contemporary photographs, which showed members of the public sporting IKEA’s recognisable blue and yellow Frakta shopping bag in unexpected ways, were suspended from the ceiling throughout the venue
    One image showed a bride protecting her dress inside one of the shoppers on her wedding day, while another has been adapted to transport a dog on the subway in New York.
    “Even if we perceive our products as ‘ready design’, people see them a bit more like Lego pieces to play with,” acknowledged the designer. “People use the Frakta bag in so many ways we didn’t expect.”
    The ‘future’ section references the four elements with installationsThe future area of the exhibition features four towering installations dedicated to the elements of fire, water, earth and wind, which include an illuminated tree and smoke dispensers.
    “The future part is all about showing how we are using design and product development to nudge people’s behaviours into doing something that is good for people and the planet,” reflected Engman.
    “It’s also where we try to challenge people to be part of this – not just wait for IKEA to do stuff, but actually ask, how can we do things together?”
    “We have set out to be fully circular by 2030 so that affects everything that we do,” he continued.
    IKEA intends to urge people to think about the role they can play in shaping the future of designDesigned as an inclusive, “down-to-earth” space that is open to all, the exhibition drew together many other experiences, such as a cinema zone showing portraits taken by photographer and IKEA’s first artist-in-residence Annie Leibovitz that document the “real lives” of people in their homes.
    The project is part of IKEA’s annual Life at Home Report, where members of the brand’s team visit people in their living spaces and document their findings.
    A cinema zone is showing portraits of people at home taken by Annie LeibovitzVarious talks and music events took place in the space throughout the week alongside a dedicated “record shop” and on-site IKEA cafe serving branded food and drinks.
    The aim of incorporating music into the exhibition was to bring people together, according to Engman. Communicating the sacredness of the home is at the core of the IKEA exhibition, said the designer.

    “We have done cutting-edge things that people didn’t see coming” says IKEA’s Marcus Engman

    “This is something for us that we need to constantly work on – finding new ways of getting people to understand how important the home is,” he explained.
    “I mean, the challenges during covid and now the cost of living crisis has been where we can help out even more.”
    “Because people have had to spend more time at home – but how can we make the home also something that is really not just a functional thing, but an emotional thing?” he continued.
    “So I think that’s our biggest thing, but making sure we do that in people- and planet-positive ways. Because that’s the only way forward.”
    The exhibition was designed to be inclusivePreviously, IKEA donated its products and design services to create a series of United Nations-led refugee support centres in Eastern Europe to offer sanctuary to vulnerable groups displaced by Russia’s invasion of Ukraine. The brand’s research lab, Space10, developed a concept for connecting physical furniture to an ever-evolving NFT tree.
    Assembling the Future Together is on show from 18 to 23 April 2023 at Padiglione Visconti, Via Tortona 58, Milan. See our Milan design week 2023 guide on Dezeen Events Guide for information about the many other exhibitions, installations and talks taking place throughout the week.

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    Álvaro Siza designs tiled mural for Space Copenhagen’s Porto restaurant interior

    A ceramic mural by Álvaro Siza is at the heart of this rustic restaurant interior in Porto, Portugal, designed by Space Copenhagen.

    Located in a renovated 16th-century building in Porto’s Largo de São Domingos area, the Cozinha das Flores restaurant features a mural designed by the Pritzker Architecture Prize-winning Portuguese architect.
    Pritzker Prize-winner Álvaro Siza designed the mural”Whilst Siza has created many pieces of non-architectural works worldwide, he had never created something of this kind for his hometown of Porto,” Space Copenhagen founders Peter Bundgaard Rützou and Signe Bindslev Henriksen told Dezeen.
    “Given Siza’s prominence and contribution to Porto life, having him manifest this into a mural depicting his perception of the city was beyond our expectations.”
    Cozinha das Flores is located in a 16th-century building in Porto, PortugalSketches of figures playing musical instruments stand out in black against contrasting green and burnt orange tiles, which were completed by ceramic tile company Viuva Lamego.

    “When asked to imagine a piece for Cozinha das Flores, he [Siza] depicted the recurrent theme of musicians, representing time well spent; fun, relaxed moments; a medley of emotions; and people joined by arts and culture,” said the studio.
    “The specialist craftspeople used a traditional technique of hand painting the scaled-up facsimile of a sketched image from paper onto the tiles, painted dot by dot.”
    The studio used green and orange tones throughout the interiorThe green and orange hues of the tiles appear elsewhere in the interior. Green cushions top the built-in oak seating bench that runs along the wall below the mural, while doorways were painted dark green.
    The colour palette was unified with coppery plastered walls and warm lighting.
    “We introduced plastered walls in earthy warm tones and a conscious use of light to enhance and saturate,” the studio explained.
    The focus on the local area is reflected in the studio’s design choicesNatural materials like stone, marble, brass and oak were used throughout the interior. The seating was arranged around an open kitchen, which has dark grey quartzite stone surfaces and wooden cabinets.
    Under the direction of Lisbon-born chef Nuno Mendes, the restaurant aims to celebrate the ingredients, wine and culture of northern Portugal.
    Space Copenhagen’s approach involved collaborations with local craftspeopleThe warm, earthy hues chosen by Space Copenhagen were informed by the restaurant’s food, as well as the building and area in which it is located.
    “The historical building structure that frames the restaurant and bar provided the base palette, which we have built upon,” said Space Copenhagen.
    “Aged stone and dark-stained wood were our existing starting points. All elements are associated with the city of Porto”, it added.
    Materials were sourced from across PortugalThroughout the project, the studio prioritised regional materials and collaborated with a variety of local architects, artists and craftspeople. Woodworkers from northern Portugal crafted the dark wood furnishings and fittings.
    “All stone, wood, metal and tiling has been sourced from regions in Portugal using a proximity criterion as priority,” said the studio. “All the millwork has been made by local artisans.”
    Natural materials like stone, marble, brass and oak feature throughout the interiorCozinha das Flores, and its adjacent 12-seater bar, Flôr, are amongst five heritage buildings that make up the Largo project, set to open later this year.
    Other local projects by Siza include his 1963 Boa Nova Tea House, which was transformed into a seafood restaurant for Portuguese chef Rui Paula in 2014.
    Previous projects by Space Copenhagen include the renovation of the Mammertsberg restaurant and hotel in Switzerland and the Blueness restaurant in Antwerp.
    The photography is by Luís Moreira and Matilde Cunha.

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