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    Reflect Architecture balances “contemporary art with family life” in Toronto house

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    Canadian studio Reflect Architecture has renovated a home in Toronto for a new generation of the same family, while incorporating an extensive art collection.

    North Drive House was the childhood home of one of the owners. After stints living abroad and in Downtown Toronto, the couple were lured back to the two-acre property for the space to raise their young family.
    The home’s hallways and living spaces were renovated to feel like a gallery for the couple’s art collectionHowever, the residence’s traditional interiors were not to their taste, so Reflect Architecture principal Trevor Wallace was called in to undertake an extensive renovation.
    His approach was to create a deliberate “tension” between the need to display an extensive contemporary art collection – which includes pieces by Robert Mapplethorpe and Erik Madigan Heck – and fulfilling the needs of a family home.
    A sculptural staircase features layered bannisters, stepped profiles and curved forms”The idea of living in a gallery was always important to the owners, but the critical distinction is that they didn’t want to live in a museum,” said Wallace.

    “This is a family home above all. The owners have always imagined that their kids would one day look back on living here and think it was pretty cool that they were playing soccer or running around inside what felt like an art gallery.”
    The living room includes contemporary furniture and a ribbon-like fireplace by Brooklyn designer Leyden LewisThe team retained the existing layout and circulation while updating the spaces with fresh materials, colours and forms.
    Most in line with the gallery-like aesthetic, the living spaces, hallways and corridors feature stark white walls and minimalist detailing such as flush doors and entryways.
    A different approach is taken in the dining room, where the walls are painted dark tealAt the centre of the home is a staircase designed as if a piece of sculpture itself, comprising layered bannisters, stepped profiles and curvaceous forms.
    A similarly playful tactic was applied in the living room, which features a rippling, ribbon-like fireplace designed by Brooklyn-based designer Leyden Lewis.
    Doors and entryways throughout the home are designed to be flush with the walls”We had a lot of fun exploring and playing with the staircase’s shapes and orientations,” Wallace said. “We wanted it to feel organic and fluid, and that required being playful. That was true for the entire house from start to finish, it was important that we didn’t take the whole thing too seriously.”
    The spareness of these spaces is swapped in the cooking and eating areas, which feature darker, richer colours like the teal dining room.

    Blue slide is centrepiece of Walker house renovation by Reflect Architecture

    A knotted light fixture by Lindsey Adelman hangs over the large stone dining table, accompanied by chairs with ochre velvet upholstery.
    In the kitchen, tone-on-tone travertine cabinetry and surfaces include a new 15-foot-long (4.5-metre) kitchen island.
    Tone-on-tone travertine cabinetry and surfaces were added in the kitchenAn existing gabled skylight overhead was maintained, but its beams were updated with a copper hue to “complement the travertine”.
    The room is oriented towards a glass wall facing a Japanese maple tree in the garden, under which sits a large dining table by local furniture designer Mary Ratcliffe.
    A 15-foot-long (4.5-metre) island was also added beneath an existing skylightWallace founded Reflect Architecture in 2016, and the studio’s previous work includes a Toronto home renovation with a blue slide as its centrepiece.
    Other recently completed residential overhauls in the city include a residence connected by asymmetric brass-lined portals and a house where built-in storage volumes were added.
    The photography is by Doublespace Photography.

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      Post Company restores hotel known as birthplace of Apple’s Macintosh computer

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      New York design studio Post Company has revived a historic hotel in Carmel-by-the-Sea, California, drawing on the building’s illustrious past and recent acclaim to inform its interiors.

      The 75-key La Playa Hotel is situated a few blocks from the beach in the town, located on California’s Pacific Coast Highway and renowned for its bohemian spirit.
      The moody lobby of La Playa Hotel features dark coffered ceilings and textured plaster wallsIt was taken over in 2012 by Marc & Rose Hospitality – which also operates the recently overhauled High Country Motor Lodge in Flagstaff, Arizona – and reopened in October 2023 following a long renovation process.
      “As the fifth owners in its more than 115-year history, we focused on letting the building lead us to a design that supports the stories of the past, while infusing thoughtful amenities to meet the expectations of the modern traveller,” said Marc & Rose president John Grossman.
      Restored elements of the building include a staircase with tiled risers and iron railingsThe team worked with Post Company to uncover historical details about the property, which was originally built in 1905 by landscape painter Chris Jorgensen for his wife, chocolate heiress Angela Ghirardelli.

      After the death of her niece at Carmel Beach, the couple sold the mansion and it was converted into a hotel by adding 20 rooms, then further expanded to its current size in 1940.
      The hotel bar, Bud’s, is designed to be dark and intimateIn 1983, it was the site of an Apple company retreat, during which founder Steve Jobs unveiled the first working prototype of the Macintosh computer.
      With all this history, as well as ties to key figures of the bohemian movement, Post Company restored the Spanish Colonial-style building in a respectful manner while introducing new elements to enhance its character.
      A brighter approach to the decor was taken in the hotel’s guest rooms and suites”Our design honours the hotel’s history and vernacular while ushering in the works and objects of contemporary artists and muses,” said Post Company.
      “Each space is a singular and inviting design – much like the diverse cast of patrons and local characters engrained in its extensive past – resulting in an eclecticism that is a deeper reflection of what has always been and paves the way for a new generation to gather, create, and explore.”
      Cream walls and linen curtains complement the original shell pendant lights by Frances Adler ElkinsThe moody and atmospheric lobby features terracotta floors, a dark coffered wood ceiling and textured plaster walls, and is furnished with a variety of vintage pieces.
      A sweeping staircase leading upstairs to the guest rooms is adorned with patterned tiles on its risers and thin iron railings.
      Dark wood furniture contrasts the lighter-toned walls and textilesThe hotel’s bar, Bud’s, is named after Howard E “Bud” Allen – a Carmel local who took over the hotel in the 1960s and introduced a full-time bar and 10-minute happy hour.
      The space is dark and intimate, with plenty of wood panelling, leather-upholstered booths and banquettes, and decorative unlacquered brass and carved details.
      One of the guest rooms boasts a star-shaped stained-glass windowIn the guest rooms, Post Company took a lighter approach to the decor by choosing cream for the walls and the linen curtains.
      Curvaceous furniture is complemented by modern sconces and original plaster shell pendants by Frances Adler Elkins.

      Post Company imbues Mollie Aspen hotel interiors with earthy hues

      Each room has a curated bar, while the bathrooms have been updated with colourful tiles and blackened nickel fixtures.
      One of the ground-floor rooms boasts a star-shaped stained glass window, which is surrounded by foliage on the exterior.
      The hotel’s grounds are landscaped with brick paths and patios between plantingThe hotel’s grounds are landscaped with flowerbeds and lawns, criss-crossed by brick pathways that connect arched colonnades with patios and the outdoor swimming pool.
      Several guest rooms open directly onto the gardens, and a handful are in the pavilion that faces the pool terrace.
      The building’s historic Spanish Colonial architecture, typified by the arched colonnades around it periphery, was restored during the renovationLa Playa has multiple spaces for meetings and events, including a game room and the 2,160-square-foot (200-square-metre) Pacific Room that is typically used to host weddings.
      Breakfast is served in an indoor-outdoor dining room, whose covered terrace extends towards the ocean and provides a spot for evening cocktails while watching the sunset.
      The dining area extends out to a covered terrace where guests can watch the sunsetPost Company, formerly known as Studio Tack, is renowned for its hospitality projects and also recently completed the warm, wood-filled interiors for the Mollie Aspen hotel.
      The studio’s earlier work includes The Lake House on Canandaigua in New York’s Finger Lakes region, the Sound View hotel on the North Fork of Long Island and The Sandman converted motel in northern California.
      The photography is by Chris Mottalini.

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      SODA offers model for office-to-residential conversions with Roca in Liverpool

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      London studio SODA has converted a 1970s office block in Liverpool city centre into a residential building that  includes co-working and wellness facilities.

      The adaptive reuse project sees the 10-storey block, which spent decades as an office for HM Revenue and Customs, transformed into rental homes managed by operator Livingway.
      Communal spaces take up most of the ground floorRoca contains 120 one- and two-bedroom apartments, plus two floors of co-living-style amenities for residents. These include workspaces, a large kitchen, cinema room, gym and treatment rooms and a planted roof terrace.
      Russell Potter, co-founding director at SODA, believes the project can serve as a model for office-to-residential conversions in city-centre locations.
      The design includes mix of flexible lounge and workspaces”The leaps that office design has made over the past decade or two have meant that certain period properties from the 1960s and 70s are perhaps not the most desirable from a commercial point of view,” he told Dezeen.

      “But if they occupy prime city-centre locations, they can offer amazing opportunities to adapt and re-use, to reinvigorate city centres with genuinely flexible and crafted spaces.”
      A timber “activity wall” provides surfaces, seating and storageLivingway’s model is a version of co-living. By offering Roca residents access to communal spaces, in addition to their apartments, it aims to foster a sense of community.
      Many of these shared spaces can be found on the ground floor. Here, various work, lounge and dining spaces are organised around a timber “activity wall” that provides surfaces, storage and seating.
      A communal kitchen is often used for cooking classes and demonstrationsOther interior details, such as folding screens, curtains and fluted glass windows, allow the space to be casually divided into different activity zones when required.
      Sometimes these spaces host workshops or classes, allowing residents to engage with local businesses.

      Chai Guys Portobello cafe interior evokes “the colour of spices”

      “We’re introducing an element of communal activity to act as a hub at ground floor, in a similar fashion to what’s been happening in other co-living arrangements,” said Potter.
      “It means you have the opportunity to create a genuine sense of community within a city centre.”
      The building was previously an office blockOn the apartment floors, the existing floorplates made it possible to create larger homes than typical co-living units, arranged on opposite sides of a central corridor.
      Apartments come fully furnished, with bedrooms and bathrooms separate from the living areas.
      The renovation provides 120 apartments in total”Office buildings typically have slim floor plates with decent floor spans and high proportions of glazing-to-floor area, so make ideal opportunities for residential conversion,” Potter explained.
      “Likewise, floor-to-ceiling heights don’t tend to pose an issue for residential,” he added. “Typically, commercial floor heights are higher than what you expect in residential, meaning that you get better aspects of light into the spaces.”
      The apartments are larger than is typical for co-livingLivingway offers five of these units as hotel rooms, available for short stay. But guests don’t have access to all of the communal facilities; most are reserved for residents.
      Technology plays an important role in the building management. An app allows residents to book certain rooms or sign up for workshops and classes, while digital locks allow access to be controlled.
      The communal spaces feature colours and patterns that reference the 1970sThe interior design approach reflects the building’s 1970s heritage, with furniture and finishes that don’t shy away from colour and pattern.
      Standout spaces include the cinema room, an all-red space featuring large upholstered chairs, tubular wall lights and art-deco-style mouldings.
      Across the rest of the ground floor, the exposed concrete waffle-slab overhead brings an industrial feel that contrasts with the warmth of the wood surfaces and soft furnishings.
      Standout spaces include a cinema screening roomThe homes feature a more subtle palette, with muted tones rather than white, to allow residents to bring their own personalities into the design.
      A similar level of care was brought to the outdoor spaces. These include an informal courtyard on the ground floor and the seventh-floor roof terrace, which incorporates a trio of hot tubs.
      A planted roof terrace includes three hot tubsThe project builds on SODA’s experience of designing shared spaces. The studio has designed various spaces for workplace provider The Office Group (TOG), including Liberty House and Thomas House.
      The collaboration with Livingway came about after the company reached out to the studio via Instagram.
      “It is amazing to see what a beautiful result has been produced and how much our residents truly enjoy calling Roco their home,” added Samantha Hay, CEO for Livingway.
      The photography is by Richard Chivers.

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      SODA offers model for office-to-residential conversions with Roco in Liverpool

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      London studio SODA has converted a 1970s office block in Liverpool city centre into a residential building that  includes co-working and wellness facilities.

      The adaptive reuse project sees the 10-storey block, which spent decades as an office for HM Revenue and Customs, transformed into rental homes managed by operator Livingway.
      Communal spaces take up most of the ground floorRoca contains 120 one- and two-bedroom apartments, plus two floors of co-living-style amenities for residents. These include workspaces, a large kitchen, cinema room, gym and treatment rooms and a planted roof terrace.
      Russell Potter, co-founding director at SODA, believes the project can serve as a model for office-to-residential conversions in city-centre locations.
      The design includes mix of flexible lounge and workspaces”The leaps that office design has made over the past decade or two have meant that certain period properties from the 1960s and 70s are perhaps not the most desirable from a commercial point of view,” he told Dezeen.

      “But if they occupy prime city-centre locations, they can offer amazing opportunities to adapt and re-use, to reinvigorate city centres with genuinely flexible and crafted spaces.”
      A timber “activity wall” provides surfaces, seating and storageLivingway’s model is a version of co-living. By offering Roca residents access to communal spaces, in addition to their apartments, it aims to foster a sense of community.
      Many of these shared spaces can be found on the ground floor. Here, various work, lounge and dining spaces are organised around a timber “activity wall” that provides surfaces, storage and seating.
      A communal kitchen is often used for cooking classes and demonstrationsOther interior details, such as folding screens, curtains and fluted glass windows, allow the space to be casually divided into different activity zones when required.
      Sometimes these spaces host workshops or classes, allowing residents to engage with local businesses.

      Chai Guys Portobello cafe interior evokes “the colour of spices”

      “We’re introducing an element of communal activity to act as a hub at ground floor, in a similar fashion to what’s been happening in other co-living arrangements,” said Potter.
      “It means you have the opportunity to create a genuine sense of community within a city centre.”
      The building was previously an office blockOn the apartment floors, the existing floorplates made it possible to create larger homes than typical co-living units, arranged on opposite sides of a central corridor.
      Apartments come fully furnished, with bedrooms and bathrooms separate from the living areas.
      The renovation provides 120 apartments in total”Office buildings typically have slim floor plates with decent floor spans and high proportions of glazing-to-floor area, so make ideal opportunities for residential conversion,” Potter explained.
      “Likewise, floor-to-ceiling heights don’t tend to pose an issue for residential,” he added. “Typically, commercial floor heights are higher than what you expect in residential, meaning that you get better aspects of light into the spaces.”
      The apartments are larger than is typical for co-livingLivingway offers five of these units as hotel rooms, available for short stay. But guests don’t have access to all of the communal facilities; most are reserved for residents.
      Technology plays an important role in the building management. An app allows residents to book certain rooms or sign up for workshops and classes, while digital locks allow access to be controlled.
      The communal spaces feature colours and patterns that reference the 1970sThe interior design approach reflects the building’s 1970s heritage, with furniture and finishes that don’t shy away from colour and pattern.
      Standout spaces include the cinema room, an all-red space featuring large upholstered chairs, tubular wall lights and art-deco-style mouldings.
      Across the rest of the ground floor, the exposed concrete waffle-slab overhead brings an industrial feel that contrasts with the warmth of the wood surfaces and soft furnishings.
      Standout spaces include a cinema screening roomThe homes feature a more subtle palette, with muted tones rather than white, to allow residents to bring their own personalities into the design.
      A similar level of care was brought to the outdoor spaces. These include an informal courtyard on the ground floor and the seventh-floor roof terrace, which incorporates a trio of hot tubs.
      A planted roof terrace includes three hot tubsThe project builds on SODA’s experience of designing shared spaces. The studio has designed various spaces for workplace provider The Office Group (TOG), including Liberty House and Thomas House.
      The collaboration with Livingway came about after the company reached out to the studio via Instagram.
      “It is amazing to see what a beautiful result has been produced and how much our residents truly enjoy calling Roco their home,” added Samantha Hay, CEO for Livingway.
      The photography is by Richard Chivers.

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      Tigg + Coll Architects moves studio into converted Victorian mission church

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      Tigg + Coll Architects has converted part of an abandoned mission church in west London into a flexible studio, with the rest of the building set to be turned into homes.

      The studio, led by architects David Tigg and Rachel Coll, has completed the first phase of a redevelopment project that will see all of the Victorian church building in Brook Green brought back into use.
      The Victorian building was previously a mission churchTaking up a third of the building volume, the two-storey Addison Studios features a first-floor workspace for the Tigg + Coll team and a ground-floor space that can be used for meetings or events.
      This ground floor has a flexible layout that can function as a single space or separate zones. It includes a kitchen with an island counter, a materials library on wheels, meeting tables and pin-up areas.
      A first-floor workspace features a restored rose window”We wanted to find a permanent home for our studio that could showcase our ethos and skill sets,” Tigg told Dezeen.

      “When we heard on the grapevine that this local landmark was up for sale and looking for someone to come in and bring it back to life, we were smitten.”
      Original steel trusses are now highlighted in turquoiseLocated in a residential area, the building is believed to be 125 years old. It had been adapted many times, with numerous extensions added, and had fallen into disrepair.
      “It had great bones but sadly had been slowly left to deteriorate, with ramshackle extensions and other alterations that took away from the simple and robust beauty of the existing building,” said Tigg.
      The ground floor is a flexible meeting and events spaceTigg + Coll’s approach was to strip the building back to its original structure and find clever ways of highlighting its history and architectural features.
      Glazing was replaced including a previously concealed rose window that is now the focal point of the building’s gabled end wall.
      It includes a kitchen with a terrazzo island counterBrickwork walls were exposed but only repaired where necessary, while decorative steel trusses were uncovered and painted turquoise to stand out against the white-washed timber ceiling boards.
      “We wanted to allow the reality of the existing building and its materiality to be central to the final finish,” said Tigg.

      Ten architecture studios that designed their own office buildings

      “The principle was to pair it back and make the accents very clear,” he continued. “Nothing was to be covered up if we could help it.”
      “Any existing features not being restored were either relocated to replace damaged or missing elements or left in place and infilled to create a visible collage or quasi memorial of the building’s history.”
      The new mezzanine is built from glulam timber, blockwork and steelA new mezzanine was installed to provide the first-floor workspace with an exposed structure formed of blockwork, glulam timber joists and steel I-beams coloured in a slightly paler shade of turquoise to the trusses above.
      The floor is set back from the windows, creating a clear divide between old and new while new skylights increase the overall level of daylight that enters.
      The first floor is set back from the windowsSeveral new materials are introduced on the ground floor. The pin-up wall is formed of cork, while the kitchen counter is a custom terrazzo made using some of the site’s demolition waste.
      This space allows the Tigg + Coll team to come together for group lunches, presentations or collaborative work. It also provides opportunities for both video calls and formal meetings and could be used for events.
      A cork wall provides a pin-up space”We wanted a calm office that was uplifting, inspirational and unlike a typical work environment,” said Tigg.
      “You can spend time conscientiously working on the mezzanine and then get away from the screen time with a break downstairs. It really helps with mental balance throughout the day.”
      The design aims to celebrate the building’s historyTigg and Coll founded their studio in 2008. They specialise in residential projects, across private homes, housing developments, student living and co-living.
      Past projects include House for Theo + Oskar, designed to support the needs of two children with a rare muscular disorder, and Chapter Living King’s Cross, an innovative student housing project.
      The rest of the building is set to be converted to residentialNow that they have moved into Addison Studios, the architects are set to move forward with the rest of the conversion.
      “We are in an age where it is more important than ever to showcase how the principle of retrofit can not only be a pragmatic and cost-effective choice, but also create immensely warm, characterful and beautiful spaces for working, living and just generally enjoying,” Tigg concluded.

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      Portal House by Svima features brass details and curved oak ribbons

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      Brass ribbons line the asymmetric portals that connect the kitchen and dining room of this Toronto residence, renovated by local architecture and art studio Svima.

      The Portal House was designed for a couple who had wanted to refresh their home for 10 years, but have very different aesthetic tastes.
      Two portals connect the renovated kitchen and dining areas of this Toronto homeToronto-based studio Svima found a compromise by combining his desire for “tenebrous minimalism” and her love of “bright French country kitchens” into the design.
      The resulting “denlike cosiness” pairs dark oak across the lower half of the ground-floor spaces and clean white surfaces on the upper half.
      The curved, asymmetric portal over the deep counter acts as a pass-throughThe snaked kitchen layout is tight, so Svima curved the corners of cabinetry and counter surfaces to steal extra space for circulation.

      This theme continues to the living room millwork: a bookcase is filleted at the corner and meets the wall at an angle, while a built-in sofa beneath the window also softly angles inward.
      The other portal, mirrored in shape, forms a doorway between the two spaces”The design hinges on ‘ribbons’ flowing through the space, guiding the motion through the rooms,” said Svima.
      “The ribbons curve in areas where sharp corners would not fit, or would stop the flow of movement.”
      Brass edges around the portals were artfully installed to perfectly fit the curved drywallIn the kitchen, the curved oak doors were handmade by a cabinetmaker who created a special jig to kerf-bend the oak into a radius.
      Tiles that offer a contemporary take on Dutch Delft porcelain form the backsplash, adding small touches of blue to the otherwise neutral space.
      To add touches of colour to the dark oak and bright white palette, tiles influenced by Delft porcelain were added to the backsplashTwo portals provide connections between the kitchen and adjacent dining room, both with a mirrored asymmetric shape and edged in brass.
      One acts as a doorway, while the other over the deep counter is used as a pass-through for food, drinks and tableware.

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      “It was an artful process for the contractor to lay the brass into the wall, as it had to fit into the curved drywall perfectly with no tolerance for error,” the architects said.
      The living room, located at the front of the house, was furnished with mid-century pieces such as a chair, a coffee table and a media console.
      Dark oak flooring throughout the home’s ground floor matches the other millworkThe closed and open shelving unit organises the family’s books and possessions, and its shape allows more light to enter from a side window.
      Opposite, the built-in sofa helps to resolve an awkward space under a bay window and orients the sitter towards the TV to one side.
      In the living room, the curved kitchen cabinetry is translated as a storage unit with a filleted side”The custom sofa sweeps into the space to provide seating at precisely the right sideways angle for viewing the media unit, for lounge reading, and for gathering,” Svima said.
      The floors throughout the home match the other millwork, grounding the spaces with a rich dark hue.
      A built-in sofa under the living room’s bay window similarly features softly curved anglesSvima, founded by architects Anamarija Korolj and Leon Lai, is not the only studio that’s had to get creative with a tight Toronto floor plan.
      When Studio Vaaro overhauled a house in the city, the firm created a series of volumes with minimally detailed millwork to form kitchen cabinetry, the staircase and a feature bookcase in the living room.
      The photography is by Scott Norsworthy.

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      Multipurpose rooms optimise space at Ulli Heckmann’s Rotterdam apartment

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      A bedroom incorporating a bathtub and a window bench is one of several versatile spaces architect Ulli Heckmann created when renovating this compact apartment in Rotterdam, the Netherlands.

      Heckmann and his partner, the designer Nienke Bongers, bought the apartment in the Delfshaven neighbourhood in 2020 with the aim of refurbishing it to suit their personal tastes.
      Multipurpose rooms were used to optimise space at Ulli Heckmann’s Rotterdam apartmentThe 100-square-metre property is spread across the ground floor and basement of a brick apartment building dating from 1935 that stretches along a dike on the river Schie.
      Previous renovations in the 1980s had stripped away all of the interior’s original features, so the couple decided to completely gut the spaces and rebuild them using a modern and affordable material palette.
      The open-plan kitchen and living area receive daylight from the gardenThe existing layout did not make the best use of the garden access, so Heckmann moved the bedrooms upstairs and created a large living space below with direct access to the outdoors.

      “The original downstairs plan showed one room facing the garden and one towards the street, which was quite gloomy and dark,” the architect told Dezeen.
      “Since the new downstairs is basically mono-orientated, an open layout with the kitchen cupboard as a room divider seemed the best solution in terms of space with an option for privacy.”
      Heckmann completely rebuilt the interior spaces using affordable materials. Photo is by Yuta SawamuraThe largely open-plan configuration creates a space for cooking, eating and socialising that receives plenty of daylight from the large windows at one end.
      Freestanding cupboards screen a small private space that Heckmann explained can be used for “reading a book, inviting friends to stay over or simply drying the laundry without putting it in the middle of the living room.”
      The kitchen is divided by a wooden cupboard unit for privacy. Photo is by Yuta SawamuraThroughout the property, built-in storage helps to optimise and organise space, allowing the interior to be used in different ways at different times. Examples include a hidden desk in the children’s bedroom and a window bench in the main bedroom.
      “Most of the rooms are not limited to only one purpose throughout the day and night,” said Heckmann, “which helps tremendously for the use of the space – especially as a family.”

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      The layout of the upper floor is more compartmentalised than the basement level; however, a full-height mirrored door at the end of the hall can be left open to ensure the spaces feel connected.
      The two bedrooms at either end of the plan are separated by a walk-in wardrobe and a shower room hidden behind cupboard-like doors.
      The main bedroom integrates a bathtub that can be hidden behind a curtainIn addition to the bed and window bench, the main bedroom contains a bathtub set on wooden blocks that can be screened off using a curtain.
      “The need to create multifunctional spaces is one of the reasons why we decided to have the bathtub in the bedroom,” Heckmann explained. “Also, we quite like that it becomes an object in our daily life instead of hiding it away.”
      Most of the furniture was built by Heckmann and Bongers with stained or dyed plywood and MDFThe couple had wanted to use natural materials where possible to completely revamp the interior, but the onset of the Covid-19 pandemic caused prices to soar and subsequent lockdowns made commissioning specialist trades much more difficult.
      Heckmann and Bongers therefore designed and built most of the furniture themselves, using plywood or MDF that they stained or dyed to give the materials a more unique finish.
      The bedroom shelf and the hall cupboards are made from eucalyptus plywood tinted with an earl-grey mixture, while the bedhead is MDF with a hardwax finish.
      The bedhead unit is made from MDF with a warm-toned hardwax finishLime plaster was used on the walls throughout the apartment. The downstairs spaces were left raw and natural, while the bedroom has green pigment added to give it a subtle hint of colour.
      For the kitchen, Heckmann used MDF boards with oak veneer and a countertop with a dark Forbo linoleum surface. The cupboard under the stairs features an oak frame surrounding polycarbonate panels, while the staircase podium is made from painted MDF.
      A hidden desk in the children’s bedroom helps to optimise space usageUlli Heckmann completed his Diploma studies at the Technical University of Darmstadt, Germany, in 2006 and worked for several years for agencies in Germany and France, including Maison Edouard François.
      He founded his architecture and design studio in Paris in 2013 and now works on projects across Europe, ranging from object and interior design to private housing and architectural competitions.
      Other recent Rotterdam projects featured on Dezeen include a floating cross-laminated timber office and a multi-faceted auditorium designed using computer modelling.
      The photography is by Ulli Heckmann unless otherwise stated.

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      Bernard Dubois designs Canal Saint-Martin hotel to feel “far from Paris”

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      Belgian architect Bernard Dubois designed bespoke 1970s-style wooden furniture and interiors for the revamped Bouchardon hotel in Paris, which references mountain hotels.

      Located in the Canal Saint-Martin district of the French capital, the Bouchardon is an aparthotel containing 11 suites. Every apartment has its own kitchen and dining area.
      Each suite has a private dining areaThe entire building has been rebuilt and Dubois was appointed to create its interior, which he wanted to provide “both refuge and an intimate feel,” the designer said.
      “The place is inviting, showcasing wood, brown fabrics and green carpeting,” Dubois told Dezeen.
      Wood panels line the walls of the corridorsAt first, Dubois designed the entire project in wood, before deciding to introduce a material palette of contrasting textures, using lacquer on some pieces to add gloss.

      This shiny element balances the various wood textures.
      While pairing opposing finishes, Dubois aimed to keep the space cohesive by using the same colour palette throughout.
      “Coherence is all about finding common grounds between references – [to] create a family with shapes and materials referencing different periods and contexts,” he said.
      Yellow soft furnishings and custom lamps also feature throughout the spaceDubois designed all of the furniture specially for the space and had them manufactured by two millworkers.
      The architect also designed all of the interior architecture details for the Bouchardon.

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      As part of this tailor-made approach, Dubois created a focal point for each bedroom using statement headboards made from terracotta.
      The terracotta-coloured headboards are uniquely shaped for each room and “evoke the 1970s in both their shape and glossy lacquer finish,” Dubois said.
      The bedrooms each include a unique large statement headboardDubois also took cues from the aesthetics of mountain hotels combined with American cinema references.
      “The concept of this space was to break away from conventions, far from Paris,” he explained.
      “You can imagine opening a window in the morning and suddenly discovering a landscape reminiscent of Twin Peaks or Colorado.”
      The aim was to give visitors an experience evocative of a ski holiday.
      “The colours and materials evoke mountain hotels, with carpeted hallways and entrances where one can hear the warm muffled sound of ski boots,” Dubois added.
      A rail-like wooden partition separates the bedroom and living areaDubois studied photography before moving into architecture and set up his eponymous firm in 2014.
      For this project, he borrowed from the principles of photographers William Eggleston and Stephen Shore, known for their simple compositions and highly saturated photos respectively.
      Dubois describes his design approach for the Bouchardon, and more broadly, as “creating universes”.
      “Designing is all about creating stories, universes,” he said. “Like a film-maker, a photographer, it’s about digesting references and coming up with something different that, although rooted, creates its own identity and its own story.”
      Other projects from the studio recently featured on Dezeen include a Parisian clothing store that features nods to nightclub interiors and a yellow-bricked store for skincare brand Aesop.
      The photography is by Ludovic Balay.

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      Timothy Godbold adorns Tribeca loft with modernist relief panels

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      New York interior designer Timothy Godbold has renovated an apartment in a historic Tribeca building, adding various relief treatments across its neutral walls including panels influenced by a 1970s sci-fi series.

      The spacious loft is located in an 1881 cast-iron building on Franklin Street, which was formerly a textile factory and was overhauled by Pritzker Prize-winning Japanese architect Shigeru Ban in 2019.
      The most dramatic space in the loft is a double-height living room surrounded by windows”The homeowners, a young family with two children, set out with the objective of creating a great home for entertaining that simultaneously utilized space efficiently to create a comfortable family living space,” said Godbold’s team.
      The designer helped to organise the layout so that it functioned optimally for the family, and despite opting for a neutral colour palette, Godbold upped the drama through the scale of the furniture and artwork.
      Rather than disguise a structural column, Timothy Godbold used it as an anchor for the dining tableA double-height living room occupies a corner flooded with light from windows on two sides, which can be diffused by drawing the sheer curtains.

      To work around a large structural column disrupting the view to the living room, Godbold used the column to anchor a stone dining table to turn it into a focal feature.
      The kitchen is intentionally minimal, benefitting from the absence of cabinet and drawer pullsThe table references a 1930s design by Hans and Wassili Luckhardt and Alfons Anker, in keeping with the industrial style of the building.
      The kitchen is very minimal, thanks to the omission of cabinet and drawer pulls, and includes an island with a waterfall stone top that creates space for a breakfast bar.
      An area behind the kitchen was converted into a flexible office and bar spaceHidden behind the kitchen is a former TV room converted into a bar room and an office “to maximise the versatility of the space and meet multiple needs”.
      The walls in this flexible room are covered in geometric plaster-relief panels, which add shadows and texture, while the furniture is darker and more masculine.
      Plaster relief panels based on a 1970s sci-fi series cover the wallsA Reprise pendant light from New York design studio Apparatus hangs in a corner that has been curved to accentuate the modernist-style wall panelling.
      “The wall details in this Tribeca space are inspired by a classic 1970s sci-fi series that showcases an all-Italian modern aesthetic within a futuristic environment,” said the team.
      A feature wall behind the bed in the primary bedroom is fluted across its full widthA row of plastered arched niches separates the formal entertaining areas from a more casual seating area, where a large pale grey sofa shifts the tone from the warm whites found elsewhere.
      In the primary bedroom, the built-in bed and nightstands are installed below a tufted upholstered headboard that runs the full width of the room, and a fluted wall feature that extends to the ceiling.
      The bedroom also features a sculptural sofa, large planters and a huge artwork by Etienne MoyatOpposite the bed is a sculptural sofa surrounded by oversized planters and a large, carved relief artwork by French sculptor Etienne Moyat on the wall.
      Godbold custom-designed many of the pieces throughout the home, including most of the furniture and decorative elements.

      Timothy Godbold turns his Hamptons home into a “villain’s hideout”

      His references included mid-century Italian designers like Joe Colombo, whose space-age shapes are echoed in the dining chairs, sofas, and smaller lighting and decor items.
      Godbold also played with proportion to add drama, as seen in the living room’s custom stone sofas that are upholstered in a “brutalist” fabric made in England, and the coffee table with an integrated planter.
      A variety of space-age shapes and materials can be found throughout the loftThe rugs also feature custom designs that outline the furniture in the same space.
      Overall, the goal was to “marry the industrial, the art deco and the more surreal aspects of 1970s noir cult cinema for a glamorous and intriguing end product.”
      The home’s neutral colour palette continues through to the nurseryOriginally from Australia, Godbold is currently based in the Hamptons, where he renovated his mid-century home to resemble a “villain’s hideout”.
      He also aims to preserve other modernist dwellings built across the area through the nonprofit organisation Hamptons 20th Century Modern.
      The photography is by David Mitchell.

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