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Pirajean Lees creates Arts and Crafts-style interior for Mayfair restaurant

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London design studio Pirajean Lees referenced Mayfair’s pastoral past and created a series of spaces that nod to the idea of a Georgian manor house when designing restaurant 20 Berkeley.

Pirajean Lees aimed to build a story around the space and its sequence of many small rooms, while tapping into the restaurant’s British produce-led culinary approach.
Pirajean Lees has completed the 20 Berkeley restaurant in Mayfair”The restaurant is situated in the heart of Mayfair, a place once on the cusp of the city and countryside,” Pirajean Lees told Dezeen.
“The farming history of the area and its connection to the surrounding rural lands is prevalent throughout the project and paramount to the dining experience.”
The restaurant features a series of cosy rooms on the first floorPirajean Lees wanted to put nature and craft at the heart of this design project to align it with the ethos of Creative Restaurant Group, the restaurant’s founders.

“This led us to build on the strong connection of an imagined Mayfair Georgian manor house and its rural lands, which would have been used to grow produce,” the studio said.
“A central staircase leads to rooms usually found in a traditional family home, such as the drawing room, music room, pantry, orangery and salon. Each room has its own character whilst belonging to the one property.”
Among them is the music roomOn the upper-ground floor are the richly designed reception and main dining rooms.
The lower-ground level houses a 14-seat private room with its own exclusive lounge and dining area, alongside the kitchen, wine cellar and main bar, The Nipperkin.
The design of the interiors references the arts and crafts movement of the late 19th and early 20th centuries.
Stained glass features in the drawing room”At 20 Berkeley, we have developed a layered story of handmade details and tactile finishes that exude elegance,” said Pirajean Lees.
“The project’s expression is rooted in the traditions of craftsmanship and how the process of making decorative objects and furniture should showcase the beauty of both its materials and construction.”
Antique mirrors were used to surround the building’s columnsThe resulting aesthetic is detailed, with a palette of rich, warm tones including ambers, ochres and dark reds, used across upholstery and textural wallcoverings. Floor tiles have been hand-crafted in Wales and feature clay embedded with fossils.
Bespoke joinery work was utilised throughout the space, including for the wall panelling, dowelled ceilings and an English oak staircase.

Pirajean Lees and Olly Bengough design “timeless” interiors for House of Koko members’ club

The project also features bespoke elements that were added to bring a sense of opulence to the various spaces.
These include a pantry, in painted timber, that provides a strong focal point of the upper floor. Here, chefs prepare dishes on the pantry island, “inviting guests to witness the chefs’ craft, as one would do in one’s home, whilst hosting guests for dinner,” said Pirajean Lees.
In the orangery, a bespoke pickling cupboard, made from sapele wood and marble, serves as “a pleasing curiosity”, used by the chefs to store jars of vegetables for their recipes.
An English oak staircase leads down to 20 Berkeley’s lower ground levelThe bespoke dining tables and chairs were made of oak, while the chairs have been traditionally upholstered for maximum comfort.
“The bespoke and craft elements bring depth to the project, anchoring it in its strong narrative and creating timeless interiors,” said Pirajean Lees.
A private dining room is located on the lower ground floorBespoke stained glass, handcrafted in a North London studio, is another of the restaurant’s features.
Used in the reception and drawing room, the stained glass has been strategically positioned, backing onto the busy central bar to give a sense of movement and energy.
In front of the windows, it warms the light coming into the rooms to create an immersive atmosphere.
Mixed clay tiles are laid across the floor”The stained glass introduces shadows and reflections, which change throughout the day and are different in each room,” said Pirajean Lees.
“As per each of our projects, the tailored finishes, joinery and surfaces here, have been carefully created to ensure optimum use of the space by the restaurateur and their guests.”
Other hospitality projects from the studio include an ornate sushi restaurant in Dubai with interiors informed by 1920s Japan and a members club in London, housed inside the iconic music venue Koko.
The photography is by Polly Tootal.

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    Pirajean Lees creates Arts and Crafts-style interior for Mayfair restaurant

    London design studio Pirajean Lees referenced Mayfair’s pastoral past and created a series of spaces that nod to the idea of a Georgian manor house when designing restaurant 20 Berkeley.

    Pirajean Lees aimed to build a story around the space and its sequence of many small rooms, while tapping into the restaurant’s British produce-led culinary approach.
    Pirajean Lees has completed the 20 Berkeley restaurant in Mayfair”The restaurant is situated in the heart of Mayfair, a place once on the cusp of the city and countryside,” Pirajean Lees told Dezeen.
    “The farming history of the area and its connection to the surrounding rural lands is prevalent throughout the project and paramount to the dining experience.”
    The restaurant features a series of cosy rooms on the first floorPirajean Lees wanted to put nature and craft at the heart of this design project to align it with the ethos of Creative Restaurant Group, the restaurant’s founders.

    “This led us to build on the strong connection of an imagined Mayfair Georgian manor house and its rural lands, which would have been used to grow produce,” the studio said.
    “A central staircase leads to rooms usually found in a traditional family home, such as the drawing room, music room, pantry, orangery and salon. Each room has its own character whilst belonging to the one property.”
    Among them is the music roomOn the upper-ground floor are the richly designed reception and main dining rooms.
    The lower-ground level houses a 14-seat private room with its own exclusive lounge and dining area, alongside the kitchen, wine cellar and main bar, The Nipperkin.
    The design of the interiors references the arts and crafts movement of the late 19th and early 20th centuries.
    Stained glass features in the drawing room”At 20 Berkeley, we have developed a layered story of handmade details and tactile finishes that exude elegance,” said Pirajean Lees.
    “The project’s expression is rooted in the traditions of craftsmanship and how the process of making decorative objects and furniture should showcase the beauty of both its materials and construction.”
    Antique mirrors were used to surround the building’s columnsThe resulting aesthetic is detailed, with a palette of rich, warm tones including ambers, ochres and dark reds, used across upholstery and textural wallcoverings. Floor tiles have been hand-crafted in Wales and feature clay embedded with fossils.
    Bespoke joinery work was utilised throughout the space, including for the wall panelling, dowelled ceilings and an English oak staircase.

    Pirajean Lees and Olly Bengough design “timeless” interiors for House of Koko members’ club

    The project also features bespoke elements that were added to bring a sense of opulence to the various spaces.
    These include a pantry, in painted timber, that provides a strong focal point of the upper floor. Here, chefs prepare dishes on the pantry island, “inviting guests to witness the chefs’ craft, as one would do in one’s home, whilst hosting guests for dinner,” said Pirajean Lees.
    In the orangery, a bespoke pickling cupboard, made from sapele wood and marble, serves as “a pleasing curiosity”, used by the chefs to store jars of vegetables for their recipes.
    An English oak staircase leads down to 20 Berkeley’s lower ground levelThe bespoke dining tables and chairs were made of oak, while the chairs have been traditionally upholstered for maximum comfort.
    “The bespoke and craft elements bring depth to the project, anchoring it in its strong narrative and creating timeless interiors,” said Pirajean Lees.
    A private dining room is located on the lower ground floorBespoke stained glass, handcrafted in a North London studio, is another of the restaurant’s features.
    Used in the reception and drawing room, the stained glass has been strategically positioned, backing onto the busy central bar to give a sense of movement and energy.
    In front of the windows, it warms the light coming into the rooms to create an immersive atmosphere.
    Mixed clay tiles are laid across the floor”The stained glass introduces shadows and reflections, which change throughout the day and are different in each room,” said Pirajean Lees.
    “As per each of our projects, the tailored finishes, joinery and surfaces here, have been carefully created to ensure optimum use of the space by the restaurateur and their guests.”
    Other hospitality projects from the studio include an ornate sushi restaurant in Dubai with interiors informed by 1920s Japan and a members club in London, housed inside the iconic music venue Koko.
    The photography is by Polly Tootal.

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    “I sometimes feel like I fell into doing fashion” says Jonathan Anderson

    Loewe creative director Jonathan Anderson set up the brand’s annual craft prize to decode the “chintz” and “pastiche” associations of the discipline, he tells Dezeen in this interview.

    Luxury fashion house Loewe recently announced the sixth winner of its annual craft prize at NYCxDesign, which celebrates applied arts and innovation in modern craftsmanship.
    A spiky egg sculpture by Japanese ceramicist Eriko Inazaki was selected for the 2023 award from more than 2,700 entries.
    “It became chintz”
    Anderson established The Loewe Foundation Craft Prize in 2016 in an effort to honour the brand’s 19th-century origins as a leather-making craft collective.

    Speaking to Dezeen at the awards ceremony for the prize at The Noguchi Museum in Brooklyn, he explained he also wanted to redefine contemporary understandings of artisanal production.
    “I think from the ’80s onwards, [craft] had become this thing which was linked to mid-century, it was pastiche,” said Anderson.
    “In Britain, for example, there was a lot of money put into crafts and the Arts Council to boost this idea of making, and then it became maybe chintz at some point.”
    The winning sculpture by Eriko Inazaki (front) was displayed among an exhibition of shortlisted projects at NYCxDesign. Photo courtesy of Loewe”The reason why I set the prize up was to try to sort of decode that,” he told Dezeen. “It was like it wasn’t marketed right. The work was there, but the platform was not there.”
    Young creatives are now becoming interested in craft once again, he suggested.
    “I think younger people are starting to realise that, as much as it’s interesting being a contemporary artist, it can be just as interesting to be a rug maker or to make ceramics or to work with wood,” said Anderson.
    “It’s a less sort of diminished form of the arts.”
    “I am probably a shopaholic”
    Before being appointed by Loewe in 2014, Anderson founded his eponymous label, JW Anderson.
    Although differentiated by what Anderson describes as an “angst” at JW Anderson and a “heightened perfection” at Loewe, the two brands share an emphasis on art, design, craft and interiors.
    His collections at Loewe often incorporate elements of applied arts – bringing in collaborators and craftspeople, such as metal artist Elie Hirsch who created solid copper and pewter jackets for its Autumn Winter 2023 collection.
    Loewe also presented a collection of decorated wooden chairs during Milan design week that were created by global artisans.
    “Art for me is always going to be a language no matter what brand I’m in,” he said. “Because I think this is a way for me to kind of explain to the consumer, what I love, or things that I’m fascinated with.”
    Anderson works with the internal architectural team to design stores. Photo by Adrià CañamerasThe Northern Irish designer’s love of craft and art extends to the conception of store interiors for both of his brands.
    JW Anderson recently unveiled its first flagship store in Milan during Milan design week, designed by Anderson in collaboration with 6a Architects.
    “I sometimes feel like I fell into doing fashion but ultimately the interior part is what I love the most,” he said.
    “The thing I love about interiors is, it is a singular kind of environment. Whereas fashion is like a transient period that goes in different environments. I quite like with interiors the control that you can have within space.”
    He described his love of shopping for items to appear in stores.
    “I think I am probably a shopaholic,” he said. “I could be at an auction or be in a gallery and I’ll be like, ‘oh, that’s perfect for Korea or that’s perfect for…’.”
    “I think it just adds this element and a pleasingness for a consumer to go in and to a store and to see an original Rennie Mackintosh chair.”

    Needle-felted chair and spiky ceramic egg feature in Loewe Foundation Craft Prize exhibition

    Anderson feels that for Loewe, the design of stores is sometimes more important than fashion shows.
    “I think stores can be more than just like these commercial vehicles,” he said. “I think, for me, the store is just as important as doing a show. It’s sort of even more important because they have to last longer.”
    “I’m in a very lucky position at Loewe where I decide everything,” he added. “I have an internal architectural team, but I decide every artwork, I decide every door handle, every fixture.”
    However, that does not tempt Anderson to cross over from fashion into interiors permanently.
    “I enjoy it because it’s probably more like a hobby,” he said. “It’s something that distracts me from what I do as a day job, but I do it because of the stage of Loewe or JW Anderson.
    “But I would never see it as something where I would be like, ‘oh, I’m going to be an interior designer’,” he continued. “There are other people out there that are actually really good at it. I think I’m good at it to an extent, but I change my mind too quickly. I would like it for like a day and then I would want to redo it again.”
    The portrait is by Scott Trindle.

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    Fettle channels Soho’s “grittier” years at 1 Warwick members’ club

    Interiors studio Fettle drew on the neo-baroque architecture of this Edwardian building in London’s Soho when converting it into a members’ club, as well as nodding to the area’s colourful history of the 1950s and 60s.

    Owned by Maslow’s, the group behind Fitzrovia club Mortimer House, 1 Warwick features mid-century furniture and lighting along with bespoke designs that reimagine the furniture of the period.
    Fettle has designed the 1 Warwick members’ club in LondonThe mix includes jaunty elements such as splayed-leg easy chairs and scallop-edged rattan lighting.
    “During this period of history, Soho was much grittier than we find it today, so we wanted to underplay the more elevated finishes that you would typically find in a members’ club,” Fettle’s director Andy Goodwin told Dezeen.
    “We have referenced the less polished nature of Soho in this period with raw plaster wall finishes and exposed brick.”

    The club has a rooftop restaurant called YasminFettle juxtaposes these references with some influences from the neo-baroque mansion itself, reworking its sense of assured comfort in a contemporary way with richly toned wood panelling and elaborate chandeliers.
    “We wanted to ensure that we referenced this period within the final design,” Goodwin said. “We simplified a traditional Edwardian baroque skirting and architrave style within the bespoke joinery that was designed for the ground and first floors.”
    “Typically, buildings of a similar age had common features, including bold geometric floor patterns within the entrances. And as such we reimagined a pattern from the period in the lobby of 1 Warwick.”
    Its wraparound roof terrace offers views across SohoWhile drawing on the history of the building and the area, Fettle worked hard to ensure that the club feels fresh, welcoming and contemporary.
    “We have mixed furniture, lighting and accessories from a variety of different eras and curated a space that feels relaxed and residential in its aesthetic,” he continued.
    “When designing furniture specifically for the project, we referenced more traditional designs, however. We looked at the details through a modern lens to make the space feel familiar yet contemporary.”

    Fettle designs apartment block The Gessner to resemble a hotel

    Set over six floors, the crowning glory of 1 Warwick is the rooftop bar and restaurant Yasmin with its wraparound roof terrace and views across Soho.
    Here, pink mohair-upholstered bar stools nestle against a wood-clad marble-topped bar while the menu is Middle Eastern, inspired by executive chef Tom Cenci’s time in Istanbul.
    Two lounge spaces – the Living Room and adjoining Den – are at the heart of the club, where Fettle used an earthy-toned palette, along with exposed brick walls and geometric patterned rugs to bring a sense of warmth to the interior.
    The club has several co-working areas”We wanted to let the existing architectural features be visible within the final design to create a more neutral backdrop, onto which we layered playful choices across the furniture and fittings,” said Goodwin.
    “We used deep, saturated, colourful fabrics for the upholstered pieces and we have looked to mix mohairs and velvets with more vibrant leathers and patterned fabrics to give an eclectic feel to the space,” said Goodwin.
    In the daytime, 1 Warwick offers spaces to suit different kinds of working styles, from private studies and rentable desks to the Pied-à-Terre – an open-plan workspace featuring long, library-style tables and comfortable lounge seating.
    Members can also work in private meeting roomsAt ground level, there’s the neighbourhood bistro and bar Nessa, open to all and offering a playful take on British classics while the more intimate, horseshoe-shaped bar serves up its own menu of small plates.
    With a colour palette of warm, autumnal tones and a material mix of exposed brick, wood panelling and marble-topped tables, the atmosphere here is welcoming and down-to-earth.
    The Nessa restaurant is set on the ground floor and open to the publicFounded in 2013, Fettle has a long history in hospitality design with previous projects including the Schwan Locke Hotel in Munich, which was conceived as an homage to early German modernism.
    Elsewhere in London, the studio was also responsible for designing The Gessner apartment block to resemble a hotel, complete with a cafe and co-working area.
    The photography is by Simon Brown.

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    Raúl Sanchez Architects divides Barcelona apartment with 21-metre-long wooden wall

    A lengthy walnut-panelled wall runs through the bright white living spaces inside this Barcelona apartment, renovated by local studio Raúl Sanchez Architects.

    The Girona Street apartment is set within a 19th-century building in Barcelona’s affluent Dreta de l’Eixample neighbourhood and belongs to a design-savvy couple with two young children.
    A 21-metre-long walnut-panelled wall runs the length of the Girona Street apartmentPrior to the renovation, the apartment contained a warren of small, dark living spaces bookended by an indoor patio and a sitting room that overlooks the street.
    Raúl Sanchez Architects connected these two rooms with a 21-metre-long wall that stretches from one end of the floor plan to the other. While the majority of surfaces in the apartment were rendered in white micro-cement, the wall is crafted from walnut wood.
    Spaces throughout are rendered in white micro-cement”I thought of a material, which could contrast the whiteness with elegance and warmth while also adding texture and ruggedness,” founder Raúl Sanchez told Dezeen.

    “We made several samples and trials until we got the right wood and the right porosity of walnut.”
    A blue-painted dining room lies next to the loungeA series of rooms run parallel to the wall, beginning with a dining area.
    Here, a section of the rear wall was painted dark blue and fitted with a built-in bench seat, while the floor was inlaid with a square patch of patterned hydraulic tiles.

    Four-storey spiral staircase forms focal point of BSP20 House in Barcelona

    Further along the hallway, a sitting area was created just in front of a pair of stained glass windows. This is followed by two bedrooms that are partially painted blue to match the dining area.
    One of them is fronted by a huge pivoting door that, like the apartment, is split into two sides. One half is clad with stainless steel and the other in brass.
    A sea-green kitchen is hidden behind doors in the walnut-wood wallMore rooms lie concealed behind the long walnut wall, each accessed via a discrete flush door. This includes a U-shaped kitchen, which was almost entirely painted a sea-green hue.
    There’s also a storage area, the family bathroom and the principal bedroom, where a floor-to-ceiling cream curtain helps conceal en-suite facilities.
    Other rooms in the Girona Street apartment are concealed behind flush doorsThe apartment’s indoor patio was freshened up, as was the street-facing sitting area. It now features a mint-green sideboard and bookshelf, as well as a decorative wall panel that mimics the brass-and-steel pivot door.
    More hydraulic tiles were also incorporated into the floor, this time in mismatch prints.
    Hydraulic floor tiles and mint-green furnishings feature in the living roomRaúl Sanchez Architects is behind a number of striking homes in Barcelona, aside from the Girona Street apartment.
    This includes BSP20 House with its towering spiral staircase and the Tamarit Apartment, which is decked out with clashing materials.
    The photography is by José Hevia.
    Project credits:
    Architecture: Raúl Sanchez ArchitectsTeam: Valentina Barberio, Paolo Burattini, Flavia Thalisa Gütermann, Dimitris Louizos, Albert MontillaStructure: Diagonal ArquitecturaEnginering: Marés IngenierosTextile design: Catalina Montaña

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    Co.arch Studio creates show kitchen for candied fruit specialist Cesarin

    An Italian company that makes candied fruit now has a dedicated space for cookery demonstrations, designed by Milan-based architecture office Co.arch Studio.

    Cesarin has produced its fruity bakery products at a factory between Verona and Vicenza in Italy for over 100 years.
    The plywood structure is installed within one of Cesarin’s factory buildingsCo.arch Studio founders Andrea Pezzoli and Giulia Urciuoli worked with the company to create a pop-up kitchen for hosting live-audience events and filming videos for social media.
    Built from plywood, this double-height structure is located on the first floor of one of the company’s existing factory buildings.
    It provides space for hosting events and filming cookery videosIt incorporates a demonstration counter area, a kitchen, a meeting room, and storage and toilet facilities.

    The design concept developed by Pezzoli and Urciuoli was to create the impression of a singular, solid volume within the room.
    “The new volume was designed as a large piece of furniture, inspired by Antonello da Messina’s painting San Girolamo Nello Studio,” explained the duo.
    The demonstration counter is designed to move aroundThe Renaissance artwork they refer to depicts a priest sitting in a study room where architecture and furniture appear as one.
    “This painting is known for the impeccable use of perspective, restoring the image of a space that is lived in but at the same time utopian and rigorous,” Pezzoli and Urciuoli said.

    Nimtim Architects updates London house with plywood partitions and arch motifs

    Here, a similar effect is created. The structure was designed to look like a box with openings carved out of it, each incorporating a different function.
    The demonstration counter sits within a large void at the front, although it is set on castors so it can be moved around.
    An arched doorway leads up to the mezzanine levelA rectangular niche in the side wall creates a casual seat, while an arched doorway frames a staircase that leads up to a mezzanine level that functions as the meeting space.
    The kitchen and toilet facilities are located within the volume, accessed from either a side door or via the counter area, while a cloakroom slots in underneath the stairs.
    The meeting space sits directly beneath the roof trusses”The wooden volume highlights the height of the ceiling, defining the rhythm of the spaces with plays of solids and voids, and creating unprecedented internal views,” said the architects.
    The plywood is made from okumè, a timber with a similar appearance to cherry.
    The okumè plywood has a similar appearance to cherry woodThe idea was to reference the fruit that Cesarin is best known for; the land surrounding the factory is famous for its Prunus Avium plantations, which produce a particularly sweet type of cherry.
    Behind the plywood panels is a balloon-frame structure, with pillars and beams made from fir wood.
    Toilet and storage facilities are located within the wooden volumeThe entire construction was prefabricated by a carpentry workshop in South Tyrol, allowing the architects to achieve “a quality that would otherwise be impossible”.
    The rest of the space is painted white, allowing the wood to stand out.
    Pezzoli and Urciuoli liken the overall effect to that of a theatre. “To emphasise the theatrical aspect of the space, light wavy curtains resembling a curtain were used to darken the numerous windows,” they added.
    Other recent projects in Italy include the Boyy flagship in Milan designed by Danish artist Thomas Poulsen and a sushi restaurant designed to resemble a futuristic spaceship.
    The photography is by Simone Bossi.

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    Another Seedbed is a Brooklyn apartment that doubles as a performance space

    In this renovated loft in Brooklyn, the owner both resides and hosts public art performances within a space divided by a variety of inserted volumes.

    The loft is located in a late 19th-century cast iron building in Williamsburg that once served as a hat factory, and was renovated by a team of architects.
    A team of architects renovated the loft, inserted volumes to conceal private areasIgnacio G Galán, Jesse McCormick, Khoi Nguyen and Julie Tran of Future Projects collaborated to turn the industrial space into a residence that could also serve as a venue for artistic performances and other public events.
    Named Another Seedbed, the project recalls the use of lofts in New York City by artists in 1960s to 1980s for developing experimental works.
    The bedroom is hidden behind red-stained plywood panels and accessed through a concertina doorThe owner and activator of this apartment began organising parties, performances and other events in a similarly industrial space in Bushwick.

    He then decided to create a dedicated space for himself to live and work, as well as host other artist friends who needed square footage to bring their ideas to life.
    Hand-troweled earthen clay plaster covers the bathroom volume”Neither just a private studio nor an art gallery, the space is equipped to welcome gatherings that operate between a dinner party and a public performance,” said the project team.
    “Artists appropriate the space and become hosts themselves, expanding the communities which the project brings together.”
    Inside, the bathroom is lined with blue penny-round tilesThe apartment is organised as a largely open-plan space, with private areas concealed inside inserted volumes.
    Red-stained pine plywood panels hide the bedroom, which is accessed via a concertina door, and also contain storage.
    Moveable furniture helps to arrange the apartment for performancesThe bathroom occupies another volume that’s covered in hand-troweled earthen clay plaster outside and lined entirely is blue penny-round tiles inside.
    An open kitchen with grey cabinetry sits below a framework of coloured wood, featuring smokey polycarbonate panels that are lit from behind.

    Vipp Studio in Manhattan functions as both showroom and apartment

    This frame extends into the living area to form a floor-to-ceiling shelving unit, on which books and objects are displayed, and a projector for screening videos onto the opposite wall is housed.
    A variety of moving furniture pieces, including an ochre-toned sofa on wheels, help to choreograph the events and arrange the apartment as desired by whoever is using it.
    The owner and his artist friends are able to transform the space to present their work”The space will not advertise its performances,” said the team.
    “Some neighbors might not know of its existence. Others will hear about an event through friends. Some might find themselves there often and will develop networks of neighbourliness within it.”
    Performances are open to the public but not advertisedBrooklyn has both a thriving arts scene and a wealth of defunct industrial buildings for hosting exhibitions, performances and events.
    Herzog & de Meuron recently completed the transformation of a derelict power plant in the borough into arts centre, while the Public Records creative venue added a bar and lounge on an upper floor of its former warehouse building earlier this year.

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    Eight calming bedrooms with minimalist interiors

    For our latest lookbook, we’ve gathered ten minimalist bedrooms with peaceful designs, ranging from a Mexican bedroom with a concrete bed to a cosy space in a former girls’ school in Puglia.

    Natural materials including wood and stone were used to finish these eight bedrooms, which also feature muted colour palettes and little in the way of decoration.
    Leaving walls bare and keeping the amount of artworks and personal items to a minimum can help create a more soothing and clutter-free bedroom.
    Beige, grey and warm brown hues, meanwhile, make for relaxing spaces free from eye-catching colours.
    This is the latest in our lookbooks series, which provides visual inspiration from Dezeen’s archive. For more inspiration see previous lookbooks featuring terraces and balconies, marble-lined bathrooms and cave-like interiors.

    Photo by Fabian MartinezCasa Tres Árboles, Mexico, by Direccion
    Designed to resemble a “monastic sanctuary”, this weekend retreat in Valle de Bravo, Mexico, aims to celebrate the contrast between shadow and light in its interior.
    In the pared-down bedrooms, the walls were painted in dark colours to contrast the warm wooden ceiling beams. A wooden bench at the end of the bed and tactile linen textiles give the room a slightly rustic feel.
    Find out more about Casa Tres Árboles ›
    Photo by Aaron ChapmanCabin House, India, by Taliesyn
    Cabin House’s interior was informed by the vernacular architecture of its location in south Bangalore’s Jayanagar neighbourhood.
    Earthy finishes were used for the home, which features bare concrete walls and plenty of wood details. A wooden bedframe and flowers create a friendly atmosphere in the mezzanine bedroom.
    Find out more about Cabin House ›
    Photo by Anson SmartPacific House, Australia, by Alexander & Co
    Australian studio Alexander & Co aimed to create contemplative spaces inside Pacific House in Sydney.
    In the minimalist bedroom, walls were rendered in concrete and matched with carpet in a darker grey colour. Sculptural bedside lamps and transparent floor-to-ceiling curtains add a softer feel to the spartan interior.
    Find out more about Pacific House ›
    Photo by Tomooki KengakuHiroo Residence, Japan, by Keiji Ashizawa
    Custom-made wooden furniture and art pieces are dotted throughout Hiroo Residence. Designer Keiji Ashizawa used muted tones to make the most of the sunlight in the central Tokyo apartment, which has several large windows.
    In the bedroom, wood panels cover entire walls and hide away technical functions behind the beds. Organically shaped ceramics add discrete decorative touches.
    Find out more about Hiroo Residence ›
    Photo by Gavin GreenFisherman’s Cottage, Australia, by Studio Prineas
    The bedroom in this Australian home is located inside a concrete extension to an old fisherman’s cottage.
    Here, a solid-stone bath doubles as a bedhead and mirrored walls were used to make the small room feel bigger. To not clutter the space, accessories were restricted to a few glass trays and vases as well as a striped throw.
    Find out more about Fisherman’s Cottage ›
    Photo by Rory GardinerCasa Alférez, Mexico, by Ludwig Godefroy
    A bedside nook sits underneath a high window inside this brutalist holiday home, which features wooden floors and walls made of board-formed concrete.
    Architect Ludwig Godefroy also designed built-in concrete furniture for the house, including a concrete bed. A pale grey version of designer Verner Panton’s classic Flowerpot lamp adds a glossy detail to the room’s rough texture.
    Find out more about Casa Alférez ›
    Photo by Salva LópezCasolare Scarani, Italy, by Studio Andrew Trotter
    Architecture practice Studio Andrew Trotter converted a girls’ school in Puglia that dates back to 1883 into a grand family home with plenty of decorative arches.
    In the cosy minimalist bedroom, a jute rug covers the stone floor made from crushed rocks and mortar, while the colour palette was kept to creamy whites as well as warm brown and tan hues.
    Find out more about Casolare Scarani ›
    Photo by Roberto RuizPalau apartment, Spain, by Colombo and Serboli Architecture
    “Imperfect” original features were highlighted during the renovation of this apartment in Barcelona, which features white-washed walls and wooden floors.
    In the mezzanine-level bedroom (above and top image), wicker doors front an entire wall and cover the closet. An organically shaped mirror and an orange chair make the calm space feel more playful.
    Find out more about Palau apartment ›
    This is the latest in our lookbooks series, which provides visual inspiration from Dezeen’s archive. For more inspiration see previous lookbooks featuring terraces and balconies, marble-lined bathrooms and cave-like interiors.

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    Il Capri Hotel receives pink-heavy revamp from Graziella Buontempo and Arnaud Lacombe

    A husband-and-wife hotelier duo has renovated a hotel in a Venetian-style palazzo on the island of Capri, refreshing its pastel-pink facade and continuing the hue into the guest rooms.

    Il Capri Hotel was built in the 19th century as a private villa in the Neo-gothic Venetian style before being transformed into a hotel in 1899.
    Il Capri Hotel is located in a Venetian-style palazzo in the centre of CapriIts current owners, Graziella Buontempo and Arnaud Lacombe, redesigned the interiors to reflect the grandeur of the property while imbuing it with a sense of contemporary chic.
    The duo retained the building’s signature pink-and-white facades, repairing and repainting them. They also chose to repeat some of the same hues and external architectural details throughout the interiors.
    The reception area features a marble-topped desk and a retail space”Honoring the property’s history and location, the hotel’s colour palette is inspired by the pink found across the island of Capri and the striking volcanic reds of Mount Vesuvius,” said the hotel team.

    A bright red curved awning signals the hotel’s entrance, located close to the town square in the centre of the famous Italian holiday destination, leading guests to a reception desk topped with reddish marble.
    A checkerboard floor runs through the communal lounge spacesRoom keys are stored individually in small arched niches within a wood-panelled wall behind, while local gifts are displayed on built-in shelves nearby.
    The hotel’s public areas feature checkerboard flooring, black lighting fixtures and red curtains to the match sofa cushions and rug trims.
    The hotel has 21 guest rooms spread over several floorsA variety of antique furniture pieces were curated to make the lounges feel homely while artworks and photos were sourced from the personal collection of Buontempo, whose family has long associations with the island.
    Archways divide various seating areas from corridors and one another, creating several distinct areas where guests can relax.
    The pink of the building’s exterior is continued in the guest roomsIn the bedrooms, pink appears again as wainscoting and on upholstered headboards shaped as ogee arches.
    The rooms include sisal floors and other natural materials and are simply decorated so that attention isn’t drawn away from the views.
    The rooms are decorated sparingly to draw attention to the views”Each of the 21 guest rooms pays homage to the culture of the island with decor imbuing a feeling of comfort, no-frills luxury and understated elegance,” the hotel team said.
    Il Capri offers several options for dining and drinking, many of which allow these activities to be enjoyed al fresco with views of the island’s dramatic coastline and the Gulf of Naples.

    Two buildings in Rome merge to form boutique hotel Condominio Monti

    These include the street-level Caprirama Bar, connected to the lobby and extended onto an expansive terrace with a herringbone-pattern tiled floor and groupings of terracotta plant pots, landscaped by garden designer Jonathan Froines.
    The all-day restaurant Vesuvio also has a shaded outdoor dining terrace, where caned bistro chairs accompany wood-topped tables.
    The hotel has several terraces for relaxing outdoorsSun loungers line up along the rooftop swimming pool, shaded by red parasols with crenellated white edges.
    There’s also a subterranean nightclub, Rumore, which is used as a cinema and an events space during the off-season.
    The terraces feature herringbone-tiled floors and groups of potted plantsA short boat ride from Naples on the Amalfi Coast, Capri is a popular destination for both Italian and international tourists.
    Elsewhere in the country, recently opened or revamped hotels include the Palazzo Daniele in Puglia, the Condominio Monti in Rome, and the Aeon Hotel near Bolzano.
    The photography is by Jonathan Froines.

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