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    Linehouse defines Shanghai office with “unexpected combinations of materials”

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    Interior design studio Linehouse has renovated an office in Shanghai using numerous materials and art from a local gallery.

    Linehouse refurbished the ground floor of a three-storey building in Shanghai that The Independents global marketing group have occupied in Shanghai for numerous years.
    The office is located in a three-storey building in ShanghaiThe 374-square-metre space was designed as a communal area for the staff working on the floors above.
    It includes a reception area, meeting rooms, pantry and communal eating space as well as a flexible deskspace for twenty people.
    Metal curtains are used to blur the boundary between different functional spacesAdditionally, an art installation area has been integrated, taking advantage of the high lofty ceiling of the space, which will be used for monthly rotational curation.

    Linehouse aimed to create a destination by presenting art from a local gallery, which will be rotated monthly, in the space. Combined with numerous materials and abstract furniture pieces, the studio forms what the studio called an “unexpected collection”.
    The entrance features a circular seating installation wrapped in metal curtain”The support of the client to design an office that pairs unexpected combinations of materials was refreshing and a challenge,” said Linehouse.
    “The result is a space that allows art to breathe and creates a welcoming, natural and open place of work.”
    The workstations are located in a sunken seating areaThe spaces are each defined by different materials. Marine plywood was used for the wall of the reception and pantry area, separating them from the meetings rooms. The same plywood was used for to the workstations located in a sunken seating area.
    A circular seating area was wrapped in a metal curtain, with five-meter-high curtains used to divide other spaces.

    Linehouse transforms Shanghai swimming pool into office space

    A customised table, made from different shaped pieces of marble and laminates, is used for meetings and dining.
    Other tables in the meeting room features unique surfaces — one being a patchwork of timber textures and the other a gradient of glass transparency, from solid black to transparent.
    “The design challenges the traditional notion of an office to promote a healthier and creative mindset to collaboration and communication, with emphasis on openness and autonomy for how staff use and occupy the spaces,” Linehouse concluded.
    Marine plywood is used on the walls of the pantryLinehouse is a Hong Kong and Shanghai-based architecture and interior design studio established in 2013 by Alex Mok and Briar Hickling.
    The duo won the emerging interior designer of the year category at the 2019 Dezeen Awards.
    Meeting rooms feature custom made tablesThe studio has also recently designed a greenhouse-informed food market in Shanghai and the facade of a shopping centre in Bangkok.
    The photography is by Dirk Weiblen.

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      JEB Group unveils partitions “optimised for acoustics”

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      Promotion: acoustic partition brand JEB Group has enclosed a wood-lined meeting room with a sliding partition system, forming the centrepiece of an office in Hong Kong.

      Named “Summit Partition Systems”, the set up features a slim frame with a curved design, intended to integrate with the overall interior design. The project also uses the company’s Summit sliding door with a lightweight design and pared back extrusions.
      JEB specialises in acoustic partitions and furniture for commercial interiors, where clients want to reduce noise and minimise disruption.
      JEB Group supplied and installed single glazed partitions with a matching sliding door in this Hong Kong officeJEB said its Summit sliding doors are hung and constructed using a specially designed technique using gaskets to minimise sound when opening and closing.
      The company said it is also able to achieve smooth access through a custom made track at the base and heavy rollers capable of bearing loads up to 300kg.

      The partitions systems were customised by JEB with curved glass and matt black finishes for a financial planning company’s Hong Kong office.
      Designed to “optimise acoustics and seamlessly blend charm and functionality”, Summit partitions provide a private space suitable for meetings, according to the company.
      The meeting room has single glazed glass partitions and doors”One of the standout features of this workspace is our Summit partitions systems and matching sliding doors,” said the brand.
      “These partitions are a perfect example of how thoughtful design can enhance the modern office environment. They offer a sleek and stylish appearance with a slim frame that complements the overall interior design,” the company continued.
      The switchable “smart glass” can be left transparent for visibility or “misted” when privacy is needed”Their acoustic capabilities ensure that the workspace remains peaceful and free from distractions, creating an environment conducive to productivity,” added JEB Group.
      Summit partitions system and matching sliding doors, like all JEB acoustic partitions, undergo ISO certified and third party laboratory testing, and can achieve an STC rating of up to 37 with their double glazing solutions, the company said.
      “What’s more, the elegant curved feature of these doors adds a touch of sophistication to the space.”
      The curved glass was specified by the client for a contemporary lookAccording to the company, the Summit partition system is lightweight, ensuring “smooth and effortless operation”.
      The switchable single glazed glass panes can be left transparent for visibility between meeting spaces or “misted” to maximise privacy when needed.
      In addition to the Summit sliding doors, JEB Group curated a selection of modern and ergonomic furniture for the client.
      “By prioritising comfort and functionality, these carefully chosen pieces added the perfect finishing touch to our client’s commercial space, catering to the modern needs of businesses in workstations and breakout areas,” said JEB Group.
      The room is designed to be a private, near silent spaceJEB said it is committed to promoting sustainability practices striving to “repurpose unwanted furniture and relocate partitions to new sites” where possible.
      The company aims to provide an array of design services: acoustic partitions, office furniture, bespoke facades and circular office fit-out solutions.
      Other projects by JEB Group featured on Dezeen include glazed acoustic partitions and furniture created for UOW College Hong Kong.
      To find out more about JEB Group, visit jebgroup.com.
      The photography is courtesy of JEB Group.
      Partnership content
      This article was written by Dezeen for JEB Group as part of a partnership. Find out more about Dezeen partnership content here.

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      Isern Serra designs Barcelona modelling agency as a “landscape” for taking photos

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      Pale walls, sculptural furnishings and sunken plant features provide a striking backdrop to photoshoots taking place inside this Barcelona modelling agency, devised by Spanish studio Isern Serra.

      The Blow Models office occupies the ground floor of a 1920s building and its adjoining warehouse in Barcelona’s Sant Martí neighbourhood.
      Isern Serra designed its pared-back interior as “a landscape where the models can take pictures”.
      The Blow Models office centres around conversation pits and a sunken plant featureThe studio began by knocking through the building’s false ceiling and most of the partition walls to make the interior appear more open and airy.
      A long, rectangular skylight was carved out of the ceiling to allow for more natural lighting, and all surfaces were painted in a pale buttermilk hue.

      A long concrete desk accommodates staff computersAs the building doesn’t sit above a basement or car park, the studio took the opportunity to dig down into the site’s foundations.
      At the heart of the office, the floor is now punctuated by three holes. Two of these were turned into cushioned conversation pits while the third overflows with leafy tropical plants.
      “Light and vegetation becomes the centre from which the project is structured,” explained the studio. “[The] unusual and beautiful background is intended to encourage photography.”
      Steel stools were placed around another concrete tableTwo large concrete tables were placed on either side of the office – one functioning as a communal work desk while the other can be used for general staff gatherings, surrounded by steel stools.
      Steel was also used to create a sculptural prep counter in the office’s kitchen.
      The counter in the staff kitchen is also made from steelThe only rooms that are closed off are those used for meetings or by the accounting department.
      Plain white curtains were installed around their perimeter so that they, too, can serve as spaces to photograph models if necessary.
      Formal meeting rooms are closed off from the rest of the floor planTo maintain the office’s open plan, the toilets were tucked away beside the building’s stairwell. Here, an expansive picture window overlooks the street, bisected by a chunky concrete washbasin.
      There’s also a floor-to-ceiling mirror where visiting models can do their makeup.
      Picture windows in the toilets offer views of the streetThis isn’t the only workspace that Isern Serra has devised in Barcelona. Earlier this year, the studio designed a calming, minimalist office for eyewear brand Gigi.
      Back in 2023 the studio also created an office for digital artist Andres Reisinger, finishing its interior with quartz and stainless steel details.
      The photography is by Salva López.

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      BIG opens Los Angeles office in renovated 1920s building

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      Danish architecture studio BIG has opened an office in Santa Monica in a renovated 1928 Spanish revival building designed by iconic Los Angeles architect Paul R Williams.

      The 1928 building was refurbished by the team, many of whom will be joining the freshly minted BIG Los Angeles team – recruited both from the New York office and from the local “talent pool”.
      BIG has opened an office in a 1928 Paul R Williams building in Santa MonicaBIG, the architecture studio established by Danish architect Bjarke Ingels, will be anchored in the Californian city by partner Leon Rost.
      For the renovation, the studio kept many of the original Spanish revival details of the original structure including the expressive reliefs on the facade.
      Some of the plaster detailing was kept, but the office largely has an unfinished lookSome of the interior plasterwork was maintained as well. The primary second-floor workspace was opened up, and much of the walls were peeled back to reveal the wooden structure and enhanced mechanical system.

      Unfinished concrete columns are located in th middle of the space, with thick wooden rafters intersected by skylights.
      The office layout is open, with large spanning desks and folded Roulade chairs by KiBiSi, which Ingels is also a partner of.
      The office will help expand the studio’s West Coast presenceAccording to Rost, the studio plans to continue to update the space with samples of technology such as solar panels from the studio’s local projects, many of which are in late states. These projects include Claremont McKenna College Robert Day Sciences Center.
      “We’ve also designed an interior layout that preserves the original interior plasterwork from 1928 and intentionally chose a location that is close to public transport,” Rost told Dezeen.
      “As a Japanese Californian I am excited to root BIG on the Pacific Coast. In the city of storytelling, big dreams and a pioneer spirit, I am certain LA will be a fertile frontier for continued experimentation. You could say BIG – though born in Copenhagen – has always been an Angeleno at heart.”

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      The office is the studio’s second in the United States, after its New York office opened in 2010.
      The studio has a significant presence on the West Coast, and is currently in the process of completing a large mix-used development on an industrial site in Downtown Los Angeles and is working with British studio Heatherwick on a Google headquarters in the San Francisco Bay area.
      The studio will be under the direction of partner Leon RostBIG New York partner Kai-Uwe Bergmann told Dezeen that the move has come from the “considerable” amount of West Coast work the studio has had since opening in the United States.
      “Having also once called Los Angeles home – I attended UCLA in the 1990s – I am super excited to bring ‘Scand-American’ thinking to our future work within the Pacific Rim region,” said Bergmann.
      Other significant projects on the West Coast by BIG include the impressively massed Vancouver House skyscraper in Vancouver, Canada.
      The photography is by Pooya AleDavood.  

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      Gisbert Pöppler creates own office and showroom inside former Berlin bookshop

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      An old bookshop in Berlin is now home to the studio of architecture and interior design practice Gisbert Pöppler, which incorporates the building’s grand arched doorways and other original features.

      The office is situated on Karl Marx Allee, a major boulevard lined with buildings designed in the socialist classicism architectural style of the 1950s.
      Staff desks in the Gisbert Pöppler office sit near the building’s entranceGisbert Pöppler’s workspace had previously been located in Berlin’s Kreuzberg neighbourhood, set above a row of nightclubs.
      “We had an amazing view of the city up there and enjoyed being in the midst of it all,” the practice told Dezeen.
      Archways offer views of the showroom at the building’s rear”We outgrew our space though and coincidently our landlords decided to completely renovate and add-on to the building, so we would have had to leave for a while anyway,” the studio added. “This was when we discovered that the former bookstore was available.”

      The bookstore had been left in a “depressing” state.
      But as soon as the Gisbert Pöppler team moved in, they sought to find ways to transform it into an efficient office and show space for their range of furnishings and textiles, all while preserving the site’s original features like its arched doorways and terrazzo flooring.
      Furnishings are displayed on carpeted platformsA formal work area with desks and computers has been created directly beside the office’s entrance, allowing staff to greet and interact with visitors as they walk in.
      Shelving here that originally stored books now holds material samples, image mood boards and other project-related paraphernalia.
      Meetings can be held in the next room along, which is centred by Gisbert Pöppler’s reflective aluminium Cherry table.
      The office’s literature corner has been painted bright pinkThen follows the showroom, where pieces are displayed on purple carpeted platforms that the practice created in collaboration with Swiss rug makers Rückstuhl.
      “Preservation regulations were intense for this place, so our solutions are somewhat unconventional,” the practice said. “We built platforms to define spaces and solve technical situations without harming the building’s fabric.”
      Hanging utensils decorate the office’s kitchenTwo further spaces branch off from here: a conference area for larger staff gatherings, and a “literature corner” filled with inspirational reading material.
      Unlike the rest of the office, which is painted an icy-blue shade, this corner has been completed in a vivid pink hue to offset the lack of natural light in this area.
      A dresser in the kitchen contains porcelain handed down from Pöppler’s grandmotherAdditionally, there’s a kitchen on-site where staff can prepare and eat their meals at lunchtime, featuring simple white cabinetry and hanging utensils.
      To one side of the room stands an ornate dresser, restored by Gisbert Pöppler’s eponymous founder as a young man. Inside, the cabinet is filled with an array of Meissen porcelain tableware collected by his grandmother.
      There’s also a basement where the practice keeps more materials and client orders before they’re shipped out.
      More materials and furnishings are stored in the office’s basementGisbert Pöppler has worked on a number of residential projects around Berlin.
      One such example is an apartment in the city’s Mitte borough, designed to be like a “tailor-made suit” with one-off furnishings and bespoke fixtures that suit the owner’s particular needs.

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      Space Available opens closed-loop design workshop and studio in Bali

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      Design studio Space Available has transformed a former warehouse in Bali into a workshop and office space featuring a mezzanine clad in offcuts from its plastic recycling projects.

      Situated in an industrial suburb of the island’s capital Denpasar, the building houses the first physical workspace for Space Available, which creates products and clothing from ocean plastic and other waste materials.
      Space Available has designed its own studio and workshop in BaliThe organisation, founded in 2020 by English designer Daniel Mitchell, wanted to create a studio that can act as a creative hub for hosting activities centred around the themes of recycling and closed-loop design principles that aim to keep waste materials in use.
      The space was designed to accommodate recycling machines, upcycling stations and a bio-design lab created in collaboration with MycoWorks – a Californian company that develops materials from mushroom mycelium for brands including Hermès.
      The studio makes products from recycled plasticMitchell and Space Available’s in-house architect Andika Permana oversaw the renovation of the 500-square-metre building, defined by typical industrial features including grey breeze block walls.

      “The raw warehouse space underwent a transformation of refinement to make it feel less industrial,” Mitchell told Dezeen.
      “We skimmed and painted the walls white along with painting the previously unfinished metal ceiling. Our aim was to create a clean, white, almost gallery-like atmosphere.”
      Offcuts from the production process were used to clad the stairsTowards the rear of the space, a double-height steel structure was erected to house the laboratory as well as an office on the upper level. This volume is clad in waste plastic offcuts that are repurposed from the studio’s homeware and furniture production.
      “The blue ‘marble’ structure stands out against the clean white backdrop, creating a dramatic ‘structure within a structure’ effect that really pops out as you enter the studio,” Mitchell added.

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      The use of offcuts fits with Space Available’s mission to “change the perception of waste through elevated design”.
      In addition to forming the facade, the material is used to create shelving, furniture, speakers and other amenities throughout the building.
      The warehouse’s remaining open floor area functions as a flexible space for building and exhibiting projects or hosting events. Large shelving units at one end are used to store and display the studio’s furniture and archival products.
      The studio’s sheet material was also used to form various furnishingsSpace Available was founded during the coronavirus pandemic by Mitchell, who moved to Bali with his wife in 2014 after working in the fashion industry for several years.
      Shocked by the global plastic waste crisis that is evident in the volume of pollution washing up on Indonesia’s beaches, he wanted to develop a design studio that would explore circular design principles and revolutionise the perception of ocean plastic and waste.
      The organisation has recycled more than six million plastic bottles in its projects, which range from large-scale sculptural installations to furniture and fashion design.
      A shelving unit displays the studio’s furniture and archival productsIts furniture and solid surface sheet materials are made from waste plastic collected from rivers and landfills. The material is shredded, added to a mould and baked to create panels featuring vibrant colours and patterns.
      Space Available previously collaborated with South Korean DJ Peggy Gou to create a chair made from 20 kilograms of recycled plastic with an integrated compartment for storing records.
      The recycled plastic resembles colourful marbleIn 2022, the studio opened a dedicated gallery, recycling station and upcycling bar called Museum of Space Available in the coastal town of Canggu, which features
      The building features a facade made from 200,000 recycled plastic bottles and showcases the work of the studio alongside projects by other artists, designers and scientists.
      Another Indonesian organisation giving new life to plastic waste is Sungai Watch, which recently launched its first furniture designs made using discarded plastic bags.

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      Holloway Li furnishes Mother London office with bold-coloured furniture

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      Interior design studio Holloway Li has reimagined the office of advertising agency Mother London using bespoke furniture that nods to the 1970s to enhance its industrial setting in Shoreditch, London.

      Aiming to create a flexible multi-purpose space, Holloway Li reconfigured the ground floor and mezzanine of the office – located in a former tea factory – to host an open-plan kitchen, dining area and seating space, along with an updated reception area.
      Bespoke, bold-coloured furniture features throughout the office interiorBright red tables line the dining area to provide a flexible space for hosting office lunches as well as meetings, events and exhibitions.
      Designed by Holloway Li and manufactured by collaborator UMA, these bespoke tables nod to 1970s furniture design and feature a structural foam core encased by a thin layer of fibreglass, chosen for its lightweight materiality.
      Bright red tables encased with resin fill the dining area”Whilst celebrating the brand’s distinct and eclectic character, we wanted to reinvigorate the space with a new material palette, in keeping with the furniture’s precursors so there was a retained sense of familiarity for the pre-existing environment,” project designer Ivy Aris told Dezeen.

      “Our approach sought to not only elevate the multi-purpose functionality of the building as both an office and a hospitality setting, but also to develop methods of production with our close collaborators UMA and CraftWorks.”
      Deep green cabinets and red shelves line the kitchen spaceAdjacent to the dining area, an industrial-style kitchen is organised around two sleek stainless steel islands.
      Deep green cabinets topped with stainless steel and red-coloured shelving feature in the kitchen and display the agency’s extensive vintage tableware collection.

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      “In the kitchen, more muted shades of green and burgundy offset the clinical brushed steel counters, creating an adaptable space suited to shapeshifting from day to night,” studio co-founder Alex Holloway told Dezeen.
      “Much of our scheme was shaped by materials with reflective qualities, capitalising on the natural light from the original tea factory’s windows which worked to accentuate the raw charm of the industrial setting,” he added.
      Playful pink sofas wrap around the mezzanineThis material palette extends into the renewed 63-square-metre mezzanine area, which is furnished with playful pink sofas from Holloway Li’s T4 collection and complemented by red coffee tables made from salvaged wood.
      Meanwhile, at the office’s reception, the studio preserved an existing stainless steel desk and encased its structure with a translucent, glowing fascia. This is set against a backdrop of red curtains and hanging light bulbs, adding a sense of drama and theatricality to the reception area.
      A glowing reception desk is backed by red curtainsHolloway Li is an interior design studio founded by Alex Holloway and Na Li in 2018.
      Other recently completed office interiors include the conversion of a Victorian mission church into a flexible studio in London and a Minecraft-inspired office in Prague.
      The photography is by Felix Speller.
      Project credits:
      Interior design: Holloway LiDesign team: Alex Holloway, Ivy Aris, Jazzlyn JansenProject manager/ QS: Holloway LiContractor: Craftworks ProductionsMetalwork: Steel & FormJoinery: Craftworks ProductionsFurniture procurement agent: Holloway LiBespoke furniture (T4, Big Red, Reception Desk): Uma Objects

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      Tigg + Coll Architects moves studio into converted Victorian mission church

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      Tigg + Coll Architects has converted part of an abandoned mission church in west London into a flexible studio, with the rest of the building set to be turned into homes.

      The studio, led by architects David Tigg and Rachel Coll, has completed the first phase of a redevelopment project that will see all of the Victorian church building in Brook Green brought back into use.
      The Victorian building was previously a mission churchTaking up a third of the building volume, the two-storey Addison Studios features a first-floor workspace for the Tigg + Coll team and a ground-floor space that can be used for meetings or events.
      This ground floor has a flexible layout that can function as a single space or separate zones. It includes a kitchen with an island counter, a materials library on wheels, meeting tables and pin-up areas.
      A first-floor workspace features a restored rose window”We wanted to find a permanent home for our studio that could showcase our ethos and skill sets,” Tigg told Dezeen.

      “When we heard on the grapevine that this local landmark was up for sale and looking for someone to come in and bring it back to life, we were smitten.”
      Original steel trusses are now highlighted in turquoiseLocated in a residential area, the building is believed to be 125 years old. It had been adapted many times, with numerous extensions added, and had fallen into disrepair.
      “It had great bones but sadly had been slowly left to deteriorate, with ramshackle extensions and other alterations that took away from the simple and robust beauty of the existing building,” said Tigg.
      The ground floor is a flexible meeting and events spaceTigg + Coll’s approach was to strip the building back to its original structure and find clever ways of highlighting its history and architectural features.
      Glazing was replaced including a previously concealed rose window that is now the focal point of the building’s gabled end wall.
      It includes a kitchen with a terrazzo island counterBrickwork walls were exposed but only repaired where necessary, while decorative steel trusses were uncovered and painted turquoise to stand out against the white-washed timber ceiling boards.
      “We wanted to allow the reality of the existing building and its materiality to be central to the final finish,” said Tigg.

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      “The principle was to pair it back and make the accents very clear,” he continued. “Nothing was to be covered up if we could help it.”
      “Any existing features not being restored were either relocated to replace damaged or missing elements or left in place and infilled to create a visible collage or quasi memorial of the building’s history.”
      The new mezzanine is built from glulam timber, blockwork and steelA new mezzanine was installed to provide the first-floor workspace with an exposed structure formed of blockwork, glulam timber joists and steel I-beams coloured in a slightly paler shade of turquoise to the trusses above.
      The floor is set back from the windows, creating a clear divide between old and new while new skylights increase the overall level of daylight that enters.
      The first floor is set back from the windowsSeveral new materials are introduced on the ground floor. The pin-up wall is formed of cork, while the kitchen counter is a custom terrazzo made using some of the site’s demolition waste.
      This space allows the Tigg + Coll team to come together for group lunches, presentations or collaborative work. It also provides opportunities for both video calls and formal meetings and could be used for events.
      A cork wall provides a pin-up space”We wanted a calm office that was uplifting, inspirational and unlike a typical work environment,” said Tigg.
      “You can spend time conscientiously working on the mezzanine and then get away from the screen time with a break downstairs. It really helps with mental balance throughout the day.”
      The design aims to celebrate the building’s historyTigg and Coll founded their studio in 2008. They specialise in residential projects, across private homes, housing developments, student living and co-living.
      Past projects include House for Theo + Oskar, designed to support the needs of two children with a rare muscular disorder, and Chapter Living King’s Cross, an innovative student housing project.
      The rest of the building is set to be converted to residentialNow that they have moved into Addison Studios, the architects are set to move forward with the rest of the conversion.
      “We are in an age where it is more important than ever to showcase how the principle of retrofit can not only be a pragmatic and cost-effective choice, but also create immensely warm, characterful and beautiful spaces for working, living and just generally enjoying,” Tigg concluded.

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      Collcoll hides stairs and seats in pixellated wooden structure at Pricefx office

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      Thousands of wooden cubes inspired by the computer game Minecraft conceal utilities and create casual seating areas at this office in Prague designed by architecture studio Collcoll.

      Having previously designed one floor in the Meteor Centre Office Park for pricing software company Pricefx, Collcoll was tasked with outfitting the floor below as part of the client’s commitment to flexible and creative working practices.
      Collcoll has added a pixellated wooden structure to the Pricefx office in Prague”The management and employees of Pricefx use their offices primarily for meetings that stimulate creative dialogue,” said Collcoll.
      “By their very nature, they are an open space for variable use, not subject to the stereotypes of work cubicles or traditional open space.”
      The wooden feature was informed by the computer game MinecraftThe need to link the two levels presented an opportunity to do something interesting with the circulation and service core at the centre of the floor plan.

      Collcoll chose to enclose the staircase with a wooden structure that conceals staff lockers, changing rooms and utility spaces. It also contains a slide that can be used as an alternative to the stairs.
      Collcoll concealed utilities behind the “pixels” and created casual seating areas”Vertically connecting two floors tends to be problematic if the natural flow of the space is to be maintained,” Collcoll explained.
      “The two floors are tectonically connected by a structure composed of thousands of wooden pixels, which modulates the space around it and becomes its internal landmark.”
      A slide can be used instead of the stairsThe composition of 40-centimetre-wide cubes references the blocky, pixellated world of the video game Minecraft. Its external surfaces form semi-enclosed alcoves and amphitheatres that can be used for informal work and presentations.
      The cubes are wrapped in wood veneer that intentionally does not align so the pixels can be arranged in a completely random configuration.

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      The pixel motif is continued by a lighting grid that covers the entire office ceiling and by a projection screen incorporated into a bar counter that also functions as a reception desk.
      The LED light fixtures, which are clearly visible from the street, can be dynamically adjusted to provide optimal lighting during working hours or create a party atmosphere for events.
      The pixel motif continues into the office’s lighting gridThe entire office floor can operate like an open conference hall containing pockets of dedicated functional space such as the cafe with its professional kitchen, bar counter and informal seating.
      A large conference room at one end of the space is equipped with a long table that can seat up to 50 people. The table and the room itself can be divided to form smaller hot-desking spaces or meeting rooms.
      Lighting can be adjusted to create a party atmosphere for eventsA sliding acoustic partition enables the space to function as a recording studio, while transparent walls along one side can be turned opaque to provide privacy.
      The office has no corridors and instead includes various unprescribed zones and circulation areas containing casual seating or lounges with amenities such as a pool table and a punchbag.
      A large conference room integrates with a table for up to 50 peopleA range of presentation spaces are scattered throughout the floorplan. These include dedicated conference rooms and tiered amphitheatres with retractable screens.
      Collcoll chose a neutral material palette comprising concrete, grey carpet tiles, light-grey plasterboard and black-painted ceilings to lend the office a modern, industrial aesthetic.
      Collcoll chose a neutral material palette for a modern and industrial aesthetic”The heavy black-metal tubular furniture corresponds with the concept of technological wiring,” Collcoll suggested.
      “In contrast, the ephemeral changing grid of light chips and sensor systems embodies the direction of industrialism towards the world of software and information.”
      The studio added amenities such as a pool table and a punchbagCollcoll’s name stands for “collaborative collective” and reflects the collaborative approach of its team of architects, designers and researchers.
      Other recently completed office interiors featuring wooden structures include a workspace in Edinburgh by Kin and a design office in Melbourne that aims to be zero-waste by using recycled materials.
      The photography is by BoysPlayNice.

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