MuseLAB “abandons all notions of the expected” in Mumbai bathware showroom
Mumbai studio MuseLAB has used bulbous mint-green displays and berry-red accents across the interiors of bathware showroom Sorbet. More
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Mumbai studio MuseLAB has used bulbous mint-green displays and berry-red accents across the interiors of bathware showroom Sorbet. More
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in RoomsDesigner Helle Mardahl has combined her signature approach to colour with traditional architectural elements for the interior of her Copenhagen flagship store. More
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in RoomsA curved bench and sinuous display rails meander through the interconnected spaces of this fashion store in Kyiv, Ukraine, which interior designer Katerina Kovalenko has conceived as a calming sanctuary for shoppers. More
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in RoomsPink tiles and lilac upholstery enliven the interiors of this eyewear store in Phoenix by Los Angeles designer Adi Goodrich. More
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in RoomsSpanish studio Mesura salvaged stone remnants of old fountains, archways and Gothic buildings to create the interior of this Aesop store in Barcelona. More
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in RoomsMarble covered with plaster and metal treated with acid are among the repurposed materials used by Japanese architect Shogo Onodera to minimise waste while fitting out the flagship store of fashion brand IZA Tokyo. More
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in RoomsBrazilian studios Vaga Arquitectura and Atelier Pistache Ganache teamed up to design a “consumer-first” boutique outfit with curving coral walls for a mattress company in Sāo Paulo. More
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in RoomsTokyo studio Schemata Architects has combined Japanese and Western designs inside a traditional wooden townhouse in Kyoto to create a store for perfumery brand Le Labo.
The building, otherwise known as a machiya, is located in the Kiyamachi area and has been revamped to incorporate Le Labo’s typical finishes while respecting its 145-year-old architecture.
The flagship store is located in an old Kyoto townhouse”How can a brand born and loved in the USA, a country with a culture of shoes-on, be in step with the values of traditional Japanese architecture, a culture of shoes-off, and blend in with Japanese culture?” Schemata Architects founder Jo Nagasaka told Dezeen.
“The project was a struggle between the two.”
Schemata Architects’ design respects the original interiorLe Labo stores are normally located in pared-back modern concrete buildings, but here, Schemata Architects kept the feel of the old townhouse, while making concessions for Western customs.
“We were discussing all the time how much of the existing weathered textures should be retained,” Nagasaka said.
A craftsman room is located on the second floorThe first floor, which showcases the brand’s products, feels more like other Le Labo stores, while the second, which houses offices, a craftsman room and a “fragrance organ”, has a more traditional feel.
“The first floor was furnished as a place to spend time standing up with shoes on, and products were displayed,” Nagasaka said.
“The second floor, on the other hand, was designed as a place to go up without shoes due to the height of the floor and the structure of the floor, so it consists mainly of low furniture.”
Antique and vintage furniture is used throughoutAs the store is located in an ancient city – Kyoto has been a city since 794 – Schemata Architects wanted the interior fittings to adhere to the traditional style of a machiya.
“The countertops, wall shelves, staircase, and other architectural elements are composed using the language of the machiya, and the paint scheme is consistent with the existing one, using antique colours of bengara, red earth pigment, and shown, pine soot,” the studio said.
Schemata Architects designed a pine staircase for the interiorThe studio has used mostly antique Japanese furniture pieces for the display cases and vintage Western metal lamps for the lighting design.
Schemata Architects also designed a staircase and shelving in pine wood for the interior, dying them to match the building’s existing structures.
Schemata Architects clads Komaeyu bathhouse in “patchwork” of turquoise tiles
“We wanted the staircase and shelves to be as close to the existing structure as possible, so we applied an ‘old colour paint’ over the common type of wood, the same as is applied to the existing structure,” Nagasaka said.
“Old colour paint is a colour-controlled mixture of persimmon tannin and soot of burnt pine.”
Walls are left bare with products displayed on pine shelvesThe store, which also has a cafe in an adjacent building across a small courtyard, now embodies the “spirit of Le Labo,” according to Schemata Architects.
“By carefully connecting and blending the machiya building with new fixtures, furniture, and products, it embodies the spirit of Le Labo, which treats time, age, craftsmanship, handiwork, and textures with great care,” the studio concluded.
Other recent projects by Schemata Architects include a concrete-and-brick gallery in Seoul and a public bathhouse clad in turquoise tiles.
The photography is courtesy of Le Labo.
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in RoomsLos Angeles-based studio 22RE has combined metal grids, black and mirrored surfaces, and bold splashes of colour inside this men’s multi-brand boutique in the city’s Arts District.
The second Departamento location is situated in the Signal retail enclave, which occupies a series of warehouses southeast of Downtown LA.
The Departamento store features custom elements like a green fibreglass and resin jewellery displayUsing the building’s industrial bones to inform design decisions, 22RE took styling sensibilities of 20th-century modernists like Rudolph Schindler and Richard Neutra.
“Inside, 22RE leans into the original architecture’s industrial elements through a deconstructivist lens,” said the studio.
From inside a coffee shop, visitors pass through a concealed entrance and a mirrored portal to access the storeThe store’s entrance is concealed inside a Concierge Coffee, leading to a mirrored portal that opens onto the shop floor.
While the layout follows a typical grid, the designers have inserted a variety of partitions, volumes and displays that “disrupt” the flow and encourage shoppers to explore.
A triangular niche with mirrored walls creates infinite reflections”This non-linear layout challenges the traditional browsing experience and provides an unconventional yet effective approach to shopping,” said 22RE.
A pair of curved metal-clad walls that evoke a Richard Serra sculpture form a narrow corridor from one area to another, while also displaying garments on their concave sides.
Partitions and volumes are strategically placed to frame views and encourage explorationBlackened wood panels form an enclosed space, inside which bright white walls and repurposed wooden framing contrast dramatically with the rest of the store interior.
“The space, entered via a slatted, sliding door, invites guests to experience the collection in a ryokan-inspired setting, evoking the traditional Japanese inn,” said 22RE.
A red cylindrical element acts a fitting roomThis shop-in-shop was designed in collaboration with fashion brand Taiga Takahashi, and also features shelving made from tatami mats and flooring intended to resemble pebble stones.
Another triangular niche features mirrored walls that create infinite reflections of the apparel and the aubergine-coloured carpet on the floor.
22RE invokes “stillness” inside green Miami golfing boutique
“Collections are hung and displayed via monolithic and sculpturesque forms that divide up the space, creating a fluid but juxtaposing dichotomy between the heavier wood forms and the lighter metallic elements,” 22RE said.
A red cylindrical volume is used as a fitting room, while further dressing areas are tucked away behind silver curtains.
22RE collaborated with Taiga Takahashi on a blackened wood shop-in-shop spaceCustom elements include a green fibreglass resin-and-foam jewellery case and a chiselled aluminium side table.
A white aluminium ceiling grid stretches across the entire store, extending over all of the freestanding elements, with lighting embedded behind creating futuristic glowing patches.
Influenced by Japanese ryokan inns, the space features white walls and repurposed timber framing22RE was founded by principal Dean Levin in 2021, and has since completed a range of interior design projects across the US.
The studio recently wrapped up the offices for a creative music agency in LA that include a 1970s-style sunken meeting room and a golf clothing boutique in Miami lined with pale-green stucco.
The photography is by Erik Stackpole Undehn.
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