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    Elly Ward designs own restaurant Edit using salvaged terracotta tiles and reclaimed materials

    Architect and restauranteur Elly Ward has opened the low-impact restaurant Edit in London, drawing inspiration from its vegan, minimal-waste menu to create an interior filled with reused and recycled materials.

    Ward collaborated with her husband Joe Morris of architecture studio Morris + Company on the project, which was designed using low-intervention methods.
    “It’s been designed to be as circular as possible, which is the whole philosophy of the restaurant,” she told Dezeen.
    The Edit restaurant features exposed brick wallsEdit is located in a former factory and warehouse building in east London and connected to the adjacent Morris + Company architecture office.
    Visitors to the restaurant can view the studio’s models through a large glass door, adding a decorative touch to the space.

    This door and a window into the office were two of the main changes Ward made to the existing space, which she has transformed using recycled and reclaimed materials.
    A window connects the interior with the adjacent architecture studioThe building’s brick walls – including a former exterior wall that still features old advertising text – were retained alongside the warehouse’s cast-iron columns and beams, forming the structural fabric of the 197-square-metre restaurant.
    Ward added lightweight screen partitions that slot between the existing structures, including a wall made from wood and recycled polycarbonate that divides the main dining area from a smaller private dining room.
    A polycarbonate screen with wood shelving divides the spaceA warm red floor, made from screed topped with a water-based resin, matches the floor in the architecture office next door and contrasts the textured brick wall that Ward and Morris painstakingly unveiled from underneath layers of paint.
    At the rear of the space, the duo clad a wall in salvaged maroon terracotta tiles, which merge into the bar counter. These were among the many recycled materials that Ward used for the project.
    “I call them my wonky tiles because they’re like the wonky fruit and wonky veg of the industry that gets thrown away because it’s not a perfect carrot,” she said.
    Elly Ward filled the restaurant with vintage furnitureThe architect also reused the copper from an existing bar in the restaurant, which now clads the sinks in the bathroom.
    “It’s all about diverting waste from waste streams,” Ward said.

    Morris + Company combines energy hub and nursery in block that is “part elephant and part castle”

    “When you’re building something new, you have to get things,” she added. “If you can’t buy recycled or reclaimed, you have to look for renewable materials, things that would have otherwise gone to waste but you’ve made into something else.”
    “It’s almost a checklist of ‘how circular can you be?'”
    A red floor creates a warm atmosphereWard also sourced vintage Scandinavian school chairs to provide seating in the restaurant and complemented them with her grandparents’ wooden chairs and vintage Ercol seats.
    The accompanying tables have tops made by British company Foresso using waste wood chips set in a plant-based resin, creating an effect similar to wooden terrazzo and adding textural interest to the room.
    The tabletops are made from recycled wood and resinThe lighting in the space was handmade by British artist Peter Lanyon using wood salvaged from trees that were trimmed back in a local woodland in Devon. Pieces include a “chandelier” made from a piece of hazelwood with hanging lampshades made from cherrywood veneer.
    Throughout the restaurant, the colour palette adds a sense of warmth. While the main room has a red hue, Ward chose a calming green colour for the smaller private dining room.
    Lamps made from wood decorate the private dining room”We started with the red; it’s obviously such a strong colour,” Ward said. “I’m somebody who’s quite into colour and I’m not really afraid of it but I didn’t want it to be a ‘pop’ kind of place.”
    In the bathroom, the red hue is tempered by the decorative natural cork that clads the walls in both the main space and the toilet cubicles.
    “It’s all waterproof and actually really good for humid, damp environments and you can wipe it clean,” Ward said.
    Restaurant guests can admire architectural models while they eatTo Ward, there’s a connection between the food and architecture industries that she wanted to underline in Edit’s design.
    “I did a deep dive into the food industry and found out a lot of stuff about provenance and how a lot of the things we’re looking at in the architecture world about circularity and sustainability are kind of echoed in the food industry,” she said.
    “I wanted the design to match that philosophy.”
    Other vegan restaurants with decorative interiors include Humble Pizza by Child Studios in London and Sydney vegan cafe Gumbuya.
    The photography is by Jack Hobhouse.

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    Sheft Farrace renovates loft in Los Angeles' art deco Eastern Columbia building

    Architecture studio Sheft Farrace has renovated a loft apartment in Los Angeles’ iconic Eastern Columbia building, subtly incorporating colours from the art deco exterior into the minimalist interiors.

    The studio renovated the loft while drawing details from the exterior of the 13-storey building in Downtown Los Angeles, known for its highly detailed turquoise facade and clock tower, which was designed by Claud Beelman and completed in 1930.
    Sheft Farrace chose to divide up the loft, yet retain visual connections through framed openingsIt was converted into lofts in 2006, and local studio Sheft Farrace was recently tasked with renovating one of the condos for a young creative from Kazakhstan.
    “Uninspired by the unit’s original 2006 layout and interiors, the owner wanted it to feel like a brand new space — so Sheft Farrace approached it as a blank canvas,” said the studio, led by Alex Sheft and John Farrace.
    The pared-down decor contrasts the building’s colourful exteriorThe apartment has tall ceilings, and their height is accentuated by the building’s long narrow windows and floor-to-ceiling drapery.

    Rather than keep the open floor plan, the studio chose to divide up the space to help define areas for different functions.
    The ceiling height is accentuated by tall windows and floor-to-ceiling draperyHowever, the visual connections between the kitchen and dining room, and the living room and bedroom, are retained by large framed openings used in place of doors.
    “Every space has its own character, based on what time of day it is and how the natural light comes in through the full-height windows,” said Sheft Farrace.

    OWIU Studio brings Japanese style to Biscuit Loft apartment in Los Angeles

    For the most part, the home is decorated in a much more pared-down style than the building’s opulent exterior, primarily with soft neutral hues and sparse furnishings.
    Certain material choices in the kitchen and bathroom tie much more closely to the colourful facades, including white oak, Verde Aver marble, and Florida Brush quartzite to echo the orange, green and blue exterior tiles.
    Materials like white oak and Florida Brush quartzite in the kitchen nod to the art deco exteriorThe curved corners of the kitchen counters and elongated cabinet hardware also evoke 1930s design.
    “Upon first glance, it’s stylistically in stark contrast with the historical building that it’s within, but throughout the space are subtle nods to the art deco exterior and ultimately, it feels like it belongs,” Sheft Farrace said. “We felt honored to have contributed a small chapter to the long and storied history of a Los Angeles landmark.”
    In the bathroom, Verde Aver marble was also chosen to reference the historic tiled facadesDowntown Los Angeles has dramatically transformed from a no-go zone to a popular and thriving neighbourhood over the past 20 years.
    This shift is partially thanks to the opening of cultural institutions like Frank Gehry’s Walt Disney Concert Hall and Diller Scofidio + Renfro’s The Broad museum, as well as a spate of high-end hotels.
    The photography is by Yoshihiro Makino.

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    Ten living spaces that are punctuated by saturated primary colours

    Our latest lookbook compiles residential living rooms that have been given an air of playfulness through their use of the three primary colours.

    In design, the primary colours are yellow, blue and red. They usually appear in this context as strong cobalt blues, vivid sunshine yellows and intense fire-engine reds.
    This trio of colours is prevalent throughout design history and can be seen in paintings by Dutch artist Piet Mondrian and suspended mobiles by American sculptor Alexander Calder.
    They are often used when designing products for children due to the visually stimulating nature of their bright, dense hues.
    In interior design, they have a similarly invigorating effect, whether applied directly to structural elements such as walls and columns or found in soft furnishings and accessories.

    They primary colours help to bring energy into living areas both when used in isolation and when appearing in tandem with one another.
    This is the latest in our lookbook series, which provides visual inspiration from Dezeen’s archive. For more inspiration see previous lookbooks featuring four-poster beds, split-level living areas and colourful bathrooms.
    Photo by Paolo FuscoRetroscena apartment, Italy, by La Macchina Studio
    Vibrant pops of blue, yellow and red are set against a neutral backdrop of white walls and terrazzo stone floors in the living room of this mid-century one-bedroom apartment in Rome.
    The space represents the distilled interior scheme devised by Italian architecture practice La Macchina Studio that characterises the apartment, which is also home to floor-to-ceiling citrus-toned curtains and bright blue doorways.
    Find out more about Retroscena ›
    Photo by José HeviaHouse in Sant Antoni de Vilamajor, Spain, by Arquitectura-G
    A monochromatic red colour scheme dominates both the exterior and interior of this rural house near Barcelona designed by Spanish design studio Arquitectura-G.
    The split-level living space features a rhythm of striking red-painted columns and ceiling-height cupboard doors combined with rosy clay tiles.
    Find out more about House in Sant Antoni de Vilamajor ›
    Photo by Will PryceRed House, UK, by David Kohn Architects
    Red House in Dorset, England, was given its name by David Kohn Architects in reference to its red brick facade, however, splashes of the colour also appear throughout its eclectic interior.
    Primary coloured furnishings – including a blue rug and footstool, red wall hanging and yellow upholstered armchair – are dotted around the living space, offset by white-painted cinderblock walls and warm wooden accents.
    Find out more about Red House ›
    Photo by The Fishy ProjectOut of the Blue, India, by The Act of Quad
    Renovated by Mumbai-based studio The Act of Quad, this apartment in the Indian city of Thane is defined by its consistent use of cobalt blue in an otherwise neutral interior.
    Soothing splashes of the colour appear in pieces of bespoke furniture – including hemispherical and spherical inclusions on light fittings and tables – and line the inside of a wall-mounted drinks cabinet.
    Find out more about Out of the Blue ›
    Photo by Jesper WestblomApartment renovation, Sweden, by Westblom Krasse Arkitektkontor
    The full trio of primary colours is used across this apartment in Stockholm by local practice Westblom Krasse Arkitektkontor.
    Blue, yellow and red are seen in both full saturation and muted hues on walls, ceilings, soft furnishings and furniture, creating a colourful yet cohesive interior.
    Find out more about apartment renovation ›
    Photo is by José HeviaApartment renovation, Spain, by Arquitectura-G
    Spanish studio Arquitectura-G used a colour palette governed by shades of yellow in its refurbishment of this apartment in Barcelona.
    The living space contains a sunny yellow modular sofa and matching kitchenette, with the spaces united by a backdrop of small golden wall tiles, a honey-coloured wooden floor and white plasterwork.
    Find out more about this apartment renovation ›
    Photo by Johanna LinkFàng Sōng, Germany, by Crossboundaries
    Beijing-based architecture practice Crossboundaries reconfigured the interior of a houseboat moored in Berlin, which features modular furniture and storage solutions all finished in either red or yellow in reference to the Chinese imperial colours.
    An adaptable living area onboard contains a lemon-yellow sofa that folds away to support a double bed, as well as a cantilevered desk integrated into a wall panel that can be stowed away when not in use.
    Find out more about Fàng Sōng ›
    Photo by Yiannis Hadjiaslanis and Point SupremeIlioupoli Apartment, Greece, by Point Supreme
    Graphic primary-coloured details are scattered around this 56-square-metre subterranean apartment in Athens renovated by local architecture studio Point Supreme.
    The rough concrete walls and ceilings of the small living area are contrasted by red items – including a bench and window panes – as well as a trio of deep blue flags suspended in the entryway.
    Find out more about Ilioupoli Apartment ›
    Photo by Mattias HamrénFunction Walls, Sweden, by Lookofsky Architecture
    This apartment in Stockholm, which was renovated by local studio Lookofsky Architecture, is designed around a multifunctional wall that snakes through the interior.
    In the living area, the zesty yellow structure contains a sofa snuggled inside an extruded frame, accompanied by integrated shelving and matching golden upholstery.
    Find out more about Function Walls ›
    Photo by Prue RuscoePolychrome House, Australia, by Amber Road and Lymesmith
    Australian design studio Amber Road worked with colour consultants Lymesmith on this house in suburban Sydney, which is charactertised by its excessive use of colour.
    The aptly named Polychrome House is finished in a kaleidoscopic spectrum of colours, including in its living room where a wall mural of abstract shapes featuring red, blue and yellow is echoed by red and blue seating.
    Find out more about Polychrome House ›
    This is the latest in our lookbook series, which provides visual inspiration from Dezeen’s archive. For more inspiration see previous lookbooks featuring four-poster beds, split-level living areas and colourful bathrooms.

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    Emma Martí celebrates Menorca's architectural heritage in Hevresac Hotel

    Spanish architect Emma Martí has converted an 18th-century townhouse on the Balearic island of Menorca into the intimate eight-bedroom Hevresac Hotel, taking over all of its five floors from basement to attic.

    The building, which originally belonged to a local merchant and privateer, is set in the historic centre of Mahón – a former trade hub that still bears traces of French and English culture after spending many years under colonial rule.
    Emma Martí has converted a five-storey townhouse into the Hevresac HotelHevresac owners Ignasi Truyol and Stephanie Mahé brought Martí on board for the renovation in part because she was an old friend, who they thought could be trusted to conserve and enhance the spirit and character of the building.
    Martí’s aim for the project was to fill the building with light and life while preserving its wealth of existing architectural elements, from wooden beams and mosaic flooring to stucco walls and staircases.
    “The aim of the project was to create a fresh and inspiring hotel that values the beauty of the existing architecture,” said the hotel’s owners.

    Original details such as parquet floors were retained throughoutHevresac’s original floors, covered variously in wooden parquet and encaustic cement tiles, were carefully preserved.
    In areas where it was not possible to retain the original elements, Martí chose a new design language using modern equivalents of these original materials, including micro-cement.
    Hevresac Hotel has only eight guest roomsThe renovation process revealed both the stucco on the walls and the original paintwork on the beams, uncovering part of the building’s hidden history.
    The original wrought iron columns in the living room are now a celebrated feature. Less noticeable but equally interesting is the Masonic symbolism on the wrought-iron railing of the marble staircase at the entrance.
    Solid timber was used to frame private bathrooms in each of the bedroomsMartí also wanted to preserve the original room structure of the townhouse.
    To allow for this, she added private bathrooms within each of the existing bedrooms using a lightweight timber framing system made of solid Flanders pine, while three-ply spruce boards form partitions, headboards and wardrobes in each bedroom.
    “Martí’s intention is for the new materials to coexist and harmonise with the originals, providing a new language, lightness and contemporaneity,” the owners said.

    Artchimboldi Menorca is a work retreat inside an abandoned girls’ school

    A new staircase – also utilising spruce ply – now coexists with the original staircase, providing an alternative route through the Hevresac Hotel.
    The material is key to the contemporary language of the new insertions, which sit clearly differentiated alongside layers of the building’s past.
    “I like to work with an honest and frank attitude towards the island’s architectural heritage,” Martí told Dezeen. “I wanted it to be clear what our intervention was, not to highlight it but to highlight the value of what existed in the building.”
    Three-ply spruce boards form partitions and wardrobes in each of the bedroomsTo fill the spaces with natural light, several skylights were added on the upper floor, with one above the main stairwell as well as three new openings in the facade.
    In the basement, the vaulted ceiling made of local marés stone required an intervention to lighten the space.
    Martí’s response was to remove a bay of the existing vault and install a new, more comfortable staircase to link the ground floor with the basement and flood the space with light.
    Martí also added a new spruce ply staircaseHevresac’s choice of furnishings reflects Mahón’s cosmopolitan history, including an eclectic assembly of antique, vintage and contemporary pieces from all over Europe.
    Among them are Nanimarquina rugs, Achille Castiglioni lights and some of Marcel Breuer’s Cesca chairs, as well as items from Menorcan antique dealers including Alcolea & Kraus and Antics Antigüedades.
    “It’s a kind of synergy,” the owners said. “Together, the components project a warm, creative and personal composition, which is more than the algebraical sum of those individual pieces.”
    The hotel has a small terraceMartí, who founded her self-titled studio Emma Martí Arquitectura in Menorca in 2013, has since completed a number of projects on the island.
    Among them is a work retreat inside an abandoned girls’ school, with design-driven spaces where businesses can host meetings or team-building sessions.
    The photography is by Pol Viladoms

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    Studio Plenty designs Light Years diner in Byron Bay to feel like “a warm hug”

    Asian diner chain Light Years has renovated its restaurant in the Australian surf town of Byron Bay, with interiors conceived by local practice Studio Plenty in collaboration with home-grown artists and designers.

    The team behind Light Years wanted its flagship eatery to mirror the playful visual identity established across its three other venues on Australia’s East Coast while refining and elevating their aesthetic.
    Studio Plenty has renovated the Light Years diner in Byron Bay”We were asked to reimagine the Byron Bay restaurant, taking cues from its sister diners but with greater restraint in composition,” Studio Plenty founder Will Rathgeber told Dezeen.
    “We were looking to achieve something refined without letting go of the relaxed culture behind the brand, with satisfying colours and patterns, and playful shapes and materials.”
    Terracotta tiles were used to finish the walls and floorsSoft corners and gently curving walls help to create a sense of intimacy, according to Rathgeber, while the restaurant’s colour palette of soft pink and terracotta tones “embraces you like a warm hug”.

    Underpinning the playful feel of the eatery is a careful focus on the practicalities, with arched openings and material thresholds helping to define three distinct spaces – the main dining room, a curved bar with counter seating and a private dining area for larger groups.
    Arched openings separate the restaurant’s different dining areasThe restaurant’s material palette incorporates handmade terracotta tiles with a rustic brushed finish and a rusty colour that is also picked up in the restaurant’s floors and the Fibonacci terrazzo bar counter.
    In the main dining room, the ceiling was treated with an acoustic spray to absorb sound while contributing to the earthy, vernacular look of the diner thanks to its bumpy texture.
    Rattan acoustic panels cover the ceiling near the entranceSince the acoustic spray does not adhere to pipes, Studio Plenty specified a motorbike exhaust wrap for the pipes to achieve a harmonious ceiling plane.
    In the bar area, ceilings are clad in rattan acoustic panels by local product designer and interior stylist Sarah Ellison, who also worked with Studio Plenty to design the restaurant’s custom furniture including the chunky tables and bistro-style chairs.

    Eight earthy kitchens where terracotta tiles add warmth and tactility

    Artist collective Studio of the Sun created two colourful murals for the restaurant, with one featuring playful illustrations laser-printed onto a section of glossy white tiles.
    “The client was committed to a locally focussed project, hence approaching Studio Plenty to design the restaurant and Sarah Ellison and Studio of the Sun to collaborate,” said Rathgeber.
    A curved terrazzo bar provides counter seatingRathgeber founded his Byron Bay practice in 2020 after cutting his teeth working for architecture firms Woods Bagot and Jackson Clements Burrows in Melbourne.
    “We believe happiness is achieved through sensible design, not excess,” he explained of his studio’s ethos. “We have an appetite for rational design and an obsession with functionalism.”
    The private dining area is defined by a Studio of the Sun artworkElsewhere in Byron Bay’s bustling bar and restaurant scene, Australian studio Pattern has designed the interiors for an eatery serving South America-style small plates and cocktails.
    Its patchy grey surfaces and concrete fixtures were designed to reflect the “raw beauty” of late-night eateries in Mexico.
    The photography is by Jessie Prince.

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    Prada opens Milanese-informed cafe at Harrods

    Fashion house Prada has opened the Prada Caffè in luxury department store Harrods, which has an interior that is blanketed in the brand’s signature green hue and mirrors one of Milan’s oldest patisseries.

    Located at the corner of Hans Road in London, the Prada Caffè is accessed via a mint green latticed storefront that complements Harrods’s Edwardian baroque terracotta facade.
    Prada Caffè is located in HarrodsThe interior of the pop-up cafe draws on the interior of Pasticceria Marchesi, a Milanese patisserie that opened in 1824, which has similar pale-green interiors that are paired with green velvet-upholstered soft furnishings.
    At Prada Caffè, the walls, ceilings and furniture – including booth seating, plush armchairs and architectural elements – were hued in a minty green referred to as Prada green, a colour that has become synonymous with the brand.
    It was decorated in Prada’s signature green colourA large marble countertop, decorated with textural, pebbled panelling at its base, is located at the entrance to the cafe and used to display Prada-branded patisseries that are presented like individual pieces of jewellery.

    The floors of the space were clad in black and white-checkered floor tiles in a nod to the floors of the Prada boutique located in Milan’s Galleria Vittorio Emanuele II.
    The interior referenced Prada stores and a Milanese patisserieFloral reliefs and mouldings cover the walls and ceilings of the cafe, which the brand explained aims to evoke the look of Prada stores worldwide.
    A mezzanine level, supported by green columns, is decorated with bowed balustrades and used as an elevated seating area overlooking the marble-wrapped patisserie counter.

    Ola Jachymiak Studio brightens Beam cafe in London with orange hues

    At the rear of the cafe, a secluded room continues the interior scheme. Here, green velvet booth seating surrounds the perimeter of the space beneath decorative floral relief walls.
    Tableware was selected specifically for the cafe and ranges from blue-hued Japanese porcelain, informed by ancient Celadon pottery and decorated with contrasting black lines, to blown-glass crystalware.
    A checkered floor runs through the cafeTo accompany the blown glassware and duck egg blue porcelain, silverware was engraved with Prada branding and features handle ends that are shaped like the brand’s triangular logo.
    The cafe will remain at Harrods until January 2024.
    Furniture was upholstered in velvetDuring Milan Fashion Week, Prada presented its Autumn Winter 2023 collection in the Deposito of the Fondazione Prada, which featured a moving and retractable ceiling.
    Elsewhere in London, Ola Jachymiak Studio brightened a cafe in Notting Hill incorporating terracotta-tile floors and tangerine-hued walls.
    The photography is courtesy of Prada.

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    Worrell Yeung renovates cast-iron New York building for arts organisation

    Architecture studio Worrell Yeung has renovated a historic cast-iron building in Soho for an arts organisation called Canal Projects, which hosts exhibitions “in an unmistakably New York City space”.

    Sat between Soho and Tribeca, the five-storey landmark was built in 1900 as a manufacturing centre, featuring a decorative white facade, double-hung windows and an external fire escape all typical of the neighbourhood.
    Worrell Yeung renovated the lower two floors of a landmarked building to create a home for Canal ProjectsIts street and basement levels were renovated by Worrell Yeung to create a home for Canal Projects, a non-profit arts organisation that hosts exhibitions, talks, performances, readings and screenings for the community.
    The studio was careful to retain as much of the building’s character as possible, highlighting the existing features like original masonry and steam radiators, and restoring them where necessary.
    Patinated bronze panels line the new entry thresholdVisitors arrive via a new entry threshold on Canal Street, where patinated bronze panels line the tall walls in a space intended to offer a moment of pause.

    Up a short flight of steps is the main gallery space – a large, open and flexible room that can be programmed in accordance with the organisation’s needs.
    The main gallery space is surrounded by windows and features historic details”We designed the foundation to be a series of spaces that would compress and expand, collapse and unfold and move between dark and light,” said Worrell Yeung co-founder Jejon Yeung.
    Surrounded by 14 large windows on two sides and boasting ceilings over 13 feet (four metres) tall, this room is light-filled and spacious.
    A staircase leads down to more space at cellar levelNew white oak floors complement the industrial details, including five cast iron columns and five wide flange steel columns that were exposed and restored.
    “Similarly to providing artists with a distinctive platform, we wanted viewers to experience art in an unmistakably New York City space,” said Max Worrell, Worrell Yeung’s other co-founder.
    A library area is formed by pivoting floor-to-ceiling shelves”Passers-by will glimpse exhibitions from the street through the window walls along Canal and Wooster Streets, and visitors on the interior can see artwork with the city context visible in the background,” Worrell said.
    Also on the ground-floor level are private offices for the curators and a bright orange public restroom.
    The dark cellar space is used for film screeningsNext to a freestanding reception desk by artist Zachary Tuabe, a staircase leads down to the basement level, which has a much smaller occupiable footprint.
    Darker and more enclosed, the cellar space features original brickwork, masonry and timber ceiling joists, and provides a very different exhibition space that is suitable for film screenings.
    A bright orange kitchen is tucked into an alcoveLight from the steel sidewalk grates illuminates one end of the space, where a library area is created by floor-to-ceiling shelving that pivots as required.
    A pantry area is hidden in an alcove behind a set of stable doors and is coloured entirely bright orange to match the upstairs restroom.

    Worrell Yeung contrasts wood pillars and grey marble in Chelsea Loft

    “We wanted artists to confront a venue that provides sufficient neutrality for their work, but that is also distinctly undivorceable from the Soho Cast Iron District,” said Yeung.
    “This is a building typology unique to New York City, and a richly layered context within which to exhibit.”
    A public restroom on the upper level matches the kitchenCanal Projects opened to the public in September 2022, with an exhibition titled Pray organised by artistic director and senior curator Summer Guthery.
    The show featured works by Bangkok and New York-based artist Korakrit Arunanondchai, and American artist and filmmaker Alex Gvojic.
    The building is located on the corner of Canal and Wooster Street, between Soho and TribecaWorrell Yeung was founded in 2015, and has worked on a variety of projects in and around New York.
    The studio recently completed a timber-clad lake house with cantilevered roof planes in Connecticut, while past endeavours have included a Hamptons renovation, a Chelsea loft apartment, and the penthouse in the Dumbo Clocktower Building.
    The photography is by Naho Kubota.
    Project credits:
    Architecture and interior design: Worrell YeungWorrell Yeung project team: Max Worrell, founder and principal; Jejon Yeung, founder and principal; Beatriz de Uña Bóveda, project manager; Yunchao Le, project designerStructural engineer: Silman (Geoff Smith, Nick Lancellotti)Lighting designer: Lighting Workshop (Doug Russell, Steven Espinoza)MEP engineer: Jack Green Associates (Larry Green)Expediter/code consultant: Anzalone Architecture (James Anzalone)Contractor: Hugo Construction (Hugo Cheng, Kong Leong)

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    Eight earthy kitchens where terracotta tiles add warmth and tactility

    For this lookbook, we’ve collated eight kitchens from Dezeen’s archive that use terracotta tiling to bring a sense of warmth into the functional space.

    Terracotta – meaning baked earth in Italian – technically refers to any object made from fired clay. But most commonly, the term is used to describe pottery made from a porous type of earthenware clay that is high in iron oxides, giving it a rusty reddish brown colour.
    Unlike ceramic stoneware or porcelain, terracotta is fired at lower temperatures so it does not vitrify – meaning the clay retains a coarse, organic texture and isn’t waterproof unless it is glazed.
    Used as a backsplash or flooring, this can bring some much-needed colour and texture into the kitchen while helping to create a connection to the outdoors.
    This is the latest in our lookbooks series, which provides visual inspiration from Dezeen’s archive. For more inspiration see previous lookbooks featuring accent walls, bookshelves and sunken baths.

    Photo by Prue RuscoeBudge Over Dover, Australia, by YSG
    Australian studio YSG used narrow terracotta tiles to “draw the outside in” to this house in Sydney, spilling from the floor of the garden patio onto the adjacent kitchen and dining area, which can be opened up to the exterior using sliding glass doors.
    The rough clay is paired with shiny aubergine-coloured plaster and travertine in the sunken living room beyond, creating a contrast between raw and polished surfaces.
    Find out more about Budge Over Dover ›
    Photo by Mariell Lind HansenFarley Farmhouse, UK, by Emil Eve Architects
    When Emil Eve Architects added a gabled kitchen to a farmhouse in Wiltshire, the British studio set out to mirror the material palette of the existing home by adding arrowhead terracotta tiles to the extension’s exterior.
    Inside, matching rectangular tiles were laid in a herringbone pattern on the floor while a row of clay pendant lights hang from the wooden roof beams.
    Find out more about Farley Farmhouse ›
    Photo by Denilson MachadoHygge Studio, Brazil, by Melina Romano
    Terracotta flooring and tan brick walls lend a “rustic charm” to this São Paulo apartment, designed by Brazilian designer Melina Romano.
    The tiles spill out across the entire home including the bedroom and lounge, which is framed by a screen made of decorative perforated cobogó blocks.
    Find out more about Hygge Studio ›
    Photo by José HeviaLas 3 Marías, Spain, by Bajet Giramé and Nicolas Burckhardt
    All-over terracotta flooring was one of the ways that Spanish studio Bajet Giramé found to connect the kitchen of this 1960s holiday home to its generous backyard, alongside the addition of generous arched openings and perforated steel doors.
    “We ended up working on the whole plot, treating both house and garden as a playful matrix of varied interconnected rooms,” the studio told Dezeen.
    Find out more about Las 3 Marías ›
    Photo by Adrià GoulaLa Odette, Spain, CRÜ
    To create a bright, open floor plan inside this apartment in a Barcelona housing block that dates back to 1877, Spanish studio CRÜ tore down most of the internal petition walls
    Instead, the kitchen is now delineated by a statement wall clad in terracotta tiles – left over from the flooring and turned back-to-front to reveal their ribbed underside.
    Find out more about La Odette ›

    West Bend House, Australia, by Brave New Eco
    Three kinds of tiling provide textural interest inside the kitchen of this “forever home” in Melbourne, with sections of rustic terracotta contrasted against a backsplash of teal-glazed ceramics.
    Corrugated tiles were also folded around the pendant light above the island that illuminates the work area, courtesy of Australian lighting brand Southdrawn.
    Find out more about West Bend House ›
    Photo by Conrad BrownComo Taperia, Canada, by Ste Marie
    Both the seating area and the open kitchen of this Spanish tapas bar in Vancouver were lined with terracotta, in a nod to the brick chimneys of Barcelona’s industrial Poble Sec power station.
    Other Catalan references can be found in the restaurant’s cobalt blue accents – informed by the paintings of Joan Miró – and various abstract details that nod to the work of architect Antoni Gaudí.
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    Photo by German SáizConde Duque apartment, Spain, by Sierra + De La Higuera
    Different spaces in this open-plan apartment in Madrid were defined by traditional Moroccan zellige tiles, with glossy yellow and green glazes and organic handcrafted surfaces.
    To balance out these flashier surfaces, terracotta was used to ground the kitchen and dining area, paired with plain white walls and custom timber joinery.
    Find out more about Conde Duque apartment ›
    This is the latest in our lookbooks series, which provides visual inspiration from Dezeen’s archive. For more inspiration see previous lookbooks featuring accent walls, bookshelves and sunken baths.

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