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    Modern Age longevity clinic creates calm with 3form resin interiors

    Promotion: longevity clinic Modern Age has opened its flagship studio in New York City, with an interior design featuring translucent 3form materials, which aims to create a welcoming environment.

    The Modern Age studio offers a wide range of treatments and products, including IV drip therapy, botox and wrinkle relaxers, vitamins and hormone therapy.
    The flagship clinic was designed in-house by the brand’s head of studio design Madelynn Ringo, who wanted to create a calm and welcoming environment for clients undertaking treatments.
    The Modern Age studio uses translucent 3form Chroma resin throughout its interiorTo achieve a futuristic look, 3form’s Chroma resin material was chosen to feature in several places to create consistency throughout the interior while conjuring the desired mood.
    Chroma is a thick resin that 3form describes as offering high clarity and light transmission, which is durable and cleanable enough to be used even for horizontal applications such as tables, benches, boxes and counters.

    Its look is highly customisable with an array of finishes, diffusions and effects, and a choice of more than 250 colours.
    A peachy coral hue of Chroma was chosen for the suite doorsRingo wanted to create private spaces within the studio without reducing the light transmission, so she used Chroma in a peachy coral hue to make translucent pocket doors for the suites, and then applied the material again as shelving in the retail area to tie the interior together.
    The material helps the space to look glowy and inviting and has the advantage of being easy to work with.
    “3form’s materials are similar to glass, but are much lighter weight,” said Ringo. “This allows us to fabricate it in other ways that would be too heavy if we tried to use glass.”
    “Sometimes we can send it to our fabricators to craft into different shapes, which is easier and safer to cut than glass onsite.”
    The same colour is echoed in the retail area’s resin shelvesModern Age was also keen to work with environmentally friendly materials, and 3form’s material has the GreenGuard Gold certification for being low in chemical emissions and the Declare Label disclosing all of the ingredients in the final product.
    Ringo completed the space with more textured materials and finishes that provide a contrast to Chroma. They are also meant to hint at the ageing process and the beauty of imperfections.
    “Everyone has their own imperfections and we highlight that through the materiality of the space,” said Ringo. “The veininess of the terracotta tiles represents signs of ageing. The walls have a painterly limewash, to not show something that was too refined.”
    3form is an American brand that manufactures a range of resin, glass and felt materials for various architectural applications. In addition to its environmental sustainability goals, it also holds a Just Label, which recognises its social justice and equity outcomes.
    Visit 3form’s website for more information on Chroma and its other products.
    Partnership content
    This article was written by Dezeen for 3form as part of a partnership. Find out more about Dezeen partnership content here.

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    Crawshaw Architects transforms cow shed into Stanbridge Mill Library

    London studio Crawshaw Architects has transformed a former cow shed in Dorset into a library and office, organised around a wooden, barrel-vaulted arcade that references the client’s collection of books on classical Palladian architecture.

    The Stanbridge Mill Library, which has been shortlisted in the civic and cultural interiors category of Dezeen Awards 2022, occupies one of several outbuildings of a Georgian farmhouse on a grade II-listed farm.
    Crawshaw Architects has overhauled a former cow shed in DorsetThe narrow, gabled brick shed was originally built to house Standbridge Mill Farm’s cows but had stood neglected for over forty years, used as storage for gardening equipment and farm machinery.
    Looking to give the building a new purpose while maintaining its existing character, Crawshaw Architects made only small structural interventions, replacing two of its original roof trusses with portal frames that open up the interior.
    The studio has transformed it into a library and office”While a decisive transformation of the interior was called for, we felt that the original use of the building needed to be part of the story,” explained the studio.

    Stanbridge Mill Library’s focal point is a central “nave”, which is filled with seating areas covered by a wooden barrel vault and slotted between two narrow aisles lined by bookshelves. This plan references classical architectural forms, which are the focus of many of the client’s books.
    The Stanbridge Mill Library is organised around a barrel-vaulted arcadePale, solid oak has been used for the floor, shelving, storage and the central vault, half of which is covered with planks and the other half left open to allow in light from new skylights.
    “The high nave and pair of aisles are in the form of a classical library, but are set out in the register of the original building using the materials and construction techniques of traditional farm carpentry and metalwork,” explained Crawshaw Architects.
    The office occupies the northern end of the building”The vault, columns, shelves, tables and seating are made of the same solid oak planks and sections, deliberately selected to show knots and natural blemishes,” the studio continued.
    Desks are organised to take advantage of light from the windows and are illuminated at night by large pendants suspended from the vault.

    Steimle Architekten transforms traditional German barn into Kressbronn Library

    The office space occupies the northern end of the building underneath an original roof truss, which is separated from the library by an arched glass door and windows that frame views through the nave and aisles.
    To the south of Stanbridge Mill Library, a dog-leg in the plan is occupied by a small kitchen, positioned opposite a bathroom and a small lobby area.
    Pale solid oak has been used throughoutStanbridge Mill Library features in the civic and cultural interior category of Dezeen Awards 2022 alongside the renovation of the Groote Museum in Amsterdam by Merk X.
    Another project on the shortlist is the interior of F51 Skate Park in Folkestone by Hollaway Studio, which won the public vote for the same category.
    The photography is by Ingrid Rasmussen.
    Project credits:
    Architect: Crawshaw ArchitectsDesign team: Pandora Dourmisi, Aidan CrawshawStructural engineer: Hardman Structural EngineersContractor: CanDo Constructions ltd

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    Woods + Dangaran brings warmth and light to mid-century modern home in Los Angeles

    Teak wood, travertine stone and expansive glazing all feature in Woods + Dangaran’s renovation of a mid-century modern house that once belonged to singer Bing Crosby’s manager.

    Los Angeles-based Woods + Dangaran has both upgraded the architecture and designed the interiors for Clear Oak Residence, which is located on a hillside above LA’s San Fernando Valley.
    Clear Oak Residence is located on a hillside above LA’s San Fernando ValleyThe design aims to enhance the building’s relationship with its setting while also bringing an increased sense of warmth and comfort to the living spaces.
    Doorways and windows were adjusted and enlarged to enable wraparound views of the landscape, while skylights were added to highlight key moments within the interior.
    A new swimming pool cantilevers out towards the viewTravertine creates a continuous floor surface that extends out from the living spaces to a sunset terrace, while teak provides wall panelling and in-built joinery throughout.

    “The architectural finish palette was intentionally limited to four materials: clear anodised aluminium, plaster, travertine, and teak for the wall panelling,” said Woods + Dangaran.
    “This visual restraint manifests in a serene ambiance that permeates all aspects of the residence.”
    Travertine flooring extends both inside and outClear Oak Residence is shortlisted for Dezeen Awards 2022 in the house interior category, where it will compete with four other projects – including another one by Woods + Dangaran – for the title.
    Woods + Dangaran designed this project for client Robert Galishoff, whose brief to the architects was to embrace the building’s mid-century heritage but ensure the result exudes a sense of “effortless luxury”.
    Teak provides wall panelling and custom joineryLandscaping played a big role in the transformation. By relocating the swimming pool so that it cantilevers over the hill and adjusting the topography, more terrace and deck space could be created.
    Sliding floor-to-ceiling glass doors allow the main bedroom, the living room and the dining area to open out to this terrace.

    Woods + Dangaran updates 1960s California home by Craig Ellwood

    “Enlarged doorways and windows inside the house, including floor-to-ceiling glass doors, integrate the interior spaces with the landscape and foreground views by eliminating barriers,” said the architects.
    “Glazed openings inserted along corridors create memorable spatial experiences from new axes and vantage points.”
    Skylights create framed views of the skyThe interior furnishings include both new and retro pieces in natural materials and warm colours, which sit alongside Galishoff’s collection of objets d’art.
    The living room features a copper silk shag rug from Mehraban, a Minotti sectional reupholstered in a retro-patterned textile and a pair of the Arthur Casas-designed Amorfa coffee tables.
    “Inspired by mid-century pieces but adjusted for scale, function, and material, these pieces give the home a unique voice that mixes old and new, retro with contemporary vibes,” said Woods + Dangaran.
    The design respect’s the building’s mid-century heritageLed by architects Brett Woods and Joe Dangaran, Woods + Dangaran has developed a reputation for modernising mid-century homes but also designs new-builds with a similar character.
    Other recent projects include an upgrade of a 1960s Craig Ellwood house and a brass-clad home in Palm Springs.
    The photography is by Joe Fletcher.

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    Fiandre covers Armenian church in porcelain slabs printed with 1.5 million unique motifs

    Promotion: Fiandre Architectural Surfaces porcelain slabs, digitally printed with 1.5 million icons, cover the facade of an Armenian church in Texas designed by New York-based architect David Hotson.

    For the facade of Saint Sarkis Armenian Church in Carrollton, Texas, architect David Hotson and Yerevan-trained architectural designer Ani Sahakyan worked closely with Italian architectural surface manufacturer Fiandre to create a facade that works at a series of visual scales.
    The church is covered with Fiandre porcelain slabsThe church’s western facade that surrounds its entrance is clad with porcelain slabs depicting a traditional Armenian cross or “tree of life” with distinctive floral branching arms. This Armenian symbol of faith in the face of suffering and of resurrection and redemption serves as a memorial to the victims of the Armenian genocide.
    Viewed more closely, as the visitor approaches the church, the cross is composed of interwoven botanical and geometrical motifs drawn from Armenian art. These motifs represent the bonds of ancestry and tradition that have bound the Armenian community together across centuries of challenge and upheaval.
    Examined from even closer proximity, visitors will be able to see that the slabs are covered with individual icons or pixels, each one centimetre in diameter.

    Printed at a high resolution using Fiandre’s “Design Your Slab” or DYS printed porcelain slab system, the tiny icons – 1.5 million in total – cover the entire church facade. All of the icons are unique and derived from the circular emblems that recur throughout Armenian decorative arts.
    The ceramic slabs are printed with 1.5 million icons based on ancient Armenian motifsThe 1.5 million unique icons are designed to symbolise the individuals who were murdered in the Armenian genocide. The scale of the individual icons that are spread across the entire building facade is intended to make tangible the scale of this historical atrocity.
    To create the facade design, a computer script was developed by architectural designer Ben Elmer to generate the icons based on ancient Armenian ornamental motifs.
    These icons were scaled to fit a total of 1.5 million on the facade and were distributed according to density to form larger-scale patterns when viewed from a distance.
    The ceramic surfaces are also UV-resistantThe motifs were printed to the exact pixel modules required onto Fiandre’s large-format, exterior-grade, UV-resistant porcelain rain screen slabs.
    “The facade is believed to be the first use of this technology to optically engage the viewer in a series of visual scales nested inside each other, from the scale of an entire architectural facade to the scale of individual pixels each rendered in high-resolution at the threshold of visual perception,” said Fiandre.
    In addition to the memorial facade, Fiandre supplied the full range of porcelain interior and exterior floor, wall and soffit finishes used throughout the Saint Sarkis Campus.
    The Armenian church in Texas is designed by New York-based architect David HotsonNew York-based Hotson’s design for the new church building is modelled on the ancient church of Saint Hripsime, which stands near Armenia’s modern capital of Yerevan.
    Having withstood fourteen centuries of upheaval, Saint Hripsime serves as a symbol of the endurance, perseverance, and resilience of the Armenian people. The cornerstone of Saint Sarkis was laid in 2018, fourteen centuries after Saint Hripsime was completed in 618 AD.
    “From this brief, Hotson developed a design that looks forward as well as backward, marrying ancient architectural and artistic traditions reflecting Armenia’s cultural legacy as the world’s first Christian nation with contemporary digitally-driven design and fabrication technologies,” explained the manufacturer.
    To learn more about Fiandre Architectural Surfaces, visit the brand’s website.
    Partnership content
    This article was written by Dezeen for Fiandre as part of a partnership. Find out more about Dezeen partnership content here.

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    Alexander May launches Sized Studio creative space in Los Angeles

    Alexander May, the founder of creative advisory Sized, has opened a flexible studio space in a former industrial building in Hollywood that will host photoshoots, events, exhibitions and more.

    Sized Studio was designed over 5,000 square feet (465 square metres) in a former industrial space. The space will host commercial projects, events, dinners, performances and other experiential marketing, as well as public-facing programming.
    Sized Studio offers a variety of bookable spaces, including a loading bay with built-in lounge seating”Sized Studio is an exciting step in the development of the Sized brand,” said May. “It’s designed to create strong collaborations with designers, brands, and creatives. Sized Studio gives another layer of access to the environments that Sized creates.”
    A variety of spaces in the former industrial building can be booked for photographers to shoot campaigns, galleries to put on exhibitions and brands to host activations.
    Located in Hollywood, Los Angeles, the venue is designed to be a blank canvasCeiling heights in the different rooms range from 10 to 30 feet (three to nine metres), and the majority of spaces are white-washed to provide a blank canvas.

    Of the larger spaces is a 1,612-square-foot (150-square-metre) loading bay, which features exposed beams and built-in lounge seating with black cushions.
    Flexible rooms in a variety of sizes are offered to clientsAnyone who rents a space will have the opportunity to enlist Sized’s advisory services, which encompass creative direction, set design, site activation and curatorial consultation.
    “There’s no limit to what kind of activations can be realized within Sized Studio,” May said. “What’s unique about Sized Studio is that it’s adjacent to Sized, which allows the people who use it to become closer to the larger culturally conscious community that Sized embodies.”

    AA Studio transforms industrial building in Tribeca into creative hub

    Although the studios officially open on 17 October 2022, Kim Kardashian’s underwear brand Skims has already utilised the studio, while upcoming public progamming includes a planned showcase of Andy Warhol photography.
    May founded Sized in 2021, following a career in creative direction across a wide variety of locations and industries.
    The majority of the former industrial building interior is white-washedHis collaborators have ranged from interior designer Kelly Wearstler to fashion house Rick Owens.
    Prior to this venture, May founded and provided creative direction for art non-profit Fondazione Converso in Milan from 2017 to 2020.
    Ceiling heights vary from 10 to 30 feet (three to nine metres)Similar creative hubs to Sized Studio elsewhere include Spring Studios in New York, located in a Tribeca telephone exchange building converted by AA Studio.
    Brooklyn venue A/D/O by MINI hosted multiple creative events and installations before it was shuttered due to the economic fallout of the Covid-19 pandemic.

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    Ten homes with staircases that have statement balustrades

    In our latest lookbook, Dezeen has rounded up 10 home staircases that incorporate contemporary and non-traditional balustrades from circular perforations to bold colour blocking.

    A balustrade is a railing that runs alongside a staircase and prevents a person from falling over its edge. Balusters are vertical posts that typically support a bannister or handrail above, balusters traditionally have a lathe-turned form that results in a bulbous and curving profile.
    Although often focal points of interior settings, balustrades can be relatively similar from home to home. In this lookbook, we have highlighted 10 alternative balustrades that bring a non-traditional and statement look to homes.
    This is the latest in our lookbooks series, which provides visual inspiration from Dezeen’s archive. For more inspiration see previous lookbooks featuring maximalist interiors, homes that use tiles as a decorative feature and interiors with ornate ceilings.
    Phot by Rainer MaderPrivate House in Cologne, Germany, by SMO Architektur

    This perforated balustrade complements the rigid and cubic form of this house in Cologne, which was designed by architecture practice SMO Architektur and informed by Le Corbusier’s Plan Libre.
    A staircase that runs through the home was bounded by a seamless, perforated balustrade that is constructed from a singular sheet of material. The perforations within the balustrade contrast against the square and angular shape profile of the staircase.
    Find out more about Private House in Cologne ›
    Photo by French + TyeMo-tel House, UK, by Office S&M
    This brightly coloured staircase sits within a Georgian townhouse in the London borough of Islington, which was renovated by London studio Office S&M.
    Titled Mo-tel House, the home has a brightly coloured interior scheme with a geometric and boldly coloured staircase. Its vertically slatted balusters were painted pink while a bright yellow handrail folds over and into the staircase’s end post.
    Find out more about Mo-tel House in London ›
    Photo by Tal NisimTel Aviv townhouse, Israel, by David Lebenthal
    In Tel Aviv, architect David Lebenthal suspended a staircase behind a wall of vertically organised steel rods that function as the staircase’s balustrade.
    The home was designed for Lebenthal and his family and was organised around an exposed concrete party wall that hosts the metal staircase that runs through the home. Steel rods stretch between each floor of the home and were fixed to and intersect with the outer edge of the metal-folded tread.
    Find out more about Tel Aviv townhouse ›
    Photo by Andrew MeredithWhite Rabbit House, UK, by Gundry & Ducker
    Architecture studio Gundry & Ducker fitted a cantilevered staircase into this 1970s house in London.
    Its balustrade is comprised of green-painted vertical rods that run the entire length of the staircase and a one-piece wooden bannister that was placed on top of the green balusters and pierces through an overhanging lip on the tread of the base step.
    Find out more about White Rabbit House ›
    Photo by Tim SoarBonhôte House, UK, by AOC
    Angular brass rods, arranged in a zigzagging formation, flank the sides of this staircase that ascends above an open-plan living and kitchen area in a north London townhouse.
    The home was designed by architecture studio AOC within a contemporary family home. It has an open-plan design with its brass-wrapped staircase used to divide the ground floor living spaces
    Find out more about Bonhôte House ›

    Hearth House, UK, by AOC
    Architecture studio AOC incorporated a negative relief-style balustrade into the staircase at Hearth House in Golders Green.
    On the upper levels of the staircase, the profiles and silhouettes of traditional spindle balusters were laser cut into plywood sheets creating voids where ornamental spindles would sit. Elsewhere, a lamp extends from the handrail of the bannister.
    Find out more about Hearth House ›

    O12, Germany, by Philipp von Matt
    German architect Philipp von Matt fitted a golden-hued, perforated-brass bannister to a solid concrete staircase at O12, an artist’s home in Berlin.
    The mesh brass bannister zigzags along the side of the concrete stairwell from the front door of the home through to its first and second floors. As a result of its perforations, light can travel through the bannister and filter into the monolithic stairwell.
    Find out more about O12 ›
    Photo by Andy StaggAsh House, UK, by R2 Studio
    A full-height ash bannister, which was pierced with circular cut-out openings lines a wooden stairwell that connects two storeys of an Edwardian house in Lewisham, London.
    Architecture studio R2 Studio mimicked the stair profile when creating the hole pattern across the ash bannister, incorporating larger holes at eye level for both adults and children. A groove was cut into the opposite side to form an inset handrail.
    Find out more about Ash House ›
    Photo by James RetiefMaryland House, UK, by Remi Connolly-Taylor
    A red metal staircase at designer Remi Connolly-Taylor’s home in London has a weightless look. It has a red folded tread that sits on top of the home’s stone floors. Besides the tread, a tubular, pipe-like hand rail-cum-balustrade has a similarly weightless look and protrudes from the ground and follows the profile of the steps below.
    The staircase is encased within a glass block-clad stairwell that Connolly-Taylor explained was used to bring light into the interior while also providing privacy from neighbours.
    Find out more about Maryland House ›
    Photo by Johan DehlinCoastal House, UK, by 6a Architects
    A wooden staircase sits at the heart of this home, which was renovated by London-based architecture studio 6a Architects. Thin tapering spindle-shaped balustrades were organised at alternating angles creating a wave-like rhythm across the entire staircase.
    The bannister and balustrade were made from oak and have an unfinished, rustic quality that ties the staircase to the home’s original beams and textural stone walls.
    Find out more about Coastal House ›
    This is the latest in our lookbooks series, which provides visual inspiration from Dezeen’s archive. For more inspiration see previous lookbooks featuring deliberately unfinished interiors, maximalist interiors and walk-in wardrobes.

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    Domino Architects divides reusable sales showroom with fabric walls

    Sheer curtains that look like translucent walls were used to divide up the structure of this temporary showroom space in Japan created by Domino Architects.

    Shortlisted in the large retail interiors category of Dezeen Awards 2022, PROUD Gallery Gotanda aims to offer a solution to the wasteful practice of producing condominium showrooms – temporary structures near new developments that are used as a base for sales teams.
    The showroom was created by Domino ArchitectsThe showrooms, which are usually built and then demolished within a matter of years once the units are all sold, typically contain a customer reception and seating area, as well as rooms for meetings and presentations. These are all styled with the target customer in mind.
    “It’s like a theme park with effects to motivate people to buy,” said the architecture studio.
    “As entertainment, it is very interesting, but we wonder if this method of spending a large amount of energy each time is really appropriate for this age.”

    Arches were constructed using mesh curtainsDomino Architects worked with HAKUTEN and Nozomi Kume from Studio Onder de Linde to create a more sustainable alternative for Nomura Real Estate Development and its PROUD condominium brand in Tokyo.
    Built using the prefabricated skeleton structure of an existing Nomura showroom, the layout of PROUD Gallery Gotanda is easy to change, expand and reconstruct.

    Beyond Space drapes one kilometre of fabric across Amsterdam office

    The steel structure is wrapped with light curtains while the partitions inside the business meeting space are made from “foldable walls”, which are curtains with a wall-like thickness.
    These foldable walls have arched openings and can be repositioned so that the layout can be easily changed according to purpose.
    “By carefully examining the sheen, curves, and colour overlap of the curtains, we were able to create an elegant and light space that does not feel like a rugged prefabricated structure,” the studio said.
    The arches can be moved and repositionedThe materials and samples used in the planned condominiums are subtly incorporated into the interior as part of the showroom’s furniture and fixtures.
    The idea is to allow the buyer to imagine a space rather than be entirely dictated to.
    In Amsterdam, design studio Beyond Space has created an office interior in Amsterdam that uses rippling laser-cut fabric to form cave-like spaces for working.
    The photography is by Gottingham.

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    Fabric arches divide Jonathan Simkhai store in SoHo by Aruliden

    Design agency Aruliden has created a retail space for fashion brand Jonathan Simkhai in New York City, translating cut-out shapes from its clothing into architectural partitions and furniture.

    For New York-based womenswear brand Jonathan Simkhai, Aruliden designed a temporary installation within the space on Mercer Street in SoHo – a prime shopping area in Lower Manhattan.
    A series of metal structures wrapped in translucent fabric divide the Jonathan Simkhai storeThe geometric shapes and signature cut-outs of the brand’s clothing were translated into a variety of spatial interventions and furniture pieces, creating a store in which the brand can present new collections and host events.
    “Translating Simkhai’s identity into a vision for a spatial environment required a clear and strategic idea that was not just shoppable, but also memorable and visually iconic,” said Aruliden’s senior director of industrial design Erik Kreider.
    “We wanted visitors to be fully immersed in this world, but at the end of the day it was also important that we celebrated and showcased the products the right way.”

    The fabric partitions are installed to fit around existing architectural elementsTowards the front of the building, a double-height space is painted entirely white and further brightened by the glass facade.
    This long, narrow room is divided by a series of tall structures, comprising translucent fabric stretched over metal frames.
    Mannequins flank a staircase that leads to the store’s lower levelFitted around existing architectural elements, the temporary walls wrapped in white, peach and pink fabric are punctured with archways that curve asymmetrically at the top, forming a passage from one end of the store to the other.
    Shoppers are led through the archways and down a flight of stairs, flanked by mannequins positioned on larger steps along one side.
    Units of a flexible display system are shaped similarly to the arched openings in the partitionsOn the lower level, where the ceiling height is considerably lower, podiums for displaying products and decorative accessories are shaped similarly to the archway cut-outs.
    At various sizes and heights, these beige-toned units form a flexible display system that can be moved around when needed.

    AMO cocoons Jacquemus store in pillows to create “bedroom-like” interior

    “Clothing and products break the cadence of the fabric arches,” said Kreider.
    “Together with the graphic cutouts, this creates a natural flow to the back area where more products, seating and changing rooms are located,
    The archways, furniture and podiums are based on the cut-out shapes of Jonathan Simkhai’s clothingThroughout the store, garments are presented on identical sets of hangers along minimal white rails.
    The minimalist interior is also enlivened by simple floral displays, presented in a variety of crafted vases.
    The minimalist interior is enlivened with simple floral decorationsAruliden, which was founded in 2006 by Rinat Aruh and Johan Liden, is headquartered in New York City with offices in San Francisco and Amsterdam.
    The agency has several products shortlisted for this year’s Dezeen Awards, including the Whoop 4.0 fitness wearable and the Series One Desk 27 video-conferencing device. It has also designed a series of mirrored structures to be built in a forest in Ontario, Canada.
    The photography is by Sharon Radisch.

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