Markus Andrews

More stories

  • 125 Shares129 Views

    in Rooms

    Sam Jacob Studio adds glass-tube entrance to London's V&A museum

    British architect Sam Jacob has used ribbed glass to create a contemporary entrance for London’s historic V&A museum and updated its bathrooms with a broken-ceramic cladding that feels “a little perverse”.

    The studio drew on the Victoria & Albert museum (V&A’s) collection for its designs, choosing glass for the lobby in a nod to the museum’s glass collection and crushed jasperware for the bathrooms.
    The lobby has glass tubes in three sizesThe entrance structure was designed in response to the existing proportions of the building and is formed of three bands of glass tubes, starting with 120-millimetre diameter tubes on the lower level that become thinner on the upper levels.
    Sam Jacob Studio wanted the design, which marks the entrance from Cromwell Road, to function as a modern response to the surrounding Grade I-listed museum building.
    It sits in front of a large arched window”The heights of the whole structure and the way it is split into three levels is a contemporary response to the historic fabric,” Jacob told Dezeen.

    “This helps the new elements resonate in a harmonious way even with a very different design sensibility,” he added.
    “Working with historic buildings is a great challenge and one that means it’s important to understand what is really there, and why it might be like that.”
    The contemporary lobby was designed as a response to the historic museumUsing glass for the lobby also helped create a more dramatic and dynamic effect at the entrance, while nodding to the large arched window that dominates the space.
    “The glazing for the entrance – especially the glass tubes – were a way to retain a sense of transparency at the entrance, but also to dramatise the way light is transmitted into the space,” Jacob said.
    Sam Jacob Studio designed the lobby for the Cromwell Road entrance”The effect of the tubes is to act like lenses, and the movement of people through the entrance becomes visually more animated, producing different effects as the daylight changes over time,” he added.
    “It’s also a response to the large arched window above, that has texture and colour to the glass, so that the whole interior elevation now acts in a similar way.”

    Sam Jacob Studio adds “ambiguity and mystery” to ArtReview events space

    “It’s glass used not so much for quality of transparency but for the dynamic effects of light passing through that it creates,” he added.
    Jacob also added sliding doors to the lobby and designed a collection of moveable stations that will be used for bag checks on entry.
    A welcome desk with mirrored backing sits in the lobbyAt the museum entrance, the studio added a welcome desk made from glass tubes with a mirrored backing that reflects the surroundings.
    As well as the lobby, the architect also updated the bathrooms. Here, Jacob used crushed jasperware waste material from the Stoke-on-Trent factory that makes the V&A’s Wedgwood porcelain collection.
    This was used to create colourful wall panels constructed by crushing 700 kilograms of blue, grey, pink and black ceramic waste.
    Terrazzo made from jasperware decorates the bathroom”Terrazzo is a material you often find in these kinds of spaces, so our intention was to introduce a really unusual material element by using the waste jasperware,” Jacob said.
    “It is a material that resonates with the history of the V&A, and with the history of British applied design and with a certain luxury,” he added.
    “Even in a fragmented state, jasperware colours are instantly recognisable. Using it in this smashed-up state, and making a feature of its brokenness, felt like a very modern take on those traditions.”
    Bathroom walls have life-sized digital printsThe design was also intended to make the museum’s visitors think about reuse and how we care for objects.
    “It also feels a little perverse – using broken ceramics in a museum where objects are usually incredibly carefully looked after,” Jacob said. “But a beautiful kind of perversion – all the coloured fragments make a speckled colour field to the walls that surround you.”
    “It’s an interesting experiment in the high concept reuse of waste material, about how we care for objects and the impact that the production of designed objects has on the world.”
    The V&A Museum is in a Grade I-listed buildingThe bathroom walls have been decorated with life-sized digital prints showcasing figures from V&A’s collection, as well as landscape scenery.
    For Jacob, designing for the V&A meant “working in the shadow of people” such as British designer William Morris, a history that made him think about what a similar design response might look like today.
    “We tried to channel a contemporary version of that same spirit of applied arts to help transform some of the most functional spaces of the museum into places of delight, places to interact with the collection in different ways, and make it a more accessible and engaging experience,” he said.
    The glass entrance lets light into the interiorOther recent projects by Sam Jacob Studio include an office, bar and events space for the ArtReview magazine in London and a neolithic shelter in Shenzhen port.
    The photography is by Timothy Soar.
    Project team:
    Architecture: Sam Jacob StudioLighting: Studio ZNAStructure: Price and MyersMain contractor: AlcemaSpecialist fabricator: MillimeterTerrazzo: DiespeckerQuantity surveyor: Currie BrownMechanical and electrical services (M&E): Harley Haddow / JRG Electrical

    Read more: More

  • 175 Shares189 Views

    in Rooms

    OEO Studio uses materials in a “playful way” for Designmuseum Denmark cafe and shop

    Copenhagen-based OEO Studio has created a cafe and shop interior for Denmark’s Designmuseum using stone, steel and wood to honour architect Kaare Klint’s original design.

    OEO Studio worked with materials and colours that reference Klint’s design from the 1920s and added details such as custom-built cabinets to the shop and a “monolithic” steel serving counter to the cafe.
    OEO Studio created the interiors for the Designmuseum cafe, above, and museum shop, top imageThe interior design was part of a major two-year renovation of the Designmuseum, which showcases Danish design. It is located in a building from the 18th century that was renovated and adapted into a museum by Klint and architect Ivar Bentsen.
    While OEO Studio didn’t make any structural changes, the studio added some major interventions to the museum’s interior.
    Stone and wood were used throughout the interior”The large arched doors inside the museum have undergone a drastic change and have been covered in hot-rolled steel, present in the entrance way and in the museum cafe,” OEO Studio head of design and founding partner Thomas Lykke told Dezeen.

    “A huge monolithic serving counter made of steel and wood is the primary fixed piece in the cafe,” he added. “As for the museum shop, the major changes are custom-built cabinets filling out the arches in the walls.”
    A hot-rolled steel counter creates a monolithic effect in the cafeLykke and Anne-Marie Buemann, OEO Studio managing partner, designed the 240-square-metre cafe and lounge space and the 140 square-metre museum shop to be based on Klint’s simple, “ascetic” design.
    “We were inspired by Klint and his almost ascetic touch on design with his clean lines – subtle yet majestic at the same time,” Lykke explained.
    Kaare Klint paper lamps hang in the cafeAs well as the six-metre-long bespoke counter, made from oiled oak and hot-rolled steel, the studio also designed custom cafe tables, high tables and counter-style seating for the museum’s all-day eatery.
    The cafe also features a selection of chairs by well-known Danish architects and designers, such as Hans J Wegner and Arne Jacobsen, with the mostly wood and steel furniture contrasting against a grey stone floor made from original tiles that were reused.

    Frank Maali and Gemma Lalanda transform 1950s garage into steel-clad event space with a “sacral feeling”

    “We defined a material palette that complimented the building and the architecture,” Lykke said of the studio’s design.
    “Materials were also chosen for their durability and their ability to age beautifully,” he added.
    “A mix of hard materials, as well as more soft and warmer materials, were used, including steel, wood, leather, stone, and textiles. The materials have been used in a playful way – still not over-shining the architecture. ”
    The Designmuseum cafe can be accessed from the gardenIn the museum shop, OEO Studio reused glass cabinetry designed by Klint and added custom-built cabinets.
    Small islands display books and other museum items for sale, while the built-in wall cabinets showcase sculptures and other accessories.
    In both the cafe and the shop, OEO Studio used a colour palette designed to compliment the building itself.
    The Designmuseum shop features built-in cabinets”For the colour scheme our intention was to create a palette that naturally blended well with the original building and the materials used,” Lykke explained.
    “The stone tiles on the floor have a major presence in the museum – beautiful and rich,” he added.
    “The use of hot-rolled steel with its bluish tones creates a beautiful contrast to the tiles and the old plastered walls with their original colour. The special blue-grey paint was carefully created to complement the architecture and floors.”
    A pale-blue, beige and blue-grey colour palette contrasts against wooden furnitureThe studio also created a 35-metre boardroom for the Designmuseum, which can accommodate up to 10 people and features furniture that the studio designed for Stellar Works.
    All of the furniture was built by Danish makers from materials sourced locally.
    “Materials of high durability, quality and a design that allows for hard use over many years were important factors,” Lykke said.
    OEO Studio reused glass cabinets designed by KlintThe Designmuseum reopened during the annual Danish design festival 3 Days of Design, when it also unveiled a translucent pavilion designed by Henning Larsen in the garden outside of the museum.
    Homeware brand Vipp also showcased new architecture during the festival, with a renovation of a former garage.
    The photography is by Christian Hoyer.

    Read more: More

  • 100 Shares99 Views

    in Rooms

    Masquespacio designs “metaverse world” for Mango Teen store

    Spanish design agency Masquespacio has created the interior of the first Mango Teen shop in Barcelona, which was informed by the metaverse and aims to provide an interactive and dream-like shopping experience.

    Designed for customers aged 11 to 13, Masquespacio used graphic shapes to outline clothing displays and a colour palette of oranges and greens for the fashion shop interior.
    The shop interior is divided into two sections by the use of green and orange colours”The new Mango Teen store is established as a world of dreams with its different perspectives and different incoherent elements, just like when we are dreaming,” said Masquespacio.
    “In this place, the dreams are made reality through the design elements that play with your mind and invite the user to interact with the objects surrounding them, bringing the metaverse world to reality.”
    A swimming pool-style step ladder is used to display clothingMasquespacio created the design elements in the shop interior to showcase as much clothing as possible, while also functioning as attraction points that provide a unique shopping experience.

    At the entrance is a “futuristic” arched tunnel with strip lighting designed to guide customers inside. Shelving displays on the shop floor feature tiled surfaces and metal step ladders that mimic swimming pools.
    Masquespacio designed an arched tunnel with strip lightingThe shop front and interior are divided by a bold colour choice of green and orange.
    “At the initial point, we chose a lighter and more pinkish palette, but as this is getting a bit outdated, we decided to play with two colours that are not so explored and combined them,” Masquespacio co-founder Christophe Penasse told Dezeen.

    Masquespacio designs colour-blocked burger joint in Turin

    The order counter was designed to be reminiscent of a hotel reception and the store also features a clothes-recycling drop-off point that looks like a washing machine, which releases bubbles when customers open the door.
    The futuristic tunnel, swimming pool, hotel reception and washing machine elements are intended by the studio to “invite the teens to enter a universe in which a new use is given to the objects, giving them the opportunity to let their imagination flow and use the space how they dream about it.”
    The changing rooms are designed for TikTok-loving teens”We searched to convert the design elements to an attraction point for the teens’ TikTok life, but at the same time create them as elements that have a function, such as an order bar or an exhibition point like the swimming pool and tunnel,” Penasse said.
    The shop’s changing rooms further encourage interaction with the digital world. Integrated phone holders and ring lights make it easy for customers to take photos for social media, while the reflective walls and ceiling create a futuristic backdrop.
    Masquespacio created functional elements to appear like other objects, including a recycling point that looks like a washing machineAs the first Mango Teen shop to open in Barcelona, Masquespacio’s design aims to create a distinct brand identity.
    The fashion brand had previously launched pop-up shops, from which they identified colourful interiors and places to take photos and videos as main points of interest for teenage shoppers.
    Other projects by the studio include a burger joint designed to look like a swimming pool and a greek restaurant informed by ancient ruins.
    The photography is by Luis Beltran.

    Read more: More

  • 150 Shares169 Views

    in Rooms

    Foster + Partners designs Apple Brompton Road as “calm oasis” in London

    UK studio Foster + Partners has unveiled an Apple Store in west London that incorporates stone columns, Ficus trees and terrazzo flooring.

    Located between the Harrods and Harvey Nichols department stores in Knightsbridge, Apple Brompton Road is the latest store designed by Foster + Partners for the technology brand.
    Foster + Partners designed Apple Brompton Road. Photo courtesy of AppleIts main entrance occupies the arched entrance to the former Brompton Arcade, which was created in 1903 to connect Brompton Road with Basil Street, with the store occupying two bays on either side that were formerly shops.
    A mezzanine level was removed to create a seven-metre high space that the studio describes as a “calm oasis”.
    It has a seven-metre-high ceiling”Apple Brompton Road is a calm oasis in a bustling and vibrant part of London,” said Foster + Partners senior executive partner Stefan Behling.

    “Customers interact with Apple’s incredible range of products and experience their personalised customer service in a unique setting which incorporates historic and natural elements.”
    Stone columns and trees define a central spaceThe shop is topped with an arched timber ceiling that mirrors the four-meter-wide arched openings on the building’s historic facade.
    A series of six Castagna stone columns, along with four Ficus trees in planters that double as seating, mark out a central spine in the space.

    Ten of the most appealing Apple Stores designed by Foster + Partners

    Timber tables on either side of the central walkway are used to display Apple’s phones and iPads, with accessories displayed in furniture built into the Castagna stone-clad walls.
    At the rear of the store, an event space is defined by a large video wall and a mirrored ceiling.
    The store’s terrazzo floor was made from a castor oil resin, aggregate and recycled glass. It marks the first time the plant-based resin has been used in an Apple store.
    An events space is located at the rear of the store. Photo courtesy of AppleApple Brompton Road forms part of a wider redevelopment of a block in Knightsbridge, which is being led by UK studio Fletcher Priest. Along with the Apple Store, the reorganised block will include seven shops, a 10,750-square-metre office building and 33 apartments.
    Foster + Partners, which is the UK’s largest architecture studio, has designed Apple Stores in cities all around the world. Recent shops include the conversion of Los Angeles’ historic Tower Theatre and a “floating” spherical store in Singapore.
    Photography is by Nigel Young unless stated.

    Read more: More

  • 100 Shares139 Views

    in Rooms

    Space Copenhagen adds “otherworldly” pieces to Antwerp restaurant

    A cast brass chandelier and a colourful light installation are just some of the site-specific pieces Space Copenhagen installed in the interior of the Blueness restaurant in Antwerp.

    Called Blueness, the restaurant is located in the heart of Antwerp’s fashion district, on the ground floor of a 17th-century renaissance building.
    Space Copenhagen filled the interior of the Blueness restaurant with specially commissioned furnitureIt is three-Michelin-star chef Sergio Herman’s third restaurant and the second that he has collaborated on with Space Copenhagen following Le Pristine, a moodily-lit restaurant that takes its design cues from the Old Masters.
    At Blueness, the menu consists of fine-casual cuisine with French and Japanese influences.
    The restaurant’s design was informed by the history of the buildingThe Danish design studio, headed by Signe Bindslev Henriksen and Peter Bundgaard Rützou, wanted to reflect the menu’s duality within the interior and also showcase the different purposes and activities of the building throughout history.

    As a result, the interior fuses the building’s classical architecture with new Scandinavian design elements while its layout offers diners the option of a theatrical dining experience at the custom bar, where they can observe the open kitchen, or a tranquil candlelit dinner experience in the main dining room.
    The restaurant features a bar with views into the kitchenOriginal features – such as tall ceilings, carved sandstone and marble columns and elaborate metalwork window and door frames – are paired with clean-lined furniture and a number of site-specific works from artists including Valentin Loellmann, Destroyers Builders and Mae Engelgeer.
    The studio describes these bespoke commissions as “otherworldly” with Rützou referring to them as “unexpected esoteric futuristic elements”.
    The curved bar is made from dark red walnut woodThe custom bar is the work of Destroyers Builders, a Brussels and Antwerp-based design studio, founded by Linde Freya Tangelder.
    Handmade in deep red walnut wood, it has rounded edges which have been carefully treated to create a smooth tactile surface. The dark red walnut is complemented by brushed steel worksurfaces for easy cleaning and maintenance.
    Dark furnishings contrast the light stone walls of the 17th-century buildingA series of dark oak Spine barstools designed by Space Copenhagen for Danish furniture brand Frederica Furniture line the front of the bar. As well as the bar, Destroyers Builders also crafted a futuristic waiter’s station in cast aluminium.
    The dining room is furnished with comfortable furniture in subtle colour tones and natural materials such as wood, stone, brass and linen.

    AvroKO draws on Korean culture for Oiji Mi restaurant in New York

    A sculptural candlelight chandelier by artist Loellmann hangs in the centre of the space. Its four arms stretch down from the ceiling with platforms for candles that provide gentle, diffused light.
    Bespoke light oak tables are surrounded by soft benches upholstered in warm rose fabric by Sahco and Kvadrat while other tables in the space are flanked by sand-coloured Loafer dining chairs by Space Copenhagen for &Tradition.
    Fabric-coated benches and light wooden chairs surround the restaurant’s tablesFour custom pieces by Latvian designer Germans Ermičs were commissioned for the restaurant, the largest of which transforms the main staircase into an immersive art experience with copper-toned cladding that shifts from dark to light tones as guests descend.
    In the basement, Ermičs has created a colourful light installation positioned behind wrought metal bars that date back to the 18th Century.
    Several wall installations were also commissioned for the restaurantUpstairs, bespoke tatami drapes by Dutch artist Englegeer created a restful ambience.
    “More than anything this project has been shaped by a series of very intuitive processes, from our very first thoughts about the design of the restaurant, that carried through to the end result,” commented Henriksen.
    “The design process has been fueled by the fragmented history of the 17th-century renaissance building and the ongoing dialogue between the team and the commissioned artists who are central to the final design.”
    Known for its work in the hospitality industry, Space Copenhagen is the studio behind Esmée, a classic brasserie with a courtyard feel in the heart of Copenhagen, and Musling, a seafood restaurant overlooking Copenhagen’s Torvehallerne food market.
    The photography is by Peter Paul de Meijer and Eline Willaert.

    Read more: More

  • 113 Shares189 Views

    in Rooms

    Ten interiors with relaxing hammocks in place of furniture

    A 13-square-metre apartment in Poland and a trio of holiday homes built around living trees feature in our latest lookbook of ten interiors with hammocks to relax in and comfortable netted floors.

    A hammock is a sling constructed from fabric, netting or rope and suspended from two or more anchor points. Hammocks are used for sleeping, resting and lounging and are typically placed in gardens or outdoor areas to make use of warmer climates.
    Similarly, netted floors create cosy areas for relaxation and also help to spread light throughout homes by replacing closed-off floors.
    Below, we have selected ten examples of interiors that use hammocks and netted floors in different areas of the home to create relaxing and serene environments.
    This is the latest in our lookbooks series, which provides visual inspiration from Dezeen’s archive. For more inspiration see previous lookbooks showcasing colourful staircases, light-filled glass extensions and living rooms with stone.

    Photo is by David CerveraEl Palmar, Mexico, by David Cervera
    This holiday home on Mexico’s Yucatan peninsula was designed by local architect David Cervera. Located within a grove of palm trees, the 90-square-metre structure houses a bedroom, bathroom, living area and kitchen.
    Cervera clad the exterior and lined the interior of the home in a local material called chukum – a waterproof coating sourced from tree sap. Hammocks were suspended between openings in the home.
    Find out more about El Palmar ›
    Photo is by David MaštálkaHouse on the Marsh, Czech Republic, by A1 Architects
    Timber clads the walls, floors and ceilings of this home in the Czech Republic, which was created by A1 Architects. The studio incorporated glass and wooden balconies throughout the home, which overlook different levels of the interior and allow light to filter between floors.
    A hammock was placed in a gabled dormer that was fitted with a window that fills the entire frontage of the volume, providing views across the mountainous woodland.
    Find out more about House on the Marsh ›

    Hammock House, US, by Samsel Architects
    Expanses of glazing surround and form walls across the interior of this L-shaped farmhouse built by American firm Samsel Architects for a couple and their in-laws.
    The North Carolina home took cues from its local agricultural-building surroundings, incorporating a mono-pitched roof that the studio designed as a modern interpretation of utilitarian farm structures.
    Floor-to-ceiling glazing in the living areas offers views across the farmland, which can be enjoyed from a woven fabric hammock that is tied to the frames of doors and windows.
    Find out more about Hammock House ›

    13-square-metre apartment, Poland, by Szymon Hanczar
    Polish designer Szymon Hanczar crammed an entire city apartment within a 13-square-metre residence, using smart storage solutions as well as stacking and arranging various facilities and functions on top of each other in order to conserve space.
    A double bed was placed on top of a built-in mezzanine level that also holds a white-tiled bathroom and a small kitchen. At the rear of the micro-apartment, a netted hammock was anchored across the width of the home via two metal hooks.
    Find out more about the 13-square-metre apartment ›
    Photo is by Makoto YoshidaHouse in Ofuna, Japan, by Level Architects
    Located in Kamakura, a city in Japan, House in Ofuna is a geometric-shaped three-storey family home that was designed by Japanese studio Level Architects.
    The home features a simplistic interior scheme with white painted walls and wooden floors. The studio incorporated children’s play areas throughout the home and installed metal hooks across the ceilings and walls to attach swings and hammocks.
    Find out more about House in Ofuna ›
    Photo is by Sandra PereznietoTepoztlan Lounge, Mexico, by Cadaval & Sola-Morales
    Curving concrete walls flank a series of three guest houses in the Mexican town of Tepoztlan by architects Cadaval & Sola-Morales. The three homes are set on the edge of a mountain and have concaving forms that follow the profile of two patios and an egg-shaped pool that they surround.
    The lounge area has an open-air design that sees trees growing through openings in the concrete structure. In place of sofas and lounge chairs, a collection of large hammocks fill the living space.
    Find out more about Tepoztlan Lounge ›
    Photo is by Masato Kawano/Nacasa & PartnersEnzo Office Gallery, Japan, by Ogawa Sekkei
    Japanese architect Ogawa Sekkei refurbished this two-storey rental property, located on the outskirts of the city of Gifu, to create a ground-floor showroom that comprises a courtyard, a studio and a lounge space.
    Sekkei stripped away the home’s stud walls and added a glass screen at the rear of the space. The architect also added sliding wooden doors to the studio, which conceal a lounge area containing a hammock that has been hung below a window.
    Find out more about Enzo Office Gallery ›
    Photo is by Gwendolyn Huisman and Marijn BotermanSkinnyScar, the Netherlands, by Gwendolyn Huisman and Marijn Boterman
    Dutch architect couple Gwendolyn Huisman and Marijn Boterman designed their three-storey home in Rotterdam on a narrow site just 3.4 metres wide.
    Rooms stretch the width of the home and are flooded with light as a result of full-width and full-height windows that punctuate the facade and rear wall of the structure. Besides a large window in the living area, a relaxing netted floor was installed within a void.
    Find out more about SkinnyScar ›
    Photo is by Rafael GamoCasa La Quinta, Mexico, by Pérez Palacios and Alfonso de la Concha Rojas
    When architects Pérez Palacios and Alfonso de la Concha Rojas designed this Mexico getaway for a retired couple, they covered the walls in a cream-hued paste named Corev to mimic the effect of artisanal stucco.
    The home was arranged around three courtyards, the largest and most central of which is host to a pool and hammock. Large windows and sliding doors face out to the courtyards, creating a sense of indoor-outdoor living.
    Find out more about Casa La Quinta ›
    Photo is by FRAM FotografíaCasa Bosque Sereno, Mexico, by Fábrica de Espacios
    Mexican firm Fábrica de Espacios built Casa Bosque Sereno in the Mexican city of Aguascalientes. Natural woods, terrazzo, handcrafted mosaics and concrete were used throughout the interior, which has an open-plan living arrangement.
    Large glazed doors let in the light, while a netted floor above the living area connects the ground floor level with a suspended movie area above.
    Find out more about Casa Bosque Sereno ›
    This is the latest in our series of lookbooks providing curated visual inspiration from Dezeen’s image archive. For more inspiration see previous lookbooks showcasing timber-clad bathrooms, light-filled glass extensions and exposed wooden floorboards.

    Read more: More

  • 138 Shares159 Views

    in Rooms

    David Thulstrup brings industrial colours and textures into Borough Yards office

    The brick arches and warehouse buildings of London’s Borough Market informed the materials and furnishings of The Office Group’s latest workspace, designed by Copenhagen-based Studio David Thulstrup.

    Located at Borough Yards, the office forms part of a new retail development designed by architecture studio SPPARC in the spaces in and around an old railway viaduct.
    The colour palette takes cues from the surrounding brick architectureInterior designer David Thulstrup and his team designed the interiors to subtly match the colours and textures of the surroundings, using earthy shades, metal details and largely pattern-free surfaces.
    The ambition was to resonate with the industrial aesthetic, but to still create spaces that felt warm and comfortable.
    Details include tinted glass screens and colour-block rugsKey inspirations were the brick railway arches and the green glass market canopy, which are echoed in details that include high-gloss green wall surfaces and block-printed rugs.

    “I really enjoy when I get to connect myself to somewhere that has a sense of a place, and that has history that I can tap into, and then extract those essences into the project,” said Thulstrup.
    “To me, the brand DNA of The Office Group (TOG) is that they allow the architects to incorporate their own design philosophy into a project. I think that’s what I’ve succeeded with here,” he added.
    The building offers a range of different workspaces and meeting areasThulstrup has worked on a number of high-profile interior projects, including the Noma restaurant in Copenhagen.
    TOG at Borough Yards is the first space that he has designed for The Office Group, which has more than 50 workspaces across London and Germany.

    SPPARC completes Borough Yards shopping district in London

    The 4,700-square-metre workspace spans two buildings – a converted former warehouse and a new brick-clad block – and is organised over five floors.
    At its entrance sits a double-height lobby, framed by a large right-angled reception desk in brushed metal and a gently curving couch.
    The lobby features a brushed metal reception desk and high-gloss green wallsThis leads up to a range of workspaces and facilities, including private offices, flexible co-working spaces, meeting rooms, breakout areas, phone booths, an audio room and a Peloton workout studio.
    Colours vary subtly between spaces; some are dominated by brown and gold tones, while others work with monochrome shades of black and grey.
    The colour palette includes a range of soft grey and brown shadesThulstrup created several bespoke furniture and lighting designs, combining different wood tones with Kvadrat textiles.
    “I like the idea of working with custom-made objects, my own productions, others’ designs, even sometimes vintage pieces – melting these different levels together creates a really beautiful atmosphere,” said the designer.
    “I want to make sure that when people come back to this place after five years that they still feel it is relevant,” he continued. “It’s about creating an inviting, inclusive, quality-driven atmosphere, and also a place where people want to stay.”
    Some spaces are picked out in blackTOG at Borough Yards is the latest in a series of workspaces that The Office Group has unveiled since the pandemic, following 210 Euston Road by Universal Design Studio and Liberty House by SODA.
    The brand aims to develop a unique design for its spaces to reflect the character of their settings.
    David Thulstrup designed bespoke furniture for the projectNasim Koerting, head of design for The Office Group, said this latest offering “respects and responds to the rich architectural and industrial history of the area without being in thrall to it”.
    “We’ve created a space that takes inspiration from its surroundings, while serving the modern-day needs of the design- conscious workplace,” she said.
    Photography is by Ben Anders.

    Read more: More

  • 113 Shares99 Views

    in Rooms

    Green tiles fill renovated São Paulo apartment by Casulo

    Green tilework in multiple rooms is contrasted with terracotta plaster at this São Paulo apartment, renovated for a couple by local studio Casulo.

    The 220-square-metre apartment was overhauled for friends of the designers, who made it clear that the space “should not have a minimalist atmosphere”.
    Renovations to the apartment included opening up the kitchen”Shortly after their wedding in early 2020, the couple bought an apartment at a closed-door auction, without knowing the actual status of the property,” Casulo partner Camila Abrahão told Dezeen. “On the first visit, we realised that the state of the apartment did not reflect its profile at all.”
    Therefore, the studio overhauled the interiors, keeping only the positions of the rooms and the wooden floor in the bedroom suite.
    Terracotta plaster was chosen to contrast the areas of greenThe most drastic improvements were made to the kitchen, which was previously subdivided into non-functional spaces including a small balcony with a barbecue.

    Casulo opened up the room to create a large space that integrates the grill, while a series of sliding, fluted glass panels were installed to close off the cooking area as desired.
    Furniture was sourced from various vintage stores in São PauloGreen tiles cover the floor, the sides of the central peninsula and the back wall. In contrast, a terracotta volume begins in the kitchen and wraps around to the entryway, concealing the powder room.
    “Almost all the references brought by [the client] had a green colour,” said Abrahão. “We brought the earth colour to balance and contrast it.”
    The green-tiled bar overlooks a view of the city’s skylineVarious shades of green are also used in the living area for the dining table, sofa and a tiled bar adjacent to the full-height windows that enjoy views of the skyline.
    Flooring in this social space was swapped for black slate, while the remaining walls and a masonry bench that connects to the enclosed balcony were painted white.

    Eight São Paulo apartment renovations that make the most of their Brazilian heritage

    Although re-lacquered, the dining table was the only piece of furniture retained from the original apartment, because it was too heavy and cumbersome to remove.
    “The furniture was almost entirely extracted from antique dealers in the city of São Paulo and we combined these pieces with some of the contemporary design,” Abrahão said.
    The wood floor in the bedroom was one of the only elements retained during the renovationStandout vintage finds included the midcentury Wave Bank bench by Jorge Zalszupin and a 1970s Italian coffee table with striped cylindrical legs.
    In the bedroom suite, the same tiles from the bar were applied to the walls and tub in the bathroom, where the black slate flooring and fluted glass panels are also repeated.
    The same green tiles used for the bar cover the walls and tub in the bathroomApartment living is extremely common in São Paulo, Brazil’s largest city, and renovations there often involve injecting colour and personality into the homes.
    Examples include an interior filled with peach, green and purple for a fashion editor, and another with burnt pink ceilings in the bedroom.
    The photography is by Joana França.

    Read more: More