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    Neri&Hu keeps time-worn details in Parisian restaurant Papi

    A huge cylindrical volume clad in white tiles sits amongst aged stone walls inside Papi, a restaurant in Paris designed by Neri&Hu.Papi can be found in the French capital’s ninth arrondissement, taking over the ground floor of a 19th-century Haussmann building.

    Top image: the exterior of Papi. Above: steel-framed windows can be pushed back to open up the restaurant to the street
    Rather than modernising the 52-square-metre site of the restaurant, Neri&Hu has instead tried to showcase the “layers of material heritage” that denote the building’s long and storied past.
    The Shanghai-based studio explained the building works had to be carried out “as carefully as an archaeological dig”.

    Neri & Hu stripped back the interior to expose old brick and limestone surfaces

    “Every single existing element was meticulously examined, and the challenge was in resisting the urge to fix every imperfection, to instead honour the imprint of time upon each surface,” added Neri&Hu.
    “Each fragment represents a different period in Paris’ history, forming a beautiful yet challenging existing canvas for [Neri&Hu] to intervene.”

    The dining area is enclosed within a cylindrical volume
    Wallcoverings and finishes that have built up over the years from previous occupants have been peeled back to reveal the building’s older brick or limestone surfaces.
    Aged stone moulding that borders the entrance door has also been exposed, and a slim cut-out has been made in the facade to reveal an existing steel lintel.
    Similar steel has been used to frame the expansive panels of glazing that front the restaurant. These can be slid back during the warmer months, diffusing the boundary between Papi’s diners and passersby on the street.

    Slim white tiles clad the inside and outside of the volume
    The most significant contemporary addition that Neri&Hu have made to the interior is a towering cylindrical volume that encompasses Papi’s eating area.
    Clad in narrow white tiles, the volume has been placed slightly off-centre so that it butts up against the right-hand side of the restaurant.

    Neri&Hu looked to “traditional courtyard house typology” for Tsingpu Yangzhou Retreat

    Inside are a handful of wooden dining tables and chairs. Guests can alternatively opt to sit on one of the bench seats that have been fitted in the birch plywood-lined openings running around the perimeter of the volume.

    The volume hugs against the restaurant’s right-hand wall
    Other than a couple of tube lights – specifically chosen by Neri&Hu to stand in “stark modern contrast” to the crumbling stone walls – decor in Papi has been kept to a minimum.
    A few mirrors have also been incorporated within the cylinder.
    “[The mirrors] create dynamic perspectives and voyeuristic moments between interior and exterior, but also invite guests within to cross gazes,” concluded the studio.

    Bench seats have been integrated into the volume’s openings
    Neri&Hu has been established since 2004. Other projects that the studio has completed this year include a cultural centre in Beijing that’s covered with aluminium louvres and a hotel in Taipei that takes design cues from the city’s urban landscape.
    Photography is by Simone Bossi.

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    Edition Office rearranges The Melburnian Apartment around oak wood volumes

    Towering, pale wood volumes hide the functional elements of this apartment in Melbourne, Australia which has been overhauled by local architecture studio Edition Office.The Melburnian Apartment – which is shortlisted in the apartment interior category of this year’s Dezeen Awards – is set within a residential building in the Southbank neighbourhood, overlooking the city’s arts precinct and royal botanical gardens.
    Prior to Edition Office’s intervention, it had featured several rectilinear rooms that were awkwardly crammed into the apartment’s crescent-shaped floor plan.

    The Melburnian Apartment is arranged around volumes made from oak wood

    The studio was asked by the young couple who own the apartment to create a less restrictive, easy-going layout that was more suited to their often unpredictable social lives.
    After knocking through a majority of the existing plaster-board partition walls, Edition Office decided to tuck away the functional elements of the home inside a trio of full-height storage volumes.

    A kitchen is hidden behind one of the volumes
    “The design response is inherently simple, refined and calming – which restores and creates freedom,” explained the studio.
    “Circulation drifts and flows around the formal partitioning elements, allowing for a space with no doors,” it added. “In this way, the clients move from sleep to morning coffee to home office to showering to washing to working to thinking in a continually evolving and smooth loop.”

    White oak wood lines the outside of the volumes. Photo is by Kim Bridgland of Edition Office
    Each of the rounded volumes are externally lined with oiled white oak wood, while the insides are clad with grey granite tiles – two materials that the studio thought would offset the apartment building’s “textural aloofness”.
    One of the volumes contains a kitchen, which has been minimally finished with handleless timber cupboards. The second volume has been in-built with a sofa upholstered in tan-brown leather and a small desk, which are meant to have the same feel as a study cubicle in a library.

    The inside of the volumes are clad with granite tiles
    The third and final volume has been made to curve around a freestanding desk to form a larger home office. Several steel shelves have been incorporated so that the inhabitants have a place to display their wide array of novels.
    An additional bathroom is also integrated into the back of this volume, which is almost entirely covered with slim white tiles. It also includes a marble-effect vanity cabinet.

    Another one of the volumes curves around a study with steel bookshelves. Photo is by Kim Bridgland of Edition Office
    Edition Office has carefully arranged the volumes to provide shade to living spaces, which were often flooded with sunlight from the floor-to-ceiling window that curves around the apartment’s front elevation.

    Black pavilion filled with glass yams examines colonisation in Australia

    “Their curved forms invite light and shadow to drift and smear around corners, and allow for a home that has too much natural daylight to provide the sanctuary of shadow and the textural delight that comes with it,” added the studio.
    The volumes also block sightlines to the master bedroom in the corner of the apartment, which is simply separated from the rest of the plan by a raw-linen curtain.

    This volume also includes a white-tile bathroom
    Edition Office was established in 2016 and is led by Kim Bridgland and Aaron Roberts. The studio was named as emerging architect of the year in the 2019 Dezeen Awards.
    In this year’s awards, its Melburnian Apartment will compete against projects such as La Nave by Nomos, a flat in Madrid that occupies an abandoned workshop, and Jaffa House 4 by Pitsou Kedem Architects, an apartment that’s set inside a 300-year-old brick building in Tel Aviv.
    Photography is by Ben Hosking unless stated otherwise.

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    About Time: Fashion and Duration exhibition at The Met celebrates 150 years of fashion

    Set designer Es Devlin has created two clock-like gallery spaces for the latest fashion exhibition at New York’s Metropolitan Museum of Art, which compares design over 150 years.The Met’s Costume Institute opens About Time: Fashion and Duration at the museum’s Fifth Avenue location on 29 October –  the original planned opening in May 2020 was postponed due to the coronavirus pandemic.
    Featured fashion dates back 150 years to 1870 to coincide with The Met’s 150th anniversary. Rather than presenting designs chronologically, the exhibition mixes up the timeline in order to compare the cyclical nature of fashion across the years.

    Above image: the all-bacl Clock One gallery space. Top image: the mirrored Clock Two gallery space

    “About Time: Fashion and Duration considers the ephemeral nature of fashion, employing flashbacks and fast-forwards to reveal how it can be both linear and cyclical,” said The Met director Max Hollein.
    “The result is a show that presents a nuanced continuum of fashion over the museum’s 150-year history.”
    Devlin, who has created stage sets for musicians The Weekend and Katy Perry, worked with The Met’s Design Department to create a time-travelling-themed exhibition.

    White markings or light divide galleries into 60 “minutes”
    It is located in two galleries in the museum’s Iris and B Gerald Cantor Exhibition Hall that are in a circular formation like a clock. Called Clock One and Clock Two, they have different material finishes. The former is nearly all black, and the latter is covered in mirrors.
    White markings on the floor or thin white lights punctuate both spaces, resembling the marks on a clock face.
    These marks split the galleries into 60 segments or “minutes”. Each minute showcases two garments – one that follows time chronologically and another from a different time period to showcase similarities or differences in form.

    One of the spaces is covered in mirrors
    Examples include an 1870s black silk faille princess-line dress paired with a 1990s Alexander McQueen skirt and a mid-1890s silk satin dress with puffed sleeves contrasted by 2004 Comme des Garçons ensemble.
    “Fashion is indelibly connected to time,” said Andrew Bolton, the Wendy Yu curator in charge of The Costume Institute.
    “It not only reflects and represents the spirit of the times, but it also changes and develops with the times, serving as an especially sensitive and accurate timepiece.”

    It is located in two galleries in the museum’s Iris and B Gerald Cantor Exhibition Hall
    There are 125 fashions in the exhibition with a number sourced from The Costume Insitute’s collection. It includes work from well-known contemporary and historic designers and brands like Virgil Abloh, Azzedine Alaïa, Jonathan Anderson, Iris van Herpen, Karl Lagerfeld and Vivienne Westwood.
    First announced last year, The Met’s About Time exhibition is based on French 20th-century philosopher Henri Bergson’s idea of time as la durée, or duration – something which can be measured through images but never perceived as a whole.

    The Met celebrates “resurgence of camp” in new exhibition Camp: Notes on Fashion

    The Met closed its main building on Fifth Avenue, as well as its Met Breuer and Met Cloisters locations, in early March in response to the emergence of outbreaks of coronavirus in New York City.
    In lieu of the spring opening, the museum created a virtual version of About Time: Fashion and Duration on Youtube.

    Garments include this spring/summer 2020 haute couture by Viktor + Rolf
    The annual Costume Institute Benefit, also known as the Met Gala, was due to take place in May 2020 to coincide with the original opening of the exhibition. It was also cancelled due to the pandemic.
    The Met’s Costume Institute organises a spring exhibition every year. Last year’s exhibition Camp: Notes on Fashion celebrated the “resurgence of camp”, while the 2018 showcase Heavenly Bodies was themed on religion.
    Others have included a retrospective of Comme des Garcons founder Rei Kawakubo, a study of handcraft and machine production and an exploration of China.

    About Time will run from 29 October 2020 to 7 February 2021. See Dezeen Events Guide for an up-to-date list of architecture and design events taking place around the world.

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    Connected virtual exhibition sees nine designers craft carbon-negative furniture from hardwoods

    Dezeen promotion: a range of carbon-negative furniture items created by designers including Ini Archibong and Thomas Heatherwick for London’s Design Museum can now be viewed as part of a permanent virtual exhibition.Jointly commissioned by the American Hardwood Export Council (AHEC), Benchmark Furniture and the Design Museum, the Connected exhibition tasked nine designers with creating a table and seating object for their own home offices.

    Top: Studiopepe’s geometric table and chair. Above: The Connected exhibition was on show at London’s Design Museum
    Designed for their personal use, each designer’s creation was made to suit their new ways of living and working from home as a result of the coronavirus pandemic.
    The exhibition aimed to explore how designers and craftspeople have adapted their working methods during lockdown.
    Designers were also invited to record video diaries documenting the process of creating their pieces, which have been compiled and made into a documentary.

    Ini Archibong’s design was informed by the rock formations of The Giant’s Causeway

    Participants included Archibong, who is based in Switzerland, London-based Heatherwick Studio, Jaime Hayon from Spain and Netherlands-based Sabine Marcelis.
    Other designers involved were Maria Bruun, Sebastian Herkner, Maria Jeglinska-Adamczewska, Studiopepe and Studio Swine.

    Ini Archibong designs rock-like furniture with its own drainage system

    While Archibong took cues from the undulating rock formations of Giant’s Causeway in Northern Ireland for his Kadamba Gate table and seating design, Heatherwick Studio created a modular desk with wooden planters for legs.
    The nine furniture pieces were displayed at London’s Design Museum from 11 September to 11 October. The show, which was digitally scanned by V21 Artspace, is now permanently available to view online as a virtual exhibition.

    Thomas Heatherwick designed a table with planters as legs for the Connected project
    Each design was made from a choice of three sustainable American hardwoods: red oak, maple or cherry. According to AHEC, the resulting collection of objects removed more carbon from the atmosphere than they generated.
    “When considered as a group, the Connected designs are better than carbon neutral,” said AHEC. “The total global warming potential (GWP) – often referred to as the ‘carbon footprint’ – of the nine Connected designs is minus 342 kilograms of CO2 equivalent.”

    Heatherwick Studio unveils modular desk with wooden planter legs

    “It takes a little over 10 seconds for the hardwood logs harvested to manufacture all the Connected designs to be replaced by new growth in the US forest,” it continued.
    “The full environmental Life Cycle Assessments on each of the nine projects prove that these pieces are environmentally sound, going beyond carbon neutrality and leaving a negative carbon footprint.”

    Sabine Marcelis designed a work-from-home cubicle with a bright yellow interior for the show
    Details on the exhibition can be found via the Design Museum website, while more information on the work AHEC does can be found on its webpage.

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    A-nrd looks to Mexico to craft interiors of Kol restaurant in London

    Yucatán, Oaxaca and Mexico City are some of the places that the founder of studio A-nrd visited in preparation of designing the interiors of Kol, a restaurant in central London. Kol is situated in the capital’s Marylebone neighbourhood. It’s headed up by notable chef Santiago Lastra, who has designed the menu of the two-storey restaurant
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    Old gymnasium transformed into lofty apartment in Amsterdam

    Wooden detailing and black-painted steel fill the lofty interiors of The Gymnasium apartment that Robbert De Goede has built within an old sports hall in the Netherlands.Located near the centre of Amsterdam, the adaptive reuse project was developed by local studio Robbert De Goede as an unconventional yet homely dwelling for a family of four.
    The Gymnasium is shortlisted for apartment interior of the year at the Dezeen Awards and was the winner of the Dezeen Awards 2020 public vote for the same category.

    The Gymnasium is built within an old sports hall

    “The objective was to design an intimate, liveable home,” said Robbert De Goede.
    “This resulted in a minimal, industrial approach towards the architecture and a very personal approach towards the finishes, which reflects the clients as well – the owner of a fashion brand and a paediatrician,” the studio explained.
    “They are a very down to earth family, which resulted in a very spacious and luxurious home, but definitely not a showroom for design props.”

    The apartment’s living spaces are at ground level
    The Gymnasium’s main living areas are contained on the ground floor, while a new mezzanine level inserted around the gymnasium’s perimeter hosts the bedrooms and bathrooms.
    A basement, which formed part of the original building, contains a gym and a sauna, alongside the dwelling’s technical equipment.

    Steel window frames have been added to complement the existing structure
    The basement was originally only 1.2 metres in height, so to ensure its usability, the studio raised its ceiling – creating a cosy, elevated living room above it at ground level.
    This living area is accessed by a bleacher-like staircase and is intended to offer the family a secluded, intimate seating area, reading space or home cinema.

    An elevated sitting area is positioned above an existing basement
    The only original element of The Gymansium that was retained was its existing steel structure, which was initially hidden behind a flat ceiling.
    This ceiling was removed as part of the construction process to create the apartment’s loft-like atmosphere and also introduce 10 skylights that maximise the light inside.

    Old Spanish workshop converted into tactile family home by Nomos

    To complement The Gymansium’s existing structure, Robbert De Goede designed the new mezzanine level with a matching black-painted steel structure.
    This is left exposed throughout, and paired with a black staircase and window frames.

    Wooden details and furnishings are used to warm the apartment
    Another key addition of the apartment is its new foundation, which features 18-metre-long piles that contain a heat-exchanging system to help heat and cool the dwelling.
    Teamed with 44 rooftop solar panels that provide electricity, this heat-exchanging system is designed to reduce the dwelling’s carbon footprint.

    A black-painted staircase leads up to a new mezzanine level
    The interior finishes of The Gymnasium are characterised by a combination of different wood finishes and tactile furnishings.
    According to Robbert De Goede, this was to warm its industrial structure and create a “building you can touch, maybe even smell sometimes”.

    The mezzanine level contains the bedrooms and bathrooms
    Among the wooden details are chunky central columns, the rough countertop made from larch in the kitchen and unfinished oak on the underside of the mezzanine level.
    The smooth stair railings, which are made from yellow cedar, are modelled on the work of Japanese sculptor Shimpei Arima who uses cedar to create tactile sculptures that offer comfort to users.
    Each space is complete with sculptural lighting by the likes of Delta Light, Bocci and Tom Dixon, alongside furnishings ranging from one-off vintage pieces to statement furniture by Stella Works, Flexform and Lucie Koldova.

    A bathroom on The Gymnasium’s mezzanine level
    The Gymnasium is one of five dwellings shortlisted for apartment interior of the year at the Dezeen Awards 2020. This includes the La Nave apartment in Madrid that Nomos built within a former print shop and Coffey Architects’ overhaul of a Grade II-listed school classroom.
    Other recent adaptive reuse projects on Dezeen include Richard Parr Associates’ self-designed studio in a 19th-century barn in the Cotswolds and an old nylon factory that was converted into “cathedral-like” office space by HofmanDujardin and Schipper Bosch.
    Photography is by Marcel van der Burg.

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    Lim + Lu bridges old and new inside Yung's Bistro in Hong Kong

    Multidisciplinary studio Lim + Lu has based the interior of Yung’s Bistro in Hong Kong on the rich history of its 78-year-old sister restaurant.Yung’s Bistro is an offshoot of esteemed Hong Kong restaurant, Yung Kee, which was founded by Kam Shui-fai as a modest outdoor food stall – known as a dai pai dong – before a brick-and-mortar restaurant was opened in 1942.
    Over the past 78 years the restaurant, which is still in operation, has become revered for its take on Cantonese cuisine and is particularly well known for its roast goose dish.

    Top image: the interior of Yung’s Bistro. Above: a communal table anchors the more casual dining section of the restaurant

    The newly launched Yung’s Bistro is presided over by Shui-fai’s granddaughter, who tasked local studio Lim + Lu with devising a contemporary interior scheme that honours the humble beginnings of its predecessor, Yung Kee.
    “For this project, the client’s brief is rather abstract; remembering their roots while paving the path for the future,” said the studio, which is led by Vincent Lim and Elaine Lu.
    “It was important that the design draws inspiration from the flagship restaurant and allows customers to recognize that this new restaurant is born of the same meticulous DNA towards food preparation and detail-oriented customer service.”

    The tiled drinks bar sits beneath a gridded brass framework
    A subtle mix of old and new has therefore been incorporated throughout Yung’s Bistro, which is loosely divided into two halves.
    The front half of the restaurant plays host to a more casual dining area. At its centre is a communal brass-edged dining table, included as a wink to Yung Kee’s early days as a food stall when customers would often have to share tables because of the scarcity of space in the surrounding alleyway.
    The table is surrounded by green-velvet chairs with slim brass legs, while a series of lantern-like pendant lights by Danish designer Lucie Kass dangle overhead.

    One wall is lined with patterned tiles with brushed-gold detailing
    A corrugated wall runs down one side of the casual dining area, serving as a backdrop to the drinks bar. The curved, C-shaped counter of the bar is clad with sea-green tiles, contrasting the pink stool seats that have been placed directly in front.
    Glassware and trailing plants are openly displayed in a gridded brass framework that’s been suspended from the ceiling. It’s meant to loosely resemble the bamboo scaffolding which is often used in the construction of Hong Kong’s skyscrapers.

    Lim + Lu transforms Hong Kong warehouse into home for two artists, four dogs and a cat

    The wall behind the restaurant’s cashier desk and merchandise shelves are lined with patterned green tiles with brushed-gold detailing, which were cast from tiles that were installed in Yung Kee in 1978.

    The formal dining section of Yung’s Bistro lies at the rear of the restaurantt
    A formal dining area lies in the rear half of Yung’s Bistro, which monochromatic flooring and circular dining tables that Lim + Lu says are more traditional to Chinese restaurants.
    Chefs can be seen bustling away at work in the kitchen through a sequence of brass windows that run down the side of the room.
    “This view of the kitchen is atypical of Chinese cuisine – however, when the kitchen prepares the goose that made its predecessor one of the most famous restaurants in town, it is a true attraction,” the studio explained.

    Screened windows peek through to the kitchen
    Each of the windows has been fitted with a slatted screen that can be drawn down if the chefs in the kitchen want more privacy.
    When drawn-up the screens almost create an awning over the dining tables, another nod to dai pai dong culture where unfurled awning typically symbolises that a food stall is open for business.
    “Yung’s Bistro serves as a quintessential bridge between old and new, a traditional cultural cuisine of Hong Kong meeting more western and contemporary values,” added the studio. “It is a lesson in respecting what has come before, but also the courage for innovation.”

    This side of the restaurant features monochromatic flooring and circular dining tables
    Lim + Lu was established in 2015. Other Hong Kong projects by the studio include the revamp of a fashion designer’s apartment, which was brightened up with pops of yellow, turquoise and coral-pink, and the transformation of an old warehouse into a home for two artists and their five pets.
    Photography is by Lit Ma of Common Studio.

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    Shortlist unveiled for AHEAD Europe 2020 hospitality awards

    Dezeen promotion: a guest villa in rural Mallorca and a log-clad hotel near the Arctic circle are some of the hospitality projects to be shortlisted in this year’s AHEAD Europe awards.The AHEAD Europe awards celebrate outstanding hospitality projects that have launched, opened or reopened across the continent between June 2019 and May of this year.

    Top image: The exterior of The Standard in London, which is on the awards shortlist. Above: one of The Standard’s colourful guest rooms
    Submissions were first arranged into 15 categories, which recognise everything from a project’s guest rooms to its lobby and public spaces.
    A shortlist was then put together by a judging panel made up of hotel industry experts. As well as assessing a project’s aesthetic appeal, they also consider factors like use of budget, how well it has met the client brief and whether it captures the “theatre of hotel life”.
    Among the panel this year is Signe Bindslev Heniksen, co-founder of studio Space Copenhagen, and Ana Ortega-Miranda, director of interior design for Marriott International.

    A freezing river surrounds Arctic Bath, another one of the projects on the awards shortlist

    One of the projects to have made it to the shortlist is The Standard in London, which occupies a brutalist building opposite one of the city’s major train stations, King’s Cross.
    Guest rooms and communal areas throughout the hotel are decked out with bold colours like cherry red and cobalt blue, playfully contrasting the hotel’s heavy concrete facade.
    Also on the shortlist is a log-clad spa hotel called Arctic Bath, which floats on the icy waters of a Swedish river just 50 kilometres south of the Arctic circle.

    La Maison d’Estournel in France has also made the shortlist
    Some of the projects on the shortlist are situated in much warmer climes.
    This includes La Maison d’Estournel, a centuries-old boutique hotel in France that’s set amongst a 12-acre vineyard, and Casa Palerm, a guest villa in Mallorca that has cinematic views of the Spanish countryside.

    Casa Palerm in rural Mallorca is also competing for an award
    Due to the ongoing coronavirus pandemic, the last round of judging was executed over a series of video calls between 14 and 15 October.
    Winners will be announced on 16 November via a digital ceremony that will be broadcast on both AHEAD and Dezeen’s websites.
    See the full shortlist below:
    Bar, Club or Lounge
    40 Elephants at Great Scotland Yard Hotel, London, EnglandDouble Standard at The Standard, London, EnglandSibin at Great Scotland Yard Hotel, London, EnglandThe Lobby Bar at One Aldwych, London, EnglandThe Malt Lounge at The Prince Akatoki, London, England
    Guestrooms
    Apfelhotel, Saltusio, ItalyBirch, Cheshunt, EnglandBoho Club, Marbella, SpainDomes Zeen Chania, GreeceHotel Arlberg Lech, Austria
    Hotel Conversion
    AMERON Frankfurt Neckarvillen Boutique, GermanyCasa Popeea, Brăila, RomaniaGreat Scotland Yard Hotel, London, EnglandStock Exchange Hotel, Manchester, EnglandThe Standard, London, England
    Hotel Newbuild
    Dakota Manchester, EnglandHart Shoreditch Hotel, London, EnglandLindley Lindenberg, Frankfurt, GermanyMarket Street Hotel, Edinburgh, Scotlandnhow Amsterdam RAI, The Netherlands
    Hotel Restoration & Renovation
    Boho Club, Marbella, SpainChâteau de Vignée, Villers-sur-Lesse, BelgiumLa Maison d’Estournel, Saint-Estèphe, FranceTreehouse Hotel London, EnglandVilla Arnica, Lana, Italy
    Landscaping & Outdoor Spaces
    Apfelhotel, Saltusio, ItalyArua Private Spa Villas, Merano, ItalyDomes Zeen Chania, GreeceEkies All Senses Resort, Vourvourou, GreeceThe Newt in Somerset, England
    Lobby & Public Spaces
    Cretan Malia Park, Crete, GreeceLocke at Broken Wharf, London, EnglandParīlio, Naousa, GreeceRooms Hotel Kokhta, Bakuriani, GeorgiaThe Lobby Lounge at The Standard, London, England
    Lodges, Cabins & Tented Camps
    57 Nord, Ardelve, ScotlandArctic Bath, Harads, SwedenCamp Hox, Oxfordshire, EnglandCasa Palerm, MallorcaTreehouses at Ramside Hall Hotel, Durham, England
    Resort
    Cretan Malia Park, Crete, GreeceDomes Zeen Chania, GreeceLefay Resort and Spa, Dolomites, ItalyParīlio, Naousa, GreeceQuinta da Comporta, Portugal
    Restaurant
    Decimo at The Standard, London, EnglandHélène Darroze at The Connaught, London, EnglandHelios at Four Seasons Astir Palace Hotel Athens, GreeceMemories Sven Wassmer at Grand Resort Bad Ragaz, SwitzerlandMouries at Cretan Malia Park, Crete, Greece
    Spa & Wellness
    Apfelhotel, Saltusio, ItalyArctic Bath, Harads, SwedenHotel Arlberg Lech, AustriaLefay Resort and Spa, Dolomites, ItalyThe Newt in Somerset, England
    Suite
    Arua Private Spa Villas, Merano, ItalyEkies All Senses Resort, Vourvourou, GreeceLincoln House at Rosewood London, EnglandNobel Suite at Grand Hotel Oslo, NorwayNobu Hotel Barcelona, Spain
    Visual Identity
    Birch, Cheshunt, EnglandBoho Club, Marbella, SpainChâteau de Vignée, Villers-sur-Lesse, BelgiumHotel Arlberg Lech, AustriaVilla Arnica, Lana, Italy

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