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    Ten bathroom design ideas from Dezeen

    Designing your dream bathroom? From tips for tiles to suggestions for sinks and baths, here are 10 bathroom design ideas taken from Dezeen’s archive of lookbooks.

    Since 2020, Dezeen has published more than 300 lookbooks providing visual inspiration for all kinds of interiors based on the stories we publish.
    Below, we organise 10 recent lookbooks into a useful guide that captures several of the key contemporary trends in bathroom design.
    This is the latest in our lookbooks series, which provides visual inspiration from Dezeen’s archive. For more inspiration, see previous lookbooks featuring stylish hallways, green-toned bathrooms and interiors decorated with zellige tiles.
    Photo by Jack LovelGo big on colour and patterns

    Who says bathrooms need to be boring? Add some maximalist fun by pairing bold colours with striking patterned surfaces.
    Included in our lookbook of bathrooms that combine colours and patterns are examples that use ceramic tiles, wallpaper, marble and paint to striking effect.
    Pictured is City Beach Residence in Perth, where Design Theory contrasted mosaic tiles in the bathtub with mint green on the walls.
    See more bathrooms that combine colour and patterns ›
    Photo by Tim Van de VeldeKeep it minimal(ist)
    If maximalism isn’t for you, a more minimalist approach can make the bathroom a serene affair.
    Our lookbook of minimalist bathrooms collects examples where an absence of clutter is combined with tactile, organic materials to create a tranquil space for cleansing.
    The project pictured is Karper, an apartment in Brussels designed by Belgian studio Hé.
    See more minimalist bathrooms ›
    Photo by Zac and ZacSelect subway tiles
    Using subway tiles is a bathroom design idea that can be applied to almost any project.
    These rectangular ceramics first appeared in New York City’s earliest subway station shortly after the turn of the 20th century and have since become an interior design staple thanks to their timelessness and affordability.
    Our lookbook of bathrooms lined with metro and subway tiles showcases their versatility and surprising variety. Pictured is a Georgian townhouse in Edinburgh renovated by Luke and Joanne McClelland.
    See more bathrooms with subway tiles ›
    Photo courtesy of Note Design StudioLine it in marble…
    If you’re keen to give your bathroom a luxurious feel, marble is hard to beat.
    A range of marbles feature in our lookbook of marble bathrooms, as well as similar natural stones such as travertine and quartzite.
    Shown above is Note Design Studio’s Habitat 100 apartment in Stockholm.
    See more marble bathrooms ›
    Photo by Givlio Aristide…or concrete…
    Brutalism fans may prefer the brooding, rugged aesthetic of concrete in the bathroom.
    Our lookbook of concrete bathrooms collects examples that use the material to differing degrees, from wall-to-wall coverage to concrete bathtubs and showers.
    Pictured is the bathroom of Cloister House in Australia by MORQ, where thick rammed-concrete walls were left exposed.
    See more concrete bathrooms ›
    Photo by Stephen Kent Johnson…or timber!
    For a warmer, more welcoming feel in the bathroom, look no further than timber cladding.
    Ten sauna-like spaces are collected in our lookbook of timber-clad bathrooms, using woods such as cypress, spruce and cork.
    Shown above is Japan’s first Ace Hotel in Kyoto, designed by Kengo Kuma and Los Angeles design studio Commune.
    See more timber-clad bathrooms ›
    Photo by Megan TaylorFit two sinks
    If you have space to play with, a double sink is a fail-safe way to elevate the bathroom.
    As our lookbook on bathrooms with double sinks shows, it’s also a good way to introduce a unique focal point.
    A textbook example can be found in the bathroom of the London apartment designed by 2LG Studio, shown above.
    See more bathrooms with double sinks ›
    Photo by Andrey AvdeenkoAdd a sunken bath
    For those with less room to work with, sunken baths can help to save space while lending a spa-like atmosphere.
    Our lookbook of bathrooms with sunken baths collects examples in a wide range of settings.
    Pictured is a Japanese-influenced apartment in Kyiv designed by Sergey Makhno.
    See more bathrooms with sunken baths ›
    Photo by Benoit LineroOpt for statement sanitary ware
    Bathroom design doesn’t have to be all about surfaces. Installing a bright sink or toilet can instantly add a splash of fun.
    Pink, green, black and blue all feature in our lookbook of bathrooms with colourful sanitary ware.
    The image above shows a bathroom in Les Deux Gares, a Parisian hotel designed by Luke Edward Hall.
    See more bathrooms with colourful sanitary ware ›
    Photo by Hey! CheeseWhat’s wrong with white?
    White is the classic choice for the bathroom – but with a little imagination, yours can still stand out from the crowd.
    Our lookbook of white bathrooms shows how tiles, texture and plants can be used to ensure that simplicity doesn’t equal sterility.
    Pictured is Phoebe Sayswow Architects’ XS House in Taiwan.
    See more white bathrooms ›
    Dezeen’s lookbooks series provides visual inspiration from our archive. For more inspiration, see previous lookbooks featuring stylish hallways, green-toned bathrooms and interiors decorated with zellige tiles. Or, check out our kitchen design ideas.

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    Dawid Konieczny designs Warsaw apartment to have “the ease of a good hotel room”

    Polish architect Dawid Konieczny has added mid-century modern elements to this Warsaw studio apartment, conceived to echo the compact size and sophistication of a hotel room.

    Set within an early 20th-century building clad in terracotta bricks, the apartment’s petite perimeter formed the basis for its interior design.
    Dawid Konieczny designed the apartment to mimic a hotel room”We’re talking about 30 square metres, so it’s kind of the size of a hotel room,” Konieczny told Dezeen.
    “I wanted to combine the ease of a good hotel room with the idea of a chic mid-century modern apartment.”
    The hallway features oak-panelled wallsThe hallway features sinuous walls covered in smooth oak panels, concealing subtle storage compartments that make the most of the apartment’s high ceilings.

    This entrance gives way to a single room that holds both private and public spaces and maintains the building’s original herringbone flooring.
    Veiny quartzite was applied to the kitchen countertopA boxy, stained oak and steel shelving cabinet separates the low-slung double bed from the dining area, where a bespoke rounded table is surrounded by a set of vintage Casala cantilever chairs upholstered in pinstriped fabric.
    “I hoped to express the soul of the 1970s,” explained Konieczny, who also placed a small abstract painting by Polish artist Tomek Opaliński above the dining table.
    Konieczny selected vintage cantilever chairs for the dining spaceOn the other side of the room is an open-plan kitchen with a caramel-hued countertop finished in veiny Palomino quartzite, illuminated by antique mid-century sconces Konieczny sourced specifically for the project.
    A sleek oven is tucked into one of the oak-panelled, space-saving walls.
    Pistachio-coloured tiles line the bathroomOpposite the bed, a pair of dusty mauve armchairs frame a squat coffee table, forming a small living space.
    “Thanks to quality materials and vintage furniture selections, the apartment has a timeless character,” said Konieczny.

    K916 and K907 are a pair of pared-back holiday apartments in Warsaw

    Pistachio-coloured tiles line the bathroom, which is separate from the main space. Monochrome, basketweave flooring was chosen to complement the room’s retro standalone sink and built-in bathtub.
    “The idea was to create a warm and comfortable feeling for the apartment but with a classy vibe,” added the architect, who designed the home for a duo of Paris-based fashion photographers seeking a “cosy shelter in Warsaw” in between frequent travel.
    The apartment was designed for a pair of fashion photographersElsewhere in the Polish capital, interiors studio Mistovia incorporated walnut burl and terrazzo accents to another apartment while Noke Architects created a two-tone interior for an Italian bar.
    The photography is by Oni Studio.

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    Design Centre, Chelsea Harbour reveals Wow!house 2024 in exclusive Dezeen video

    Design Centre, Chelsea Harbour is hosting the third edition of Wow!house, a purpose-built showhome in London exhibiting works by international designers, as seen in this video produced by Dezeen for the interiors hub.

    Designers were invited to showcase their designs in separate rooms of the house over which they are given complete creative control.
    Wow!house 2024 is held at Design Centre, Chelsea Harbour and features 19 rooms by international designersThere are 19 custom rooms in total at Wow!house, including a study by Anahita Rigby and a Zimmer + Rohde bedroom by Tolu Adẹ̀kọ́.
    “It’s about accessing all of these creatives under one roof,” says Claire German, CEO of Design Centre, Chelsea Harbour in the exclusive Dezeen video interview.
    The Home Bar was created by OZA Design and draws inspiration from Western and Eastern culturesThe Home Bar was designed by OZA Design with the aim of bringing together Western and Eastern cultures.

    “We wanted the guests to come on a journey… like on the Orient Express,” said OZA Design’s Alexandre Simeray.
    The Zimmer + Rohde Bedroom Suite was designed by Adẹ̀kọ́ & Co. Studio.
    “We want it to take guests away from what would be the normal, expected bedroom and create something quite… unusual,” said the studio’s founder Tolu Adẹ̀kọ́.
    The Zimmer + Rohde Bedroom Suite was created by London-based designer Tolu Adẹ̀kọ́”Exhibiting at Wow!House means a great deal to me personally,” he went on to explain.
    “Being the first British-Nigerian designer selected to work on the space and to show the public what could be done from a small studio based in southeast London.”
    The House of Rohl Primary Bathroom features a painted landscape above a circular bath tubA large circular bath takes centre stage in the House of Rohl Primary Bathroom by Michaelis Boyd, which sits within an alcove with a painted dome on top.
    The Study was designed by Anahita Rigby and fuses Georgian and Japanese design principles.
    The Study at Wow!house features Georgian and Japanese aestheticsRigby mentioned that she was inspired by the objects people bring home from their travels abroad.
    “Falling in love with something on holiday and bringing it home and it’s your new favourite thing you put on your mantelpiece… it’s what interiors are all about,” said Rigby.
    German cites the “incredible” level of detail in each room, noting that the importance of the ceiling continued as a theme throughout the home. “The designers have used it as the fifth wall,” she explained.

    Design Centre, Chelsea Harbour to host WOW!house 2024

    Design Centre, Chelsea Harbour has stated that the materials used throughout the home will be repurposed, or returned whenever possible, while rooms such as the Martin Moore kitchen will be re-installed in a new location after the event.
    There will be a programme of events, including tours of WOW!house, open to the public until 4 July 2024.
    WOW!house runs from 4 June to 4 July 2024 at Design Centre, Chelsea Harbour in London. See Dezeen Events Guide for an up-to-date list of architecture and design events taking place around the world.
    Partnership content
    This video was produced by Dezeen for the Design Centre, Chelsea Harbour as part of a partnership. Find out more about Dezeen’s partnership content here.

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    Objective Studies drops first equitable design collection with A Calm Place exhibition

    A tranquil exhibition during 3 Days of Design showcased the launch collection for Objective Studies, a digital platform that shares its profits with designers and makers.

    A Calm Place featured furniture and homeware from 10 designers and studios, all now being marketed and sold directly from Objective Studies.
    Objective Studies launched with an exhibition at RefugioThe objects were presented in a scenography inspired by Korshagehus, a thatched, modernist summerhouse in Odsherred, Denmark, built by architect Erik Korshagen in 1960.
    The exhibition was staged at Refugio, a co-working studio in Copenhagen’s Østerbro neighbourhood.
    The inaugural collection includes furniture pieces by Mario Martinez and Ted SynnottDesigner Matteo Fogale and e-commerce expert Lijana Norkaityte co-founded Objective Studies with a vision to bring greater equity to the design industry.

    “We are building a business model where we will share equal profits with designers and makers,” they told Dezeen.
    “We joined the industry with the belief that we can put designers and makers at the forefront, and shed light on the quality and hours needed to create unique objects that will stand the test of time.”
    Exhibition curators Sébastien El Idrissi and Sara De Campos also contributed piecesObjective Studies will launch products in limited editions, with product drops rather than seasonal collections.
    “Drops will appear when we have something valuable to show, not simply for the sake of launching or to keep adding items to an infinite collection,” said the founders.

    NoDe exhibition presents 28 emerging designers from the Nordics

    “We want to discourage unnecessary production, keeping quantities limited and made-to-order to encourage conscious consumption.”
    The first drop of 20 objects includes the pine-wood Korshage bench by Spanish designer Sina Sohrab, the Unité daybed by CPRV and the characterful Salas chair by Copenhagen-based Mario Martinez.
    Juhl & Lange designed the woven baskets, while the Korshage bench is by Sina SohrabAmong the lighting works is Arète, a vertical pendant made from sailcloth designed by Asca Studio, while pieces by New Zealand-based Ted Synnott include the aluminium Terra stool.
    Accessories also feature, with woven baskets and dustpan and brush sets by Danish studio Juhl & Lange.
    Sébastien El Idrissi designed the Stack plantersThe exhibition was curated by designers Sara De Campos and Sébastien El Idrissi with the aim of promoting slow living, inspired by Danish culture and in line with the ethos behind Objective Studies.
    The curators also have works in the collection; designs by De Campos include a hand-woven wool rug and an aluminium tray, while El Idrissi’s pieces include the Claro salt and pepper grinders.
    Juhl & Lange’s works also include dustpan and brush setsFogale and Norkaityte hope the launch of Objective Studies will bring greater transparency to the process and costs involved in designing and producing furniture, and how profit is distributed.
    “We want to challenge how design and craft products are marketed, and how designers are compensated for their work,” the pair said.
    “We want people to know why certain items cost what they do,” they continued.
    The scenography took cues from modernist summerhouse Korshagehus”We are well aware that not everyone can purchase a piece of furniture for over €1,000 but we hope we can expose the value that comes with each design object, from the materials chosen to the hours that it took to make them.”
    “We live with these objects, we use them every day and if we choose well, we can pass them on to generations to come.”
    A Calm Place was on show at Refugio in Copenhagen from 12 to 14 June as part of 3 Days of Design. See Dezeen Events Guide for more architecture and design events around the world.
    The photography is by the curators.

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    Natural Material Studio crafts entire home interior from bioplastic

    As part of 3 Days of Design, Danish practice Natural Material Studio has created a futuristic fossil-free home interior where all the elements, from the curtains to the sofa, are made from the same bioplastic.

    White Utopia is Natural Material Studio’s most ambitious installation to date, adapting the studio’s Procel bioplastic to form massive functioning furniture pieces across three separate rooms – a dining room, a lounge and a bedroom with a walk-in wardrobe.
    The White Utopia installation includes a lounge (top image) and dining room (above)The exhibition envisions a future where our homes are made entirely using biomaterials like this, which can be endlessly remade into new products and backyard composted at the end of their life, rather than ending up in landfill.
    “The installation has for sure been the most challenging to date due to the complexity in scale and the three-dimensionality of the whole ‘house’,” studio founder Bonnie Hvillum told Dezeen. “You can really start to see how we can live with these new materials.”
    Every element down to the lampshades is made from Procel bioplasticNatural Material Studio initially developed Procel as a flexible biotextile, used to form everything from clothes to curtains. But recently, the studio started experimenting with adapting its recipe to create whole load-bearing furniture pieces.

    The core ingredient is a specific – although nondisclosed – natural protein, which Hvillum says can be derived from either plants or animals.
    Among the larger pieces is a monobloc biofoam sofa”It’s very much used in the medical industry, also in bookbinding,” said the designer, who sources her protein from different suppliers across Europe.
    “It’s used in many different places,” she added. “But when I called them and said ‘can you figure out a way of supplying this to me’, they were like ‘okay, we’ve never had this question before’.”
    The installation also features a bedroom with a walk-in wardrobeTo create Procel, this natural protein is mixed with a small amount of chalk for strength and a natural softener made from plant oils for flexibility.
    Combined in different rations and cast into different moulds, this mixture was used to create not just the textile room dividers found in White Utopia but an entire bio-foam sofa for the living room, stools for the dining area and a giant platform bed that visitors were encouraged to sit on.

    Natural Material Studio creates restaurant panels from leftover beer

    By taking out the softener, Natural Material Studio was also able to create more rigid pieces, including a dining table that was originally cast as a simple rectangle but deformed into a more organic shape as it dried.
    “The presented design objects are really pushing the possibilities of these materials,” Hvillum said. “Opening the door to making them structural is a completely new route for us.”
    “I think it holds so much potential, creating materials that resemble polystyrene and vacuum-formed plastics.”
    Visitors were encouraged to sit on the bioplastic bedFurnituremakers including Isomi and Natuzzi have already started experimenting with using natural latex as an alternative to traditional polyurethane upholstery foam, as the plastic is hard to recycle and contains toxic chemicals.
    Hvillum argues that Procel could offer another promising alternative, as it can be endlessly recast to form new products or simply buried outside in the garden, where it will degrade within a month.
    “We are basically investigating fluidity,” Hvillum said. “So everything is in motion and things can move on to have another life. ”
    “This is how we envision the future to be.”
    Procel biotextiles were also used to form wall coveringsProcel has already made it out into the real world with clients including Calvin Klein and Copenhagen restaurant ÅBEN.
    A collaboration with a Spanish luxury fashion house is also in the works, despite the brand being weary of using animal-derived protein.
    However, Hvillum argues that animal polymers can actually be more sustainable than their vegan counterpart because they are made from waste residues from the meat industry.
    The dining table deformed as it dried”When we work with animal-based materials, we can actually tap into a waste flow so we work with second-generation materials,” she explained. “Whereas when we work with plant materials, we work with virgin materials.”
    “Sustainability is a lot more complex than just: is it animal or is it vegan,” she added. “It’s more about: what sources can we reuse from so that we keep things in a circular loop.”
    The photography is by Peter Vinther.
    White Utopia was part of 3 Days of Design, which took place at venues across Copenhagen from 12 to 14 June. See Dezeen Events Guide for more architecture and design events around the world.

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    Signe Hytte designs home of a poet for Enter the Salon show

    Danish designer Signe Hytte had Oscar Wilde in mind when designing this home for a fictional poet, presented during 3 Days of Design in Copenhagen.

    Enter the Salon was an exhibition of furniture and homeware products from seven different brands, styled to feel more like a lived-in interior than a show space.
    Enter the Salon took cues from the salons of the 19th centuryThe project was initiated by The Conary, a private members’ club for senior executives with C-suite roles. The club gave Hytte free rein to transform its rooms during the design festival.
    Hytte, who was previously head of design for &Tradition, decided to create a modern reinterpretation of the 19th-century salon, a place where artists, musicians, writers and thinkers would come together to share ideas.
    Rooms featured furniture and objects from seven different brands”I wanted to create a narrative,” Hytte told Dezeen during the tour.

    She said she aimed to create an interior that didn’t feel branded, so guests could imagine real-life scenes unfolding. This led her to think about the house being home to a poet.
    “My vision was to do away with the classic fair stand and tell a story instead, one where every guest can explore multiple layers and find their own to be inspired by,” she said.
    Rooms include a study designed for a writerThe exhibition spread across two floors, with furniture by Japanese brand Karimoku Case, lighting by Japanese company Ambientec and beds from Sweden-based Carpe Diem Beds.
    Portuguese homeware brand Origin Made, American design office Ladies & Gentlemen Studio, Danish textile company Silkeborg Uldspinderi and Danish box-making company August Sandgren completed the line-up.
    Wall tapestries from Ladies & Gentlemen Studio hung in various roomsThe most striking space is the study, where shelves filled with assorted objects provide a backdrop to a bureau.
    This desk was also laden with objects, including piles of paper, a leather pencil pot and bound letters, while a large paper pendant lamp hung overhead.
    “I wanted to push the brands out of their comfort zone,” said Hytte. “You can imagine this as the study of a writer.”
    A bag sits next to a sofa in the ground-floor reception roomUpon arriving, the first room visitors encountered was a large reception space that flowed into a dining area.
    The mood here was defined by a Japanese-style skylight, which created a soft-lit atmosphere.

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    Upstairs, the study formed part of a private suite including a small living room and a bedroom.
    The upper floor also included a double-height atrium that Hytte styled as a courtyard patio.
    A Japanese-style skylight offered a soft atmosphere in the dining roomThe colour and material palette was highly muted, with most objects and surfaces displaying shades of cream, brown, taupe and soft green, but each room had a distinct mood.
    Traces of life could be found throughout but were very subtle. A pair of glasses appeared to have been left in the first-floor sitting room, while a handbag sat next to one of the sofas in the ground-floor lounge.

    In the bedroom, details included a wall tapestry by Ladies & Gentlemen Studio resembling a hanging kimono.
    To enhance the salon feel, a soundtrack created a sense of someone playing the piano elsewhere in the house, while Oscar Wilde quotes can be found on some of the walls.
    Danish brand Kvadrat supplied textiles for curtains, bringing an element of softness. The effect is most pronounced in the atrium, where white curtains surround the entire space.
    An atrium became a courtyard patio for eventsThis space served as a venue for events throughout 3 Days of Design, including a drinks reception co-hosted by Dezeen and a panel discussion chaired by editorial director Max Fraser.
    Other installations at 3 Days of Design include an exhibition by furniture brand Federicia that shows adaptations of iconic mid-century furniture classics and sculptural wood furniture created by Faye Toogood in Danish design studio Frama.
    Enter the Salon took place from 12 to 14 June as part of 3 Days of Design. See Dezeen Events Guide for more architecture and design events around the world.
    The photography is by Sofie Staunsager and Jonas Bjerre-Poulsen.

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    Jens Quistgaard Around The Table celebrates legacy of “world-famous unknown Dane”

    An exhibition during 3 Days of Design showcased the vast archive of Jens Quistgaard, who is one of Denmark’s most successful designers, despite being relatively unknown.

    Quistgaard, who passed away in 2008, was responsible for bringing Scandinavian design to homes across America.
    As chief designer for US-based homeware manufacturer and retailer Dansk Designs for three decades, he designed more than 4,000 objects, many distributed to hundreds of stores nationwide.
    Jens Quistgaard Around The Table showcased furniture and tableware by the late Danish designerQuistgaard’s name is nowhere near as well known as the products he designed, so his contribution to Danish design history is largely unrecognised.
    With Jens Quistgaard Around The Table, archive consultancy Form Portfolios hoped to promote a wider appreciation of this “world-famous unknown Dane”.

    The exhibition was on show at Form Portfolios’ Copenhagen office for 3 Days of Design.
    A dining table showcased many of the products Quistgaard developed for Dansk Designs”With his 30-year collaboration with Dansk, Quistgaard was the design genius behind the scenes of that seminal brand,” said Mark Masiello, CEO and founder of Form Portfolios.
    “He was more committed to bringing Scandinavian modern design into American homes than building his own design legacy,” he told Dezeen.
    Quistgaard’s series of sculptural peppermills was displayed on the wallQuistgaard was recruited in 1954 by Dansk Designs founders Martha and Ted Nierenberg, who were impressed by a cutlery set that the designer had previously developed.
    Many of the designs that Quistgaard produced for the brand were tableware and kitchenware, which is why Form Portfolios made a dining table the focal point of its exhibition.
    The designer developed more than 4,000 objects in his 30 years at Dansk DesignsThe table provided display space for dozens and dozens of Quistgaard-designed objects, including plates, cutlery, candleholders, glasses, cooking pots, jugs and more.
    Behind the table, rows of shelves accommodated a series of sculptural peppermills.

    Crafting the Present reveals manufacturing techniques behind mid-century furniture classics

    As the designs for which Quistgaard is most likely to be remembered, these turned-wood peppermills recall the shapes of familiar objects, from chess pieces to pieces of fruit.
    “The peppermill designs clearly show the love of sculpture that flows through Quistgaard’s work,” said Masiello.
    The exhibition was on show for 3 Days of Design”His daughter, Henriette Quistgaard, said he hoped the peppermills on their own could be the beginnings of great dinner conversations,” he stated.
    The exhibition also featured larger objects, including a handful of furniture designs. Masiello pointed to the Stokke Armchair (1965) and the Sculptors Chair (2004) as being particularly noteworthy.
    The Sculptors Chair was among the furniture works on display”I find his creative range so inspiring,” Masiello said. “Working with different materials and object types, he was always pushing his design practice to new frontiers.”
    “He is more well known for the kitchen objects, but he was always exploring other designs too, including chairs, stools and tables,” he continued.
    Many of the objects were sourced from Quistgaard’s former homeThe show was curated in collaboration with Stig Guldberg, author of the monograph Jens Quistgaard: The Sculpting Designer, which was published by Phaidon in 2023.
    Many of the exhibits were sourced from the home where the designer spent his final years, a farmhouse on the outskirts of Copenhagen where Henriette Quistgaard still lives today.
    Original sketches featured alongside the objects”My father was a visionary of design, bridging the old world of craftsmanship into the new world of manufacturing,” Henriette said.
    “It is thrilling to see the full body of his life’s work being shown.”
    Jens Quistgaard Around the Table was on show from 12 to 14 June as part of 3 Days of Design. See Dezeen Events Guide for more architecture and design events around the world.
    The photography is by Sofie Hvitved.

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