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    Luke McClelland uses stone and oak to overhaul Georgian apartment in Edinburgh

    A select few materials appear throughout this apartment in Edinburgh, which architect Luke McClelland has revamped to let its historic features take centre stage.

    The two-floor apartment is located in Edinburgh’s New Town, set within a Grade I-listed building that dates back to the 19th century.
    Luke McClelland has renovated a Georgian apartment in EdinburghSuccessive years of modifications meant that the home’s grand Georgian proportions and historic details had all but disappeared.
    Local architect Luke McClelland was tasked with sensitively stripping back the interior to reveal its original charm.
    A kitchen suite was added into the home’s dining room”The muted interior is intended to compliment, rather than detract from, the existing building,” he explained. “A simple material palette was agreed with the client: Ceppo Di Gre stone and oak.”

    He started by incorporating the kitchen into the apartment’s generously sized dining room. A bespoke oak wood counter crafted by local joinery studio Archispek now centres the space.
    A new doorway grants access to a utility room, which occupies the old kitchenOne end of the counter serves as a dining table, while the other end has a stove that’s set into a slab of Ceppo Di Gre stone.
    The same stone was used to build the work surface that runs above a series of low-lying oak cupboards at the rear of the room.

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    The former kitchen has been transformed into a utility room where appliances and other household items can be stored, a move that McClelland says will allow the new kitchen to “maintain its clean, sculptural lines”.
    More storage is provided by arched nooks punctuating either side of the opening that looks through to the living area.
    Plump blue Togo sofas by French brand Ligne Roset and expansive abstract paintings by Edinburgh-based artist Arran Rahimian were added to the space to soften the appearance of its stark white walls.
    Arched nooks offer extra storageThe home used to have carpet and vinyl flooring. But this was peeled back to reveal the original pinewood boards, which were carefully sanded and oiled to bring back the brilliance of their grain.
    One exception is the hallway, where porcelain tiles were uplifted to expose flagstones underneath, while the original staircase was repaired and restored.
    Abstract art and deep-blue sofas decorate the living areaThe project also saw McClelland merge two small storerooms to form a bathroom, complete with Ceppo Di Gre wall panelling.
    A new doorway was created between the kitchen and the utility area. Any other major structural changes were avoided so that the building could uphold its listed status.
    A new bathroom was created in the home’s flagstone-lined hallwayThis isn’t the first home that Luke McClelland has completed in Edinburgh. In 2022, he updated a Georgian apartment in the city’s port district of Leith, reconfiguring its convoluted layout to allow in more natural light.
    A few years earlier, he also revamped his own home in the Comely Bank neighbourhood to feature a series of modern, airy living spaces.
    The photography is by ZAC and ZAC.
    Project credits:
    Designer: Luke McClelland DesignConstruction: Pawlowski ConstructionsKitchen fabrication: ArchispekLiving room artwork: Arran Rahimian

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    Airbnb creates rentals based on famous places and movies for guests

    Rental platform Airbnb has announced the addition of its Icons program, a category that provides a range of international experiences including a stay in the house from Pixar’s Up and an overnight in the Musee D’ Orsay in Paris.

    The first 11 Icons experiences include recreations of houses from popular culture, such as the floating house from Pixar’s film Up, and visits with celebrities, such as a night out with comic Kevin Hart.
    Airbnb has created 11 “extraordinary” experiences for its new Icons category. This photo and top photo by Ryan LowryOf the 11 Icons, house rentals include a full-scale model of the house from Pixar’s Up, which is suspended by a crane during a breakfast picnic, to a stay in the clock tower of Paris’s Musee D’ Orsay, which was transformed into a bedrom by French designer Mathieu Lehanneur and will be available for the opening of the upcoming summer Olympics.
    The experiences will be awarded to guests through a selection process, with approximately eight additional Icon experiences being rolled out throughout the year to join the first batch. Each Icon is free or under $100 (£80).
    The category includes recreations of houses from popular culture and experiences with celebrities. Photo by Ryan Lowry”Icons take you inside worlds that only existed in your imagination – until now,” said Airbnb co-founder Brian Chesky. “As life becomes increasingly digital, we’re focused on bringing more magic into the real world. With Icons, we’ve created the most extraordinary experiences on Earth.”

    The launch follows the platform’s release of recreations of Barbie’s Malibu Dreamhouse and Shrek’s swampland cottage, as well as previous overnight experiences in an Ikea showroom and the last remaining Blockbuster.
    Rentals include an overnight stay at the Musée d’Orsay in Paris. Photo by Frederik Vercruysse”These experiences captured people’s imagination and they allowed people to step into someone else’s world,” said Chesky. “And at its best, this is what Airbnb does. And what it’s always been about.”
    To create the spaces, the brand employed a variety of strategies. In the case of the Up house, it was built from scratch, while other properties were renovated or outfitted with a particular theme such as the X-Mansion from the X-Men movie series or Prince’s Purple Rain house.
    The rental was designed by Mathieu Lehanneur and will be available during the opening of the summer Olympic Games. Photo by Frederik Vercruysse”The Up house is one of the most iconic homes in any film ever,” said Chesky. “You’re gonna be able to stay in Carl and Ellie’s home and it will feel like you’re stepping inside the movie.”
    “This is a real house we built from scratch. We had to literally paint every detail in the home to match the exact Pantone colours used in the film, from the roof tiles to the siding,” he continued.
    The rentals include houses built from scratch or outfitted in a particular style. Photo by Max MiechowskiFor the X-Mansion, the team searched for a home in Upstate New York that looked like an approximation of the house from the movie series and then covered the interior in comic-strip style illustrations by artist Joshua Vides.
    According to Airbnb VP of design Teo Connor, it took approximately two weeks for Vides and his team to hand-paint each room.
    For the X-Mansion from the X-Men movie series, the interior was painted with comic-style illustrations. Photo by Holly Andres”Each Icon has a different timeline because they’re all so unique, so different,” Connor told Dezeen. “[There was] a huge amount of effort to bring these things to life and I think it really shows.”
    “With these types of things, we’re really wanting to immerse you in a world and for it to feel authentic,” she continued.

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    Other Icons include a stay at the Ferrari museum in a custom-made circular bed that is surrounded by various Ferrari models and a visit to Bollywood star Janhvi Kapoor’s “childhood oasis” in India.
    To visit the various experiences, travellers must submit a written entry through Airbnb during a timed submission period. 4,000 guests will be selected and awarded a “golden ticket” to attend the experiences over the coming year.
    Other experiences include a stay in Prince’s house from the movie Purple Rain. Photo by Eric OgdenThe brand also released several updates in order to make booking and organizing group trips easier for travellers, including multiple users being able to message the host and a ranking system when selecting a rental together.
    Last year, Airbnb co-founder Brian Chesky warned against designers failing to embrace AI and announced a program that called to designers and creatives to rent out their spaces for supplemental income.
    The photography is courtesy of Airbnb.

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    Pixelated furniture appears throughout Lunet eyewear store in Bucharest

    Romanian practice Bogdan Ciocodeica Studio played with the idea of “blurry vision” in this eyewear store in Bucharest, where pixelated furnishings sit against translucent latex curtains.

    This is the third space that Bogdan Ciocodeica Studio has designed for Lunet, having worked on the eyewear brand’s inaugural Bucharest store and another branch in the city of Cluj-Napoca.
    Lunet has opened its second store in the Romanian capitalThe interiors of the two other locations play with colour and metallics, but the firm wanted this store to look like “a playful and pixelated environment”.
    “All the shapes and volumes are stylised and synthesised to their essence, stripped of unnecessary information so that they become almost low-resolution images, containing only the vital information,” Bogdan Ciocodeica Studio explained.
    Cutouts around the shelves are meant to make them look pixelatedGlasses are displayed on tall wooden shelving units that were installed at intervals around the store’s periphery, with square cutouts designed to mimic the blocky form of pixels.

    Translucent latex curtains were hung between the shelves. “[They] give depth and texture to the otherwise straight walls, granting it almost a blurry vision-like effect,” added the studio.
    Similar pixel-style cutouts can be seen on the store’s chairs, rug and service deskMore glasses are showcased on freestanding L-shaped partitions, each incorporating a full-length mirror and set on wheels so they can be easily moved around.
    A seating area at the heart of the store is furnished with two wide-set wooden chairs, their armrests featuring the same pixelated edging as the shelves.
    Underneath the chairs is a large burnt-orange rug with pixel-shaped openings that offer fun peeks at the store’s gridded tile flooring.
    Gridded tile flooring runs throughout the spacePixel-style cutouts were also made in the wooden service desk, which sits directly beneath a lightbox displaying Lunet’s logo.
    Eye tests are carried out in a secondary room towards the rear of the store. All the walls here were painted brick-red except one, which features a brightly-hued surrealist graphic of a woman wearing sunglasses.
    The eye test room includes a graphic feature wallA number of other architects and designers have incorporated pixels into their projects. Canadian studio Partisans used pale yellow bricks to create an undulating pixelated facade for a home in Toronto.
    And ODA also staggered apartment blocks to form a pixelated residential block in New York.
    The photography is by Vlad Patru.

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    Dezeen Events Guide launches digital guide to NYCxDesign 2024

    Dezeen Events Guide has launched its guide to NYCxDesign 2024, highlighting the key events in New York City from 16 to 23 May.

    The festival celebrates its 12th anniversary with a programme of exhibitions, open showrooms, tours, talks, design fairs and product launches.
    Located across neighbourhoods in Manhattan, Brooklyn and Queens, around 200 events are taking place across eight days, spanning architecture, design, art, fashion and technology.
    Use our interactive map
    This year’s guide also features a curated map with the key events of the festival, helping you navigate your way around the city.

    Click to use Dezeen’s map for NYCxDesign 2024There is still the opportunity to feature in the guide
    There are three types of listings still available:
    Standard listings cost £125 ($160) and include the event name, date and location details plus a website link. These listings will feature up to 50 words of text about the event.
    Enhanced listings cost £175 ($225) and include all of the above, plus an image at the top of the listing’s page and a preview image on the Dezeen Events Guide homepage. These listings will also feature up to 100 words of text about the event.
    Featured listings cost £350 ($450) and include the elements of an enhanced listing plus a post on Dezeen’s Threads channel, inclusion in the featured events carousel on the right hand of the homepage for up to two weeks and 150 words of text about the event. This text can include commercial information such as ticket prices and offers and can feature additional links to website pages such as ticket sales and newsletter signups.
    For more details about partnering with us to help amplify your event, contact the team at [email protected].
    About Dezeen Events Guide
    Dezeen Events Guide is our guide to the best architecture and design events taking place across the world each year.
    The guide is updated weekly and includes events, conferences, trade fairs, major exhibitions and design weeks.
    The illustration is by Justyna Green.

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    Holloway Li furnishes Mother London office with bold-coloured furniture

    Interior design studio Holloway Li has reimagined the office of advertising agency Mother London using bespoke furniture that nods to the 1970s to enhance its industrial setting in Shoreditch, London.

    Aiming to create a flexible multi-purpose space, Holloway Li reconfigured the ground floor and mezzanine of the office – located in a former tea factory – to host an open-plan kitchen, dining area and seating space, along with an updated reception area.
    Bespoke, bold-coloured furniture features throughout the office interiorBright red tables line the dining area to provide a flexible space for hosting office lunches as well as meetings, events and exhibitions.
    Designed by Holloway Li and manufactured by collaborator UMA, these bespoke tables nod to 1970s furniture design and feature a structural foam core encased by a thin layer of fibreglass, chosen for its lightweight materiality.
    Bright red tables encased with resin fill the dining area”Whilst celebrating the brand’s distinct and eclectic character, we wanted to reinvigorate the space with a new material palette, in keeping with the furniture’s precursors so there was a retained sense of familiarity for the pre-existing environment,” project designer Ivy Aris told Dezeen.

    “Our approach sought to not only elevate the multi-purpose functionality of the building as both an office and a hospitality setting, but also to develop methods of production with our close collaborators UMA and CraftWorks.”
    Deep green cabinets and red shelves line the kitchen spaceAdjacent to the dining area, an industrial-style kitchen is organised around two sleek stainless steel islands.
    Deep green cabinets topped with stainless steel and red-coloured shelving feature in the kitchen and display the agency’s extensive vintage tableware collection.

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    “In the kitchen, more muted shades of green and burgundy offset the clinical brushed steel counters, creating an adaptable space suited to shapeshifting from day to night,” studio co-founder Alex Holloway told Dezeen.
    “Much of our scheme was shaped by materials with reflective qualities, capitalising on the natural light from the original tea factory’s windows which worked to accentuate the raw charm of the industrial setting,” he added.
    Playful pink sofas wrap around the mezzanineThis material palette extends into the renewed 63-square-metre mezzanine area, which is furnished with playful pink sofas from Holloway Li’s T4 collection and complemented by red coffee tables made from salvaged wood.
    Meanwhile, at the office’s reception, the studio preserved an existing stainless steel desk and encased its structure with a translucent, glowing fascia. This is set against a backdrop of red curtains and hanging light bulbs, adding a sense of drama and theatricality to the reception area.
    A glowing reception desk is backed by red curtainsHolloway Li is an interior design studio founded by Alex Holloway and Na Li in 2018.
    Other recently completed office interiors include the conversion of a Victorian mission church into a flexible studio in London and a Minecraft-inspired office in Prague.
    The photography is by Felix Speller.
    Project credits:
    Interior design: Holloway LiDesign team: Alex Holloway, Ivy Aris, Jazzlyn JansenProject manager/ QS: Holloway LiContractor: Craftworks ProductionsMetalwork: Steel & FormJoinery: Craftworks ProductionsFurniture procurement agent: Holloway LiBespoke furniture (T4, Big Red, Reception Desk): Uma Objects

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    Eero Saarinen’s Black Rock skyscraper refurbished in New York

    The first and only skyscraper designed by Finnish-American architect Eero Saarinen in New York City has undergone a renovation by Vocon Architects and MdeAS Architects to help it “meet the expectations of today”.

    At the behest of developer HGI, local architecture studios Vocon Architects and MdeAS Architects renovated and restored the 51W52 skyscraper, also known as Black Rock, which was completed as a headquarters for American media giant CBS in 1964.
    CBS moved all of its facilities out in late 2023 and Black Rock now contains offices for a variety of companies, including HGI itself.
    Eero Saarinen’s first and only skyscraper has been renovatedDesigned by modernist architect Saarinen as his first and only skyscraper, 51W52’s original symmetrical facade of granite, bronze and travertine has survived, with the bronze fins updated by the renovation team.
    At the time, Saarinen called it the “simplest skyscraper statement in New York”.

    The original design was mostly maintained, and the developer, which purchased the landmarked building in 2021, said that the relatively column-less floor plans made it a perfect candidate for a contemporary office, though the interiors needed an update.
    The building’s facade is made of granite, bronze and travertine”From the beginning, we understood the immense potential of 51W52 given its architectural significance, desirable floor plans, and central location in Midtown,” said HGI president T Richard Litton Jr.
    “The structure of the building was optimal, we just needed to make subtle enhancements to reflect and appreciate its original design.”
    Most of the structural elements in the building were left intact. The architectural team completely renovated two lobbies on the ground floor, including a revamp of the finishes and the elevators. They also redid the building’s rooftop garden.
    Contemporary details and furnishings were added to the lobbyThe project also included the renovation of key amenities spaces including a lounge, fitness centre and a private cafe.
    The studios said that instead of completely rethinking the aesthetics of the 900,000-square-foot (83,600 square-metre) building, they aimed to “let the significant architecture speak for itself”.
    The wide, long walls of the lobby were finished in detailing that echoes those used for the original facade. Some of the walls were covered in brass-tipped wooden slats, while others feature monolithic granite slabs.
    The elevator bay was clad in light-coloured stoneBack-lit stone clads the reception desk, above which was placed a modernist fresco that incorporates the CBS logo to call attention to the history of the building.
    This artwork, by artist Vincent Ashbahian, was originally displayed in the building in the 1970s and willed back to the building after his death.
    Toronto outfit Viso created a massive lighting fixture made of dangling lights on strands to cover a large swath of the lobby.

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    “By conceptualizing the experience from the outside in, we were able to restore the fundamental beauty of his design and apply the principles of form, light, and even water to new elements such as the feature stair and water feature that meet the preferences of contemporary office users,” said MdeAS Architects managing partner Dan Shannon.
    From the lobby, a glass-lined stairwell leads down to lounge areas. The stairwell shaft is clad in stainless steel rendered in an undulating pattern.
    Models of furniture originally designed by Saarinen and architect Florence Knoll were placed throughout the renovated spaces.
    A water feature was placed underneath the staircase leading to the below-lobby loungeAs it leads to lounge areas below, it passes over a small, still water feature: a small pool of water retained by black-painted metal.
    “The creation of private lounges, a conference center, and fitness studios help the building meet the expectations of today’s best corporate talent, while their designs maintain the integrity of Saarinen’s original architecture,” said Vocon Architects principal Tom Vecchione.
    Saarinen is known for his modernist architecture, with built work across the United States and Europe. Recently, a number of his buildings have been undergoing renovation, including his TWA terminal at JFK, which was repurposed into a hotel.
    Other modernist skyscrapers that have undergone restorations and renovations in New York City include the famous Lever House skyscraper, which was restored by SOM, its original architects.
    The photography is by Colin Miller.

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    Hemingway Design and James Shaw create furniture from recycled clothes for Traid

    Local studio Hemingway Design collaborated with designer James Shaw to transform a London store interior for charity retailer Traid, which features colourful furniture created from leftover second-hand clothes.

    Hemingway Design renovated Traid’s Shepherd’s Bush branch as part of a wider rebrand for the retailer to mark its 25th anniversary, including its visual identity.
    Hemingway Design has redesigned the Traid store in Shepherd’s Bush, LondonTraid sells donated clothing and accessories in 12 stores across London to fund global projects that tackle the issues caused by producing, consuming and wasting textiles.
    As part of the Shepherd’s Bush store refurbishment, Hemingway Design worked with Shaw to create furniture out of poor-quality clothes salvaged from the Traid sorting warehouse that the retailer deemed unsellable.
    James Shaw created furniture and lighting made from recycled clothesShaw, whose practice centres on repurposing waste materials, created curved pendant lighting from the leftover clothes, which were shredded back to fibres and combined with a plant-based binder.

    The designer applied this method to make the rest of the furniture. One piece is a low-slung bench for trying on shoes, upholstered with a yellow, green and blue patchwork of old denim jeans and corduroy trousers.
    Shaw designed the bench’s lumpy legs in his trademark extruded HDPE plastic, finished in the same colours as the patchwork seat.
    This included changing room door handlesElsewhere in the store, boxy pinewood changing room doors feature multicoloured handles created from the leftover clothes, defined by a speckled appearance thanks to the combination of shredded fibres.
    Silver scaffolding previously used for a different purpose in the original shop layout was used to create a “staff picks” clothes rail positioned at the front of the store.
    The designer combined shredded fibres with a plant-based binder. Photo by James Shaw”To align with Traid’s manifesto of reducing waste and prolonging the lifespan of items, a fundamental objective of the refurb was to reuse and repurpose existing fixtures and fittings within the store where possible,” explained Hemingway Design.
    British designer Charlie Boyden created chunky pastel-hued plinths from other offcuts and materials salvaged from the strip-out. They display merchandise in the shop window illuminated by more of Shaw’s clothing-based pendant lighting.
    Existing silver scaffolding was used to form a “staff picks” clothes railSwirly linseed-based oil-stained pine also characterises the geometric cash desk, fitted with an accessible counter and positioned in front of an existing timber stud wall painted in bold pink.
    Next to the counter, bespoke bright green Unistrut shelving creates additional space for hanging clothes and displaying shoes.

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    According to Hemingway Design, Traid has put 228 million garments back into use to date, saving 622,059 tonnes of carbon dioxide and 105.3 million cubic metres of water.
    “The charity retailer maximises the potential of the clothes you no longer wear, demanding change from a throwaway, fast fashion culture that continues to destroy this planet,” said the studio.
    Charlie Boyden designed display plinths using off-cutsShaw recently applied his extruded plastic designs to another store renovation in central London for shoe brand Camper, which includes a jumbo foot sculpture.
    Hemingway Design previously created a minimalist but colourful logo to celebrate 100 years of the Dreamland amusement park in Margate, Kent.
    The photography is by French & Tye unless stated otherwise. 

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    The Hoxton Vienna offers “contemporary take on the Wiener Werstätte arts and craft movement”

    AIME Studio’s interiors for the latest outpost of The Hoxton hotels, in a renovated marble-clad 1950s office building in Vienna, celebrate arts and crafts and post-war modernism.

    Creative studio AIME Studio has converted the former administration building of the Chamber of Commerce in Vienna, which was originally designed by architect Carl Appel, into The Hoxton Vienna.
    The building now features 196 rooms, a rooftop bar and swimming pool, a restaurant, cocktail bar, a private apartment and an auditorium for events and programming.
    The lobby of the hotel, which was previously an office building, features original travertine wallsBy focussing on mid-century Austrian design, the hotel aims to show guests a less classical side of what is often considered a traditional European city.
    Appel was known for shaping the “Second Ringstrasse” style of the post-war reconstruction period, which the studio referenced in its design.

    “Our aim was to create a design that respected the building’s history and to preserve the architectural style of the 1950s,” AIME Studios’ Aaron Gibson told Dezeen.
    The Hoxton Vienna is filled with mid-century design details”We visited buildings in Vienna designed by Carl Appel and renowned Austrian architects of the early 20th-century – like Adolph Loos and Otto Wagner – which inspired the interiors for The Hoxton Vienna,” Gibson added.
    The double-height lobby of The Hoxton Vienna preserves key features and details from Appel’s original 1950s design.
    The bedroom’s feature geometric patterned fabrics and soft furnishingsThe mid-century finishes of stones and metals in the original office building set a neutral and semi-industrial context for the renovation.
    “We deliberately used the key features and details from Carl Appel’s original design for the architecture and the interior as a basis for our decision-making throughout the ground floor,” the studio said.
    The hotel has a ground-floor restaurant that continues the design themesAIME Studios also worked with The Federal Monuments Authority Austria, which enforces the Monument Protection Act in order to explore, protect and maintain Austria’s cultural heritage.
    Together they selected furniture items for the hotel which reflect the 1950s, including light fittings, armchairs, sofas, and even the fabrics and textiles used in the space.
    Just off the main lobby there is a small cafe bar”We inherited amazing existing features like the large format terrazzo flooring, travertine walls and corrugated aluminium columns, which are all great examples of 1950s architecture,” AIME told Dezeen.
    The interior scheme complements the existing restrained colour palette of the natural stones’ soft hues of green-grey, beige and blue tones.
    The rooftop bar and pool area adopts a more contemporary designThe studio also took inspiration from the Wiener Werkstätte (Viennese workshops), one of the longest-lived design movements of the 20th century and a key organisation for the development of modernism.
    Centred in the Austrian capital, it bridged traditional methods of manufacture and avant-garde aesthetics.
    In the bedrooms, geographic patterned curtains are influenced by iconic Werkstätte fabrics and ruched headboards are inspired by Loos’ style.
    The auditorium is The Hoxton’s largest events space to date”We selected Viennese fabrics with restrained colours and quiet and small-scale patterns, demonstrating a contemporary take on the Wiener Werstätte arts and craft movement,” Gibson explained.
    Besides the usual hotel program of rooms and restaurants, The Hoxton Vienna features a large auditorium designed in a 1950s palette of pale yellow and blue with mid-century wood panelling, furniture and fittings.

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    The auditorium will host events like stand-up comedy, gigs and conferences, as part of the wider cultural programming of The Hoxton Vienna.
    The hotel also has a private “apartment,” which is an open-plan series of rooms across different levels, including kitchen, dining, sitting and meeting spaces.
    There is a speakeasy-style bar in the basementThe interiors of the apartment distil the essence of AIME Studios’ interior design at The Hoxton, with Wiener Werstätte patterns and colours, mid-century modernist furniture and light fittings, and artwork referencing the period.
    Other hotels from The Hoxton that have recently featured on Dezeen include their first opening in Germany with The Hoxton Charlottenburg in Berlin and the Ricardo Bofill-inspired The Hoxton Poblenou in Barcelona.
    Photography is by Julius Hirtzberger.

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