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    Cutwork designs co-living developments for single-parent families

    Parisian architecture studio Cutwork has unveiled plans for housing designed to allow single parents and their children to live more closely together.

    Rental housing provider Commune commissioned Cutwork to design co-living specifically for single-parent families.
    The design includes private living spaces that cater to both adults and children, plus communal spaces where families can spend time together and support each other.
    Commune offers co-living for single parentsThe concept puts a new spin on co-living, a type of housing that typically offers residents smaller homes but instead gives them access to a range of shared amenities.
    Co-living is typically marketed to single people, but Commune founders Tara Heuzé-Sarmini and Ruben Petri believe it is equally desirable for people navigating the challenges of single parenthood.

    A study by the British Red Cross found that 83 per cent of mothers aged under 30 experienced loneliness, while 43 per cent said they felt lonely all the time.
    The private units each include a bathroom and kitchenette”Commune and Cutwork are convinced that we need to put human relations and interactions back at the core of the places we evolve in and that buildings need to serve our basic need for connection,” said Heuzé-Sarmini.
    “Spatially and architecturally, we have translated this into living spaces that encourage encounters and break the vicious circle of loneliness, while preserving the privacy of single parents and their children.”
    A unified colour and material palette features across shared and private spacesCommune opened its first location in Poissy on the outskirts of Paris in late 2023, describing it as “the first co-living in the world dedicated to single-parent families”.
    The building, which accommodates 14 families, is now being renovated in line with Cutwork’s concept.

    Bittoni Architects designs co-living project geared toward LA newcomers

    The scheme extends to both the building’s layout and the interior fit-out, with bespoke furniture designed for both the private and communal living spaces.
    The architects aimed to create three types of space. These are referred to as “a world for the children without their parents”, “a world for the adults without their children” and “a world for all of the families to meet collectively”.
    Communal areas include a playroom”At Cutwork, we envision a world where shared architecture and design inspire us to think differently about being together,” said Kelsea Crawford, co-founder and CEO of Cutwork. “Our partnership with Commune perfectly encapsulates this mission.”
    “We’ve considered the design for each part of the Commune experience, integrating compact living spaces designed to host parents and children with shared communal areas that promote a strong sense of community and support for single-parent families.”
    The design includes both adult- and child-specific featuresAvailable for one- and two-child parents, the private units each include a bathroom and kitchenette, with distinct design elements for adults and children.
    The communal areas include a shared kitchen, a living and dining room, a playroom, a co-working space and a garden.
    Child-focused aspects of the design include “doors placed low down and often hidden away or disguised as other things such as a wardrobe or TV cabinet”.
    For adults, spaces include reading nooks and a “speakeasy-style” bar, accessed via a fake fridge door.
    Commune’s first location in Poissy is currently under renovationCutwork aimed to create “an environment that feels both modern and comfortable with child-friendly designs that sit alongside a sleeker aesthetic suited to parents”.
    A unified colour and material palette is intended to make all areas feel homey, rather than emphasising the divide between shared and private spaces.
    “This design strategy extends the notion of ownership of all spaces and subsequently the feeling that the entire house/building belongs to each user and is a stable environment within a dynamic experience,” said the design team.
    A range of different unit sizes are availableCutwork specialises in co-living and co-working, with previous designs including social housing that can turn into emergency housing and co-living flats at Paris startup campus Station F.
    With this project, the designers hope to highlight how housing might adapt to the reality that the nuclear family is no longer the norm for many.
    In France, one in four families is a single-parent unit. This is not just due to high divorce rates, as research suggests that more individuals are consciously choosing single parenthood.
    “This changing dynamic calls for a new and sustained approach to housing,” Cutwork said.
    The design is set to be applied to future Commune properties. The company plans to open its second location for 28 families in Roubaix, Lille, later this year.

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    Shovk completes Japanese-infused renovation of Dzen House near Kyiv

    Elements of Ukrainian and Japanese architecture combine at this pared-back residence on the outskirts of Kyiv, which local architecture studio Shovk created for a client with a passion for Japanese culture.

    The project involved the transformation of a basic bungalow built in 2010 into a two-storey dwelling that makes the most of its picturesque setting in a garden lined by conifer trees.
    Charred wood was used to clad the exterior of Dzen HouseShovk lead architect and partner Anton Verhun oversaw the design, which was informed by the owner’s travels to Japan and his respect for the aesthetic simplicity and practicality of traditional Japanese interiors.
    “Dzen House was conceived as a place where the client and his family could feel in harmony with themselves and the world,” Verhun told Dezeen.
    The two-storey home was originally a bungalow”They wanted somewhere they could simply watch the rain outside the window, warm themselves by the fireplace and practice yoga on the tatami mat near the round window,” he added.

    Shovk implemented several references to Japanese architecture in the project, including a large roof with overhanging eaves and an exposed wooden structure.
    A wood-fired oven features in the living roomThe exterior of the first floor is clad with Japanese-style yakisugi charred wood that provides natural weatherproofing. The blackened timber contrasts with the traditional Ukrainian mazanka plaster finish applied to the ground floor’s internal and external surfaces.
    The house’s entrance leads directly into a kitchen and dining space at one end of the largely open ground floor. A functional core at the centre of the plan separates this space from a lounge at the opposite end.
    Shovk’s interior scheme was informed by traditional Japanese designThe volume containing the staircase, utility room and shower room delineates the communal areas while allowing free-flowing circulation that helps to create a feeling of spaciousness.
    Throughout the building, large openings including frameless floor-to-ceiling windows on either side of the living room provide a strong connection to the gardens.

    Modektura adds sand terrazzo flooring to Kyiv apartment

    A fireplace located near the centre of the living area creates a focal point within this room. Its stainless steel chimney passes through the bedroom above, helping to warm the spaces on both floors.
    The new first floor was constructed from timber to minimise loading on the existing walls and foundations. Its interior is lined with birch plywood that has a similar thermal expansion coefficient to the pine frame, thus helping to prevent any cracks caused by movement.
    One room was dedicated to meditation and tea ceremoniesA simple plywood staircase ascends to a sequence of low, attic-like spaces including two bedrooms, a study, bathroom, utility room and a Japanese-style room with tatami mat flooring.
    Verhun added a circular window as an expressive element that “brings softness and naturalness” to the space, used for tea ceremonies, yoga and meditation.
    The compact main bedroom features a podium bed set next to a large frameless window that looks out onto the nearby trees. Built-in wardrobes provide discreet storage, while the exposed chimney adds a distinctive feature.
    A plywood staircase leads up to the second floorAccording to Verhun, the house’s owner has temporarily moved to another Ukrainian city for his own safety due to Russia’s invasion of the country.
    The project was completed despite long power cuts, air raids and missile attacks that forced the builders to spend hours in shelters.
    Birch plywood lines the upper-floor interiorVerhun also said that Shovk has begun taking on more projects abroad due to a decline in its Ukrainian work resulting from the ongoing war.
    Other recently completed projects in Kyiv include an apartment renovation by Modektura and a dance studio that was furnished using materials sourced from around the city in the face of wartime shortages.
    The photography is by Yevhenii Avramenko.

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    Tabitha Isobel gives London townhouse a “surprising and bold” makeover

    Designer Tabitha Organ combined natural materials with metal details to transform this London townhouse into a home with a “slightly futuristic” feel for a client who loves entertaining.

    The five-storey property on St Pauls Road had recently been renovated by a developer using poor-quality finishes, so the client – a young tech entrepreneur and first-time homeowner – asked Organ’s studio Tabitha Isobel to create a more bespoke interior.
    The brief called for a scheme that retains the Victorian house’s original features, whilst layering vintage pieces and contemporary design to create spaces with a distinct character.
    Tabitha Isobel transformed the Victorian north London townhouse”The client wanted a home that would be surprising and bold but also timeless,” Organ told Dezeen. “Amongst his peers, he is a frequent host of parties so he wanted an interior that would be a backdrop to these and bring a certain entertaining ‘vibe’.”
    Some of the original details that survived the previous renovation included detailed mouldings and the wooden window shutters in the living areas.

    Organ sought to emphasise these elements by introducing a carefully chosen palette of complementary colours and materials. Other spaces received a more expressive treatment, including the golden-toned cinema and DJ room in the basement.
    The five-storey property’s renovation adopts a “slightly futuristic” feelThe main architectural interventions occurred on the first floor, where previously disjointed spaces were reorganised to create a large bedroom with an adjoining bathroom and dressing area.
    The bedroom, which has windows on two sides due to the property’s end-of-terrace location, is connected to the bathroom by a walk-through wardrobe containing bespoke cabinetry built from naturally patterned burr walnut.
    New bespoke features include an adjoining walk-through wardrobeThe house’s main living areas are unified by the consistent application of green hues and metal details, which featured in an image of a kitchen given to Organ by the client as inspiration at the beginning of the project.
    “As the living and dining area is open plan with the kitchen, we introduced a Verde Guaco Green fireplace surround that sits on the same elevation as the kitchen so the tones speak to each other,” Organ explained.
    “We also chose a green velvet sofa from Maison Dara that is positioned in line with the kitchen, helping the spaces to feel connected.”
    Green hues and metal details inform the house’s living areasThe designer added that the combination of natural materials and metal surfaces contributes to the scheme’s sense of timelessness while creating a juxtaposition of textures and finishes that adds visual interest to the design.
    “As part of the concept, we wanted the spaces to have a slightly futuristic feel to them,” she pointed out. “Metals are timeless materials and I find they lift palettes, bringing them to life and creating a richness through reflection and depth.”

    Unknown Works brightens Victorian townhouse with dusty pink extension

    Metal and wood combine in a bespoke solution designed to conceal the television above the fireplace. Eight hand-carved wooden panels are set within a brushed aluminium frame that incorporates bi-fold doors that open to reveal the TV.
    Throughout the home, textiles provide a further textural contrast to the hard metal surfaces. This approach is encapsulated by a vintage metal-framed armchair in the living room that was reupholstered in a boldly patterned fabric by UK brand Schumacher.
    A reupholstered metal-framed armchair provides textural contrastWhile the living area and bedroom are predominantly monochrome, there are moments of bright colour elsewhere in the home – particularly in the en-suite shower room.
    Organ chose terracotta tiles with different scales to bring a sense of richness and warmth to the space. The walk-in shower is lined with cobalt blue tiles intended to introduce a surprising element.
    Terracotta tiles in the en suite shower room provide a sense of richness and warmthA cinema room located on the basement level was designed to resemble a moodily lit members’ club, with a cotton moire wall covering matched to a high-gloss painted ceiling and mid-gloss cabinetry.
    The room is used for hosting parties and includes a concealed home bar with stainless steel shelves set in front of a bronze-tinted mirror.
    Marble and metal wall lights illuminate the textured walls as well as a velvet sofa with oversized cushions, a vintage coffee table and a bespoke walnut DJ console crafted by furniture maker Spinback.
    The cinema room conceals a stainless steel home bar in front of a bronze-tinted mirrorOrgan founded Tabitha Isobel in 2023 after working for a decade as an interior designer for London-based studios Conran + Partners and Sella Concept.
    The designer’s approach focuses on combining historical and contemporary elements to create timeless spaces driven by authenticity rather than trends.
    Other creative townhouse transformations include a Brussels home with a skylit atrium and a London home that was given a 1970s-style makeover.
    The photography is by Genevieve Lutkin.

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    Mithun completes airy, colourful interior for office in Austin

    Pops of colour and a bar with an entrance hidden by a bookcase have been installed in a software company’s office interiors, recently completed in downtown Austin by Seattle-based architecture studio Mithun.

    Spanning five storeys, the 157,000-square foot (14,585 square metres) office houses diverse work and amenity spaces for Atlassian Inc, an Australian company that develops products for software developers and project managers.
    Mithun has completed colourful office interiors for Atlassian Inc in AustinCompleted in 2022, the office is housed in a building shell designed by Gensler, while Mithun was responsible for the interior architecture of the workspace, collaboration areas, focus rooms, cafes and kitchen spaces, lounges and rooftop patio.
    “Atlassian creates collaboration software, so at the very core of their culture is a focus on fostering collaboration,” said Mithun partner Elizabeth Gordon.
    The office is housed in an exterior by GenslerAccording to Gordon, the team prioritized flexibility, inclusivity and sustainability.

    The studio created an environment that inspired social connection with people-centred spaces for in-person and hybrid collaboration and amenities for networking as Atlassian’s team re-establishes a workspace.
    The team prioritized flexibility, inclusivity and sustainabilityRather than delineating floor space with individual workstations, the design opens the rectangular office along the glazed exterior for collaborative zones with moveable furniture, dividing curtains and integrated technology that “empower workers to curate their own day-to-day journey”.
    The spaces are separated by warm wooden bookshelves set into the structural grid that rounds into a ceiling detail before running down the other side of the space.
    Moveable furniture and open floor plans encourage collaborationFocus rooms – provided for individual, head-down work – are arranged in rows as a transition from the open workspace to the central core with circulation and facilities.
    Lit from a large skylight, a feature stair climbs through the building, connecting the workspaces to the amenities, which include a music-inspired coffee shop and “living room” with a stage for events and an indoor-outdoor happy hour area that connects to a secret, Texas-themed bar through a hidden bookcase.
    It includes focus rooms, shower and parent suites, all-gender restrooms, meditation rooms and a wellness studio”Indoor-outdoor connections throughout provide access to fresh air, support outdoor work and help promote movement throughout the day,” the team said. “The variety of unique destinations serves to surprise and delight workers while fostering a sense of community.”
    In terms of inclusivity, the design incorporates elements that create a “safe and inviting space for all Atlassian employees” – like the installation of art and accessories from Austin-based artists of color and LGBTQIA+ creators.

    CitizenM aims for “differentiation through massing” at Downtown Austin location

    Wayfinding was integrated in the form of large-scale custom murals by local artists that lend identity to each floor. Additionally, custom bottle chandeliers serve as an abstract reference to Texas bottle trees.
    The office also includes single-occupant, all-gender restrooms, shower and parent suites, meditation and ablution rooms and a multi-purpose wellness studio that can hold classes from local fitness instructors.
    A bar is accessed through a bookshelfThe project is targeting a LEED Gold standard with high-performance systems and sustainable materials.
    “The design for Atlassian Austin incorporates biophilic principles in many different ways – with new skylights above the stairwells that let sunlight pour in across different levels, with views in and views out, and with the use of plants and natural materials and textures,” said Mithun partner Lisa Scribante
    Other office projects that have recently come online in Austin include Michael Hsu’s self-designed architecture studio and a renovated 110-year-old bungalow for a tech investment firm. West of West also completed a concrete office complex in one of the city’s industrial neighbourhoods.
    The photography is by Jasper Sanidad.
    Project credits:
    Interior architecture: MithunCore/shell: GenslerClient: AtlassianGeneral contractor: Harvey Cleary BuildersFurniture dealer: CRIPlants: Texas TropicalCustom installations: SarabiFurniture: Coalesse, Hightower, Studio TK, Keilhauer, Spacestor, Hem, Hay, Andreu World, Muuto, TON, Emeco, WCI, Blastation, Fritz Hansen, Carl Hansen & Son, Uhuru, Bend Goods, Offecct, Grand Rapids, Sossego, Herman Miller, Schiavello, Davis, Bernhardt Design, Watson, Fogia, Bludot, Kettal, PedraliMaterials: Luum, Maharam, Kvadrat, Carnegie, Kirei, Filzfelt, Pollack, HBF Textiles, Clay Imports, Shaw Contract, Flor, Wineo, Stone Source, Caesarstone, Foresso, Daltile, Cambria, Jujupapers, Katie Kime, Wolf Gordon, ArmstrongLighting: Rich Brilliant Willing, Schoolhouse Electric

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    GRT Architects creates buttery yellow interior for San Sabino restaurant

    Yellow hues make for a sunny environment inside this restaurant in New York’s West Village, designed by Brooklyn-based studio GRT Architects.

    For San Sabino, GRT Architects once again teamed up with chefs Angie Rito and Scott Tacinelli, with whom they worked on the neighbouring Don Angie restaurant.
    San Sabino’s historic facade was restored and painted pale grey to constrast the yellow interiorWith a very different menu and aesthetic, the new space is typified by buttery yellow interiors that contrast its pale grey facade.
    Both restaurants occupy the same wedge-shaped building on Greenwich Avenue, in what used to be a trio of retail spaces with “diminutive storefronts”.
    An interior wall was partially removed to connect the bar and dining areasThe facades were restored and windows were uncovered, returning the historic corner to its former glory.

    “Under many layers of paint and filler we found the original storefronts clad in copper sheet that seemed only better for neglect with a charming verdigris and patina,” said GRT Architects.
    A stainless steel ribbon above the bar fronts the lower connects and connects through to the dining spaceInside, a thick brick wall was partially removed to unify the spaces, while still visually separating the bar area from the main dining zone.
    A ribbon of stainless steel above the bar wraps around to connect the two, with custom polished brass sconces affixed at intervals onto the undulating surface.
    Ribbed leather banquettes and custom light boxes creates intimate moments”This horizontality is reprised at the bar with a shapely solid pewter rail, echoed by stainless nosings set into the bar die,” GRT Architects said.
    Low-slung ribbed banquettes covered in warm caramel-hued leather surround the perimeter, notably below a mirrored side wall with light boxes installed between the reflective panels.

    Don Angie restaurant interior takes influences from Italy and New Jersey

    Mottled grey stone floor tiles are patterned with smaller, glossy yellow circles and squares, riffing on a classic carreaux d’octagones pattern.
    The handmade yellow tiles were also installed behind the bar, while the ceilings are padded and upholstered to help with acoustics.
    The sunny daytime mood becomes more sophisticated at night thanks to the lighting scheme”Naturally this was an excuse to play with pattern and texture,” said the team. “The dining room features a winking vermiculated print while the bar tips luxe with a woven jacquard.”
    Overall, the vibrant color scheme and the cool metal tones come together to create a playful yet sophisticated dining environment, which shifts dramatically from day to night and reflects the spins on the Southern Italian cuisine served.
    The warmth of the yellow tones contrasts the cool metals to create a playful aestheticGRT Architects was founded by Tal Schori and Rustam-Marc Mehta in 2014, and over the past decade has built up a portfolio of projects in New York City.
    Among these are several Manhattan restaurants, including the similarly sunny Cucina Alba in Chelsea and the maximalist Bad Roman on Columbus Circle.
    The daytime photography is by Nicole Franzen. The nighttime photography is by Alice Gao.

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    Eight dining rooms and kitchens where natural materials create tactile interiors

    For our latest lookbook, we’ve collected eight dining rooms and kitchens characterised by their use of natural materials to create tactile interiors with earthy hues.

    With an ever-growing focus on sustainable materials, the use of locally sourced natural materials offers an appealing and low-carbon solution for home interiors.
    Ranging from rammed-earth walls and woven ceilings to terracotta floors and wooden tabletops, these dining spaces draw on traditional crafts and local building techniques to create rough, smooth and patterned surfaces that complement the home.
    These dining rooms showcase the potential of natural materials to create enticing and textured home interiors within a contemporary setting, effectively bridging the gap between tradition and modernity.
    This is the latest in our lookbooks series, which provides visual inspiration from Dezeen’s archive. For more inspiration, see previous lookbooks featuring compact micro interiors, kitchen design ideas and interiors with pyramidal ceilings.

    Photo by Lorena DarqueaEspacio Kaab, Mexico, by Di Frenna Arquitectos
    A combination of natural materials including stone floors, wooden cabinets and woven carrizo ceilings were used within the kitchen of this home in Mexico by local studio Di Frenna Arquitectos.
    Designing the home to appear “as a volume that emerged organically from the ground”, the studio used a raw material palette that directly references the site and ultimately requires less maintenance.
    Find out more about Espacio Kaab ›

    Photo by Helen LeechTaper House, UK, by Merret Houmøller Architects and All & Nxthing
    This London home by architecture studios Merret Houmøller Architects and All & Nxthing features clay-plaster walls, exposed brickwork and tile floors inspired by traditional Moroccan homes.
    The natural earth-based materials used for the project include handmade brick flooring, timber joinery and patinated copper.
    Find out more about Taper House ›
    Photo by Salem MostefaouiCasa Franca, France, by Déchelette Architecture
    A large rammed-earth wall fronts this home in Paris by French studio Déchelette Architecture, which is defined by its use of natural materials.
    Panels of travertine stone and birch wood feature throughout the interiors and are contrasted with sleek metal countertops, shelving and accents in the kitchen and dining space.
    Find out more about Casa Franca ›
    Photo by Rafael GamoCasa Cova, Mexico, by Anonimous
    Architecture studio Anonimous drew on pre-colonial architecture to design this holiday home made from concrete, local ‘parota’ wood and dried palm leaves in Oaxaca.
    The spacious dining room is topped with a 30-metre-long thatched roof made from dried palm leaves that draws on the local vernacular.
    Find out more about Casa Cova ›
    Photo by David GrandorgeForest House, UK, by AOC
    A combination of tactile materials and clashing colours were used to add character to the kitchen and dining area in this extension in north London completed by architecture firm AOC.
    Informed by its location close to Epping Forest, the studio designed the extension to “invite the wild in” – using various types of wood, woven hazel and other textured materials throughout the home.
    Find out more about Forest House ›
    Photo by Pol ViladomsHouse Renovation, Spain, by Hiha Studio
    Hiha Studio renovated this family home in Spain, which was originally organised as two separate houses connected by rammed-earth party walls.
    The studio retained the rammed-earth walls in order to “recover the essence” of the home, as well as regulate the moisture, temperature and acoustics of the interior.
    Find out more about House Renovation ›
    Photo by Purnesh DevHybrid House, India, by Sketch Design Studio
    Vernacular building techniques from the north and south of India were used to construct this home in Rajasthan by Indian firm Sketch Design Studio.
    Materials and artisans were employed locally to build the home, which features pink-toned rammed-earth walls and terracotta floors created using rice flour.
    Find out more about Hybrid House ›

    Photo by Imagen SubliminalAnother Seedbed, USA, by Ignacio G Galán, Jesse McCormick, Khoi Nguyen and Julie Tran
    This renovated loft apartment in Brooklyn was designed to double as a performance space to host public events – with a large central space and smaller internal volumes.
    One volume features a red-stained pine exterior while another is clad with an earthen clay plaster, bringing earthy tones to the open-plan kitchen and dining area.
    Find out more about Another Seedbed ›
    This is the latest in our lookbooks series, which provides visual inspiration from Dezeen’s archive. For more inspiration, see previous lookbooks featuring compact micro interiors, kitchen design ideas and interiors with pyramidal ceilings.

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    The Red Room by Apparatus forms theatrical lighting presentation

    New York lighting brand Apparatus has enveloped its showroom in red to present a new modular version of the Cylinder pendant series during NYCxDesign.

    The Apparatus showroom in Manhattan’s Garment District has been transformed once again, as part of the brand’s continual evolution of its spaces and product lines.
    The central space at the Apparatus showroom in Manhattan’s Garment District has been enveloped in redThe Red Room was created to showcase the brand’s updated Cylinder series, which first debuted in 2014 and has now been extended into a customisable modular system.
    The central room of the fourth-floor space is decorated in a dark oxblood hue across the walls and floor, with furniture pieces upholstered to match.
    The installation was created to present a new modular version of the brand’s Cylinder seriesTo contrast the old-world glamour of the red decor, illuminated lightboxes overhead and gunmetal-lined portals into the room lend a more futuristic tone.

    Apparatus, led by artistic director Gabriel Hendifar, described the setting as “Ms Vreeland’s ‘Garden in Hell’ meets Mr Kubrick’s Space Odyssey as imagined by Mr Fellini”.
    On a central plinth sits a bronze statue of Phaethon, the son of Helios in Greek mythologyOn an elongated pedestal in the centre of the room sits a bronze statue of Phaethon, the son of Helios in Greek mythology.
    “The boy is struck down by Zeus with a bolt of lightning after he scorched the earth with his father’s Sun Chariot – the source of all light itself,” said the Apparatus team.

    Apparatus updates Los Angeles showroom to include a “modernist grotto”

    The Cylinder System comprises Canopy and Lamp units that can be combined in various stacks and as double pendants, as demonstrated in The Red Room.
    “The light is soft-edged, warm, diffused, and can be directed to find the object of its affection,” said Apparatus of the products.
    Furniture is upholstered to match the walls and floorThe brand frequently updates its showrooms in New York, Los Angeles and London to present new or updated collections, which it refers to as “Acts”.
    For example, Apparatus updated its Los Angeles showroom to include a “modernist grotto” earlier this year.
    “We believe that our work is to create a stage for the human drama of life,” the team said. “We adopt the language of theatre and literature as a structure, with work organised in Forewords and Acts, each with their own exploration of form or narrative.”
    Illuminated ceiling panels and gunmetal-lined portals add a futuristic slant to the spaceThe evolution of the Cylinder Series is one of several to be expected from the brand this spring, as it revisits several from its catalog and introduces new ideas to existing pieces.
    Dezeen’s US editor Ben Dreith hosted a discussion with Hendifar at the showroom on Tuesday 21 May 2024, about the role of design in renewal and transformation.
    This was one of over 10 events we co-hosted during NYCxDesign, which took place across the city 16-23 May 2024.
    The photography is by Matthew Placek.

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    Eight bathrooms that confidently combine colour and pattern

    From decorative tiles to maximalist wallpaper, our latest lookbook explores bathrooms where striking patterned surfaces are paired with bold colours to make a statement.

    Offering an alternative to the trend for minimalist or colour-blocked bathrooms, this approach uses a mix of different tones and motifs to create a multi-layered aesthetic.
    Patterned surfaces can be created with wallpapers, ceramic tiles, marble or paint effects.
    Block colours, in either matching or contrasting hues, are then used to offer a visual counterpoint.
    The most eye-catching examples have the feel of a boutique hotel, with colour and pattern across almost every surface. But the effect can also be applied with restraint to suit a more pared-back home setting.

    We’ve rounded up eight examples, from a hotel bathroom with marble-effect walls to a family washroom featuring two different applications of mosaic tiles.
    This is the latest in our lookbooks series, which provides visual inspiration from Dezeen’s archive. For more inspiration, see previous lookbooks featuring minimalist kitchens and converted-barn interiors.
    Photo by by Douglas FriedmanHotel Saint Vincent, USA, by Lambert McGuire Design
    A selection of guest rooms in this hotel in New Orleans feature psychedelic marbled wallpaper.
    Other surfaces in the room match a red shade that can be picked out of the marble pattern. These include the square wall tiles, the mosaic flooring, the mirror frame and the architrave paintwork.
    Find out more about Hotel Saint Vincent ›
    Photo by by Adam ScottTsubo House, UK, by Fraher & Findlay
    Graphic floor tiles feature throughout this renovated south London home, with a mix of both contemporary and classic designs.
    For the family bathroom, architects Fraher & Findlay and their clients, the designers behind Studio XAG, selected a monochromatic tile that offers a 3D optical illusion. These are paired with a deep shade of green.
    Find out more about Tsubo House ›
    Photo by Jack LovelCity Beach Residence, Australia, by Design Theory
    Mosaic tiles were chosen for the bathroom of this renovated home in Perth, designed by Design Theory, to reference the property’s mid-century heritage.
    The bath features an irregular pattern, created in shades of red, grey and pastel pink, contrasting with the mint-green tone of the surrounding walls.
    Find out more about City Beach Residence ›
    Photo is courtesy of BelmondMaroma, Mexico, by Tara Bernerd
    Ceramicist José Noé Suro created the hand-crafted tiles that feature throughout the rooms of this hotel in Riviera Maya.
    Tiles chosen for the bathrooms include a mix of square and octagonal shapes, which create a two-tone pattern. A contrasting shade of forest green colours the lower walls, topped by delicate painted motifs.
    Find out more about Maroma ›
    Photo by Ambroise TézenasVermelho, Portugal, by Christian Louboutin and Madalena Caiado
    Christian Louboutin’s first hospitality project is named after the French designer’s signature colour, Vermelho, which is Portuguese for red.
    One of the bathrooms in the 13-room hotel uses this colour to great effect. Two varieties of Alentejo tile feature alongside one another, offering a playful mix of geometric and organic patterns.
    Find out more about Vermelho ›
    Photo by Christophe CoenonHotel Rosalie, France, by Marion Mailaender
    Colour can be found on the ceilings rather than the walls in this 60-room hotel in Paris, styled by French interior designer Marion Mailaender.
    This allows extra emphasis to the wall tiles, which form stripes of nude and soft pink, and the dotted sink counters made from terrazzo-style recycled plastic.
    Find out more about Hotel Rosalie ›
    Photo by Kensington LeverneEmber Locke, UK, by Atelier Ochre and House of Dré
    Striped shower curtains in humbug-style shades of brown provide a subtle addition of pattern in the bathrooms of this aparthotel located in London’s Kensington neighbourhood.
    The rest of the interior design palette includes peach-painted walls and pale-toned tiles.
    Find out more about Ember Locke ›
    Photo by Megan TaylorLouisville Road, UK, by 2LG Studio
    Design duo 2LG Studio created a surprising colour effect in the bathroom of this renovated London house by combining subtly patterned marble tiles with baby-blue mosaic tiles.
    The same shade features on the bathroom fittings, while the sink counter brings a pop of red to the room.
    Find out more about Louisville Road ›
    This is the latest in our lookbooks series, which provides visual inspiration from Dezeen’s archive. For more inspiration, see previous lookbooks featuring minimalist kitchens and converted-barn interiors.

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