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    Studio Tre models Bronx chocolate cafe on Puerto Rican general stores

    This South Bronx cafe that serves a chocolate-focused menu is designed by Brooklyn-based Studio Tre to reflect the brand’s Caribbean roots.

    Bright colours, palm fronds, references to Spanish architecture and wallpaper made of advertisements feature in the second cafe location of the chocolate manufacturer Chocobar Cortés.
    Several design elements in the cafe nod to spaces in Viejo San Juan, including arched openings and chequerboard floorsChocobar Cortés is a fourth-generation family company that has been growing cacao and manufacturing chocolate since 1929, first in the Dominican Republic and then in Puerto Rico.
    In 2013, they opened their first cafe-restaurant in Viejo San Juan (Old San Juan) – Puerto Rico’s historic capital – where every dish or drink incorporates chocolate in some way.
    Studio Tre travelled to Puerto Rico at the project’s onset to learn about the Chocobar Cortés brandThe second location in The Bronx brings the concept to New York City and is modelled on the “colmadito” general stores found in Viejo San Juan as a nod to its origins.

    “The design embraces the warmth of the Caribbean and recognisable textures, colours and patterns of the Viejo San Juan neighbourhood of the first location,” said Studio Tre.
    The 1,600-square-foot (150-square-metre) space on Alexander Avenue features a variety of elements borrowed from the colmaditos, including chequerboard cement-tile flooring.
    Historic photos and a rotation of works by local artists are displayed on the wallsA trio of arches that form niches for the back bar and an opening to the bathrooms echo Spanish colonial architecture.
    These arches were painted in the brand’s signature yellow hue, matching the front of the cafe counter and together adding warmth and vibrancy to the space.
    Pale green-grey plaster was applied above wood wainscoting in the cafe”Retired chocolate bar moulds repurposed as design feature above the cafe counter,” said the Studio Tre team, who travelled to San Juan at the project’s onset to learn about the company and its values.
    Ogee wood panelling and bronze hardware on the bar were chosen as an homage to the large doors found across the old city.

    Fumihiko Sano Studio creates cedar-lined chocolate cafe in Kyoto

    On the cafe walls, pale green-grey plaster was applied above wood wainscoting, and a mix of historic photos and a rotation of works by local and Caribbean artists are displayed.
    The bathrooms are lined with a collage of brightly coloured cartoons and old advertisments, while radio jingles play over the speakers.
    Yellow counterfronts match the brand’s signature colour, while chocolate moulds are installed aboveThe cafe also hosts a series of events and cultural programming for the neighborhood’s queer community, creating a “spirit of acceptance and celebration”.
    “Imbuing this Caribbean spirit into the design, with also the vibrant and artistic spirit of the neighborhood in The Bronx, the interiors of the restaurant establish Chocobar Cortés as the joyful celebration of culture, chocolate, and community that it is,” said Studio Tre.
    The bathrooms are lined with a collage of old advertismentsChocolate shops and cafes are popular across the globe, and their interiors vary dramatically based on their context.
    Others around the world include one that occupies a century-old house in Kyoto and another in São Paulo where the production processes are put on show.
    The photography is by Grant Legan.

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    Ten dining rooms where built-in seating provides extra space around the table

    Our latest lookbook explores homes where built-in benches or banquettes offer an inviting place to sit around the dining table, while also helping to save space.

    Built-in seating is a popular solution in kitchens and dining rooms where the optimal position for a table is along a wall rather than in the centre of the space.
    For homes where space is limited, a fixed bench can provide more seats than would otherwise be possible. It can also be a clever way of integrating extra storage, with concealed compartments under the seat.
    The most straightforward approach is to build a fixed seat along one side of the table and then add dining chairs on the opposite side, although L-shaped or curved seating installations can also be possible, depending on the layout.
    Whatever the design, the key to getting it right is ensuring that the table legs don’t clash with the base of the bench, so that it’s easy for people to get in and out.

    Read on for 10 examples, ranging from a minimalist terrace in London to a warm and tactile family home in Melbourne.
    This is the latest in our lookbook series, which provides visual inspiration from Dezeen’s archive. For more inspiration, other recent lookbooks feature colourful shower rooms and kitchens with tiled worktops.
    Photo is by Peter Bennetts10 Fold House, Australia, by Timmins + Whyte
    This extension to a family home in Melbourne, designed by architecture and design studio Timmins + Whyte, includes a casual dining space that slots into a corner between the kitchen counter and the end wall.
    The L-shaped bench is topped with peach-toned cushions, which match the warm tone of the mid-century-style oak table. As well as providing comfort, they conceal storage areas underneath.
    Find out more about 10 Fold House ›
    Photo is by Rory GardinerSpruce House, UK, by Ao-ft
    A bench seat forms an extension of the polished concrete floor in this cross-laminated timber-framed house in east London, designed by Ao-ft founders Liz Tatarintseva and Zach Fluker as their own home.
    This is possible because the living space is slightly sunken. This means the concrete plinth, which actually sits at ground level, is the perfect height for sitting at the table.
    Find out more about Spruce House ›
    Photo is by Tim Van de VeldeKarper, Belgium, by Hé!
    This converted warehouse in Brussels was designed to serve as either a family home or a co-living building, so it features a range of different live and work spaces. One of these is a casual dining space located next to the kitchen on the second floor.
    A custom-made bench anchors this space to the side wall. A matching table has a squashed circle shape, creating the feel of a round table while also aligning with the seating fixture.
    Find out more about Karper ›
    Photo is by Gilbert McCarragherFrame House, UK, by Bureau de Change
    When remodelling this south London terrace, architecture studio Bureau de Change added a three-tiered extension at the property’s rear.
    The stepped terrazzo floor was designed to incorporate casual seating areas, with one of them serving as a seating area for the adjacent dining table.
    Find out more about Frame House ›
    Photo is by Lorenzo ZandriSteele’s Road House, UK, by Neiheiser Argyros
    If a kitchen has a window bay, this can be a good place to create a seating area. This is what London studio Neiheiser Argyros did in its renovation of a Victorian terrace in the west of the city.
    A curved banquette wraps the base of the window, framing a fixed cafe-style round table.
    Find out more about Steele’s Road House ›
    Photo is by José HeviaGirona Street Apartment, Spain, by Raúl Sanchez Architects
    Barcelona studio Raúl Sanchez Architects employed colour-blocking to create the dining space for this renovated apartment in the city’s Dreta de l’Eixample neighbourhood.
    A seating bench and the wall behind it are both painted deep blue, in contrast with the white tones elsewhere, which gives the dining space an increased emphasis.
    Find out more about Girona Street Apartment ›
    Photo is by Tom RossSunday, Australia, by Architecture Architecture
    A kitchen island provides the backdrop to the dining table in this house in Melbourne designed by local studio Architecture Architecture.
    Upholstered in a muted colour textile, the banquette has a cantilevered seat that slots neatly under a long, slender table, while traditional dining chairs are positioned on the opposite side.
    Find out more about Sunday ›

    Scalloped Concrete House, USA, by Laney LA
    California-based studio Laney LA found another way to position a dining space beside a kitchen island for this home in Manhattan Beach, Los Angeles.
    Instead of extending out, the bench seat is built into a recess within the wooden volume.
    Find out more about Scalloped Concrete House ›
    Photo is by Ståle EriksenKensington Place, UK, by O’Sullivan Skoufoglou Architects
    In this extension of a mid-terrace property in London’s Kensington, a built-in bench allowed O’Sullivan Skoufoglou Architects to fit a dining table into a narrow space.
    Built from plywood, the bench incorporates storage. It is slightly recessed at the base, while a backboard makes it feel more integrated with the wall behind.
    Find out more about Kensington Place ›

    Nido House, Australia, by Angelucci Architects
    The ground floor spaces of this family home in Melbourne wrap around a glazed courtyard, so an L-shaped seat was the best solution for fitting in a dining table.
    Designed by Angelucci Architects, the space incorporates a green leather banquette and a dining table featuring a marble surface and a base wrapped in ceramic tiles.
    Find out more about Nido House ›

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    Dezeen Awards 2023 party tickets on sale!

    Tickets for the Dezeen Awards 2023 party to celebrate this year’s winners are now on sale. Book now to secure your place at our reduced early-bird rate!

    Taking place at Shoreditch Electric Light Station in London on 28 November, we will celebrate the winners of Dezeen Awards 2023 with food, drink, live entertainment and music throughout the night.
    The winners of all 39 Dezeen Awards project categories will be revealed, as well the overall architecture, interiors, design and sustainability projects of the year.
    We will also be announcing the six Designers of the Year and revealing the winner of the inaugural Bentley Lighthouse Award.

    World’s 85 best buildings shortlisted for Dezeen Awards 2023

    The party will be a chance for everyone to come together to celebrate their achievements with fellow nominees and winners, as well as our illustrious Dezeen Awards 2023 judges.

    Judges this year include Guilio Cappellini, Patrizia Moroso, Sabine Marcelis, Yves Béhar and Thom Mayne. See who they crowned as winners when they collect their trophies, and join in the celebrations.
    Tickets for the event cost £175 + VAT. However, you can save 20 per cent and book your ticket for the special early-bird price of £145 + VAT if you order before 31 October 2023. You can also save a further 10 per cent if you book a package of 10 tickets or more.
    Book your ticket now via Eventbrite: dezeenawards2023.eventbrite.co.uk
    Email [email protected] if you have any questions. Sign up to our Dezeen Awards newsletter to get updates on the winners party and future editions of Dezeen Awards. More

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    Projekt Praga creates bar with self-service beer fountain for 16th-century Tenczynek Brewery

    Polish design studio Projekt Praga has overhauled the taproom of a centuries-old brewery outside Kraków to accommodate a new bar and restaurant, inserting bold contemporary elements into the historic brick-vaulted space.

    Tenczynek Brewery dates back to 1553, although parts of the building were destroyed during world war two and only reconstructed in 2014.
    The Taproom bar is set inside the 16th-century Tenczynek BreweryThe original taproom spans an area of 250 square metres, with a little under half of the space devoted to the bar and eatery. The remainder was allocated to the kitchen and the alembic, where spirits are distilled behind a glass partition.
    Projekt Praga opted for a minimal-intervention approach in order to respect the existing architecture and reduce the project’s environmental impact.
    Alembics for distilling spirits are on display behind a glass partitionThis included exposing the original brick walls from behind a layer of tiles, leaving them “raw” in a bid to minimise construction waste and emissions.

    The new elements were made from a palette of natural materials – including oak, ceramics, steel and glass – in collaboration with Polish artisans and craftspeople.
    Customers can pour their own drinks from a central fountain”In Tenczynek, we understood the importance of the local character of the brewery,” Projekt Praga co-founder Marcin Garbacki told Dezeen. “Here, the production of beer and vodka is carried out using traditional methods.”
    “The place has a unique atmosphere and energy that works well with individual craftsmanship,” he added. “The design elements are intricately tied to the brewery’s artisanal nature, seamlessly integrated into the existing space without attempting to transform it.”
    Glasses are displayed on red metal shelves nearbyThe principal focal point of The Taproom is a central self-service drinks fountain, set inside a column clad in handmade ceramic tiles by family-run workshop Ardea Arte.
    Their warm burgundy tone layers with the original brickwork and the rich reds used across shelving and table legs to create an intense and immersive atmosphere.

    Projekt Praga incorporates mid-century references into Polish dumpling restaurant

    The dispenser allows visitors to pour themselves any desired amount of beer or vodka using 14 different taps.
    “Since this element defines the modus operandi of the venue – it’s a taproom – we decided to turn it into a centrally located mini-rotunda, the heart of the space,” Garbacki said.
    “It defines the logic of the space and facilitates accidental meetings of different users, serving as a social tool.”
    The bar’s solid oak furniture is by Artur CzajkaThe oak floor was designed to act much like a carpet to delineate space, stopping short of the walls at a distance of around ten centimetres in order to draw a clear distinction between old and new.
    At the same time, the flooring helps to ground several of the bar’s other oak elements, including the benches and tables by designer Artur Czajka.
    “Part of our intention was to make a bold gesture in the space, a single fundamental intervention that will encompass all the other changes made and serve as a canvas for them,” Garbacki said.
    Andrzej Bero and Piotr Linca handmade clay lamps for Tenczynek BreweryTo counter the narrow, elongated nature of the space, Projekt Praga made strategical use of mirrors and other reflective finishes both to illuminate and to extend the sense of space.
    “The reflecting mirrors placed in the arcades across from the windows add depth to the space and multiply the impressive brick arches,” the studio said.
    “Watched from a certain angle, they multiply natural light coming in through the windows, which is important as the natural light is quite restricted.”
    The building’s original vaulted bricks ceilings are left exposedHandmade clay lamps suspended low over the tables enhance the venue’s intimate atmosphere.
    Created in collaboration with ceramicists Andrzej Bero and Piotr Linca, they feature a colour palette that links to the original brick as well as to the new materials used on the project.
    By using a range of different shapes and sizes of lampshades, each table’s setup is subtly different.
    Red brick also features across the floors”The soft shapes of the smooth clay lamps are a bridge between the new interior decoration and the existing structure of the rough walls and arches,” Garbacki said.
    Tenczynek Brewery project has been shortlisted for this year’s Dezeen Award in the restaurant and bar interior category alongside a seafood eatery with a vaulted-wood interior and Ikoyi by David Thulstrup, which is decorated with copper walls and a curved metal-mesh ceiling.
    Projekt Praga, which was established by Marcin Garbacki and Karolina Tunajek in 2010,  previously converted another historic brewery in Poland into minimalist apartments.
    The photography is by ONI Studio.

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    Shaw Contract reveals the winners of its 2023 Design Awards

    A hotel overlooking a Japanese castle and a neurodiversity-friendly office building are among the winners of Shaw Contract’s 2023 Design Awards, revealed in this video produced for the brand by Dezeen.

    Global flooring company Shaw Contract recognised five winners in the 18th edition of its Design Awards, which celebrate impactful living, working, learning and healing interior spaces around the world.

    In total, five Best of Globe winners were chosen by a panel of design professionals from 39 regional winners, which had been narrowed down from over 650 project submissions from 40 countries.
    The winners include architecture studio Tatsuro Sasaki, which won an award for its OMO5 Kumamoto by Hoshino Resorts hotel built on Mount Chausu in Kumamoto City, Japan.
    The hotel is located in the city centre overlooking Kumamoto Castle and is nestled in amongst the landscape to blend in with its surroundings.
    Shaw Contract reveals Naelofar Office by Swot Design Group as one of the winners of its 2023 Design Awards.Four workplace designs were also recognised, including Boston Consulting Group’s headquarters in Toronto designed by HOK.
    The office features ample open spaces to flood it with natural light and is equipped with circadian lighting to follow people’s natural rhythms and improve productivity.
    Another winner was the 345 North Morgan office design by Eckenhoff Saunders, which is located adjacent to Chicago’s metro tracks. The design of the office was informed by classic railway stations and draws from the neighbourhood’s rich industrial history.
    Shaw Contract reveals Boston Consulting Group Canadian Headquarter by HOK as one of the winners of its 2023 Design Awards.Other winners include Swot Design Group’s Naelofar Office in Petaling Jaya, Malaysia, which was designed to foster relationships and collaboration in the workplace.
    It features meeting rooms with operable glass panels that can be rearranged to open up spaces for functions such as training sessions or events.
    Rezen Studio’s Newmont office in Subiaco, Australia also received an award, which Shaw Contract described as an example of “the rapidly evolving office typology which responds to the changes in which businesses are operating”.
    Shaw Contract reveals Newmont by Rezen Studio as one of the winners of its 2023 Design Awards.”We believe that design has the power to shape the world around us and create a better future for both people and the planet,” said Shaw Contract.
    “That’s why the Shaw Contract Design Awards programme is so important to us. It allows celebration of the designers who share our commitment to creating a positive impact in all interior spaces.”
    Each winner was awarded a £2,000 USD charitable donation in the name of their studio to an organisation of their choice. They also received a trophy designed by Singapore-based artist Kelly Limerick using recyclable Shaw Contract’s recycled yarn.
    Find out more about all of the winners on the Shaw Contract Design Awards website.
    Partnership content
    This video was produced by Dezeen for Shaw Contract as part of a partnership. Find out more about Dezeen partnership content here.

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    Akram Fahmi gives Etch restaurant monochrome revamp to reflect two-ingredient dishes

    Interior designer Akram Fahmi has revamped the Etch restaurant in Hove, East Sussex, creating black and white interiors to reflect its minimalist menu.

    Located in a space that was originally a bank, Etch was first renovated and opened as a restaurant in 2017.
    It has been reimagined by Fahmi, the founder of interiors studio London Design House, with an open kitchen and subterranean speakeasy bar.
    Two modern arches were added to complement the three period arches of the existing buildingFahmi chose the simple colour palette to echo the approach of the restaurant’s menu, where most of the dishes are comprised of just two ingredients.
    Wide-plank chalk-washed timber floors and white walls contrast black banquette seating and timber framing.

    “We identified, and tried to achieve, three key principles in the design; refinement, texture, and locality,” Fahmi told Dezeen.
    Black-framed windows stand in stark contrast to the white interior wallsRough quarry tiles, matte-finished stone and sinuous stretched-fabric lighting were chosen to reflect the textures of the nearby South Downs, the coastline and the urban landscape.
    “The balance in texture and tone is key to the guests’ journey through every space in the restaurant and bar,” Fahmi explained.
    The renovation involved merging two ground-floor units together and uniting a single space that is flooded by natural light from five arched windows.
    The lighting fixtures continue the monochrome themeThe studio kept three original Victorian arched windows on the corner and added two further full-height arches with modernised detailing to create a uniform facade.
    This was further united by painting the whole ground-floor facade charcoal grey.
    The subterranean speakeasy is decorated all in black with dramatic lighting”You want to feel as though the architecture and interiors that you journey through are as curated and elegant as the food in front of you,” Fahmi said.
    Internally, cast iron columns from the old bank were retained and suspended ceilings in the main spaces were stripped out to expose the original high ceilings.
    Stretched lampshades recall the nearby coastal landscapeFahmi worked with the local council to find solutions for extract routes and plans that would “retain and respect the fabric of the historic building as much as possible”.
    The studio used passive devices, such as tinting the glazing to reduce solar glare, to help control the internal temperature more efficiently.

    Muted material palette defines monochrome Chinese restaurant by StudioAC

    New external planting troughs soften the austere facade and hard pavement. The studio chose plants, herbs and grasses that would be suitable for the local coastal environment.
    London Design House also worked with local craftspeople and suppliers on the project to reflect Etch’s ethos of sourcing its produce locally and seasonally.
    A speakeasy bar is underneath the restaurant”I wanted the restaurant to feel like an extension of the food and service we offer, which I would describe as British contemporary, but also minimalist  – mainly using two quality ingredients,” Etch’s chef and owner Steven Edwards told Dezeen.
    The monochrome palette “gives a slightly nordic minimalist feel that works completely with my food style,” he added.
    “I think the relationship between the food you eat and the setting you eat it in is really important. It’s not just about the food – although it’s hard for me to say that being a chef!”
    Other restaurant interiors recently featured on Dezeen include Studio Becky Carter’s “distinctly New York” interiors for Cecchi’s and Otherworlds’ transformation of a Goan villa into restaurant.
    The photography is by Justin de Souza and David Charbit.

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    The Hoxton Charlottenburg draws on Berlin’s brutalist and art nouveau architecture

    The Hoxton hotel has opened its first German outpost in Berlin’s Charlottenburg, with interiors designed to blend the contrasting architectural styles that rub shoulders in the affluent neighbourhood.

    Located just off the Kurfürstendamm shopping street in West Berlin, the 234-room hotel was styled on a cross between the area’s Jugendstil mansion blocks and the comparatively rugged concrete buildings of the brutalist era.
    The Hoxton has opened a hotel in BerlinThe result is an aesthetic concept that the company’s in-house design team AIME Studios has dubbed “rough nouveau”.
    “By drawing inspiration from the surrounding area and celebrating the contrasting styles, we were looking to create a unique interpretation of this corner of the city, which will be recognisable to locals and let visitors get a sense of the area,” AIME Studios design associate Charlie Cruickshank told Dezeen.
    Vintage mid-century furniture features in the lobbyBrutalist influences can be seen in the oversized concrete columns that run through The Hoxton’s lobby, which is finished in a textured plaster to match.

    This provides a rough backdrop for more elaborate decorative touches, ranging from mosaic flooring to bespoke Murano glass chandeliers with botanical-inspired forms that draw on the art nouveau ironwork and tiling found in the surrounding buildings.
    Patterned tiles were used to decorate some of the joinery”One of the features we noticed many times while walking around Charlottenburg were the tiled doorways with elaborate designs,” Cruickshank said.
    “Tiles are used in many decorative and creative ways throughout the area and they are also integrated into some of our joinery pieces.”
    The lobby is defined by an airy blue and green colour paletteAt the back of the blue- and green-toned lobby with its vintage mid-century furniture sits the Winter Garden bar, finished with patterned mosaic tiles to create a conservatory-meets-courtyard atmosphere.
    Here, a Delft-inspired tiled fireplace nods to traditional Swedish stoves while fostering a cosy atmosphere during Berlin’s frosty winters.
    “The references to the beautiful tiles in the local area were emphasised wherever possible, and the finely painted botanical designs echo classic art nouveau motifs,” Cruickshank said.
    The Winter Garden bar features mosaic flooring and a tiled fireplaceAlso on the ground floor are the House of Tandoor restaurant and the Teahouse cafe and bar, both designed to fuse the elegant Charlottenburg aesthetic with Indian influences, taking design cues from the grand palaces of Kolkata and Mumbai in the 1920s.
    In the cafe, shell-patterned mosaic tiles pick up the subtle green hues in the bar’s marble countertop while oversized windows flood the space with light.
    “The show-stopping scalloped marble floor tiles feature colours inspired by Indian spices and herbs that are used for the cocktail menu,” said Cruickshank.
    A curved bar with a scalloped countertop features in the Teahouse cafeIn the next-door restaurant, an open-plan copper-and-wood kitchen takes centre stage alongside richly upholstered banquettes.
    Framed vinyl covers and vintage-style gramophones reference India’s jazz era, representing the fusion of Indian and Western cultures.

    The Hoxton opens Ricardo Bofill-informed hotel in Barcelona

    “The concept for the restaurant is to emulate the vibrant colour palette of the spices and textiles found in the markets of Mumbai as well as the quirky curiosities often found within the markets, such as gramophones,” said Cruickshank.
    “This also has a nod to the theatricality of the 1920s Weimar era and the cultural importance of jazz during this time.”
    The House of Tandoor restaurant serves modern Indian fareThe “rough nouveau” concept continues in the 234 bedrooms, where a restrained take on the whiplash curves of art nouveau can be seen in features such as the headboards while the lighting brings a raw, unpolished element to each room.
    A muted colour palette of soft pinks and greens provides a sense of warmth that is amplified by the vintage furniture, herringbone flooring and patterned rugs.
    The hotel has 234 guest roomsBuilding on the hotel’s links to its locale are the illuminated room numbers.
    “Illuminated house and apartment number signs are a quintessential feature you see all over West Berlin,” Cruickshank said. “Using these signs references this distinctive design marker of the neighbourhood.”
    A curved headboard nods to the swirling lines of art nouveauA top-floor party and event space, The Apartment, includes three flexible private rooms arranged around a central kitchen.
    The Apartment’s aesthetic was informed by the life and work of Mary Wigman, a German dancer and choreographer who pioneered expressionist dance and lived in West Berlin in the early 20th century.
    The Apartment offers a space for hosting private parties and events”We imagined the space to be like a 1920s apartment looking out over the vibrant city with art nouveau influences in the floral and botanical wallpapers and the soft pastel colour palette,” Cruickshank said.
    “The location of The Apartment on the top floor of the hotel adds to the residential feel of the space.”
    The space features homey furnishings reminiscent of an apartmentThe Hoxton’s other outposts include a hotel informed by the work of Spanish architect Ricardo Bofill in Barcelona and one housed in Chicago’s old meatpacking area.
    The photography is courtesy of The Hoxton.

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    Madera displays contemporary flooring and millwork products in Los Angeles showroom

    Design and fabrication firm Madera has unveiled its latest showroom in Los Angeles, which was designed to showcase wood flooring and millwork products and has been captured in this exclusive video produced by Dezeen.

    The West Coast hub, which is Madera’s second showroom, is located in the Arts District of Los Angeles while its flagship showroom is in New York City.

    The showroom features a selection of wood products ranging from the brand’s signature wide-plank Thrasher flooring to custom cabinetry and benches.
    The space, which was converted from a former metal foundry into a showroom, aims to encourage clients to embrace wood and view it as an essential and natural element in design.
    Madera’s made-to-order Thrasher cabinetry is displayed in a living room spaceThe entryway features bespoke Douglas fir tables and benches, while the living room space has made-to-order Thrasher cabinetry showcasing the various finishes the brand offers.
    The kitchen displays a large custom island combining Madera’s Dogwood Ash and Travertine finishes, while a nearby conference room houses the brand’s Abechi Façade cladding in black.
    The showroom kitchen features a custom island that combines Madera’s Dogwood Ash and Travertine finishesMadera’s mission is to bring the natural beauty of wood into the spaces their clients inhabit to “redefine its place in the modern home”, according to the brand.
    Its Los Angeles wood shop, where custom stair parts and millwork elements are produced, is located only a short distance from its showroom.
    Madera’s showroom is located in the Arts District of Los AngelesThe brand recently launched its Seamless Wood Design system, which aims to ensure wooden products in an interior all complement each other.
    The system was created to offer designers and homeowners a customisable option that enables them to retain the character of wood throughout an interior.
    Partnership content
    This video was produced by Dezeen for Madera as part of a partnership. Find out more about Dezeen partnership content here.

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