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      Irina Kromayer designs Château Royal hotel to feel “authentic” rather than retro

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      Interior architect Irina Kromayer has overseen the design of Berlin’s Château Royal hotel, creating a series of eclectic spaces that reference the heyday of the German capital at the turn of the 20th century.

      The 93-room Château Royal is located in the heart of Mitte, on a street parallel to Unter den Linden boulevard and close to the iconic Brandenburg Gate.
      Château Royal has 93 rooms (top image) as well as a fireside lounge (above)  The hotel comprises two buildings dating from 1850 and 1910, as well as a newer building and roof extension designed by David Chipperfield Architects.
      The renovation project, led by Kromayer with support from Swiss architect Etienne Descloux and interior designer Katariina Minits, aims to reflect the periods during which the heritage-listed buildings were constructed.
      Built-in joinery features in all the guest rooms”Our design goal was to provide the traveller with an ‘authentic’ experience of being in Berlin, using materials and colours that traditionally stand for the city’s heyday,” Kromayer told Dezeen.

      Oak panelling, art nouveau tiles, sisal carpets and hardware in brass and nickel were incorporated into the scheme based on the finishings commonly found in Berlin’s historic buildings.
      This was informed by the storage walls of traditional West Berlin apartmentsKromayer designed much of the furniture herself – as well as in collaboration with Porto-based German designer Christian Haas – in order to achieve a seamless merging of contemporary and classic details.
      “We didn’t want the hotel to be retro but rather to feel classic so we simplified things into less decorative shapes,” she explained.
      In addition, vintage pieces were sourced from all over Europe to give a lived-in “patina” to the interior and explore a more sustainable approach to furniture sourcing.
      Loupiotte pendant lights emphasise the building’s high ceilingsThe pendant lights for the guest rooms were created in collaboration with Berlin-based manufacturer Loupiotte and are intended to emphasise the building’s high ceilings.
      Made from Japanese paper and brass, the lamps are based on a 1920s design from Josef Hoffmann, one of the co-founders of the Wiener Werkstätte art movement.

      Batek Architekten renovates historic cinema in pastel and earth-coloured hues

      The hotel’s custom-made wooden beds feature headboards crafted from Viennese wickerwork. Kromayer also created outdoor lanterns that reference traditional Berlin street lights and include unique glass panels made by artist Paul Hance.
      Built-in joinery found in each of the bedrooms was informed by the partition walls with integrated storage, which are typical of traditional West Berlin apartments.
      Glazed blue tiles can be found in the guest bathroomsPaintings by early 20th-century artists associated with the expressionist and new objectivity movements influenced the hotel’s bold colour scheme, which is applied across surfaces including tiles and upholstery textiles, along with curated artworks.
      The interior features colourful glazed bricks and tiles similar to those found in Berlin’s underground stations, as well as stained glass and coloured marble.
      Stained-glass panels brighten up the hotel barThe hotel bar is made from tin – a material Kromayer says was widely used at the turn of the century but is rarely found in contemporary German interiors. Nickel and chrome bathroom fixtures were chosen to reference the modernist and Bauhaus design movements.
      Alongside its guest rooms, which include 13 suites and an apartment, Château Royal also accommodates a lobby, bar, restaurant, private dining room, fireside lounge and winter garden.
      A Karl Holmqvist artwork hangs inside the hotel’s Dóttir eateryBuilt-in carpentry used throughout the public areas helps to create a sense of consistency with the bedrooms, while vintage furniture, rugs and lamps made for the hotel by KL Ceramics add to the eclectic feel of the spaces.
      The hotel’s restaurant, called Dóttir, features upholstered oak seating by Bauhaus designer Erich Dieckmann. Artworks including a neon piece by Karl Holmqvist bring character to the ground-floor eatery.
      Other recent renovation projects from Berlin include a pistachio-toned revamp of one of the city’s oldest cinemas and a hotel housed inside an abandoned women’s prison.
      The photography is by Felix Brueggemann.

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      Space10 invites public into its Copenhagen HQ with kiosk-like design library

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      IKEA’s innovation lab Space10 has worked with interior designers Spacon & X to transform the ground floor of its headquarters into a library and community space, with a look that is meant to recall a simple kiosk.

      Located in a former fish factory in the city’s Meatpacking District, Space10’s offices now include a library of 100 future-focused books, a snack bar and a design shop, alongside an existing gallery and event space.
      While the ground floor was already used for community-facing events, Space10 set out to expand the offering beyond “temporary” interactions and create a space that people could access at their leisure all day.
      A library, snack bar and design shop have been added to the ground floor of Space10’s Copenhagen headquarters”We wanted the ground floor to play a much stronger role in our mission to involve the many and diversify our perspectives,” Space10 designer Kevin Curran told Dezeen.
      “By opening a new library for the public, we suddenly have a space that feels alive, warm and welcoming, and it lets visitors spend as much time here as they like and explore Space10 on a daily basis.”

      The studio worked with its long-time collaborators Spacon & X on the interior design, which references kiosks and particularly the newsstands of New York to create an accessible setting.
      The design of the space was informed by newsstands with their racks of magazinesAccording to Spacon & X co-founder Svend Jacob Pedersen, the aim was to create a welcoming space where “nothing should be too curated or feel precious”.
      “It was important for us to work with understated but recognisable cultural symbols through materials and form so that the project itself encourages interaction and is perceived as public,” Pedersen said.
      The space is intended to be open to the public all day”From the beginning, the classic New York newsstand was a big inspiration as its layered setup with only the magazine’s headline and title visible piques curiosity and almost demands visitors to pick them up and browse,” Pedersen continued.
      “Furthermore, you can pick up a soft drink from the fridge, a souvenir cup from the shelves or some gum at the counter – an informal invitation to stay and browse.”
      This approach extended to the furniture choices, which blend custom pieces with more everyday designs, along with playful accessories such as metal pencil trays that recall hot dog holders.
      Accessories shaped like hot dog holders help to recall the kiosk environment”We shopped generic, almost iconic, cafe aluminum chairs and tables that many will recognise from their preferred kebab joint or touristy cafe, almost as an universal welcome sign,” said Pedersen.
      Among the custom pieces are shelves and seating with wooden cylindrical frames held together by looped steel joinery. The joinery is typically used to partition cattle farms and was partly chosen to reference the building’s location in the Meatpacking District, where meat businesses were formerly based.
      The steel joinery was fabricated for the cattle industry, where it is used for partitioningThe modular shelving for the library is finished with bright fabric pockets made of Hallingdal 65, a blend from Danish company Kvadrat with wool for durability and viscose for brilliance.
      At the centre of the kiosk space is Spacon & X’s industrial-looking Super Super table, made of sheets of bolted aluminium, and suspended above it is a custom lighting design made of upcycled office ceiling lights set in a wooden frame.

      Space10 proposes linking NFTs to furniture to encourage better care

      The studios chose materials and furnishings with the aim of reducing the carbon footprint of transportation and supporting the local economy, selecting metal for its durability and aluminium in particular for its recyclability.
      They also sought to cultivate an aesthetic that could be replicated at Space10 projects around the world with local and preferably upcycled materials.
      Upcycled materials have been used to make elements such as a wooden suspended lighting featureThe library at the space features 100 books curated by Space10 on the subject of how to build a better future for people and the planet. These will be supplemented with titles put forward by guest curators and the community.
      The building also includes two private floors for the Space10 team — an upper office area and a basement fabrication laboratory and tech studio.
      Space10 will open the doors of the ground floor to the public on January 26. It plans to host two exhibitions each year and keep all its events free to attend.
      The library features 100 titles chosen by Space10 for their ideas about designing for the futureSpace10 and Spacon & X have worked together since 2015, when Spacon & X designed the first version of Space10’s office. They later updated those offices together in 2019 to move away from an open-plan design.
      Space10 works “with and for IKEA”, functioning as an independent innovation lab whose research feeds into the brand’s future planning.
      Its recent projects have included the Carbon Banks NFT concept designed to inspire better care for furniture and the Updatables concept for upcycling furniture using artificial intelligence.
      Photography is by Seth Nicholas.

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      Alexander & Co carves out spaces for calm and play inside Pacific House

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      Australian architecture practice Alexander & Co has overhauled this oceanside home in Sydney to make it more suitable for family life.

      Before its renovation, the five-bedroom house had a disjointed floor plan that was proving inefficient for its two young owners and their three children. Many of the rooms were also cut off from views of the garden and the ocean beyond.
      Pacific House’s kitchen is decked out with oakwood and different types of marble”[Pacific House] was substantial in structure but devoid of spirit and certainly absent of any operational utility,” said Alexander & Co’s principal architect Jeremy Bull.
      Tasked with making the home a “functional engineer of family life”, the practice decided to carve out areas for activity and play, alongside spaces with a calmer, more contemplative ambience for the adults.
      The cosy breakfast nook backs onto a curved windowAt the heart of the plan now sits an expansive kitchen. All of the cabinetry is made from warm-hued American oak, while panels of a paler European oak were laid across the ceiling.

      Jagged-edged pieces of Grigio Firma, Grigio Lana and Carrara marble were set into the kitchen floor.
      Arched doorways open onto the gardenInhabitants can eat at the central island or take a seat at the breakfast nook, which is tucked against a huge concave window.
      Its form nods to the architectural style of P&O – an offshoot of modernism that was popular in 1930s Sydney and drew on the streamlined curves of Pacific and Orient-line cruise ships.
      Neutral hues were applied throughout the formal dining areaTwo arched doors at the front of the kitchen grant access to the garden, where there’s an alfresco seating area.
      A new swimming pool was added in an excavation pit that had previously been created in the home’s driveway.

      Timber and rattan add warmth to Glorietta eatery in Sydney

      The rest of Pacific House’s ground floor includes a rumpus room for games, parties and recreation, plus a sophisticated dining area decked out in neutral hues.
      There’s also a spacious living area with Mario Bellini’s Camaleonda sofa for B&B Italia, which looks out across the ocean waves.
      An Afghan rug printed with abstract shapes and a couple of triangular marble coffee tables add to the more fun, graphic look that the practice sought to establish in this room.
      The living area is arranged to prioritise ocean vistasSpaces become slightly more muted on the floor above, which is accessed via an oakwood staircase.
      In the principal bedroom – which features another P&O-style curved window – walls are rendered in concrete.
      Grey terrazzo and marble was used to cover surfaces in the bathroom, clashing against the pattern of the grey mosaic flooring.
      The primary bedroom has a curved window and a greyscale en-suiteAlexander & Co has completed a number of other projects in Sydney including an Italian trattoria and most recently its own studio, which is housed in a converted Victorian-era residence.
      Formal workstations are built into the building’s basement, but the remaining residential-style floors accommodate a kitchen, living room and library where staff can brainstorm ideas.
      The photography is by Anson Smart.

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      Space Exploration Design gives Bar Americano in Brooklyn a time-worn feel

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      Distressed plaster, exposed brick and mahogany millwork at this cocktail bar in Greenpoint were chosen by Space Exploration Design to “give the impression that it’s always been there”.

      Bar Americano opened recently on the corner of a landmarked residential building on Franklin Avenue – a bustling yet not overrun thoroughfare in north Brooklyn.
      The U-shaped counter at Bar Americano provides seating on three sidesServing cocktails, aperitifs and small plates, the bar is designed with an intentionally worn-in appearance to integrate with the fabric of the neighbourhood.
      “The directive that the ownership team of Bar Americano gave to Space Exploration Design was to create a neighborhood bar that gives the impression that it’s always been there,” said the studio, run by designer Kevin Greenberg. “[We] chose a palette of mostly warm, neutral materials with natural finishes that will patina gracefully over time.”
      Mahogany millwork forms the back bar, which incorporates sconces decorated with abstract floral patternsThe bar itself is located in the centre of the space, with a U-shaped counter surrounded by wooden stools on three sides.

      Behind, a mahogany cabinet displays a wide range of liquor bottles, and a vintage clock is affixed near the top.
      Seating nooks are tucked into corners away from the standing roomAlso embedded into the millwork are a pair of gilded sconces decorated with abstract floral patterns, created by Blaser Finishing, which also completed the plasterwork across the walls.
      Tight tambour panels clad the front of the bar counter and the lower half of partitions, and fluted glass continues the same vertical accentuation above.

      Usonian architecture informs Sereneco restaurant in Greenpoint by Carpenter + Mason

      “To emphasise the simple, honest approach to the cocktails, Space Exploration employed a restrained detailing language throughout. A strong sense of verticality provides the perfect complement to Bar Americano’s delicate glassware,” the studio said.
      Cosy seating nooks with leather upholstery of different sizes are snuggled into corners and window bays, away from the standing room.
      A raised seating area is set against an exposed brick wallA larger area with two-top tables is raised a few steps up, set against an exposed brick wall.
      Decorative tin tiles covering the ceiling were painted matte white, while brass was chosen for lighting fixtures, coat hooks and other hardware details.
      Distressed plaster walls and tin ceiling tiles add to the bar’s worn-in appearanceBar Americano joins several design-forward food and drink spaces in Greenpoint, including the Sereneco restaurant informed by Usonian architecture and the plant-filled Vietnamese eatery Di An Di.
      Other cocktail bars in NYC that have recently opened include the Upstairs lounge at Public Records in Gowanus and the rooftop bar at the Moxy Lower East Side hotel.
      The photography is by Alice Gao.

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      Ten interiors that make use of statement carpets

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      A bright red carpet covering the interior of an abandoned Mexico City mansion, a sisal carpet stretched over furnishings and a carpeted bathroom are among the floor coverings in our latest lookbook of 10 interiors with bold carpets.

      Not only can carpets bring more texture and statement colour to an interior setting, but they can also help to insulate homes, especially if used in combination with a layer of underlay.
      These interiors showcase how carpets in unusual shades and carpets displayed in unexpected ways can bring a unique look to homes and offices.
      This is the latest in our lookbooks series, which provides visual inspiration from Dezeen’s archive. For more inspiration see previous lookbooks featuring hotel interiors with decadent jewel tones, kitchens with marble surfaces and residential interiors informed by biophilic design.
      Photo is by José HeviaArches Apartment, Spain, by PMAA

      Spanish architecture studio PMAA overhauled the interior of this top-floor apartment in Barcelona’s Raval neighbourhood. The apartment is characterised by white-painted partitions with arched openings that run through and divide the interior of the home.
      The living area, which is raised on a slight platform, was blanketed in a cool, sea green-toned carpet juxtaposed against the stark white walls. A large modular sofa wraps around the columns of the arched partitions.
      Find out more about Arches Apartment ›
      Photo is by Jan VranovskyNagatachō Apartment, Japan, by Adam Nathaniel Furman
      London designer Adam Nathaniel Furman renovated the interior of this formerly “claustrophobic” Tokyo apartment, adding a bold, pastel and sugar-sweet colour palette.
      A low-pile, lilac carpet extends through the interior of the home and serves as a base for a rainbow of pastel hues that cover the walls, joinery and furniture throughout.
      Find out more about Nagatachō Apartment ›
      Photo is by Erik UndehnNew York Office, US, by Halleroed
      In New York City, Stockholm studio Halleroed made a bold feature out of plush blue carpets and wood panelling throughout the interior of an office building that covers almost 17 stories.
      The interior scheme was informed by movies created by American filmmaker David Lynch. Most of the walls and surfaces of the interior were clad in veneer panels made from Makore wood, which is native to central and western Africa.
      Find out more about New York Office ›
      Photo is by Piet-Albert GoethalsApartment A, Belgium, by Atelier Dialect
      A rectangular stainless-steel bathtub sat on top of a heavy grey carpet form part of this Antwerp apartment, which underwent a contemporary renovation by Belgian design studio Atelier Dialect.
      The primary bedroom has an open-plan design that adjoins an en-suite bathroom. Both spaces are linked by a grey carpet that covers the floor, and minty-green lacquer that stretches across the walls and ceiling of the open-plan spaces.
      A reflective tub sits in the middle of the room in front of a wall of subway tiles.
      Find out more about Apartment A ›
      Photo is by Genevieve LutkinMexico City mansion, Mexico, by Masa gallery
      This 1970s mansion in Mexico City was used as a setting for the inaugural exhibit from Masa gallery. The venue was decorated with bright red walls and also features expanses of red and golden-hued carpets.
      The mansion, which had been vacant since the 1970s, was kept as the gallery found it and decorated with works by a number of Mexico City-based designers and architects.
      Find out more about Mexico City mansion ›
      Photo is by José HeviaBarcelona apartment, Spain, by Arquitectura-G
      Located in the Ensanche district of Barcelona, this 149-square-metre apartment was renovated by Spanish studio Aqruitectura-G, which was assigned with opening up the interior and drawing in natural light.
      The studio adapted the floor levels of the home to zone different areas across each floor. In the living area, a warm-hued sisal carpet extends across the stepped levels of the space, while also covering and wrapping around built-in seating, tables and other surfaces.
      Find out more about Barcelona apartment ›
      Photo is by Dylan ChandlerNew York apartment, US, by Harry Nuriev and Tyler Billinger
      Crosby Studios founder Harry Nuriev and his partner and CEO Tyler Billinger renovated their NoLita apartment in Manhattan, New York City, in shades of violet. A heavy-pile purple carpet was fitted in the living area amid grey tile-clad surrounding walls and floors.
      “We wanted a space that was not only elegant, but also liveable – we wanted to create a cosy sanctuary, which is why we used a warm grey as the base colour, and a vibrant purple as the supporting to give it that Crosby signature boldness,” said Billinger.
      Find out more about the New York apartment ›
      Photo is by Mariell Lind HansenLondon townhouse, UK, by Studio Hagen Hall
      Architecture office Studio Hagen Hall transformed this townhouse in north London, decorating its interior with a scheme that nods to 1970s Californian modernism.
      The lounge includes a custom sofa upholstered in a mustardy, orange-hued velvet. Beneath the sofa and across the walls, a peach carpet covers the surfaces as well as a circular ottoman at the foot of the sofa.
      Find out more about London townhouse ›
      Photo is by Gianluca Di IoiaCasa Lana, Milan, by Ettore Sottsass
      In 2022, the Triennale di Milano museum reconstructed the interior of a Milanese apartment that was designed by Memphis Group founder Ettore Sottsass.
      A magenta-coloured carpet runs through the interior of the replica apartment, while wood-clad and boldly upholstered soft furnishings in contrasting blue hues were also placed in the room.
      Find out more about Casa Lana ›
      Photo is by Lisa PetroleWinona House, Canada, by Reigo and Bauer
      At Winona House, a family home in Toronto that was designed by local architecture studio Reigo and Bauer, residents and visitors are met by a bright blue carpet in the entrance hall that covers the stairs to the home’s upper levels.
      Pops of colour were added throughout the home, including on the exterior, which features a hot pink-painted entrance that is surrounded by black shingles.
      Find out more about Winona House ›
      This is the latest in our lookbooks series, which provides visual inspiration from Dezeen’s archive. For more inspiration see previous lookbooks featuring pop-up shop interiors, kitchens with marble surfaces and interiors with stone furnishings.

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      Lucas y Hernández-Gil uses extreme colour blocking in Naked and Famous bar

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      Madrid-based studio Lucas y Hernández-Gil has used reflective materials, neon lighting and sunset colours to create intense interiors for a bar in Seville.

      Called Naked and Famous, the bar contains a series of rooms that explore extremely different moods, thanks to varying colours, materials and lighting conditions.
      The bar features three distinctively different roomsAccording to architect Cristina Domínguez Lucas, co-founder of Lucas y Hernández-Gil, the aim was create to a visual experience that echoes the taste sensations of the various cocktails on offer.
      “We hope to intensify the experience of cocktail drinking by achieving an atmosphere of saturated tones where visual perception establishes connections with the sense of taste,” she told Dezeen.
      The design aims to intensify the experience of drinking cocktailsNaked and Famous is the latest venture from the team behind the popular Seville restaurant Casaplata, which opened in the Spanish city in 2018.

      While the cocktail bar has a similarly contemporary feel, with industrial-style materials and bold forms, the design is much more immersive.
      The entrance lobby is framed by mirror surfacesYou arrive via a mirror-lined lobby, intended to play with your perception of space.
      From here, a tall arched doorway leads through to a room where everything is a vivid shade of pink.
      The central room is a vivid shade of pinkThere are two more spaces to discover.
      One is a softly lit room coloured in midnight blue, described by Lucas as a space of  “silence and shadows”.

      Pastel furnishings contrast against concrete walls in Seville’s Casaplata restaurant

      The other is a laboratory-inspired room featuring a cocktail bar framed by metallic surfaces. Argon-blue lighting gives the room a turquoise glow.
      “Here we find ourselves surrounded by metalised tones and reflections, just as in a great cocktail shaker,” said Lucas.
      Another of the rooms is coloured in a midnight-blue toneThe design takes inspiration from the light artworks of Dan Flavin and James Turrell, as well as the paintings of Milton Avery. The colour palette is based on the colours of the sky during sunset hours.
      The lighting effects are amplified by the combination of multi-textural and see-through materials, particularly the corrugated and perforated metal that forms internal walls, and the acoustic foam on the ceiling.
      The bar is designed with a laboratory feelThe rooms have been furnished with bespoke tables and chairs designed by Lucas y Hernández-Gil’s furniture studio, Kresta Design.
      Based on the forms of kitchen utensils, these designs feature cone shapes, splayed legs, high-gloss surfaces and velvet upholstery.
      Argon-blue lighting is reflected around the spaceLucas and partner Fernando Hernández-Gil Ruano founded their studio in 2007.
      Other completed projects include the La Hermandad de Villalba guesthouse and the Juana Limón cafe in Madrid.
      The photography is by Juan Delgado.

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      Ivy Studio populates MAD Creative Hub with pink and purple elements

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      Montreal-based Ivy Studio has turned a former print shop into offices and creative spaces, with a “work in progress” aesthetic punctuated by colourful moments.

      MAD Collectif organises global fashion, art and design events, and after rebranding from Groupe Sensation Mode in 2022, the company decided to look for a new base location for its team.
      The all-white interior of MAD Creative Hub is contrasted by a marble bar counter and lilac stoolsEventually, it found a 3,600-square-foot (334-square-metre) space on the ground floor of a two-storey building in The Village area of Montreal, which became the MAD Creative Hub.
      “The objective for the new location was to focus on creativity and collaboration and for it to be used not only by their team internally but also by their multiple partners and collaborators – a flexible space made for sharing ideas and working together,” said Ivy Studio.
      The space is designed to look unfinished, through the use of exposed wall studsBuilt in 1939 as a print shop, the long space only has windows on its street-facing facade.

      This dictated a layout where public areas are located in the front, while private rooms are situated towards the back.
      The front area is intended to host events, exhibitions, pop-up shops and moreA two-foot difference in the floor level helps to define these two zones.
      In both areas, colourful accents including vintage sofas and chairs stand out from the existing walls, plumbing and ventilation equipment which were all painted white.
      White ceramic tiles cover the floor and low partition walls that define the public areaSpaces are intentionally meant to look unfinished, with exposed metal studs, track lighting and unpainted metal door frames all adding to this appearance.
      “The ‘work in progress’ aesthetic makes it feel as if the place is undergoing a constant evolution and mirrors the brand’s new forward-thinking approach,” said architect Philip Staszewski, one of the four Ivy Studio co-founders.
      Purple sofas pop against the white tilesVisitors enter a cafe featuring a richly coloured marble bar counter, which starkly contrasts the white ceramic tiles that cover the surrounding four-foot-high (1.2-metre) partitions and the entire floor.
      A banquette follows the wall and runs underneath the window, its cushions covered in textured purple velvet.
      A ramp below a path of lights leads to the raised workspace at the backPink and orange poufs accompany galvanised steel tables, and lilac bar stools serve the counter, together providing a flexible and informal space for employees and events.
      On the other side of an enclosed stairwell that divides the plan is another naturally lit area used for photoshoots, exhibits or pop-up shops. Comfy purple chairs offer additional seating here.

      Ivy Studio adds pops of colour to Spacial co-working office in Montreal

      A 16-foot (4.9-metre) ramp leads up to the raised level, where rows of open desks are positioned next to the periphery walls.
      “The ramp leading towards the back is meant to be an experience of its own,” said Ivy Studio. “The narrow ceramic-clad passage is placed beneath a series of linear lights, giving the impression of walking down some version of a runway.”
      Clear polycarbonate panels expose the pink fibreglass insulation around meeting roomsPrivate offices and meeting rooms are formed by partition walls that present pink fibreglass insulation behind clear polycarbonate panels.
      The insulation helps to soundproof the small rooms for employees taking calls, particularly during events or parties taking place in the front.
      Open desks for employees are laid out along periphery wallsIvy Studio has completed several projects in its home city, each playing with colour in a different way.
      They include a restaurant with a green marble pizza oven, a co-working office featuring mint green and burgundy hues, and a spinning studio dominated by black.
      The photography is by Alex Lesage.
      Project credits:
      Design and architecture: Ivy StudioTeam: Gabrielle Rousseau, David Kirouac, Guillaume B Riel, Philip StaszewskiConstruction: Gestion Gauthier Construction

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      Ten earthy bedrooms that use natural colours to create a restful environment

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      In our latest lookbook, we highlight 10 bedroom interiors that introduce earthy colour palettes and natural materials to evoke a sense of calm and tranquility.

      Warm tones of earthen brown and light neutrals were used alongside colourful pops of terracotta and leafy greens on soft furnishings, headboards and decorations to create a peaceful atmosphere in these bedrooms.
      Stone surfaces, timber panelling, linen fabric, accents of clay and limewash finishes add subtle textures to the interior spaces.
      This is the latest in our lookbooks series, which provides visual inspiration from Dezeen’s archive. For more inspiration see previous lookbooks featuring jewel-toned hotel interiors, kitchens with marble surfaces and biophilic homes.
      Photo by Fabian MartinezColonia Condesa House, Mexico, by Chloé Mason Gray

      For the renovation of this mid-20th century house in Mexico City, local interiors studio Chloé Mason Gray embraced the lack of natural light coming into the space by introducing dark, earthy colours and textures.
      The walls of the primary bedroom were coated in brown plaster, and the space was finished with a brown leather headboard and linen furnishings in deep shades of forest green.
      Find out more about Colonia Condesa House ›
      Photo by Salva LópezCasa Maiora, Italy, by Studio Andrew Trotter
      Designed to mimic the surrounding landscape, Italian architecture practice Studio Andrew Trotter created this villa in Puglia with sandstone and limestone walls coated in a pink lime wash.
      Stone floors complement the warm-toned walls while in the bedrooms, locally-sourced wooden antique furniture and large woven rugs add hints of deeper earthen shades.
      Find out more about Casa Maiora ›
      Photo by Seth CaplanDumbo Loft, USA, by Crystal Sinclair Designs
      New York interiors studio Crystal Sinclair Designs punctuated the pale white backdrop of this bedroom in a Brooklyn loft apartment with caramel shades of brown and natural textures.
      A yellow-brown velvet chair, rustic tiles that wrap around the lower half of structural columns, and a wooden batten wall help to make the space cosier and more inviting.
      Find out more about Dumbo Loft ›
      Photo by Emanuelis StasaitisDe Beauvoir Townhouse, UK, by HÛT
      As part of the overhaul of a home in London, British architecture studio HÛT finished the surfaces and joinery in the main bedroom in sage green, nodding to the use of green shades in the kitchen and living room downstairs.
      According to the studio, the muted green colour was chosen for its timelessness and longevity, as well as for its visual appeal when paired with exposed timber.
      Find out more about De Beauvoir Townhouse ›
      Photo by MCA EstúdioHygge Studio, Brazil, by Melina Romano
      Brazilian designer Melina Romano used a myriad of earthy colours, textures and decorations to achieve a modern interior with “rustic charm” in this São Paulo apartment.
      Terracotta flooring and creamy brick walls were complemented with comfy furniture and soft furnishing in earthy tones, including the rust-coloured bed frame and elongated headboard in the bedroom.
      Romano also added a tropical leafy plant, branches speckled with lichen and insect-shaped wall art to the space.
      Find out more about Hygge Studio ›
      Photo by Joe FletcherTwentieth, USA, by Woods + Dangaran
      Wood panelling, vintage furnishings and earthy-brown colours characterise the interior spaces of the Twentieth house in Santa Monica by Los Angeles studio Woods +Dangaran, which was built around an olive tree.
      The primary bedroom was designed to feel flush and luxurious, with a Mehraban silk shag rug, brass fixtures and a custom bed recessed into a wooden surround.
      Find out more about Twentieth ›
      Photo by Fran ParenteFlat #6, Brazil, by Studio MK27
      Also featuring a custom-made wooden bed surround is this bedroom designed by local architecture and design practice Studio MK27.
      The practice added tactile rugs, blankets and fabric wall panels in various shades of brown and light neutrals to contrast with the basalt stone flooring in the São Paulo apartment.
      “Natural light warms up every piece and every corner, letting the woods, the velvets and the stones speak louder,” said Studio MK27.
      Find out more about Flat #6 ›
      Photo by Undine PröhlEscondido Oaxaca Hotel, Mexico, by Decada Muebles
      Interiors studio Decada Muebles finished the bedrooms of this boutique hotel in Oaxaca City with woven palm leaf headboards and sabino wood furniture pieces made by local artisans, including side tables, bed frames and shutters.
      Alongside the wood accents, stucco walls help to add warmth and texture to the space and create a relaxing place for vacationers to stay.
      Find out more about Escondido Oaxaca Hotel ›
      Photo by Michael SinclairThe Palace Gate Apartment, UK, by Tala Fustok Studio
      Local interior design practice Tala Fustok Studio transformed this west London apartment into a “calm sanctuary” with a mixture of stone textures, earthy fabrics and a soft-warm colour palette.
      The centrepiece of the bedroom is a 1960s-style velvet bed in a dusty pink hue. Decorative items surrounding it include a wall tapestry, a modern stone fireplace and an organically-shaped ceramic statue.
      Find out more about The Palace Gate Apartment ›
      Photo by Supee JuntranggurLom Haijai, Thailand, by Studionomad
      Lom Haijai is an apartment block in Bangkok designed by architecture practice Studionomad, which features trees growing through the facade’s louvres.
      Each bedroom in the apartment block has a Juliet balcony that looks over an internal courtyard. Wooden flooring and wall panelling add to the nature-inspired theme of the design.
      Find out more about Lom Haijai ›
      This is the latest in our lookbooks series, which provides visual inspiration from Dezeen’s archive. For more inspiration see previous lookbooks featuring jewel-toned hotel interiors, kitchens with marble surfaces and biophilic homes.

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