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      Studio Rhonda uses saturated colours and glass bricks to revamp Zetteler's headquarters

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      Interiors firm Studio Rhonda has redesigned communications agency Zetteler’s London office using contrasting colours and tactile vegan and deaf-friendly materials.

      The studio, which is led by Rhonda Drakeford, created a distinctive feeling for each of the headquarter’s three zones – a main work area, a smaller cafe-style space for meals and relaxing, and a meeting space.
      The Zetteler headquarters is located in east LondonAs Zetteler founder Sabine Zetteler has severe conductive hearing loss, it was also important that the office didn’t feature details such as hard floors and high ceilings, which can create a disruptive atmosphere.
      “The space was to be split into three zones, each with a different ambience and function, with an emphasis on the whole space to be deaf-friendly, plus there was the need for the materials used to be vegan,” Drakeford explained.
      Plants are dotted throughout the spaceThe choice to use vegan materials was based on the fact that most of Zetteler’s staff is vegan or vegetarian.

      “The research process was enlightening; for example, I was surprised to learn that some paints include casein, a dairy product,” Zetteler told Dezeen.
      “I’m proud that we’ve been able to find vegan options for all our integral building materials, but I would really like to see manufacturers take more responsibility for transparency, so we can all make more informed decisions.”
      A duck-egg blue decorates the main workspaceTo create distinctive zones in the office, located in a mid-century industrial block off Broadway Market in east London, Drakeford used different colours and materials to define the spaces.
      A pale duck-egg blue was used for the main work area, which also features a large desk in natural wood and a jute carpet that gives the room an organic feel.
      Glass bricks create a light meeting roomThe adjacent meeting room is enclosed in glass brick walls, which Zetteler had requested to allow for light to flow through the space.
      “I sourced some Czech glass bricks with graphic linear mouldings for a contemporary edge,” Drakeford explained.

      Fathom Architects designs London office with more meeting areas than desks

      “I devised an anchor line of 2,300 millimetres from the ground as the top height of any structures so as to maintain coherence in all three zones and also to help the space retain an open-plan feel,” she added.
      “The roof of the glass-brick ‘pod’ stops at the 2,300 millimetres anchor line, allowing light to travel over it.”
      The Zetteler kitchen features wood and Valchromat surfacesIn the kitchen, the interior designer used furniture from brand Hølte, a Zetteler client whose showroom is close to the office.
      “I specified custom oversize recessed handles and an unusual matching oak splash-back combined with a beige tap by Toniton for a mono-material/colour effect ‘block’,” Drakeford said.
      “We also used the oversize circular handles on the adjoining orange Valchromat storage cupboards, which were also produced by Hølte, and the green Valchromat sliding doors to the right of the kitchen block,”
      Pale blue walls meet green storage spaces and a glass-brick meeting roomThe use of colour was defined by the light in the different rooms of the office, which sits on a north-south axis.
      “I worked with a cool, duck-egg blue at the front, south-facing area as I knew that the space tends to get very warm in the summer,” Drakeford explained.
      “A warmer, buff colour was used at the rear, north-facing section, to counteract how cold that area can feel in the winter months.”
      Warmer hues were used at the north-facing rear of the buildingThe neutral backdrop hues were complemented by pops of colour in a variety of textured materials and chalky tones. To make the space deaf-friendly, the designer chose to add plenty of soft materials to the interiors.
      “Curtains and rugs are used throughout to help with zoning and privacy as well as optimising the acoustics,” Drakeford said.
      “The meeting pod is purpose-built, very solid and lined with acoustic vegan wool, creating a quiet sanctuary from the more open-plan spaces. Planting is also a key part of the acoustic softening, as well as making the space more welcoming.”
      A deep blue hue makes the meeting room feel cosyThe overall design aimed to create an office that didn’t have the “matchy-matchy” feel of many corporate office spaces, Drakeford said.
      “I approached this space in the same way I would treat a residential interior, with the warmth and comfort of a mismatched but visually coherent family of furniture and materials,” she added.
      Other notable London offices include The Crown Estate’s Fathom Architecture-designed space in St James’s and a “homely” office in the brutalist Smithson Tower.
      Photography is by Taran Wilkhu.

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      Graypants converts slender space near Seattle into Tomo restaurant

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      Dark-toned wood and golden light are found in this Washington bar and eatery by design firm Graypants that alludes to a Japanese urban alleyway.

      Tomo is located in the community of White Center, which lies just south of Seattle. The dining establishment – which specialises in eclectic, seasonal cuisine – is named after the owner’s grandmother, Tomoko, and the Japanese word for friend, tomodachi.
      Dark-toned wood and golden light define Tomo restaurantGraypants, which has offices in Seattle and Amsterdam, was charged with creating a distinctive space on a limited budget.
      “The brief was to create something handcrafted in a short amount of time, using a modest budget, offering room for as many guests as possible, while ensuring each seat felt like the best one in the house,” the team said.
      Graypants created the space on a minimal budgetHoused in a low-slung building along a main thoroughfare, the restaurant has a long and slender floor plan. The front facade features storefront-style glazing and charcoal-coloured brick.

      Guests step into a dark-toned room with golden lighting and ample wood.
      The design alludes to a Japanese urban alleyway”Narrow and inviting, the experience references an evening in one the endless alleyways of Japanese cities,” the studio said.
      “The architecture aims to be demure and humble, letting the food be the centre of the experience,” the team added.
      Oak shingles arranged like fish scales line the wall with seatingLining one side of the restaurant is seating, which stretches along a wall clad in oak shingles arranged like fish scales.
      To the other side is a bar, along with a kitchen enclosed within slatted walls made of ebony-stained ash.
      The bar features ebony-stained ash”Wood is a centrepiece of the space,” the team said. “The mingling of wood throughout the space creates an understated, monochrome texture.”
      Most of the lighting elements were integrated directly into wall panels, bench seating and bar shelves, enabling them to be “felt but not seen”, the designers said.

      Roth Sheppard inserts unexpected elements into Hapa Sushi restaurant

      The exception is an 80-foot (24-metre) linear fixture that extends the length of the restaurant.
      The team sought to save money wherever possible, without compromising on design quality.
      Most of the furniture was designed by GraypantsGraypants, with help from the studio Fin, designed and fabricated most of the fixtures and furniture, including the lighting, seating and tabletops. This helped reduce costs and shorten the construction timeframe.
      Each piece of furniture was finished with a zero-VOC topcoat.
      The architecture aims to be demure and humble, according to its designersThe outdoor tables, kitchen cladding and bar-back were fabricated using Richlite, a durable and locally sourced material that is made of resin-infused paper.
      “The team carefully chose their moves – like simply polishing existing concrete floors and investing in finishes that feel complex but are efficient to install, lowering construction cost,” the studio said.
      “The cost per square feet of this project is, conservatively, 35 per cent below the benchmark.”
      Low lighting is used throughout the restaurantOther restaurants in the Seattle area include the Samara bistro by Mutuus Studio, which features rustic materials and earth tones that create a “sense of timelessness and comfort”.
      The photography is by Adam Joseph Wells.
      Project credits:
      Designer: GraypantsDesign team: Seth Grizzle, Bryan Reed, Caleb Patterson, Alan MarreroFurniture designer and manufacturer: FinOwner and chef: Brady WilliamsOperations: Jessica PowersGeneral contractor: Shawn Landis

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      Takk perches communal bedroom on stilts in Madrid apartment renovation

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      Spanish architecture studio Takk has pulled back the walls of an apartment in Madrid to create an outdoor terrace alongside an insulated space that contains a bedroom on stilts.

      Takk removed all of the 110-square-metre flat’s interior walls to create a new 60-square-metre space enclosed with insulated pinewood walls, dubbed the winter house.
      This space contains an open-plan kitchen and living room as well as a self-enclosed bedroom perched on stilts, which is designed to be shared by a couple and their young daughter.
      Takk has pulled back the walls of a Madrid apartment to divide it into two spacesBoth the bedroom and the flat’s new exterior walls are made from low-carbon, heat-retaining materials, with pinewood frames sourced from Spain’s famed winemaking region of La Rioja and insulation made from duvets and charred cork.
      Takk nested the spaces in the winter house inside each other like the “layers of an onion” to retain heat and conserve energy during the colder months.

      Alongside the apartment, the studio created an exterior terrace by relocating the external walls and removing the previous north-facing windows.
      The apartment’s self-enclosed bedroom is raised on stiltsNamed the summer house, this space is connected to the inner areas of the home by sliding glass doors.
      According to the studio this arrangement eliminates the need for air-conditioning by passively cooling the interior and helping to lower the apartment’s carbon emissions in operation.
      Its door is hidden inside a book shelf”Climate change will modify all the routines of our existence,” Takk co-founder Mireia Luzárraga told Dezeen. “The way we think and build our environments should also adapt to this new situation.”
      “The project tests possible ways of organising a house to minimise energy consumption while using materials with a low carbon footprint.”
      From the outside, the door leading to the apartment looks like any other in the residential block. But on the interior of the flat, the entrance is hidden inside a built-in shelving system that runs along one side of the winter house.
      Surfaces throughout the apartment are clad in cork insulationA similar storage wall is mirrored on the other side of the open-plan space, forming a low counter that functions as a kitchen worktop on one side and a dining table and work desk on the other.
      Like most surfaces in the winter house, this is almost entirely clad in blackened cork panelling, which stores carbon and holds onto heat in the winter due to its colour and porous structure.
      In contrast, the summer house external space is finished with cement mortar, which doesn’t hold onto heat from the sun during the warmer months.
      An open-air terrace lies beyond the apartment’s pinewood wallsThis outdoor area consists of a narrow plant-filled porch that runs along the apartment’s entire north-facing wall to maximise natural light.
      At one end, it opens up into a covered terrace, separated from the interior by a pinewood wall with a row of tall vertical vents that can be opened to create a through-draft.
      In summer, the space can be shielded from the sun by an aluminium-foil thermal curtain normally used in greenhouses, while folding glass doors allow it to be turned into a kind of winter garden once temperatures drop.
      A communal outdoor bathtub is hidden behind a sheer pink curtainOn the other side of the folding doors lies a balcony housing a speckled bathtub, which is shielded from view only by a sheer pink gossamer curtain.
      This bathroom is designed to be used only in summer and by multiple members of the family at the same time, much like the open-plan living area and bedroom.

      Ten buildings on stilts that raise the stakes

      “The aim is to test the benefits, both energetic and emotional, of sleeping, playing or working together,” said Takk’s other half Alejandro Muiño.
      “In the past, rooms used to be bigger because they were communal and easier to heat. We want to recover this popular knowledge that was forgotten due to the emergence of cheap energy.”
      Vents in one of the terrace’s walls can be opened to create a draftThe stilted bedroom is the warmest part and the centrepiece of the home contained within the cork-panelled winter house and fitted with an extra layer of insulation in the form of duvets.
      These are strapped to the outside of the pinewood box alongside garlands of fake flowers, while huge stones from a quarry outside Madrid dangle from the ceiling, acting as a structural counterweight to prevent the thin wooden panel from bending.
      On the inside, the bedroom is entirely panelled in pinewood and split over two levels.
      The pinewood bedroom has two different levels”The advantages of sleeping together are countless, both for climatic and energy-saving reasons and for the reinforcement of emotional links,” Takk explained.
      “Elevating the bedroom also allows the kitchen to be more present in the daily routine of the residents because it is visible from any part of the house, which helps fight the gender and class cliches associated with these kinds of spaces.”
      The bedroom is fronted by sliding glass doorsAlthough elevated rooms such as this are rarely found in interiors, a number of architects have raised entire homes up on stilts in a bid to tread lightly on their surrounding environment.
      Dezeen has rounded up 10 of the most impressive examples, from a cork-clad cabin above a tidal salt marsh to a summer house perched on the rocky edge of a Norwegian island.
      The photography is by José Hevia.

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      Rockwell Group models Casa Dani restaurant in New York on Andalusian patios

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      Olive trees and terracotta tiles create the impression of dining al fresco inside this New York City restaurant, designed by local firm Rockwell Group to resemble a traditional Spanish courtyard.

      The interior of Casa Dani, much like its menu, was conceived to celebrate the heritage of head chef Dani Garcia, who hails from the region of Andalusia on the southernmost tip of Spain.
      Terracotta tiles cover the walls and floors of Casa DaniThe restaurant is one of two high-end eateries found in the Citizens food hall in Manhattan West, which was designed by Rockwell Group and includes a number of bars and fast-food joints.
      Guests enter Casa Dani via a cosy lounge area with walnut parquet flooring, similar to what can be found in a typical Spanish villa.
      The restaurant is accessed via a cosy loungeOne side of the room is dominated by a drinks bar with a countertop crafted from deep-green marble and a base clad in slender tiles of the same hue.

      The other side of the room is panelled in stainless steel sheets, behind which lies the restaurant’s 30-foot-long kitchen.
      A band of glass running through the middle of the panels provides visitors with a direct view of the culinary theatrics that go into the preparation of each dish.
      Lantern-style lights hang above the tablesGuests must walk down a staircase with a leather-wrapped bannister to reach the vast dining room, where both the walls and floors are inlaid with terracotta tiles.
      Paired with hanging plants, lantern-style lights and a smattering of olive trees, this creates the impression of being in one of the central open-air patios found in traditional Andalusian houses.

      David Rockwell and Joyce Wang team up for first Equinox Hotel in New York

      Billowing lace curtains separate the banks of leather-upholstered seating, adding to the airy, al fresco feel.
      At the rear of the room, a towering fireplace is clad in glazed emerald-green tiles. Its rippling form is meant to echo the restaurant’s ceiling, which is covered in a sequence of convex panels.
      A huge fireplace sits towards the rear of the dining roomCasa Dani joins a number of hospitality projects that Rockwell Group has completed across New York City.
      Among them is Wayan, an Indonesian restaurant filled with an abundance of tropical plants, and the Moxy Chelsea hotel, which houses a mix of zany bars, eateries and space-saving guest suites.
      The photography is by Nikolas Koenig.

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      Dezeen Awards 2022 is open for entries

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      Dezeen Awards 2022 is now accepting entries! Enter before 30 March to take advantage of discounted early entry fees.

      Now in its fifth year, Dezeen Awards celebrates the world’s best architecture, interiors and design and has become the benchmark for international design excellence as well as being the ultimate accolade for architects and designers across the globe.
      Enter before 30 March to save 20 per cent
      Standard entry prices remain unchanged for the fifth year in a row, costing just £100 for small companies and £200 for large companies to enter. This makes Dezeen Awards the most affordable and accessible awards programme in architecture and design.
      From now until 30 March, it is even cheaper to enter with our special early-entry discount. Entries submitted by the early-entry deadline will cost just £80 for small companies and £160 for large ones.

      Create an account or log in to start your entry ›
      A wide range of categories
      There are 47 categories in total, with 33 project categories across architecture, interiors and design, as well as two studio awards in each sector awarding the best emerging and established practices.
      Common Sands Forite tiles by Studio Plastique, Snøhetta and Fornace Brioni won sustainable design of the year at Dezeen Awards 2021Following the success in 2021 we are keeping our sustainability and media categories, which reward architects and designers who are reducing their impact on the environment and celebrating digital work across architecture, interiors and design.
      Find out about the categories ›
      A star-studded panel
      Entries will be judged by a diverse panel of influential industry professionals, made up of 75 architects, designers, and academics from all over the world.
      We will have two separate panels of specially selected experts to judge the sustainability and media categories.
      Past judges have included structural engineer Hanif Kara, who described Dezeen Awards as ‘scandalously exciting’.
      Other past jury members include David Adjaye, Frida Escobedo, Virgil Abloh, Norman Foster and Alison Brooks.
      Keep your eyes peeled for our upcoming announcements about our 2022 judges.
      Why enter Dezeen Awards?
      Dezeen Awards is organised by Dezeen, the world’s most popular and influential architecture and design magazine, and judged by a panel consisting of leading figures from the architecture and design world. This means that Dezeen Awards has unprecedented credibility and reach.
      Every longlisted entry will be published on the Dezeen Awards website and will receive Dezeen Awards 2022 badges to share on social media and their own websites.
      Shortlisted entries will also be entered into the Dezeen Awards 2022 public vote, through which the public can choose their favourite projects and studios.
      All shortlisted entries will be featured in full in an article on Dezeen and get further badges.
      Winners will receive a hand-made trophy and a certificate.
      Watch our 2021 winners ceremonies ›
      Last year, winners were announced in a series of video shows hosted by Lionheart and Nelly Ben Hayoun. All winners received a wooden trophy designed by Atelier NLPast winners have described how winning a Dezeen Award has kickstarted or elevated their careers.
      “I have won other awards in the past, but none have been as impactful in terms of being put in front of the right people.” said designer Hans Ramzan, who won product design of the year and design project of the year in 2020 with Catch: HIV Detector.
      Last year’s Dezeen Awards attracted over 4,700 entries from 86 different countries, making it one of the largest and most international awards programmes in the industry.
      Prices and dates
      While other awards programmes have increased their prices year by year, our standard entry prices have remained the same since day one. We hope to make Dezeen Awards accessible to smaller studios and avoid categories being dominated by large companies that can afford to enter multiple categories.
      Once you have paid for your Dezeen Awards entry, you do not need to make any further payments. If we are able to hold a physical awards ceremony there may be a charge, but attendance is not obligatory.
      Find out about dates and prices ›
      Join our mailing list
      Subscribe to our mailing list to receive reminders about deadlines and regular information about Dezeen Awards including news of judges.
      Sign up now ›
      Questions?
      If you have any questions, please email [email protected] and someone from the team will get back to you.
      Good luck with your entries! More

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      MSMR Architects designs DL/78 workspace to double as “town hall”

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      MSMR Architects has designed a co-working office in London’s Fitzrovia that can also be used as a space for talks or exhibitions.

      DL/78 is located in 80 Charlotte Street, a new 30,000-square-metre mixed-use building designed by Make for property developer Derwent London. It is offered as an amenity to the company’s office customers.
      DL/78 is designed to be used as a workspace or event spaceMSMR Architects designed the space to be as flexible as possible, able to accommodate different types of office work and also events where Derwent London’s community can connect.
      According to the studio, DL/78 “can be adapted to serve as a town hall for hosting presentations, talks and exhibitions”.
      The space is offered to Derwent London’s office customers as an amenity”Since the pandemic, there has been a lot of talk about the future of the office,” said MSMR Architects’ associate director Kevin Savage.

      “It’s been interesting working on a project that is challenging workspace norms and starting to anticipate changing needs.”
      Curtains allow spaces to be sectioned offWith 780 square metres of floor space, the two-level DL/78 is spread over the ground and lower ground floors of 80 Charlotte Street.
      Amenities centre around a grand double-height space, which is framed on two sides by high-level windows.

      Fathom Architects designs London office with more meeting areas than desks

      Different types of furniture help to organise this space into different zones, but can all easily be moved to facilitate different layouts when required.
      Additional rooms wrap around one side of the space. These include a conference room, a series of meeting rooms, a wellness room, kitchen facilities and a public cafe operated by Lantana.
      Meeting rooms are defined by glass screensGlass screens are favoured over partition walls so that spaces can be both visually connected and acoustically private. There are also curtains, allowing certain areas to be sectioned off.
      “This space is collaborative, flexible and more domestic in feel,” said Savage. “Is that what future office space might look like?”
      Design details take cues from British Constructivist artVisually, the space is designed to reference British Constructivism, a 1950s art movement with strong links to Fitzrovia.
      This can be observed in both 80 Charlotte Street’s architecture and the interior design of DL/78, with many details designed to express structure.
      The space includes a public Lantana cafe featuring bespoke terrazzo floor tilesKey areas include the staircase, where mesh panels slot into the steel beams, and the junction between the balustrade and the exposed floor plate.
      “A challenging programme meant that there was early engagement with trades and craftspeople during the design stages,” said project architect Aaron Birch. “This allowed for a more collaborative approach, which is evident in the detail and finish which really elevates the space.”
      DL/78 is located in the Make-designed 80 Charlotte Street in FitzroviaDL/78 is the latest is a series of projects that explore how office spaces might develop in the aftermath of the pandemic, with companies having to work harder to entice people away from working from home.
      Other recent examples include a co-working space designed around wellness principles and an office with more meetings areas than desks.
      Photography is by Jack Hobhouse.

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      Gisbert Pöppler designs Berlin apartment like a “tailor-made suit”

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      Architecture and interior design studio Gisbert Pöppler has overhauled an apartment in the heart of Berlin, adding a number of one-off furnishings and custom fixtures to suit the clients’ needs.

      The apartment, which was renovated from top to bottom, occupies a glass pavilion on the roof of a 1930s residential building in the borough of Mitte.
      Gisbert Pöppler has renovated a Berlin apartment and opened up its floor plan”In this project, our clients gave us a lot of freedom,” said Gisbert Pöppler, the studio’s eponymous founder. “That, however, does not mean that we imposed our design and taste on them.”
      “A good design is like a tailor-made suit,” he added. “It should fit perfectly without being the centre of attention.”
      Teak walls visually separate the study from the lacquered walls of the entrywayThe studio reorganised the floor plan so that the main bedroom, guest bedroom and bathroom are the only areas of the apartment that are completely closed off.

      Instead of walls, living spaces are now demarcated by different materials. In the study, surfaces are overlaid with teak while the entryway is panelled in red-lacquered wood.
      “The original plan was classic: hallway, room, room, room,” Pöppler explained. “We turned it into an open village.”
      The clients sourced the limestone used for the kitchen’s relief wallIn the kitchen, Gisbert Pöppler collaborated with the clients to design a simple geometric relief wall. This was crafted from a pale grey limestone that the owners sourced during a trip to Verona, Italy.
      The space is finished with an olive-green prep counter and mint-coloured cabinetry, both tailor-made to accommodate the owners’ selection of pots and pans.
      Bespoke storage cupboards hold the clients’ belongingsThe cane-inlaid storage cupboards that run throughout the apartment are also bespoke.
      Inside there are several shoe cubbies and shallow drawers, perfectly sized to hold the client’s array of shirts. The interior of the storage unit is lined with orange Formica, as the clients wanted it to be durable and easy to clean.

      Point Supreme Architects uses colour to define different functions in Athens apartment

      More unique details appear in the guest bathroom, which features a rounded washbasin made of white-glazed lava stone from Sicily’s Mount Etna. In contrast, dark oakwood was used to construct the basin’s base.
      The bathtub is set inside a deep wall niche clad in South American marble, with a dropped ceiling giving this space a cosier feel.
      A custom sink made from lava stone can be found in the guest bathroomThe ceiling in the living room was also lowered and covered with stainless steel panels.
      “One could assume that metal seems cool but it is the contrary,” Pöppler said. “The hazy reflections in the steel give the room a sense of height and have a comforting warmth to them.”
      Stainless steel lines the living room’s ceilingBespoke furnishings in the living room include the pentagonal white oak table in the breakfast nook and the formal wooden dining table, which Pöppler says has an “elaborately designed” underside.
      “We knew that the owner of the house often lies on the carpet listening to music, so we didn’t want him looking at a technical construction,” he said.
      The dining table was also made bespokeGisbert Pöppler isn’t the only studio to forgo off-the-shelf furnishings in its projects. Dutch practice i29 recently created a custom storage system for an Amsterdam apartment to accommodate the client’s extensive compilation of artworks and books.
      And in San Francisco, architect Jamie Bush filled a residence with an eclectic mix of custom furniture and vintage finds to make it look as if the owners had collected the pieces themselves.
      The photography is by Robert Rieger.

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      Michaelis Boyd unveils apartments inside Battersea Power Station

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      Architecture studio Michaelis Boyd references the 1930s and 50s in its design for apartments in London’s newly redeveloped Battersea Power Station.

      The London-based studio has planned the layouts and finishes for 253 apartments in the former power station, which is currently being redeveloped by architecture firm WilkinsonEyre.
      These include 119 in Switch House East, which has just opened, 98 in Switch House West, which was completed in May 2021, and a further 36 located in the yet-to-complete Boiler House.
      The show home features Heritage 33, one of two materials palettes developed for the flatsTo make the most of the available space, Michaelis Boyd developed more than 100 different apartment layouts.
      For the fixture and finishes, the studio developed two distinct materials palettes for the homes, referencing different aspects of the building’s history and architectural character.

      The first palette, called Heritage 33, takes inspiration from the 1930s, the decade when the power station was built.
      All homes feature Crittall-style glazed screens and dual-aspect windowsDark chevron-patterned flooring references the parquet found in the space known as Control Room A, which at one stage was responsible for poviding a fifth of London’s electricity.
      Bathrooms feature glazed tiles, inspired by tiles found in the power station director’s staircase, while walls are finished in subtle colour shades.
      The Heritage 33 palette takes its cues from the 1930sA second palette, called Heritage 47, offers a more contemporary feel, combining 1950s details with a modern industrial warehouse aesthetic.
      The style is more minimal, with lighter toned wood flooring and pale walls.

      Glass elevator for Battersea Power Station revealed in new visuals

      “The residences have a refined industrial quality to them,” said Michaelis Boyd co-founder Alex Michaelis.
      “We wanted to create interiors that would reference the power station’s rich history but also stand the test of time, for the ultimate experience of modern city living.”
      Chevron-patterned flooring references the original parquet in the power station’s Control Room AIn both palettes, details are designed to complement the building’s architecture. Kitchen tiles echo the exposed brick walls, while copper details nod to the more industrial elements.
      Glass screens and doors take their cues from traditional Crittall windows, allowing plenty of light to filter through the homes and offering residents more flexibility in their living spaces.
      Copper details pay tribute to the building’s industrial historyResidents also have access to a large rooftop garden located above one of the building’s historic turbine halls.
      “Looking forward into 2022, there continues to be a focus on the importance of outdoor space and a connection with nature,” said Michaelis.
      Glazed tiles reference the design of the power station director’s staircase”At Switch House East, large Crittall screens and dual-aspect glazed windows were designed to make use of natural daylight, encouraging flow between spaces and offering views out onto the riverside and landscaped courtyards and terraces, bringing the outdoors in,” he continued.
      “The open-plan layouts of these loft-style apartments also remain more relevant than ever, as we continue to design versatile spaces that will lend themselves to news way of living, working, eating and relaxing from home.”
      Switch House welcomed its first residents in JanuaryThe Grade II* listed Battersea Power Station was designed by Giles Gilbert Scott. It was in use from 1933 until 1983, and has been abandoned ever since.
      Numerous designs were proposed for the building over the years. Architect Terry Farrell suggested converting it into a park, football club Chelsea wanted to turn it into a stadium and Rafael Viñoly designed a skyscraper to sit next door.
      Homes with the Heritage 47 palette, like this one in Switch House West, have a more minimal aestheticWilkinsonEyre’s design will turn the turbine halls into a shopping centre, while other parts of the building will contain restaurants, events spaces and offices, including Apple’s London campus.
      The iconic chimneys will be refurbished, with one set to contain a glass viewing elevator.
      The photography is by Taran Wilkhu.

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