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      Ministry of Design’s Workshop is a collaborative space for post-Covid working

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      A simple steel framework incorporates both desks and storage in the self-designed all-white studio of architecture firm Ministry of Design in Singapore.

      With the MOD Workshop, studio founder Colin Seah set out to create a different type of workspace from Ministry of Design’s award-winning Bar Code office, which the practice occupied from 2010 to 2023.
      Ministry of Design has designed a new office for itself in SingaporeThe new office is less than a third of the size, with a focus on facilitating collaboration between coworkers who don’t spend as much time in the office as they did before the coronavirus pandemic.
      “In line with MOD’s transition towards a technologically-enabled work environment, which allows for most designers to work remotely, the Workshop dispenses with typical workplace conventions,” Seah said.
      The space is divided by a steel framework that incorporates desks and storage”Instead, it devotes 60 per cent of the layout to creative face-to-face collaboration because when we do need to meet in person, we really want it to make it count,” he continued.

      The 93-square-metre space is divided into a series of interconnected areas for collaboration, as well as hot desks and utility spaces, via a three-dimensional metal framework.
      A wall clad with cable trays allows objects to be attached with hooks or magnetThe minimal scaffold incorporates screens made from frosted polycarbonate and fluted glass that allow light to pass through, generating a bright and layered aesthetic within the workspace.
      The same materials were used to form shelves and worktops, with solid aluminium rods inserted into the polycarbonate panels to allow them to support heavier items.
      One of the main workspaces is centred around what MOD describes as a counter-height “war room” table that can be used for shared creative activities as well as design discussions and presentations.

      Ministry of Design creates lush “banking conservatory” for Citibank Singapore

      The table’s surface is made from frosted tempered glass that, along with other glossy and mirrored materials, helps to bounce light around the interior and enhance the spacious feel.
      The metal framework incorporates an adjustable lighting system above the table that can simulate different light conditions, while large windows minimise the requirement for artificial lighting during the daytime.
      To one side of the table is a wall clad with cable trays, allowing objects to be attached with hooks or magnets. Shelving along the opposite wall forms part of a material and artefact library.
      The interior is almost entirely whiteThe library shelves span the full length and width of the Workshop, ensuring the designers always have easy access to materials used to inspire and stimulate creativity.
      A row of hot desks along one wall and a meeting table near the entrance provide alternative areas for working and collaboration, with utility spaces including a pantry, printer and storage tucked away in a corner.
      In contrast to the bright-white interior of the workspace, a compact restroom concealed behind a mirrored door is designed as a private sanctuary lined with black tiles.
      In contrast, the bathroom is clad in black tilesMOD has completed more than 140 projects since it was founded by Seah in 2004, offering clients a holistic service that often includes architecture, product design, interior architecture, branding or landscaping.
      “We love to question where the inherent potential in contemporary design lies and then to disturb the ways they are created or perceived, redefining the world around us in relevant and innovative ways, project by project,” Seah said.
      Previous MOD projects include an office in a conservatory-like atrium filled with tropical plants and a co-living space with all-white interiors.
      The photography is by Jovian Lim.

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      Rotate opens first physical store with interior by Thibaut Allgayer

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      Shiny silver curtains and a lacquered burgundy stage feature inside the flagship store for Danish womenswear label Rotate, which opened in Copenhagen during fashion week.

      Locally based French designer Thibaut Allgayer designed the two-level store on Kristen Bernikows Gade.
      Rotate’s flagship store features a mirrored counter and a lacquered burgundy stageIt is the first physical location for Rotate, which was launched by stylist influencers Thora Valdimars and Jeanette Friis Madsen in 2018 and is part of the Birger Christensen Collective.
      Allgayer’s design concept was to create a series of freestanding architectural elements that divide the space into different zones and allow it to function in different ways.
      The counter is formed of three stacked semi-circles”We were thinking about what a flagship store for a brand is today,” explained Allgayer during a preview tour.

      “It’s not only about selling clothes; it’s a destination,” he told Dezeen. “It should also be welcoming for parties and events, creating different experiences.”
      Burgundy wall units organise the ground-floor spaceA mirrored counter, formed of three stacked semi-circles, is the first thing customers see as they arrive.
      This polished stainless-steel element rotates around an existing column, allowing it to function as a checkout desk, a bar or a display unit.

      Orange floors create “golden afterglow” in Aranya fashion store by Say Architects

      Also in this room, a triangular set of steps can serve as a seating area or a stage. With its high-shine burgundy lacquer finish, it provides a focal point in the corner of the space.
      Wall units with the same burgundy lacquer finish divide the front of the store from the rear, creating a narrow central corridor with video screens integrated into the walls.
      Silver curtains frame an oval roomThis leads through to an oval room framed by silver curtains, slender graphic display rails and a curvy white sofa.
      A custom-built brushed-steel staircase connects the ground floor with the basement, a carpeted space with a dressing-room feel. Details include silk curtains, a daybed and a vertical lighting fixture.
      Fitting rooms offer a kaleidoscopic effectChanging rooms are slotted in behind the new fixture, with mirrors creating a kaleidoscopic effect.
      “The brand plays with this contrast between raw and sleek, fun and serious, soft and strict, colourful and neutral,” said Allgayer.
      “I was trying to translate that into the architecture.”
      A custom-built brushed-steel staircase leads downstairsCombined with the silver and burgundy elements, a muted green shade brings an edgy feel to the colour palette.
      Allgayer also played with transparency, texture and reflection, with materials including granite and glass.
      The basement is a carpeted space with a dressing-room feel”I was trying to find materials that reflect the brand’s values,” said Allgayer.
      “The space needs to be neutral because the collection is going to change season to season. But neutrals for me are not necessarily about being grey.”
      The design plays with transparency, texture and reflectionRotate opened its doors for the first time on 5 August, coinciding with the start of Copenhagen Fashion Week.
      It is an important milestone for the fast-growing label, described by Vogue as “a go-to partywear brand”. The ambition is for Rotate to become a major Scandinavian export, following in the footsteps of Ganni.
      “Rotate is a brand with a beating heart and unique DNA,” said Madsen and Validmars, who serve as the label’s creative directors.
      The store is located on Kristen Bernikows Gade in Copenhagen”We have had a strong sense of the world that our brand has existed in for so many years, that the opening of the store is an organic progression,” the duo continued.
      “We are thrilled to host our loyal community, and offer a space where they can feel at home, engaged and excited in our hometown of Copenhagen.”
      The photography is courtesy of Rotate.

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      Last chance to feature in Dezeen’s guide to London Design Festival 2024

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      Dezeen Events Guide has announced the final call to feature in its digital guide to London Design Festival 2024, which takes place from 14 to 22 September.

      The guide highlights the activities taking place across the city’s 11 participating districts, including exhibitions, talks, open showrooms and product launches.
      Visitors can explore different design disciplines, including interior, urban, fashion and bio design, as well as architecture, crafts and art.
      This year’s festival guide also includes an interactive map, spotlighting the key events and their locations around London.
      Last call to feature in Dezeen’s digital guide to London Design Festival

      Get in touch with the Dezeen Events Guide team at [email protected] to book your listing or to discuss a wider partnership with Dezeen. There are three types of listings:
      Standard listings cost £125 and include the event name, date and location details plus a website link. These listings will also feature up to 50 words of text about the event.
      Enhanced listings cost £175 and include all of the above plus an image at the top of the listing’s page and an image in the listing preview on the festival guide homepage. These listings will also feature up to 100 words of text about the event.
      About Dezeen Events Guide
      Dezeen Events Guide is our guide to the best architecture and design events taking place across the world each year.
      The guide is updated weekly and includes virtual events, conferences, trade fairs, major exhibitions and design weeks.
      For more details on inclusion in Dezeen Events Guide, including in our guide to London Design Festival, email [email protected].
      The illustration is by Justyna Green.

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      Marie & Alexandre takes over Appartement N°50 at Le Corbusier’s Cité Radieuse

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      French designers Marie Cornil and Alexandre Willaume have filled an apartment in Le Corbusier’s iconic Cité Radieuse housing block in Marseille with custom furniture, including a leather-and-metal armchair informed by the architect’s work.

      Marie & Alexandre is the latest design studio to create a scenography within Appartement N°50 after it was restored to its original condition by owners Jean-Marc Drut and Patrick Blauwart.
      Marie & Alexandre has taken over Appartement N°50 at La Cité RadieuseInfluenced by the creative salons hosted by the apartment’s original occupant – school teacher Lilette Ripert who lived there from 1952 to 2000 – Drut and Blauwart invited the likes of Jasper Morrison and Konstantin Grcic to transform the space and opened it up to the public during the summer.
      The duplex apartment, completed in 1952 and later classified as a historical monument, hosted installations by well-known designers every second year from 2008 to 2018.
      The duo created a series of custom furniture for the flatNow, the programme has returned after a six-year hiatus with an intervention by Marie & Alexandre, who created several bespoke pieces to be exhibited alongside some of their existing works.

      The duo is known for their collaborations with artisanal producers, and research into materials and making processes that inform their designs for unique or limited-edition objects.
      Among them is a desk formed from stacked glass boxes”We wanted this exhibition to combine our work from the past four years and for the pieces to highlight the numerous workshops and techniques we have worked with recently,” the duo told Dezeen.
      The designers met while working at Ronan and Erwan Bouroullec’s studio in Paris and subsequently began developing their own projects through a series of workshops and residencies.
      The same standardised boxes can also be used to form a shelving unitSince 2022 their work has been exhibited by Galerie Signé, whose founder Maxime Bouzidi helped to facilitate the collaboration with Drut.
      One of the pieces created specially for the exhibition is a series of coloured glass boxes developed with help from manufacturing company Glas Italia that responds directly to hues found in the apartment.

      Alex Israel projects Bat Signal from roof of Le Corbusier’s Cite Radieuse

      The use of glass was inspired by the orientation of apartments within the Unité d’Habitation complex, which receive both morning and afternoon light. Each piece incorporates two coloured strips that create a third colour where they overlap.
      Le Corbusier’s ideas about using modular elements to create harmonious proportions informed the design of standard-sized boxes that can be stacked to create totemic shelves or combined with a tabletop to form a desk.
      Marie & Alexandre’s rippled glass table was born from a residencyMarie & Alexandre developed further pieces for the exhibition during a residency at the Lycée Jean Monnet academy in Moulins, including a glass table and various furniture items made in wrought iron.
      Collaborations with staff and students at the school informed the creation of the rectangular table, which features a rippled surface made from industrial float glass.
      A sling-seat armchair was designed to respond to the weight of the sitterDuring the residency, the designers experimented with metal forging and designed an armchair with a leather sling seat, produced by Cressange metal workshop Flammes de Créations.
      The chair’s simple forms reference the furniture designed by Le Corbusier and frequent collaborator Charlotte Perriand. It features a metal framework with three detachable legs and a tensioned seat that responds to the weight of the sitter.
      The aluminium kitchen table is height-adjustableFor the kitchen, Marie & Alexandre created a height-adjustable aluminium table to fit the limited space. Made by Atelier BLAM in Nantes, the piece features subtle bumps where the legs attach to the top.
      The duo’s experiments with ceramics include a tile collection created in collaboration with the Alain Vagh factory in Salernes, as well as chairs with coloured backs that were produced for the exhibition by ceramicist Jean Marie Foubert.
      The designers said they were appreciative of the opportunity to display their work in such an iconic location, adding that they set out “to proceed with the same intention as the previous exhibitions as if visitors were coming to see an inhabited apartment”.
      Ceramicist Jean Marie Foubert helped to create a series of chairs with coloured backsThe exhibition will be on display until 15 August before travelling to Paris, where it will be adapted to occupy Galerie Signé from 5 September to 21 October.
      Marie & Alexandre follows six other design studios, whose work has been presented at Appartement N°50 following its restoration.
      These include Pierre Cardin, who added colourful furniture and artwork to the space, and the Bouroullec brothers whose scenography featured their SteelWood furniture and Clouds wall hangings.
      Marie & Alexandre at La Cité Radieuse, Apartement 50 is on show at La Cité Radieuse until 15 August. See Dezeen Events Guide for an up-to-date list of architecture and design events taking place around the world. 

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      Lissoni Architecture designs moody, minimal interiors for AKA NoMad hotel

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      New York-based Lissoni Architecture has completed a hotel in Manhattan’s NoMad neighbourhood, featuring minimalist interiors that blend Scandinavian and Japanese influences.

      The studio, led by Italian architect Piero Lissoni, designed the AKA NoMad inside a building that formerly housed the Roger New York hotel.
      A bronze-painted spiral staircase anchors the lobby of the AKA NoMad hotelLocated in NoMad – north of Madison Square Park – an area with many design showrooms and hospitality venues, the project marks Lissoni’s first hotel in NYC after opening his US-based architecture office last year.
      “You know the film New York, New York with Liza Minnelli and Roberto De Niro?” Lissoni said. “Well, for me that’s AKA Nomad, my idea of a New York that encompasses music, life, silence, snow, traffic and energy, but always accompanied by a distinct elegance and diversity.”
      An intimate mezzanine-level lounge is housed within a glowing volume”It’s not formalised – it’s a hotel that narrates and speaks with a touch of style, a touch of art deco, a touch of the 1950s… and we’ll see what else,” he added.

      The double-height lobby is anchored by a bronze-painted metal staircase that spirals up past a backlit volume to a mezzanine level that holds an intimate lounge.
      The lobby bar takes advantage of the tall ceiling height and elongated street-facing windowsBanquettes with sage green velvet cushions sit against the illuminated panels on the other side, paired with white-topped tables and various styles of dining chair.
      “The often filtered light generates soft and cocooning environments, where natural materials such as wood and stone are flanked by fabrics of light and neutral tones, and bespoke furnishings are juxtaposed with contemporary design and iconic objects,” said Lissoni Architecture.
      Fluting on the bar counter front and a glass light fixture accentuate the ceiling heightIn the space below, where the ceiling height is lower, soft lighting and comfy seating create areas for guests to relax beside the floating blue reception counter.
      At the front, a bar area takes advantage of the tall ceilings and elongated windows facing onto the street.

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      A glossy black bar counter reflects the minimalist liquor bottle shelving, which also glows from behind, while fluting on the counter front and a glass light fixture accentuates the height of the space.
      On both communal levels, dark tiles laid in a herringbone pattern cover the floors and exposed brickwork is painted beige to create consistency.
      Oversized fabric-upholstered headboards and textured wallpaper soften the bedroomsThe guest rooms and suites continue the same neutral palette and materials, but the balance is tipped towards a lighter tone.
      Oversized fabric-upholstered headboards, plush carpets and textured wallpaper soften the bedrooms, while the bathrooms are lined with dark stone and tiles.
      Guest bathrooms are lined with dark stone and tilesLissoni previously has leant his clean, minimalist style to several of Italy’s top design brands, including Lualdi, Boffi and Salvatori, and recently expanded the Design Holding flagship in New York City.
      He has also served as artistic director of B&B Italia and Sanlorenzo yachts, and was a Dezeen Awards judge in 2023.
      The photography is by Veeral Patel.
      Project credits:
      Design team: Piero Lissoni with Stefano Giussani, Christine Napoli, Antonio Rinaldi, Vincent Chen, Tania Zaneboni, Roberto Berticelli.

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      Eight living rooms dominated by giant sofas

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      From a curving couch in a Parisian apartment to an extra-wide settee in São Paulo, our latest lookbook collects eight living rooms where oversized sofas take centre stage.

      The sofa may be most people’s favourite place to sit and relax, but it can also make a bold design statement.
      Below, we highlight eight living rooms where couches, which are significantly more substantial than standard furniture, serve as the focal point.
      This is the latest in our lookbooks series, which provides visual inspiration from Dezeen’s archive. For more, see previous lookbooks featuring living rooms with paper lamps, sculptural furniture and 1970s decor.
      Photo by Denilson Machado (also top)DN Apartment, Brazil, by BC Arquitetos

      An olive-green sofa in the shape of a broad sickle, courtesy of designer Jader Almeida, commands attention in the open-plan living room of this home in São Paulo.
      Part of a 1970s building, the apartment was renovated by local studio BC Arquitetos and filled with classic Brazilian art and furniture, including a Petala coffee table by Jorge Zalzupin bearing a bronze head sculpture by Florian Raiss.
      Find out more about DN Apartment ›
      Photo by Giulio GhirardiCanal Saint-Martin apartment, France, by Rodolphe Parente
      Interior designer Rodolphe Parente overhauled this classic Haussmann-era Parisian apartment to celebrate its original features while showing off the owner’s contemporary art collection.
      Nowhere is this juxtaposition of styles more pronounced than in the living area, where a sculptural vintage sofa wraps around a pearlescent coffee table in the centre of the room, with a black-and-white graphic rug beneath its feet.
      Find out more about this Canal Saint-Martin apartment ›
      Photo courtesy of Hotel Valley HoHotel Valley Ho, USA, by 3rd Story
      The suites at this mid-century hotel in Scottsdale, Arizona, feature generous U-shaped sofas with colourful upholstery.
      As part of its renovation, Anissa Mendil of architecture and interiors firm 3rd Story sought to introduce contemporary furniture that would complement the building’s modernist architecture.
      Find out more about Hotel Valley Ho ›
      Photo by Fran ParenteGale Apartment, Brazil, by Memola Estudio
      From the double-height ceilings to the mosaic wall and the extensive artwork collection, multiple elements compete for attention in the living room of this São Paulo apartment renovation by local firm Memola Estudio.
      Anchoring them all is a super-long sofa along one wall, which ensures that the room’s overall colour palette remains neutral despite the vibrant wall hangings above.
      Find out more about Gale Apartment ›
      Photo by Serena EllerG-Rough, Italy, by Gabriele Salini
      Italian hotelier Gabriele Salini wanted this Rome hotel in a 17th-century palazzo to have a rough-yet-refined feel, fusing historic elegance and Italian modernism.
      In entertaining spaces in the rooms, an extra-deep sofa that can also serve as a spare bed provides an intriguing focal point.
      Find out more about G-Rough ›
      Photo by Julie SmorodkinaRadikal Klassisk, Spain, by Puntofilipino
      Radikal Klassisk is a Madrid apartment conceived by local studio Puntofilipino as an unusual take on Danish design, with an intense colour and material palette that creates a brooding atmosphere.
      A curving couch from Danish brand NORR11, composed of three separate parts upholstered in different fabrics, dominates the sparsely furnished living room.
      Find out more about Radikal Klassisk ›
      Photo by Brett BoardmanBreezeway House, Australia, by David Boyle Architect
      A built-in sofa lines the living room wall in this holiday home on the Australian east coast designed by New South Wales studio David Boyle Architect.
      The generous seat is reminiscent of patio or garden furniture, playing into a theme of ambiguity between the indoors and outdoors that is continued throughout the house.
      Find out more about Breezeway House ›
      Photo courtesy of Design Space AlUla 2024Design Space AlUla 2024, Italy, by Sabine Marcelis and Cloud
      Dutch designer Sabine Marcelis and architecture studio Cloud created a lounge to promote Saudi city AlUla during this year’s Milan design week.
      At its centre was a massive modular seating area by French design studio Hall Haus that bears striking similarities to Pierre Paulin’s never-produced Ensemble Dune from 1970.
      It was not the only design of its kind in Milan this April. Another installation, which explored the future of the living room, featured a yellow sofa platform made specially by design studio Panter & Tourron.
      Find out more about Design Space AlUla 2024 ›
      This is the latest in our lookbooks series, which provides visual inspiration from Dezeen’s archive. For more inspiration, see previous lookbooks featuring living rooms with paper lamps, sculptural furniture and 1970s decor.

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      Atelier Tao+C creates “luminous” bookshop in Chinese ski resort

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      Interior studio Atelier Tao+C has completed a light-filled bookshop with a timber roof at a ski report in northern China for local retailer Naïve.

      Located in the ski resort of Aranya Chongli in northern China, the bookshop was built within an existing concrete frame.
      A circular opening on the pitched roof allows natural light inA grid of steel and timber frameworks were inserted in between the concrete columns of the original building, while the partition walls of the 420-square-metre space were removed, creating unobstructed views from interiors to the exteriors.
      “We conceived the new Naïve bookshop as a luminous space in the midst of ice and snow, seamlessly integrated with the surrounding landscape, climate and nature,” said the Shanghai-based studio.
      A gridded framework of timber and steel is inserted into the concrete spaceThe timber frame was raised at the south side of the building, taking advantage of the double height ceiling of the original structure and forms a pitched roof with a circular opening.

      The south facade allows views of sloping snow field and forest from the building through the timber-framed, full-height windows.
      Translucent fibreglass on top of the display tables add warmth to the interiorsThe south facing glazed facade along with the circular opening on the pitched roof allow plenty of natural light into the space, creating playful lighting dynamics throughout the day.
      The bookshelves and seatings were arranged along the grids along with a cafe, library and leisure area.
      The glazed facade invite the snowy landscape into the buildingThe timber bookshelves are supported by a stainless steel structure, while the display tables are made of the same timber on wheels but covered by an extra layer of fibreglass with round edges, creating visually lightweight and translucent installations that also allow flexibility.
      “The light birch and fibreglass complement the snowy landscape, making the previously grey concrete space more exquisite and brighter, like warm mist rising from the snow,” said Atelier Tao+C.
      “As the sunlight moves, penetrated, and filtered by the texture of the fibreglass material, softens the hard light and cast soft shadows, the honey colour light oscillates and flows in the space.”

      Atelier Tao+C creates serene timber and travertine reading room

      Bespoke furniture pieces were placed along the south window facade, accommodating both solo resting and casual gatherings.
      Three banquettes in a fluid and meandering shape combine seats on one side and display table on the other, providing an easy access to books for resting customers.
      The bookshop is located in a ski resortAtelier Tao+C was founded in 2016 by Chunyan Cai and Tao Liu, who will join Dezeen Awards China as judges for the interiors category. They have recently selected five projects for Dezeen that best reflect their work.
      The photography is by Wen Studio.

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      ORA utilises LA’s fallen street trees inside Uchi West Hollywood restaurant

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      Vertical fins of live-edge wood, which was sourced from fallen street trees, divide spaces at this Japanese restaurant in Los Angeles by local studio ORA.

      Uchi West Hollywood is the first West Coast location for chef Tyson Cole’s Austin-based chain, operated by Hai Hospitality Group.
      Fallen street trees sourced from across LA form spatial dividers through the restaurantSituated on a prominent corner along Santa Monica Boulevard, the 5,200-square-foot (483-square-metre) restaurant seats 160 covers amongst a timber-dominant interior.
      “We collaborated closely with local artists, makers and craftsmen, elevating humble natural materials to create a sense of surprise and connection to the unexpected natural beauty and spirit of our city,” said ORA founding principal Oonagh Ryan.
      Custom pieces created for the space include a sculptural light fixture by Kazuki Takizawa above the bar counterOne of the main collaborations for this project was with Angel City Lumber, which sourced wood from 25 Aleppo Pine trees that had fallen across 14 different city neighbourhoods.

      “With an average diameter of 30 inches and an average length of nine feet, nearly 26 tons of local LA trees were turned into wood for Uchi,” said the team.
      The live-edge wood boards trace sinuous lines through the space, creating more intimate seating areasThe 42 logs from these trees were cut into live-edge boards of varied lengths, and suspended vertically from the restaurant’s ceiling to form spatial dividers.
      The panels follow sinuous lines that demarcate seating areas, and are followed around the top by vertical wood bands that conceal cove lighting designed by Dot Dash.
      Travertine is mounted behind the sushi barIn between, hand-troweled plaster across the ceiling helps to improve acoustics in the space.
      Meanwhile, custom concrete planters by landscape firm SBLA run underneath the dividers and extend out to a patio with further dining space.
      Light boxes above the banquettes create silhouettes of the decorative objects displayed in frontThe remainder of the earth-toned material palette is dominated by woods such as white oak and walnut, complemented by upholstery from Maharam, Knoll and Carol Leather.
      At the perimeter, bespoke booth seating by ORA is placed below glowing light boxes that create silhouettes of decorative objects displayed on shelves in front.

      Stitched brick wall welcomes guests to Uchi Miami restaurant by Michael Hsu

      Striations in travertine panels mounted behind both the sushi bar and drinks bar are accentuated by thin metal shelves for storing dishes and bottles respectively.
      Also in the bar area, a custom sculptural light fixture created by LA artist Kazuki Takizawa to evoke cherry blossoms hangs above the end of the stone counter.
      Custom concrete planters below the wooden board dividers extend out to the patio dining areaBoth the solid white oak and brass bar stools by Lawson-Fenning and the handmade ceramic lamps by Ceramicah were made locally.
      Other California-based artists represented in the space include Liisa Liiva, Molly Haynes, Rajiv Khilnani and Rachel Duvall.
      The corridor to the bathrooms is lined with thin wooden stripsThe bathrooms are reached via a corridor lined with thin vertical wooden strips, and are themselves clad in dark grey tiles.
      Uchi – which means “house” in Japanese – also has locations in Austin, Miami, Dallas and Denver, while its sister brand Uchiko has an outpost in Houston designed by Michael Hsu.
      The photography is by Eric Staudenmaier.
      Project credits:
      Architect: ORAInterior design: ORAFurniture and accessories: Hai Hospitality and ORALighting: Dot DashLandscape: Stephen Billings Landscape ArchitectsStructural: Nous EngineeringMechanical: Engineered SolutionsElectrical: TEK Engineering GroupFoodservice design: MyersContractor: Build GroupLumber shop: Angel City LumberMillwork fabricator: Architectural Woodwork of Montana

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