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      Eight bathrooms that confidently combine colour and pattern

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      From decorative tiles to maximalist wallpaper, our latest lookbook explores bathrooms where striking patterned surfaces are paired with bold colours to make a statement.

      Offering an alternative to the trend for minimalist or colour-blocked bathrooms, this approach uses a mix of different tones and motifs to create a multi-layered aesthetic.
      Patterned surfaces can be created with wallpapers, ceramic tiles, marble or paint effects.
      Block colours, in either matching or contrasting hues, are then used to offer a visual counterpoint.
      The most eye-catching examples have the feel of a boutique hotel, with colour and pattern across almost every surface. But the effect can also be applied with restraint to suit a more pared-back home setting.

      We’ve rounded up eight examples, from a hotel bathroom with marble-effect walls to a family washroom featuring two different applications of mosaic tiles.
      This is the latest in our lookbooks series, which provides visual inspiration from Dezeen’s archive. For more inspiration, see previous lookbooks featuring minimalist kitchens and converted-barn interiors.
      Photo by by Douglas FriedmanHotel Saint Vincent, USA, by Lambert McGuire Design
      A selection of guest rooms in this hotel in New Orleans feature psychedelic marbled wallpaper.
      Other surfaces in the room match a red shade that can be picked out of the marble pattern. These include the square wall tiles, the mosaic flooring, the mirror frame and the architrave paintwork.
      Find out more about Hotel Saint Vincent ›
      Photo by by Adam ScottTsubo House, UK, by Fraher & Findlay
      Graphic floor tiles feature throughout this renovated south London home, with a mix of both contemporary and classic designs.
      For the family bathroom, architects Fraher & Findlay and their clients, the designers behind Studio XAG, selected a monochromatic tile that offers a 3D optical illusion. These are paired with a deep shade of green.
      Find out more about Tsubo House ›
      Photo by Jack LovelCity Beach Residence, Australia, by Design Theory
      Mosaic tiles were chosen for the bathroom of this renovated home in Perth, designed by Design Theory, to reference the property’s mid-century heritage.
      The bath features an irregular pattern, created in shades of red, grey and pastel pink, contrasting with the mint-green tone of the surrounding walls.
      Find out more about City Beach Residence ›
      Photo is courtesy of BelmondMaroma, Mexico, by Tara Bernerd
      Ceramicist José Noé Suro created the hand-crafted tiles that feature throughout the rooms of this hotel in Riviera Maya.
      Tiles chosen for the bathrooms include a mix of square and octagonal shapes, which create a two-tone pattern. A contrasting shade of forest green colours the lower walls, topped by delicate painted motifs.
      Find out more about Maroma ›
      Photo by Ambroise TézenasVermelho, Portugal, by Christian Louboutin and Madalena Caiado
      Christian Louboutin’s first hospitality project is named after the French designer’s signature colour, Vermelho, which is Portuguese for red.
      One of the bathrooms in the 13-room hotel uses this colour to great effect. Two varieties of Alentejo tile feature alongside one another, offering a playful mix of geometric and organic patterns.
      Find out more about Vermelho ›
      Photo by Christophe CoenonHotel Rosalie, France, by Marion Mailaender
      Colour can be found on the ceilings rather than the walls in this 60-room hotel in Paris, styled by French interior designer Marion Mailaender.
      This allows extra emphasis to the wall tiles, which form stripes of nude and soft pink, and the dotted sink counters made from terrazzo-style recycled plastic.
      Find out more about Hotel Rosalie ›
      Photo by Kensington LeverneEmber Locke, UK, by Atelier Ochre and House of Dré
      Striped shower curtains in humbug-style shades of brown provide a subtle addition of pattern in the bathrooms of this aparthotel located in London’s Kensington neighbourhood.
      The rest of the interior design palette includes peach-painted walls and pale-toned tiles.
      Find out more about Ember Locke ›
      Photo by Megan TaylorLouisville Road, UK, by 2LG Studio
      Design duo 2LG Studio created a surprising colour effect in the bathroom of this renovated London house by combining subtly patterned marble tiles with baby-blue mosaic tiles.
      The same shade features on the bathroom fittings, while the sink counter brings a pop of red to the room.
      Find out more about Louisville Road ›
      This is the latest in our lookbooks series, which provides visual inspiration from Dezeen’s archive. For more inspiration, see previous lookbooks featuring minimalist kitchens and converted-barn interiors.

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      Brick-wrapped lobby by Merge Architects wins Gold in Brick in Architecture Awards

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      Promotion: more than 9,000 red bricks form a curved volume within the interior of this mixed-use building’s lobby, which has been awarded Gold in the Commercial category at the Brick in Architecture Awards.

      The lobby, which forms the entrance to an office building at Kendall Square, Cambridge, Massachusetts, has a brick curtain wall that was hand-laid.
      It was designed to create a visually striking yet functional circulatory zone, helping visitors and employees navigate the building’s wider offices, dining areas, wellness centres and community spaces.
      The lobby is lined with a curved structure made from 9000 individually-laid bricksWrapping around the perimeter of the interior, the brick-built surface incorporates a front desk, bench seating, lighting, an entry kiosk and a staircase. The project features brick manufactured by Interstate Brick and distributed by Consolidated Brick.
      Local studio Merge Architects designed the space and was implemented by mason company, JAJ Co Inc The designers said they chose to work with bricks as a building material with the goal of referencing New England’s local vernacular architecture.

      Digital signs are installed at evenly-spaced points in one areaThe project integrates interactive signage within hand-laid masonry, “overlaying the physical world with the digital”, according to the Brick Industry Association.
      A brick double-wythe screen paired with rectangular digital signs serves various functions: from conveying news and information about public events to displaying digital artwork.
      “This fusion of strength and transparency creates mesmerising patterns and textures as light filters through the brick, inviting admiration for the timeless elegance and contemporary allure that brick brings to architectural design,” said Trish Mauer of the Brick Industry Association.
      Balance is created by using opaque red bricks in tandem with translucent glass bricksThe structures are made by laying bricks in two different directions, creating a stimulating textural surface that encourages the interplay of light and shadow.
      “Course one moves tangent to the wall orientation, and course two moves along the north/south axis, allowing for a complex interplay of transparency and opacity as the curtain-like wall wraps the space,” the company continued.
      The curved form contains various furnishings and lighting systemsAt a certain junction, a gradient is created when the wall transitions between solid red bricks to translucent glass blocks of the same dimensions.
      The frosted bricks continue until they arrive at a glass-clad staircase. This element of transparency creates a light interface between the public space and the company’s office.
      Bricks were laid in two directions to create a layered effect”Combining transparency with solidity and low-tech materials with high-tech digital art, this lobby reinforces the company’s brand of integrating high tech with human-centric sensibilities,” the Brick Industry Association concluded.
      For more information about the project, please click here.
      All photography by Chuck Choi
      Partnership content
      This article was written by Dezeen for Brick Industry Association as part of a partnership. Find out more about Dezeen partnership content here.

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      Modektura adds sand terrazzo flooring to Kyiv apartment

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      A balcony-turned-conservatory features in an apartment renovated by architecture and interior studio Modektura in Kyiv, Ukraine.

      Kyiv-based Modektura designed the interior to reflect the history of the apartment block, which was initially constructed in 1900.
      The one-bedroom apartment was renovated by Modektura”We wanted to tie it back to the house itself,” Modektura founder Maksym Dietkovskyi told Dezeen.
      “Colours and textures were chosen to create an interior that feels like it has a history – one that has been waiting for its owner for a long time.”
      The studio added sand to the terrazzo flooringThe studio refurbished the flooring of the apartment incorporating sand into the terrazzo as part of several material experiments undertaken by the studio during this project.

      Additionally, marble chips were embedded within the mineral plaster on the walls.

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      “The idea to experiment with materials was inspired by old decorative techniques, blending them with a modern approach” Dietkovskyi explained.
      “Using sand and marble chips not only combined their decorative properties but also created a unique, aesthetically pleasing effect.”
      The open archways feature an inner wooden frameToned-oak, marble, stainless-steel and brass was used throughout the rest of the apartment.
      The material palette was chosen to “cultivate a sense of stability and tranquility”.
      Doors were swapped for open archways that feature a decorative moulding with an inner wooden frame.
      A balcony was turned into a conservatoryA corridor, described by the architect as a “central artery”, extends through the entire length of the flat leading from the kitchen to the bedroom and living area.
      A balcony attached to the kitchen was turned into a conservatory. The studio added underfloor heating to ensure a comfortable temperature for the plants.
      Paintings and sculptures are displayed throughout the apartmentTo accommodate the client’s art collection, the space includes a library and pedestals for displaying art pieces.
      Artworks on display include sculptures by Ukrainian artist Dmytro Hrek, paintings by Kristina Otchych-Cherniak and a diptych by Rostyslav Zavhorodniy.
      A pair of Cassina tilting back chairs are placed in the living roomThe studio, working with the owners, decided to keep the building’s classical elements, notably the decorative cornices.
      Mid-century design pieces such as Cassina tilting back chairs, Louis Poulsen glass pendants and Snoopy table lamps from Flos were selected to “collectively evoke a nostalgic retro atmosphere.”
      The living room includes a small library areaModektura completed the project during the ongoing war in Ukraine. The team described having to deal with unforeseen circumstances due to the wartime context.
      The reduced number of workers necessitated more extensive supervision and power supply issues and obstacles related to the conflict “significantly complicated the project implementation process,” the studio told Dezeen.
      Other projects in Kyiv recently featured on Dezeen include a fitness studio lined with curtains, a laser clinic with futuristic interiors and a holistic healing centre by Ukranian designer Olga Fradina.
      The photography is by Yevhenii Avramenko.

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      Alarquitectos lines Lisbon apartment with colour-blocked walls and pine wood

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      Portuguese studio Alarquitectos has used walls of pink and blue to brighten São Sebastião 123, an apartment converted from a 20th-century office in Lisbon.

      Tasked with revitalising the old workspace’s dark and poorly ventilated interiors, Alarquitectos opened it up by removing the existing partitions and adding a courtyard.
      Along with an existing outdoor space that has been reorganised, this courtyard doubles as a lightwell for the 167-metre-square apartment.
      Walls of pink and blue decorate the São Sebastião 123 apartmentSão Sebastião 123 is organised with a series of “fluid” living spaces at its front and more private spaces, including the bedrooms, at the rear.
      Narrow corridors brightened by the colour-blocked walls lead into the airy, open-plan living area that is illuminated by a window and full-height opening connected to a slim balcony.

      In the living area, a shelving unit runs the length of the room and is paired with pine flooring and grey-toned furnishings.
      A sliding door connects the living space to the kitchenA sliding door leads from the living space into a kitchen “box”, which is enclosed on both sides by deep-blue cabinets topped with metal counters, and complemented by terrazzo flooring.
      Bronze detailing is used for lighting fixtures, mirrors and door knobs throughout the home.
      The kitchen features deep-blue cabinets and terrazzo flooring”We envisioned the kitchen as a vibrant focal point, hence the striking colour of the kitchen box,” studio co-founder Mafalda Ambrósio told Dezeen.
      “We sought cool colours that contrast with the warm tones of the pine wood,” she continued.
      “This colour palette was inspired by the aggregates in the kitchen terrazzo, resulting in a deep blue with green pigments and a light pink.”
      There is a dining room with an oak table and three pendant lightsAdjacent to the kitchen is a dining area with an oak dining table and three pendant lights. Further counter space and shelving are provided along one side.
      To the back of the dining area, a full-height door opens up to the new enclosed courtyard, which is lined with ceramic-tiled walls and terrazzo flooring and decorated with black-steel furniture and leafy plants.

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      A glazed opening onto the courtyard draws light into a bedroom, while a smaller circular opening illuminates the adjacent corridor – operating as a “physical bridge between the interior and exterior”.
      “We extended our focus to the exterior space, not merely as a source of natural light and ventilation but also as an extension of the living experience,” Ambrósio said. “The materials for the patios were meticulously chosen to create a sense of refinement and tranquillity.”
      Ceramic-tiled walls and terrazzo flooring features in the courtyardSão Sebastião 123 is complete with two small workspaces beside the living area and a shared bathroom lined with ceramic tiles and terrazzo flooring matching the external courtyard.
      Other recent projects defined by colourful interiors include a playful seaside hotel that uses colour blocking to distinguish different areas and a residential conversion with jagged walls that reference a lightning bolt.
      The photography is by Do mal o menos.

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      Klymax nightclub by OMA was designed as a “sonic sweet spot”

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      Architecture studio OMA has collaborated with DJ Harvey on a nightclub at the Potato Head resort in Seminyak, Bali, where optimised acoustics and a sprung dance floor elevate the experience for partygoers.

      After completing the resort itself in 2020, OMA returned to work with the Potato Head Design Studio on the interiors for Klymax, which are acoustically treated to turn the entire dance floor into a “sonic sweet spot”.
      OMA has completed the Klymax nightclub in Bali’s Potato Head resortEnglish DJ Harvey Bassett, known as DJ Harvey, also contributed his knowledge gained from four decades of experience working in nightclubs.
      He aimed to distil “the most unique and significant elements of the world’s foremost parties and venues — past and present — into what he considers the most rewarding nightclub experience imaginable”, the design team explained.
      “At Klymax, the sound comes first,” the team continued. “It just so happens that when constructing a room to present the music in the best possible way, the design is visually appealing.”

      Built-in leather seats on one side of the dance floor match the warm brown tones of the wood panellingThe walls and ceilings of the club are panelled in teak veneer, perforated with over 2.6 million holes that help to “tame errant frequencies” by preventing the sound waves from reflecting and altering the audio.
      The panels are fitted on top of equally perforated plywood sheets and a layer of Rockwool insulation, creating a buffer in front of the 20-centimetre-thick concrete exterior walls.
      A disco ball measuring one metre in diameter hangs over the sprung dance floorA 208-square-metre sprung dance floor, similar to the one at London’s Ministry of Sound, is designed to reduce fatigue and stress on dancers’ joints.
      Also found in ballrooms and basketball courts, the technology comprises four layers of a wooden lattice structure with 50 millimetres of foam between each intersection.
      The speakers are mounted on concrete pads that absorb vibrationsKlymax’s audio engineer George Stavro worked with fellow engineer Richard Long, who was responsible for the sound at legendary Manhattan venues Studio 54 and Paradise Garage.
      “It’s a classic disco nightclub system based on a blueprint established in 1970s New York clubs,” the team said.

      OMA completes Potato Head Studios resort in Bali

      To absorb vibrations, the speakers sit on 11-centimetre-thick concrete padding that is also engineered to be separated from the sprung floor to avoid rattling.
      “Rich, finely poised and immaculately detailed, the system creates a vast sonic sweet spot, presenting the music exactly as it was intended to be heard with every nuance intact – perfectly pitched to optimise the audio experience,” said the team.
      Lighting was devised in collaboration with Tokyo’s Real Rock DesignA floating DJ booth is sound-isolated from the dance floor so that the music doesn’t bleed in, while a reflective pond on the Klymax roof also prevents noise from leaking through the roof.
      Lighting was devised in collaboration with Tokyo’s Real Rock Design, the same studio behind Japan’s Rainbow Disco Club festival.
      Staircases illuminated in red lead down to the dance floorA raised lounge area with leather seating is located on one side of the room, while a disco ball measuring one metre in diameter hangs from the ceiling in the centre.
      The club also has a “muted bar”, at which cocktails are served on tap to avoid the noise of shakers and bottles.
      The building has 20-centimetre-thick concrete exterior wallsThroughout May 2024, DJ Harvey will partake in a month-long artist residency at Potato Head, which will encompass several all-night sets at Klymax as well as a curated programme of movie screenings, surfing and mindfulness sessions.
      A line-up of international residents and DJs including HAAi, Dave Clarke, Sophie McAlister and Jonathan Kusuma is also planned for the nightclub.
      The club is accessed via a bunker-like entranceOMA completed the Potato Head Studios resort in 2020 as part of the Desa Potato Head village in Balinese beach town Seminyak.
      The firm has previously lent its expertise in nightclub design to a pop-up venue for fashion brand Miu Miu via its research arm AMO.  And in 2017, the studio revealed its design for a shapeshifting new venue for Ministry Of Sound, which won a competition in 2015 but was scrapped shortly after.
      The photography is by Tommaso Riva.

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      Lanterns dangle through hole between floors in “UK’s most expensive steak” restaurant

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      Interiors studio Rosendale Design used paper pendants to illuminate hand-painted red-and-gold walls in the first overseas outpost of Japanese steakhouse Aragawa in London.

      Set across two floors in a Mayfair townhouse, the restaurant is widely credited as serving the “UK’s most expensive steak” – a £900 cut of wagyu beef from Shiga prefecture.
      Rosendale Design created the interiors for a Japanese steakhouse in MayfairCharacterised by a rich palette of deep reds, golds and dark woods, the interior of the steakhouse was “heavily influenced by traditional Japanese architecture and design”, Rosendale Design founder Dale Atkinson told Dezeen.
      “We gave it a contemporary twist in a subtle way so it didn’t become kitsch,” he said.
      Pendant lights dangle through a void between the ground floor and basementUpon entering Aragawa, visitors pass through an archway that frames a wood-panelled reception area painted in pale green.

      From here, a corridor leads past a wine display cabinet that wraps around the back wall with skylights providing natural illumination.
      A private dining room with seats for 12 guests is accessed through glass and wood doors, with a slatted wooden screen partially obstructing the view into the space.
      A Japanese kiln is surrounded by blue tiles in the kitchenPendant lamps that take cues from traditional Japanese paper lanterns hang through a mirror-lined void between the ground floor and the basement, providing views of the main restaurant below.
      “The lanterns are one of the key features that are first experienced at ground level but drop down through the opening in the floor and are then a prevalent feature in the main dining room,” said Atkinson.
      “We looked at traditional Japanese lanterns and gave it a bit of a contemporary twist.”
      More lanterns hang from the latticed ceiling in the dining roomStairs lead down to the restaurant past an open kitchen, divided from the seating area via an uplit rough-textured counter.
      Cornflower-blue tiles clad the walls in the kitchen, where Rosendale Design installed a Japanese kiln.

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      Used to prepare Aragawa’s speciality, Japanese Kobe beef, the kiln was modelled on the model found in the original Aragawa restaurant in Tokyo, which opened in 1967 and became known as one of the priciest steak houses in the world.
      “The feature kiln is the main connection between the restaurants in Tokyo and London,” said Atkinson.
      “We worked with a local manufacturer to copy as best we could the kiln in Tokyo but dress it in a way that matches the London design ethos.”
      Hand-painted red-and-gold panels line the walls of the dining spaceMore lanterns are suspended from the dark wood lattice ceiling in the primary dining space.
      “The feature ceiling is referencing traditional Japanese castles,” explained Atkinson.
      Soft lighting illuminates the red-and-gold panels that line the walls of the dining area, hand-painted with patterns derived from Nishijin silk kimonos.
      Rosendale Design opted for crimson-red velvet-lined seatingThe red colour palette is continued in the red velvet-lined seating, contrasting against white tablecloths.
      “We made sure to play with the saturation of colours to make it more dramatic and romantic,” said Atkinson.
      Other Japanese restaurants recently featured on Dezeen include a noodle restaurant in a century-old townhouse in Kyoto and a restaurant in Alberta that combines Japanese psychedelia and cabins.
      The photography is by Justin De Souza.

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      Gubi opens first UK showroom in London townhouse takeover

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      A Georgian townhouse filled with period details is now Gubi House London, the first dedicated showroom that the furniture brand has opened outside Denmark.

      Gubi partnered with Danish surface design studio File Under Pop to reimagine the listed building as a showspace for its collection, which includes furniture by designers such as GamFratesi and Space Copenhagen.
      Gubi House London occupies a listed Georgian townhouseA curated colour palette combines with material finishes including Spanish clay tiles and Italian lava stone to create four floors of rooms with a contemporary feel.
      “To be in a townhouse is a unique opportunity,” explained Marie Kristine Schmidt, chief brand officer for Gubi.
      Furniture is on display across four different floors”We could create something very domestic in feel. We have smaller rooms where we can create different experiences and we can tell different stories on each floor,” she told Dezeen.

      The showroom is located on Charterhouse Square, a garden square framed by cobbled streets, and will be open by appointment.
      Danish surface design studio File Under Pop oversaw the colour and material paletteGubi was founded in 1967 by furniture designers Lisbeth and Gubi Olsen, who later handed it down to their sons, Jacob and Sebastian Gubi Olsen. Jacob is still a shareholder and a member of the board.
      The London expansion was first mooted in 2020, not long after the once family-owned company was acquired by Nordic private equity group Axcel and the Augustinus Foundation.
      Furniture on show includes the Croissant Sofa designed by Ilum Wikkelsø in 1962Schmidt said the UK is a key market for the brand as it looks to expand its intentional profile.
      “London is a melting pot right now, particularly in the hotel and restaurant scene, so for us, it is a really important city to be in,” she said during a tour of the building.
      “I think there is a lot of untapped potential for us here.”
      A ground-floor dining room features hand-painted forest-green wallpaperEach floor of Gubi House London has its own character, drawing on different influences reflected in the materials and fabrics that feature in across the product collection.
      The ground floor, described as “boutique chic”, features a trio of spaces designed to emulate the sense of comfort and luxury of a boutique hotel.
      Also on the ground floor, a blue fireplace sits behind the Moon dining tableKey details include a fireplace colour-blocked in a deep inky shade of blue, which serves as a backdrop to the brand’s Moon dining table and Bat dining chairs.
      Also on display here are several reissued 20th-century lamps, including designs by Finnish designer Paavo Tynell, Danish architect Louis Weisdorf and Swedish designer Greta M Grossman.
      The first-floor rooms take cues from the 1970sTowards the rear, a room with hand-painted forest-green wallpaper serves as a dining space.
      The first floor takes cues from the 1970s, with an earthy colour palette.

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      Key pieces here include the Pacha lounge chair, a 1975 design by the late French designer Pierre Paulin, upholstered in a striped fabric and a cascading arrangement of the Semi Pendant lamps, designed in 1968 by Danish design duo Claus Bonderup and Torsten Thorup.
      This floor also includes a bar, which serves as a centrepiece in the smaller of the two rooms.
      The second floor was envisioned as a co-working environmentThe second floor was envisioned as a co-working environment, with furniture that emulates a contemporary bistro, while the uppermost level offers a more bohemian feel.
      “We wanted to create a space that is inspiring,” said Schmidt. “It wouldn’t be right for our brand to go into a commercial space.”
      Gubi House London is located at 12 Charterhouse SquareThe experience is different from the warehouse feel of Gubi’s Copenhagen headquarters, which occupies a former tobacco factory in the waterside Nordhavn area.
      “This is how we see Gubi in the context of the UK,” added Schmidt.
      “It was fun to play with a building that is so pleasant and give it a very fresh, modern, contemporary look.”
      In Copenhagen, Danish brand &Tradition took over a townhouse during design festival 3 Days of Design, while fellow Danish brand Hay unveiled its renovated Copenhagen townhouse in 2021.
      The photography is by Michael Sinclair.

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      Studio Aisslinger completes “nature-loving” renovation of Hotel Seegarten

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      Designer Werner Aisslinger has renovated a lakeside hotel in Germany’s Sauerland region, adding hydroponics and locally sourced materials including wood and terrazzo to craft interiors informed by the surrounding nature.

      Hotel Seegarten is owned and operated by TV chef Olaf Baumeister, who took over the traditional inn from his parents in 1992 and has overseen its transformation into modern boutique accommodation.
      Werner Aisslinger has renovated a boutique hotel in the SauerlandWerner Aisslinger’s studio was influenced by the hotel’s location overlooking the Sorpesee lake when developing its “nature-loving” concept for the guest rooms and public areas.
      This includes Baumeister’s Seegarten restaurant, where hydroponic shelves are used to grow ingredients for the kitchen.
      Terrazzo and wood feature throughout the interior”The overall atmosphere is friendly and close to nature, as all materials are processed in their purest form and can be felt,” said the design team, adding that further inspiration came from Baumeister’s passion for using local produce in his cooking.

      The studio described the hotel’s setting as an “oasis in the Sauerland”, which informed a design that is casual, modern and focused on promoting wellbeing.
      The two main materials used throughout the scheme are terrazzo and wood, which are intended to evoke the pebble beaches of the nearby lake and the trees of the surrounding forest.
      Stones from a nearby quarry were incorporated into the grey terrazzoOther elements such as curtains, carpets, plants and rattan screens were chosen to complement these two cornerstone materials, as well as adding different tactile surfaces to the interior.
      Stones from a nearby quarry were incorporated into the grey terrazzo, which was processed by a local firm and is used throughout the bathrooms.
      As well as referencing the natural surroundings, the use of local materials and regional manufacturers helps to minimise the project’s carbon footprint by reducing shipping requirements.

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      The bedrooms feature bespoke shelves housing planters filled with herbs, along with equipment that guests can use to brew their own tea.
      In the bathrooms, Studio Aisslinger commissioned custom-made towel rails shaped like swimming pool ladders that attach to the bathtubs.
      Traditional wood panelling features in the Seegarten restaurant, providing a contrast with the metal hydroponic troughs and their bright LED grow lights.
      Furniture designs by Aisslinger include the Wood Bikini chairThe hotel’s wellness area features flat and curved rattan screens that are suspended from the ceiling and can be adjusted in height to provide privacy if required.
      Furniture created by Aisslinger for various design brands is used throughout the hotel, including the Geometrics pouf for Cappellini and the Wood Bikini chair for Moroso.
      The public areas also feature the solid oak Cep tables, the geometric Urban Jungle rugs and the Addit sofas designed for German furnituremaker Rolf Benz in collaboration with Studio Aisslinger’s design director Tina Bunyaprasit.
      Curved rattan screens and sheer curtains feature in the hotel’s wellness areaAisslinger founded his studio in Berlin in 1993, adding a Singapore office in 2008.
      The studio’s previous projects include the transformation of a famous Berlin squat into a photography museum and the design of a futuristic exhibition exploring topics from urban farming to robotics.
      The photography is by Nicoló Lanfranchi for Studio Aisslinger.

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