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      Linehouse creates greenhouse-informed food market in Shanghai

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      Architecture studio Linehouse has wrapped a food market in a Shanghai laneway neighbourhood around a central atrium informed by Victorian greenhouses.

      Named Foodie Social, the 2,000-square-metre food market is located within the Hong Shou Fang community – a residential area in Shanghai’s Putuo district known for its classic “longtang” laneway architecture.
      The food market is in a two-storey grey brick building in ShanghaiThe entrance to the two-storey market was framed by a double-height arrangement of stacked recycled red bricks, with a corten steel canopy added to provide shelter.
      The same recycled red bricks sourced from demolished houses in China can also be found on the interior walls, stacked to create three dimensional patterns.

      The glass pitched roof is lined with a gently curved metal trussA large glass door can be pulled open on warm days, with patterned paving from the laneway outside extending to the interior of the market, fully connecting the interior and exterior.

      The interior of the market was designed to resemble a greenhouse, with shops and cafe’s arrranged around a central, double-height atrium.
      The glass pitched roof above the atrium was lined with gently curved metal truss, in reference to Victorian greenhouses, with three large fans hanging from the metal truss to improve the air circulation.
      Some vendors are designed to be retractable to allow flexibilityA cafe in the atrium, which contains an olive tree planted into the ground, integrates a metal staircase that leads to the upper floor.
      A area describes as a “stage” is located by the staircase with a series of undulating balconies wrapped around the atrium on the upper floor.

      Overlapping concrete arches frame Bangkok shopping centre by Linehouse

      Various typologies of food vendors are arranged in the open atrium on the ground floor, some of which are designed to be retractable, allowing flexibility for different types of vendors as well as a large open event space to be formed at the centre.
      “This new typology brings together the local with more curated food offerings in a contemporary yet humble and sustainable way,” explained Linehouse’s Shanghai team who are responsible for the design.
      Recycled red bricks can be found both on the facade and interior wallsSmaller snack shops were positioned on the ground floor, while larger restaurants occupy the upper floor.
      Each stall was assembled from a kit of parts, so that the vendors are able to create their own signage and layout, but maintain a consistent material and lighting palette.
      Larger restaurants are located on the upper floorLinehouse is a Hong Kong and Shanghai-based architecture and interior design studio established in 2013 by Alex Mok and Briar Hickling. The duo won the emerging interior designer of the year category at the 2019 Dezeen Awards.
      The studio has also recently designed the facade of a shopping centre in Bangkok and the interiors for a Hong Kong residence that respond to coastal views.
      The photography is by Wen Studio.
      Project credits:
      Design principal: Alex MokAssociate-in-charge: Cherngyu ChenDesign team: Yeling Guo, Fei Wang, Wang Jue, Norman Wang, Aiwen Shao, Mia Zhou, Yunbin Lou, Xiaoxi Chen, Tom Grannells

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      Pearce+ creates temporary sub-zero restaurant in Canada

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      UK architecture studio Pearce+ and Canadian designer Joe Kalturnyk have created a temporary inflatable restaurant for subzero temperatures in Winnipeg, Canada.

      The barrel-vaulted restaurant has space for 48 guests dining in temperatures as low as -30 degrees Celsius during the 10th annual RAW:almond fine dining food festival, which celebrates both Canadian cuisine and the harsh winter.
      The temporary restaurant was designed by Pearce+Each year, the food festival commissions the construction of a temporary structure that responds to its environment and incorporates sustainable reuse.
      “[The shelter] mirrors the ethos of the food served within by minimizing waste, discovering elegance in simplicity, creatively celebrating local identity, and incorporating a global outlook,” said the team.
      It featured a vaulted dining roomPearce+, based in Herfordshire and London, constructed the 220-square metre (2,370-square foot) restaurant in just a few weeks, and it was in use for 22 days early in 2024.

      The snow-surrounded structure had a cruciform plan with a 140-square metre (1,500-square foot) vaulted dining room that contained two linear tables.
      Pearce+ developed custom inflatable panelsEmploying a Diagrid framework, the vault was constructed from 18-meter-long, 15-millimetre reinforced steel bars.
      “These bars were bundled in groups of three, with varying plywood spacers, to create exceptionally lightweight trusses,” the team said.
      Interior diamond-shaped panels featured a reflective foil layerThe team – with the help of inflatable specialists at Inflate Ltd – developed custom inflatable panels that mitigated the potential pressure to decrease the cold temperature’s lower air density. It was stretched over the framework.
      The diamond-shaped panels featured a gold-coloured foil layer that reflected heat into the space.
      Festival goers entered through a smaller vaulted lobby tunnelAlong the ridge line, the gold panels were swapped with transparent ones, offering a view to the snowy sky.
      The panels were connected with Velcro – rather than glue due to the extreme temporal variation – and were disassembled and stored for future uses.
      Directly across from the entrance was the rectangular kitchenCapping each end of the dining area were trapezoidal buttressing structures, designed to resist strong winds and offer emergency egress.
      Festival goers entered through a smaller vaulted lobby tunnel at the centre of the plan. A gabled wooden vestibule transitioned into the dining area.

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      Directly behind the structure was the rectangular kitchen.
      Separated by a small hallway, the kitchen was constructed with a Structurally Insulated Panels (SIP) flat-pack and outfitted with high-quality appliances.
      Rectangular dining tables featured insideThe structure was meant to be a demonstration of ways to conserve space by utilising temporary structures.
      “I think it’s necessary to start re-envisioning how we use space, for what and for how long,” said RAW:almond co-founder Joe Kalturnyk.
      “In the beginning I was interested in seeing if you can temporarily build a city within a city – and what better way to test the idea than with food? RAW:almond was a huge leap – would people embrace the winter and eat outdoors? Would they do it on a frozen river? And ultimately, could we even pull this off?”
      In 2015, the RAW:almond pop-up restaurant was constructed on the surface of a frozen river with an X-shaped plan lying over the connection between the Assiniboine and Red rivers.
      The restaurant was designed for subzero temperaturesAlso in Winnipeg, Canadian studio KPMB revealed a horticultural centre with a Fibonacci spiral roof.
      The photography is by Simeon Rusnak.
      RAW:almond 2024 took place from 24 January to 18 February. For more events, talks and exhibitions involving architecture and design visit Dezeen Events Guide.
      Project credits:
      Project founders: Joe Kalturnyk & Mandel HitzerArchitect/designer: Pearce+ and Joe KalturnykArchitect of record: AtLrg ArchitectureProject management: Joe KalturnykStructural engineers: Wolfrom EngineeringInflatable specialists: InflateVisualisations: Pearce+Construction: RAW:Almond team, Pearce+ and Hi-Rise

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      Mooradian Studio sprays London boutique interior with recycled newspaper pulp

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      Architecture office Mooradian Studio used spray-on paper pulp to create a bumpy texture across the walls and ceilings of north London menswear store Natalino.

      Taking over a former art gallery in Fitzrovia, Natalino’s first physical store was designed by architect Aram Mooradian in collaboration with design studio Mitre & Mondays to reflect the properties of the brand’s garments.
      Natalino has opened its first physical store”Nathan’s clothes use a lot of natural textures and you can often see how they’re constructed, so we wanted to capture those qualities in the interior,” Mooradian told Dezeen.
      Mooradian, who had recently travelled to Italy with a group of his students from the Architectural Association, was influenced by the contrast of rough and smooth stone surfaces at Carlo Scarpa’s famous Olivetti showroom in Venice.
      The store’s interior was designed by Mooradian StudioAfter initially looking at using a sprayed plaster finish to achieve the desired effect, he came across a spray-on acoustic material from Dutch firm Acosorb that is made from recycled newspaper.

      The material is more commonly used for sound absorption in music studios and restaurants as it helps to reduce reverberation and improves acoustics.
      Spray-on paper pulp covers the walls and ceilingsMooradian used the paper pulp to cover the store’s walls and ceilings alongside utilities such as pipes and ducting. This lends the space a feeling of cohesion in addition to providing the desired tactility.
      “I think retail spaces are often about creating a sensory experience,” the architect said. “Spraying the entire store meant that we could create this atmosphere that wraps around and immerses you.”
      The textured finish is created by blowing the compressed flaked-paper material onto the surfaces together with a non-toxic binding agent.

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      When the interior eventually needs to be refurbished, the material can be easily removed by soaking it with water so it can once again be recycled.
      The use of recyclable materials also extends to the shop fittings, which were developed in collaboration with Mitre & Mondays and custom made in their Islington workshop from standard aluminium strips.
      “We used a range of techniques including bending, folding, clamping and notching to create various metal display structures that can be adapted to fit differently-sized garments,” said the studio’s co-founder Finn Thomson.
      Custom-made aluminium rails are used to display clothingThe components are attached using simple mechanical bolts, allowing them to be easily taken apart and reconfigured or recycled at the end of their lifespan.
      The display structures incorporate hanging rails and table surfaces, while angled aluminium shelves recessed into the wall are used to display shirts, knitwear and jeans.
      A fitting area in one corner of the space features a curtain made from UK-sourced waxed cotton that is suspended from a curved track.
      The aluminium was bent, folded and clamped into shapeThe graphic identity for Natalino was created by design agency Polytechnic, which also owns Bodney Road Studios in east London where Mooradian has his office.
      Aram Mooradian established his studio in 2018 after completing his studies at the Architectural Association. The studio focuses on reusing materials as part of a “gentle building philosophy” that also engages with contemporary craft practices.
      Other reversible shop interiors that have recently been featured on Dezeen include On-Off in Milan, which features a flexible gridded shelving system, and London’s Present & Correct store with its demountable wooden joinery.
      The photography is by Thomas Adank.

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      Multipurpose rooms optimise space at Ulli Heckmann’s Rotterdam apartment

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      A bedroom incorporating a bathtub and a window bench is one of several versatile spaces architect Ulli Heckmann created when renovating this compact apartment in Rotterdam, the Netherlands.

      Heckmann and his partner, the designer Nienke Bongers, bought the apartment in the Delfshaven neighbourhood in 2020 with the aim of refurbishing it to suit their personal tastes.
      Multipurpose rooms were used to optimise space at Ulli Heckmann’s Rotterdam apartmentThe 100-square-metre property is spread across the ground floor and basement of a brick apartment building dating from 1935 that stretches along a dike on the river Schie.
      Previous renovations in the 1980s had stripped away all of the interior’s original features, so the couple decided to completely gut the spaces and rebuild them using a modern and affordable material palette.
      The open-plan kitchen and living area receive daylight from the gardenThe existing layout did not make the best use of the garden access, so Heckmann moved the bedrooms upstairs and created a large living space below with direct access to the outdoors.

      “The original downstairs plan showed one room facing the garden and one towards the street, which was quite gloomy and dark,” the architect told Dezeen.
      “Since the new downstairs is basically mono-orientated, an open layout with the kitchen cupboard as a room divider seemed the best solution in terms of space with an option for privacy.”
      Heckmann completely rebuilt the interior spaces using affordable materials. Photo is by Yuta SawamuraThe largely open-plan configuration creates a space for cooking, eating and socialising that receives plenty of daylight from the large windows at one end.
      Freestanding cupboards screen a small private space that Heckmann explained can be used for “reading a book, inviting friends to stay over or simply drying the laundry without putting it in the middle of the living room.”
      The kitchen is divided by a wooden cupboard unit for privacy. Photo is by Yuta SawamuraThroughout the property, built-in storage helps to optimise and organise space, allowing the interior to be used in different ways at different times. Examples include a hidden desk in the children’s bedroom and a window bench in the main bedroom.
      “Most of the rooms are not limited to only one purpose throughout the day and night,” said Heckmann, “which helps tremendously for the use of the space – especially as a family.”

      Amsterdam apartment block features cupboard bedrooms

      The layout of the upper floor is more compartmentalised than the basement level; however, a full-height mirrored door at the end of the hall can be left open to ensure the spaces feel connected.
      The two bedrooms at either end of the plan are separated by a walk-in wardrobe and a shower room hidden behind cupboard-like doors.
      The main bedroom integrates a bathtub that can be hidden behind a curtainIn addition to the bed and window bench, the main bedroom contains a bathtub set on wooden blocks that can be screened off using a curtain.
      “The need to create multifunctional spaces is one of the reasons why we decided to have the bathtub in the bedroom,” Heckmann explained. “Also, we quite like that it becomes an object in our daily life instead of hiding it away.”
      Most of the furniture was built by Heckmann and Bongers with stained or dyed plywood and MDFThe couple had wanted to use natural materials where possible to completely revamp the interior, but the onset of the Covid-19 pandemic caused prices to soar and subsequent lockdowns made commissioning specialist trades much more difficult.
      Heckmann and Bongers therefore designed and built most of the furniture themselves, using plywood or MDF that they stained or dyed to give the materials a more unique finish.
      The bedroom shelf and the hall cupboards are made from eucalyptus plywood tinted with an earl-grey mixture, while the bedhead is MDF with a hardwax finish.
      The bedhead unit is made from MDF with a warm-toned hardwax finishLime plaster was used on the walls throughout the apartment. The downstairs spaces were left raw and natural, while the bedroom has green pigment added to give it a subtle hint of colour.
      For the kitchen, Heckmann used MDF boards with oak veneer and a countertop with a dark Forbo linoleum surface. The cupboard under the stairs features an oak frame surrounding polycarbonate panels, while the staircase podium is made from painted MDF.
      A hidden desk in the children’s bedroom helps to optimise space usageUlli Heckmann completed his Diploma studies at the Technical University of Darmstadt, Germany, in 2006 and worked for several years for agencies in Germany and France, including Maison Edouard François.
      He founded his architecture and design studio in Paris in 2013 and now works on projects across Europe, ranging from object and interior design to private housing and architectural competitions.
      Other recent Rotterdam projects featured on Dezeen include a floating cross-laminated timber office and a multi-faceted auditorium designed using computer modelling.
      The photography is by Ulli Heckmann unless otherwise stated.

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      Apparatus updates Los Angeles showroom to include a “modernist grotto”

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      New York-based studio Apparatus has redesigned its Hollywood showroom with multiple material schemas and a range of its lighting and furniture products to evoke a feeling of “discovery” for visitors.

      The 5,000-square-foot (464 square metres) Hollywood showroom first opened in 2018 in a former warehouse. Apparatus redesigned the interiors – which previously consisted of bold geometric and neoclassical elements – opting for an experience featuring a progression of materials that create distinct experiences for each room.
      Apparatus has redesigned the interiors of its LA showroomIts three adjoining rooms were transformed with distinct finishes and reconfigured displays.
      The first room’s walls and adjoining archways were covered in a coarse rock aggregate. Beds of similar stones fill small recessed gaps between the floor and the walls and a large circular mirror sits behind an installation of the Trapeze light configured as a mobile.
      The entry program features wall with a rough texture”Upon entering, you find yourself in our version of a modernist grotto,” said Apparatus.

      “Here lights are relatively low, allowing you to experience our collections with slightly subterranean undertones.”
      The “grotto”-like room features an installation of the Trapeze chandelierThe pre-existing archways were left intact and lead into the next space, which was finished in a silver-toned plaster custom produced by New York outift Kamp Studios. This surface treatment has a reflective quality meant to contrast the first space.
      It has an installation featuring multiple of Appratatus’ iconic Cloud chandeliers that give the space an airiness when contrasted with the earthy textures of the first.
      The second room has a smooth, silvery finish on the walls”Silvered walls reflect without revealing, giving the impression of being inside a Renaissance coffer,” said the studio. “After the grounding of the first space, this functions as a release.”
      A third room is lined with cork wall panels with intricate grain patterning and includes an unattributed bird-themed tapestry.
      Natural light comes in from overhead windows casting shadows on the double-height room, and includes several products arranged sparsely across the room.

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      “It’s about feeling discovery and moving through layers,” said Apparatus founder Gabriel Hendifar.
      Throughout, light fixtures are hung low to emphasize a dream-like characteristic of the reimagined space.
      As in Apparatus’s other showrooms in New York and London, the gallery’s interior design resembles the composition of famous paintings and historical architectural styles. Italian artist Giorgio De Chirico’s Surrealist works were referenced for this room.
      The third space features cork-lined walls and a double-height ceilingAccording to the company, the space was also redesigned based on a creative narrative of a hypothetical person: a woman living in New York City during the 1960s.
      The hypothetical person in this case experiences the cultural tensions of the time, between old world conventions and big changes in society, such as the moon landing, embodying the “tension between modernity and the arcane”.
      “What would happen if this woman moved to Los Angeles a decade later to find herself? Our Los Angeles gallery is the answer,” said the studio.
      The rooms were ordered to evoke a sense of discoveryApparatus has displayed its full suite of products in this immersive setting. Collections on view include the Cloud pendant lamp and the Episode Settee sofa.
      Other recent showroom designs include the London Camper store by James Shaw and Malbon Golf Coconut Grove store by 22RE.
      The photography is by Matthew Placek.

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      Bernard Dubois designs Canal Saint-Martin hotel to feel “far from Paris”

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      Belgian architect Bernard Dubois designed bespoke 1970s-style wooden furniture and interiors for the revamped Bouchardon hotel in Paris, which references mountain hotels.

      Located in the Canal Saint-Martin district of the French capital, the Bouchardon is an aparthotel containing 11 suites. Every apartment has its own kitchen and dining area.
      Each suite has a private dining areaThe entire building has been rebuilt and Dubois was appointed to create its interior, which he wanted to provide “both refuge and an intimate feel,” the designer said.
      “The place is inviting, showcasing wood, brown fabrics and green carpeting,” Dubois told Dezeen.
      Wood panels line the walls of the corridorsAt first, Dubois designed the entire project in wood, before deciding to introduce a material palette of contrasting textures, using lacquer on some pieces to add gloss.

      This shiny element balances the various wood textures.
      While pairing opposing finishes, Dubois aimed to keep the space cohesive by using the same colour palette throughout.
      “Coherence is all about finding common grounds between references – [to] create a family with shapes and materials referencing different periods and contexts,” he said.
      Yellow soft furnishings and custom lamps also feature throughout the spaceDubois designed all of the furniture specially for the space and had them manufactured by two millworkers.
      The architect also designed all of the interior architecture details for the Bouchardon.

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      As part of this tailor-made approach, Dubois created a focal point for each bedroom using statement headboards made from terracotta.
      The terracotta-coloured headboards are uniquely shaped for each room and “evoke the 1970s in both their shape and glossy lacquer finish,” Dubois said.
      The bedrooms each include a unique large statement headboardDubois also took cues from the aesthetics of mountain hotels combined with American cinema references.
      “The concept of this space was to break away from conventions, far from Paris,” he explained.
      “You can imagine opening a window in the morning and suddenly discovering a landscape reminiscent of Twin Peaks or Colorado.”
      The aim was to give visitors an experience evocative of a ski holiday.
      “The colours and materials evoke mountain hotels, with carpeted hallways and entrances where one can hear the warm muffled sound of ski boots,” Dubois added.
      A rail-like wooden partition separates the bedroom and living areaDubois studied photography before moving into architecture and set up his eponymous firm in 2014.
      For this project, he borrowed from the principles of photographers William Eggleston and Stephen Shore, known for their simple compositions and highly saturated photos respectively.
      Dubois describes his design approach for the Bouchardon, and more broadly, as “creating universes”.
      “Designing is all about creating stories, universes,” he said. “Like a film-maker, a photographer, it’s about digesting references and coming up with something different that, although rooted, creates its own identity and its own story.”
      Other projects from the studio recently featured on Dezeen include a Parisian clothing store that features nods to nightclub interiors and a yellow-bricked store for skincare brand Aesop.
      The photography is by Ludovic Balay.

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      Cavernous restaurant by Spacemen feels like “stepping into a giant pot”

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      Architecture studio Spacemen has designed the Bar Kar restaurant in Kuala Lumpur, Malaysia, to resemble the earth ovens historically used to cook and smoke food in the ground.

      Based between Shanghai and Kuala Lumpur, Spacemen conceived the interiors for Bar Kar “around the concept of primordial community cooking”.
      Bar Kar is entered via a pathway lined with firewoodGuests enter the eatery through a winding pathway lined with the same firewood used in the restaurant’s kitchen.
      This immersive hall was bookended with mirrored walls to give the illusion of an infinite space.
      Cavernous walls were designed to evoke ancient cooking pitsA bespoke yellow onyx welcome desk with a timber base was positioned at the end of the pathway, which leads to the main dining hall through a stucco-clad tunnel illuminated by a rounded skylight.

      Cavernous, terracotta-hued walls were designed to evoke ancient cooking pits.
      The central “chef’s table” was finished in veiny grey travertine”It’s as if patrons are actually stepping into a giant pot,” Spacemen founder Edward Tan told Dezeen.
      This geometry is echoed in curved tables and banquettes as well as a U-shaped central “chef’s table” finished in veiny grey travertine.
      Arranged around an open, terracotta tile-clad kitchen, the back-lit table provides a space for guests to sit and watch their meals take shape.
      Brown slate flooring was chosen to emulate rocks”All of the elements and finishes are inspired by primordial times,” said Tan, noting the locally sourced brown slate flooring, which was chosen to resemble rocks.
      Crumpled mesh sculptures reminiscent of flames were suspended from curved holes in the undulating ceiling.

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      Bar Kar also features a private dining room informed by “the organic contours of a cave”. For this space, Spacemen chose cream-coloured stucco, stacked in ridged layers to mimic the inside of a cocoon.
      Another gold mesh sculpture hangs over the room’s central red travertine table.
      The private stucco-clad dining room mimics a cocoon”We deconstructed the elements of primordial living in ancient times and put them into an abstract composition,” Tan said. “We wanted to make the restaurant familiar but with a fun and contemporary approach.”
      Known for its bold application of colour and texture, Spacemen previously inserted an “otherworldly” moss-covered installation in a luxury bag store in Putrajaya.
      Other earthy interiors include Studio Wok’s cavernous pizzeria in Sardinia, with sandy pink plaster walls designed to reflect the island’s wind-swept granite rocks.
      The photography is by Su Ping. 

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      Timothy Godbold adorns Tribeca loft with modernist relief panels

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      New York interior designer Timothy Godbold has renovated an apartment in a historic Tribeca building, adding various relief treatments across its neutral walls including panels influenced by a 1970s sci-fi series.

      The spacious loft is located in an 1881 cast-iron building on Franklin Street, which was formerly a textile factory and was overhauled by Pritzker Prize-winning Japanese architect Shigeru Ban in 2019.
      The most dramatic space in the loft is a double-height living room surrounded by windows”The homeowners, a young family with two children, set out with the objective of creating a great home for entertaining that simultaneously utilized space efficiently to create a comfortable family living space,” said Godbold’s team.
      The designer helped to organise the layout so that it functioned optimally for the family, and despite opting for a neutral colour palette, Godbold upped the drama through the scale of the furniture and artwork.
      Rather than disguise a structural column, Timothy Godbold used it as an anchor for the dining tableA double-height living room occupies a corner flooded with light from windows on two sides, which can be diffused by drawing the sheer curtains.

      To work around a large structural column disrupting the view to the living room, Godbold used the column to anchor a stone dining table to turn it into a focal feature.
      The kitchen is intentionally minimal, benefitting from the absence of cabinet and drawer pullsThe table references a 1930s design by Hans and Wassili Luckhardt and Alfons Anker, in keeping with the industrial style of the building.
      The kitchen is very minimal, thanks to the omission of cabinet and drawer pulls, and includes an island with a waterfall stone top that creates space for a breakfast bar.
      An area behind the kitchen was converted into a flexible office and bar spaceHidden behind the kitchen is a former TV room converted into a bar room and an office “to maximise the versatility of the space and meet multiple needs”.
      The walls in this flexible room are covered in geometric plaster-relief panels, which add shadows and texture, while the furniture is darker and more masculine.
      Plaster relief panels based on a 1970s sci-fi series cover the wallsA Reprise pendant light from New York design studio Apparatus hangs in a corner that has been curved to accentuate the modernist-style wall panelling.
      “The wall details in this Tribeca space are inspired by a classic 1970s sci-fi series that showcases an all-Italian modern aesthetic within a futuristic environment,” said the team.
      A feature wall behind the bed in the primary bedroom is fluted across its full widthA row of plastered arched niches separates the formal entertaining areas from a more casual seating area, where a large pale grey sofa shifts the tone from the warm whites found elsewhere.
      In the primary bedroom, the built-in bed and nightstands are installed below a tufted upholstered headboard that runs the full width of the room, and a fluted wall feature that extends to the ceiling.
      The bedroom also features a sculptural sofa, large planters and a huge artwork by Etienne MoyatOpposite the bed is a sculptural sofa surrounded by oversized planters and a large, carved relief artwork by French sculptor Etienne Moyat on the wall.
      Godbold custom-designed many of the pieces throughout the home, including most of the furniture and decorative elements.

      Timothy Godbold turns his Hamptons home into a “villain’s hideout”

      His references included mid-century Italian designers like Joe Colombo, whose space-age shapes are echoed in the dining chairs, sofas, and smaller lighting and decor items.
      Godbold also played with proportion to add drama, as seen in the living room’s custom stone sofas that are upholstered in a “brutalist” fabric made in England, and the coffee table with an integrated planter.
      A variety of space-age shapes and materials can be found throughout the loftThe rugs also feature custom designs that outline the furniture in the same space.
      Overall, the goal was to “marry the industrial, the art deco and the more surreal aspects of 1970s noir cult cinema for a glamorous and intriguing end product.”
      The home’s neutral colour palette continues through to the nurseryOriginally from Australia, Godbold is currently based in the Hamptons, where he renovated his mid-century home to resemble a “villain’s hideout”.
      He also aims to preserve other modernist dwellings built across the area through the nonprofit organisation Hamptons 20th Century Modern.
      The photography is by David Mitchell.

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