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      Lucas y Hernández Gil adds multi-use greenhouse to Madrid bungalow

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      A renovated 1970s bungalow with “kitsch character” and a greenhouse that doubles as a living room feature in Casamontesa – a weekend home designed by Spanish studio Lucas y Hernández Gil.

      The project began when a couple asked the studio to overhaul a single-storey house that was once part of a hotel complex on the outskirts of Madrid.
      The renovated bungalow and a multifunctional greenhouse (above) make up CasamontesaThe brief later expanded to include a multifunctional greenhouse that can be used as a workspace, a guest bedroom, a gym or simply as a garden room.
      Lucas y Hernández Gil, led by architects Cristina Domínguez Lucas and Fernando Hernández-Gil Ruano, developed a distinct character for each building.
      The main house is a bungalow built in the 1970sCasamontesa’s renovated bungalow has a warm, playful style that draws on the 1970s aesthetic while the garden pavilion has a more utilitarian feel.

      “The owners, a young urban couple who love design and live and work in the centre of Madrid, were looking for a functional and compact getaway within a fantastic garden,” Lucas told Dezeen.
      “They wanted a very comfortable and flexible home that would be useful for both working and getting together with friends.”
      The interior centres around a new kitchen islandThe bungalow renovation involved simplifying the interior layout to create a combined kitchen, dining room and living room, with a bedroom and bathroom off to one side.
      “The house, in addition to being small, was very compartmentalised,” explained Lucas.
      The materials palette includes pink marble and handmade tilesTo unify the newly open-plan living space, the designers installed an island that serves as a worktop, dining table and social gathering place.
      This island features a countertop made from Portuguese pink marble while its sides are covered in the same handmade burgundy tiles that line an adjacent window recess.
      An arched fireplace provides a focal point in the living room”The rest of the surfaces – Campaspero stone floors and waxed tinted plaster walls – establish a dialogue by contrast with the colourful and shiny surface of the tiles,” added Lucas.
      Key details in the living room include an arched fireplace and a tadelakt plaster coffee table, while the bedroom features semi-circular marble nightstands.

      McCloy + Muchemwa adds timber-framed “orangery” to renovated garage

      For Casamontesa’s garden room, the design team customised a prefabricated greenhouse.
      A pergola extends the building volume outwards in a bid to blur the boundary between inside and out, and is topped with wooden blinds to provide shade.
      A pergola extends the width of the greenhouseA wooden box on wheels provides an additional bedroom, described as a “small Shigeru Ban-style mobile room”.
      Other additions include thermal curtains and an automatic shading and ventilation system, which allow for versatile use of the space throughout the year.
      A “Shigeru Ban-style mobile room” provides an additional sleeping space”By complementing the programme of the original bungalow, a more complete and flexible program is achieved, overcoming the limitations of a weekend house,” added Lucas.
      Other recent projects by Lucas y Hernández Gil include a bar featuring extreme colour blocking and an apartment with a hidden closet.
      The photography is by José Hevia.

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      StudioTwentySeven opens “monumental” flagship gallery in Tribeca

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      Collectible design gallery StudioTwentySeven has taken over a huge space in a Tribeca textile building, creating a warm and serene environment to present museum-sized, limited-edition pieces.

      The gallery’s New York City flagship at the corner of Church and Leonard Streets covers 7,000 square feet (650 square metres) across the ground floor of a 1901 neoclassical building by architect Henry J Hardenbergh.
      StudioTwentySeven founders Nacho Polo and Robert Onsuka introduced curved walls and archways to the interior of their flagship galleryFormerly Jean-Georges Vongerichten’s Restaurant 66, the grand space benefits from double-height ceilings and eight 16-foot-tall windows on two sides, overlooking the mirrored Anish Kapoor sculpture squashed beneath Herzog & de Meuron’s “Jenga Tower”.
      StudioTwentySeven founders Nacho Polo and Robert Onsuka, who started their venture in Miami in 2018, chose this location for the New York flagship for its “monumental scale” and ability to showcase huge sculptural works.
      The double-height ceilings allow large-scale pieces to be displayed, like a hanging bear sculpture by Paola Pivi”The building’s elaborately carved facade, and its stone entry staircase leading to beautifully restored original triple doors, set the tone for what clients of StudioTwentySeven will experience inside – a space that is sophisticated yet genuinely welcoming,” said the duo.

      Led by Polo, the renovation of interiors involved the introduction of curved walls and a rotunda, along with an archway fitted with a 12-foot-tall, hand-carved chestnut door.
      A giant bronze and glass chandelier hangs above an organic-shaped dining tableThe team worked with lighting specialists L’Observatorie to design a custom system that imbues the space with a warm atmospheric quality, complementing the pieces on display.
      A massive bronze and glass chandelier comprising hundreds of individual petals is suspended above an organically shaped French oak and waxed bronze dining table.

      Eight homes kept cool and bright by central courtyards

      Pale oak floors run throughout the gallery, in places separated from the walls by glowing bands of light, and sheer curtains diffuse the abundance of natural light that enters during the day.
      Other architectural details include a tall fireplace shaped into the hand-plastered walls and a chestnut-lined library hidden behind a pair of discreet doors, designed to “create moments of surprise”.
      The founders also created a rotunda space for displaying specific piecesFor the gallery’s opening in February 2023, several museum-sized works from Polo and Onsuka’s private collection were installed in the space.
      These include a hanging bear by Italian artist Paola Pivi, which had to be transported from the Aspen Art Museum in a special truck, and a bronze sculpture titled Owl and Boy by Japan-based Otani Workshop.
      “Moments of surprise” include a hidden library lined in chestnutPolo and Onsuka, who were judges for Dezeen Awards 2023, also have gallery spaces in Miami’s Little River and London’s Mayfair – open by appointment only.
      Their new flagship in Tribeca joins a multitude of collectible design galleries in the Downtown NYC neighbourhood, like R & Company and Egg Collective, where expansive former industrial lofts provide ideal settings for presenting furniture, lighting and art.
      The photography is by William Jess Laird.

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      Eight inviting breakfast nooks for easy-going mornings

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      For our latest lookbook, we’ve rounded up eight kitchens with welcoming breakfast nooks of different shapes and sizes that provide a relaxed place to enjoy a meal.

      Typically tucked into a corner in or near the kitchen, breakfast nooks offer compact dining spaces that are more casual than a formal dining room and cosier than an island bar.
      They are usually characterised by banquette seating fixed to the wall with a freestanding table and chairs, but the examples in this lookbook show how the idea of a breakfast nook can be adapted to suit any size space.
      From L-shaped benches in awkward kitchen corners to curved banquettes under bay windows, read on to see how a breakfast nook can be nestled into any home for the perfect morning coffee or casual meal.
      This is the latest in our lookbooks series, which provides visual inspiration from Dezeen’s archive. For more inspiration, see previous lookbooks featuring homes with oversized windows overlooking lush views, houses with closed staircases and interiors that embody the “bookshelf wealth” trend.

      Photo by Carola RipamontiTeorema Milanese, Italy, by Marcante-Testa
      Design studio Marcante-Testa overhauled an apartment in Milan with a rich mix of colours and materials, creating a clear separation between the kitchen and an adjoining breakfast nook with its choice of surfaces.
      Geometric floor tiles in the nook contrast with the marble kitchen floor, but the two spaces are tied together with the sea-green colour of the tiles and kitchen cabinets.
      Find out more about Teorema Milanese ›
      Photo by Prue RuscoeBudge Over Dover, Australia, by YSG
      This breakfast nook sits in the corner of an open-plan kitchen and living area, next to bi-folding doors that open onto a pool terrace.
      Interior design studio YSG designed the nook’s banquette seating to follow the curve of the wall and upholstered it in brown and green fabric to suit natural surfaces in the Sydney home, including terracotta floor tiles, dark wood accents and marble tabletops.
      Find out more about Budge Over Dover ›
      Photo by Daniëlle SiobhánZwaag home, Netherlands, by DAB Studio
      Generous U-shaped banquette seating wraps the walls of the nook in this kitchen, situated in a home in Zwaag, the Netherlands, that was renovated by Dutch interior design practice DAB Studio.
      The studio chose grey upholstery for the seating and placed an Arebescato Orobico marble table at the centre to balance the expansive use of wood on the floor, ceiling, walls and kitchen cabinets.
      Find out more about the Zwaag home ›
      Photo by Anson SmartPacific House, Australia, by Alexander & Co
      A circular skylight illuminates the curving breakfast nook in this oceanside home in Sydney, which architecture studio Alexander & Co renovated to make it more suited to family life.
      Aiming to create a calm and contemplative space, oak built-in seating was tucked against a concave window that overlooks a swimming pool in the garden.
      Find out more about Pacific House ›
      Photo by Lorenzo ZandriSteele’s Road House, UK, by Neiheiser Argyros
      Steele’s Road House is a Victorian terrace in London that was renovated and extended by local studio Neiheiser Argyros to increase natural light in the home.
      A breakfast nook was added to the kitchen, with curved bench seating built below a bay window offering a more casual place to eat than the separate formal dining room.
      Find out more about Steele’s Road House ›
      Photo by Jan VranovskyNagatachō Apartment, Japan, by Adam Nathaniel Furman
      Designer Adam Nathaniel Furman nestled an L-shaped breakfast nook in the kitchen of the 160-square-metre Nagatachō Apartment in Tokyo.
      The tabletop adjoins the cabinets in the U-shaped kitchen and extends along a herringbone-tiled wall. Pink shelving was built over the nook to provide additional storage in the compact apartment.
      Find out more about Nagatachō Apartment ›
      Photo by Benjamin Hosking.Brunswick apartment, Australia, by Murray Barker and Esther Stewart
      Architect Murray Barker and artist Esther Stewart created a breakfast nook in this 1960s Melbourne apartment by tucking an L-shaped fixed bench into the corner of the kitchen.
      The kitchen was originally too small for a dining table, so the duo removed a wall that separated it from the living room and added the custom-made table and seating, which is lit from above by a square skylight.
      Find out more about the Brunswick apartment ›
      Photo by Tamara UribeCasa Pulpo, Mexico, by Workshop Architects
      Local architecture studio Workshop Architects added a breakfast nook when renovating a Spanish colonial house in Mérida, Mexico, aiming to add a sense of cosiness.
      Seating was built in the corner of the kitchen between two archways that lead to the living room and a storage room. On the opposite side of the kitchen, glass doors give views of two purple concrete dwellings that were built in the garden.
      Find out more about Casa Pulpo ›
      This is the latest in our lookbooks series, which provides visual inspiration from Dezeen’s archive. For more inspiration, see previous lookbooks featuring homes with oversized windows overlooking lush views, houses with closed staircases and interiors that embody the “bookshelf wealth” trend.

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      Byró Architekti “blurs old and new” at renovated House in Kutná Hora

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      Prague studio Byró Architekti has renovated a 19th-century house in the Czech town of Kutná Hora, adding unexpected openings and colourful joinery that create a playful contrast with the original interior.

      The studio was tasked with restoring the character of the existing house, which had been compromised by a previous programme of renovations in the 1970s.
      Pastel green defines the entrance of House in Kutná Hora by Byró ArchitektiThe project improves the connection between the home’s internal spaces by introducing new windows and openings while aiming to seamlessly layer new elements on top of the original built fabric.
      “Our main goal was to rediscover the house’s memory and original layers, which were actually quite rare, and seamlessly blend them with new layers to create a cohesive whole,” Byró Architekti explained.
      Chequerboard tiles in the foyer match the painted joinery”We aimed to blur the boundary between the old and the new rather than highlighting it,” the studio added.

      The house’s main feature is a spiral staircase that forms a vertical circulation core at the centre of the plan. Internal windows and glass-block walls were added on each level to provide a visual connection to the living spaces.
      Plywood cabinetry and wall panelling feature in the ground-floor music roomAn original stone staircase links the ground floor and first floor, while a new stair leading to the attic has floating steel treads that allow light from a skylight to reach the lower level.
      A spacious entrance hall on the ground floor connects with a music room and a bathroom on one side of the staircase, while utility areas and an artist’s studio face onto a courtyard at the rear.
      Also on the ground floor is a small artist’s studio with colourful joineryThe main living space containing the kitchen is housed on the first floor along with the principal bedroom and a home office. The attic contains two bedrooms for the children as well as a bathroom.
      Light and colour are used throughout the project to create spaces with different atmospheres. While the building’s exterior is decorated modestly to fit into the streetscape, a more expressive colour palette is applied internally.

      Plus One Architects uncovers original paintwork of 100-year-old Czech apartment

      “Overall, muted shades are chosen combined with more pronounced colour surfaces or accents in several specific situations,” Byró Architekti said.
      The entrance hall features chequerboard floor tiles in a pastel-green hue that matches the painted joinery of the surrounding doors and windows. The balustrade and the treads of the new staircase are also finished in the same colour.
      Stairs lead up to the living spacesByró Architekti designed various pieces of custom furniture for the project, including a plywood shelving unit with a bright-red metal structure that extends along one wall of the ground-floor studio space.
      The playroom also features plywood cabinetry and wall panelling, inset with an internal clerestory window that lets light into the adjoining bathroom.
      Kitchen cabinets are painted in a powdery blue colourThe main living area features a vaulted ceiling lined with plywood. A concrete bench is positioned along one wall to support a tile-clad fireplace while a window behind looks onto the stairwell.
      The kitchen has cabinets and internal doors painted in a pale blue colour. A porthole window in this space also offers a glimpse of the spiral stair.
      The vaulted ceiling of the living room is lined with plywoodThe courtyard and garden at the rear of the building were also renovated as part of the project. This outdoor space can be accessed from the lower floor or via a new terrace outside the main living area.
      Byró Architekti was founded by Tomáš Hanus and Jan Holub, who studied at the Czech Technical University in Prague and worked in various practices before setting up their studio.
      The garden can be accessed via a new terrace outside the main living areaPreviously, the duo completed a cabin with a sweeping roof and red timber cladding in the Šumava mountains.
      Other renovations in the Czech Republic that have recently been featured on Dezeen include a 500-year-old home filled with contemporary furniture and a 1920s villa in Prague that was revamped by No Architects.
      The photography is by Alex Shoots Buildings.

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      Gensler redesigns its own LA office to have “warmth and comfort” of home

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      The team at global architecture firm Gensler’s Los Angeles office has redesigned a floor of its workspace with a hospitality approach, as a pilot for the remaining spaces.

      The Gensler LA team’s renovated its space to give it more of the “warmth and comfort” that its staff became used to during its time working from home.
      The team at Gensler LA redesigned the third floor of their offices to better suit their current workplace needsThe studio’s return to the office post-pandemic came seven years into a 15-year lease of its spaces in Downtown Los Angeles, the firm had converted from an empty bank building in 2011 then expanded to two floors in an adjacent, connected structure.
      With a growing workforce and a desire to rethink the layout, functionality and appearance of the office, a group of the studio’s “next generation” of designers and strategists led an effort to redesign the interiors of the third floor.
      The pilot project incorporates several products from Gensler collaborations, including open shelving and communal tables”The look and feel of our space, though contemporary, lacked the warmth and comfort of the hospitality touches we integrate for our clients’ workspaces and that we had become accustomed to while working from home,” Gensler senior strategist Sarah Koos told Dezeen.

      “Coupled with the changing nature of hybrid work, the space necessitated a transformation that would support a renewed sense of a work-lifestyle.”
      A warm aesthetic that captures the essence of Los Angeles was chosen for the interiorsThe group spent a year listening and learning from surveys, workshops and feedback sessions in which each of the 500-plus employees was able to have a say about their future work environment.
      Many team members had been highly mobile even before hybrid working became popular, so the previous dedicated desk system seemed redundant.
      “Working from home for two years effectively rewired peoples’ expectations of their work environments, a sterile, single-use corporate office no longer spoke to the warmth, variety, and comfort they were afforded in their own homes,” said Koos.
      Plenty of lounge areas with comfy seating were created for employees to useThey therefore set about redesigning the offices with a focus on flexibility, communal work areas and presentation spaces.
      “Rather than confine our designers to a desk or a conference room, we developed a kit-of-parts inclusive of typical sit-stand workstations, communal tables, focus pods, booths, material layout islands, and more,” said Gensler senior designer Kirk Bairian.
      “Gensler is built on a studio system which is critical to our design culture, and each studio was able to use this kit-of-parts to customise their space to reflect the specific ways in which they work.”
      The team devised a “kit of parts” for the different studios to customise their own workspacesA warm, hospitality-forward aesthetic that mirrors the “informal but elevated, casual but curated” essence of Los Angeles was chosen.
      Materials including maple plywood, blackened metal and subtle textiles provide a backdrop for more colourful additions in the form of ever-changing pin-up display boards, styled shelving, artwork by local students and books from local creative businesses.

      Eight interiors and architecture projects by Gensler

      Lounge-style furniture and jewel-toned textiles are placed in the co-working areas to evoke a hotel lobby or coffee shop vibe.
      Several of Gensler’s furniture and fixture collaborations were also introduced, among them the communal tables and open shelcves from a product line created with Fantoni and custom focus pods from a partnership with Tangram’s Studio Other.
      Traditional conference rooms are available alongside more flexible spaces for group workSince the project completed in 2023, the data from badges suggest that employee office attendance has increased by 35 per cent for the studios located in the renovated pilot space, according to the firm.
      “Studios in the new space shared that they felt that working in the renovated space made them more productive, enabled more effective collaboration, and overall, greatly improved their in-office experience,” the team added.
      Maple plywood and blackened metal were among the materials chosen to give the space more of a hospitality feelGensler is the world’s largest architecture firm and has locations 53 locations globally. Its European head offices in Wapping, London, was longlisted in the business building category of Dezeen Awards 2020.
      In 2022, co-CEO Andy Cohen told Dezeen in an exclusive interview that architecture should abandon “top-down” management to improve working conditions.

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      LG OLED and Shepard Fairey present digital street art at Frieze Los Angeles

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      Electronics brand LG OLED has collaborated with American street artist Shepard Fairey to exhibit digital versions of his artworks in this exclusive video produced by Dezeen.

      Called Peace and Justice, the installation is being presented at Frieze art fair in Los Angeles and features select works by Fairey that address global issues while advocating for positive change.

      Dezeen has produced an exclusive video for LG OLED
      Fairey was directly involved in the design of the installation space, which features a reimagined version of his 2018 piece Damaged Wrong Path Mural.
      Other works presented at the exhibition include Fairey’s 2023 Swan Song print, a reflection on the state of the environment, as well as a piece titled Make Art Not War, echoing the 1960s anti-war slogan “make love, not war.”
      The video explores artworks reimagined by Shepard Fairey for Frieze Los AngelesFairey is the founder of OBEY Clothing and is widely known for his Hope portrait of Barack Obama – which was widely circulated during the 2008 US presidential election campaign – as well as a series of posters called We the People that were released the day before the inauguration of Donald Trump in 2017.
      The LG OLED Art initiative invites artists to exhibit digital versions of their works using LG OLED TVs.
      The exhibit includes Fairey’s Damaged Wrong Path Mural with added digital elementsEach pixel in the OLED TVs emits its own light and can be controlled individually, creating an emissive display that was designed to produce accurate colour reproduction.
      The LG OLED TVs currently on show at Frieze Los Angeles aim to accurately express the prominent red tones in Fairey’s artwork.
      The LG OLED Art installation is on display at Frieze Los Angeles until 3 MarchLG OLED Art has collaborated with over 27 artists from around the world, including Anish Kapoor, Barry X Ball, Damien Hirst, the late Kim Whanki and Kevin McCoy.
      The photography is by LG Electronics.
      Frieze Los Angeles takes place from 29 February to 3 March 2024 at Santa Monica Airport. See Dezeen Events Guide for an up-to-date list of architecture and design events taking place around the world.
      Partnership content
      This article was written by Dezeen as part of a partnership with LG OLED. Find out more about Dezeen partnership content here.

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      Eight homes kept cool and bright by central courtyards

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      In this lookbook, we’ve collected eight homes from Vietnam to the USA that are kept ventilated and illuminated by central courtyards.

      Courtyards have been used in ancient and contemporary architecture as a tool to trap and funnel breezes and natural light into the core of a building.
      Most often, they are completely open to the elements and can extend upwards through multiple levels of a building, with some surrounded by balconies, loggias, or walkways.
      Vegetation and water features placed at the centre of courtyards also help to cool the surrounding air, while seating or lounge areas provide a place to take it all in.

      One or more courtyards were dispersed along the footprints of the eight homes below, for interiors that are relaxing, open and bright.
      This is the latest in our lookbooks series, which provides visual inspiration from Dezeen’s archive. For more inspiration see previous lookbooks featuring tranquil interiors with oversized windows, enclosed staircases and metallic furnishings.
      Photo is by Hoang LeHouse for Young Families, Vietnam, H-H Studio
      Designed in response to the Covid-19 pandemic, this house in Vietnam features green spaces throughout its entirety so its owners could be connected to nature while working remotely.
      Its interior was organised around three courtyard gardens that were dispersed along a linear plan, while the structure extends upwards around them in a series of stacked white volumes.
      Find out more about House for Young Families ›
      Photo is by Rory GardinerQuarry House, Australia, Winwood McKenzie
      Australian studio Winwood McKenzie renovated the Quarry House by inserting a garden and internal courtyard through its narrow site, which split the residence into three distinct portions.
      The house’s newly built living, dining and kitchen border the courtyard on one side, while a multi-purpose room and study sits across the way.
      Find out more about Quarry House ›
      Photo is by César BéjarCasa Ederlezi, Mexico, Práctica Arquitectura
      Práctica Arquitectura divided this narrow concrete infill house in Mexico into two distinct portions centred around a courtyard.
      Hallways and staircases were oriented around the perimeter of the double-height space in plan and a living space and second floor bedrooms were placed on either side.
      Find out more about Casa Ederlezi ›
      Photo is by Matthew MillmanSanta Monica Modern, USA, Walker Warner Architects
      This L-shaped home in California encloses a spacious courtyard that features multiple seating areas, a ping-pong table, plantings and a concrete fire pit.
      Walker Warner Architects designed the courtyard to be suitable for entertaining, as well as to take advantage of the southern California climate.
      Find out more about Santa Monica Modern ›
      Photo is by Francisco NogueiraPortugal house, Portugal, Bak Gordon Arquitectos 
      Bak Gordon Aquitectos split this Portgual home into two portions by inserting a courtyard at its centre and populated the area with an interior garden, which is surrounded by windows and openings.
      “The small functional patio allows for natural light and cross ventilation as well as a permanent natural garden presence,” said Bak Gordon Arquitectos architect Nuno Tavares da Costa.
      Find out more about Portugal house ›
      Photo is by Javier Agustín Rojas.Casa Vedia, Argentina, BHY Arquitectos
      Two courtyards were inserted into the corners of Casa Vedia in Argentina, which the studio explained were employed to optimise interior spaces.
      Each courtyard is double-height, with plantings tucked along its perimeter. Additionally, two terraces were placed on top of the structure’s roof that sits in between them.
      Find out more about Casa Vedia ›
      Photo is by Rory GardinerCasa VO and Casa WO, Mexico, Ludwig Godefroy 
      Located in Puerto Escondido, Casa VO and Casa Wo are a series of houses organised underneath two large, circular concrete openings that fan upwards from a central meeting point.
      An entryway and garden sit under one such opening, while the remaining living spaces are tucked underneath the opposite across two levels.
      Find out more about Casa VO and Casa WO ›
      Photo is by Oki HiroyukiTile House, Vietnam, Bloom Architects
      Bloom Architects designed this home in Vietnam to stay cool despite the hot climate by creating a sloping, tiled roof that traps wind and pushes it into the interior of the house.
      “[In the] sunny season, tiles surrounding the house prevent it from being radiated [with] heat. Combined with natural ventilation, the house is always cool,” architect Dinh Anh Tuan told Dezeen.
      Find out more about Tile House ›
      This is the latest in our lookbooks series, which provides visual inspiration from Dezeen’s archive. For more inspiration see previous lookbooks featuring tranquil interiors with oversized windows, enclosed staircases and metallic furnishings.

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      “Subtle luxury” defines Shoreditch jewellery store by Hollie Bowden Interiors

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      Interior design studio Hollie Bowden Interiors has created fine jeweller Rachel Boston’s flagship store and showroom in London.

      Located in Shoreditch’s Redchurch Street, the store is split into four main areas – the retail space, private appointment area, workshop and office space for the jeweller’s team of 12.
      The space blends a neutral palette of glass, steel and sycamore wood veneerThe store aims to blend a neutral material palette of glass and steel with sycamore wood veneer and velvet mohair upholstery.
      “Jewellery stores can be read as quite uninviting and exclusive,” Hollie Bowden Interiors founder Bowden told Dezeen. “I wanted to create the opposite experience to that, something that felt open and un-intimidating, yet special and elevated.”
      Bowden and designer EJR Barnes have created bespoke displays from mirror polished steelPlacing the jewellery centre stage was a key objective for Rachel Boston when briefing Bowden’s team.

      “Even though our pieces are striking, they are ultimately small objects by nature, so I didn’t want a huge amount of fussy furniture or bold colours to detract from the experience of customers viewing our pieces,” Rachel Boston told Dezeen.
      In response to the brief, Hollie Bowden created a compact 19-square-metre front retail space “inspired by the concept of a jewellery box that draws your attention into the small, intricate objects within”.
      The store on Redchurch street is split into four main areasSycamore veneer wall-cladding, limestone flooring and lining the display cases with ivory silk combine to create the jewellery-box effect, “emphasising this feeling of being cocooned in the space” Bowden told Dezeen.
      “I wanted to focus on materials that have a quiet beauty about them, that you have to get up close to really appreciate,” she continued.
      Bowden employs a refined approach to materials for this retail project in LondonThis process of refinement has been a hallmark of Bowden’s style since establishing her London-based studio in 2013.
      “Not over-designing projects with too many materials is very important – to give objects the space to sing,” she explained. “I’m always trying to reduce and simplify.”

      Hollie Bowden converts London pub into pared-back jewellery showroom

      Jewellery is displayed in floating window vitrines and a cantilever display desk, designed in collaboration with London-based artist and designer, EJR Barnes.
      Made from mirror polished steel, these bespoke displays introduce a “vertiginous moment that makes the space feel unique,” according to Bowden.
      For these cabinets, Bowden and Barnes drew on the utilitarian design language of archives which “display, protect, and organise what they contain in quite a neutral way”.
      Hollie Bowden’s retail space in Shoreditch has been designed in reference to jewellery boxesRather than using big ornamental gestures more common in jewellery retail, Bowden says this approach “represents a unique and original way of presenting jewellery”.
      “The idea of ‘subtle luxury’ feels like a great counterpoint to retail design at the moment that can feel like you’re in a casino,” she added.
      The frames of the cases are simple and uninterrupted, maximising the display of the jewellery and encouraging guests to roam freely around any area.
      The red cab chair placed at the front of the store is by Mario BelliniA Mario Bellini Cab Chair in a deep wine red, placed at the front of the store, works along the lines of the unexpected-red-theory interior trend, featured in our recent lookbook.
      Through a stainless steel-lined open doorway, the rear space is curtained off for private appointments. This larger 42-square-metre showroom in the back has a more relaxed and intimate feel that mirrors the art-deco style of Boston’s jewellery.
      The rear of the store is reserved for private appointmentsUpon entering the rear space, a brown short-pile carpet and bespoke sofa upholstered in Claremont mohair signals the transition from the storefront.
      “We wanted to create two distinct spaces, independent of each other yet with a subtle link that reflects Rachel’s jewellery,” Bowden said.
      “While the spaces contrast, the continuations of steel and limestone allow for a striking continuity throughout.”
      The rear showroom features a bespoke sofa upholstered in Claremont mohairOther projects by Hollie Bowden Interiors featured on Dezeen include a pared-back jewellery showroom and a London office space inspired by the sultry lighting of gentlemen’s clubs.
      The photography is by Richard Round-Turner.

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