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      Eight homes with practical and stylish built-in window seats

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      For our latest lookbook, we’ve collected eight window seats in homes across the world including clever custom-made solutions in wood and concrete.

      By installing a window seat, interior designers don’t just add extra seating to a room, they also create a peaceful space that can be used for contemplation and relaxation.
      Whether it functions as a small nook for reading, a sofa for socialising or even as a daybed, these projects showcase how the built-in furniture piece has been used in homes from Denmark to China.
      This is the latest in our lookbooks series, which provides visual inspiration from Dezeen’s archive. For more inspiration see previous lookbooks featuring interiors created on a budget, immersive saunas and light-filled kitchens.
      Photo by Antoine HuotNicolai Paris, France, by NOA

      This Network of Architecture-designed Marais apartment inside a converted hotel has been outfitted with a selection of custom-made oak furniture. In the living room, a stylish built-in window seat was designed to function as both seating and storage space.
      Its curved shape was enhanced by the addition of black-leather cushions and pillows, which contrast the unadorned white walls and the bleached oak parquet with its decorative chevron pattern.
      Find out more about Nicolai Paris ›
      Photo by Mikkel MortensenVilla Wienberg, Denmark, by Wienberg Architects and Friis & Moltke
      Together with studio Friis & Moltke, Danish architects Mette and Martin Wienberg gave this 1940s cottage an overhaul to turn it into a home for their own family.
      The house has wooden panelling throughout and in the living space, the material was also used to form a low-slung window seat that functions as a bench around the room. Cosy pillows and a sheepskin add comfort.
      Find out more about Ell House ›
      Photo by Manon VandenhoeckMaison Jericho, France, by Olivia Fauvelle Architecture
      This outbuilding in Marseille was refurbished and extended by French studio Olivia Fauvelle Architecture. In the living room, a concrete window seat was added to help create a connection between the indoors and outdoors.
      It overlooks a tiled terrace with a pool and is topped with a leather daybed to create a restful space. A wood-burning stove hangs above the window seat, adding warmth to the room.
      Find out more about Maison Jericho ›
      Photo by Do Mal o MenosPuppeteers House, Portugal, by REDO Architects
      REDO Architects was inspired by stage sets when designing Puppeteers House in Sintra, Portugal, which features wooden joinery constructions intended to evoke theatrical scenography.
      This includes a curved wooden bench that functions as a window seat on the first-floor landing, where it is matched by wooden panelling.
      “We used a precise quarter of a circle as a tool – like a compass – in different radii, orientations, combinations and materialities,” REDO Architects founder Diogo Figueiredo told Dezeen.
      Find out more about Puppeteers House ›
      Photo (above and main image) by Maxime BrouilletEll House, Canada, by Ravi Handa Architect and AAmp Studio
      The built-in window seat in the Ell House holiday home in Wellington provides its owners with a picturesque view of Lake Ontario.
      The exterior of the house was clad in cedar that was charred using the Japanese yakisugi method while the interior features contrasting light oak millwork.
      The same wood was also used to form a window seat in the bedroom, which features clean lines and has a cushion for additional comfort.
      Find out more about Ell House ›
      Photo by Lorenzo Zandri and Christian BraileyMuswell Hill home, UK, by Architecture for London
      British studio Architecture for London designed this home in north London for its founder Ben Ridley. Located in an Edwardian house that hadn’t been renovated for almost 40 years, it was designed to be energy-saving and constructed using natural materials.
      A cosy window seat made from grey limestone can be found in the kitchen, where it connects to a storage cabinet made from pale oak.
      Find out more about Muswell Hill home ›
      Photo by Tian Fang FangU-Shape Room, China, by Atelier Tao + C
      U-shaped window seats are more unusual than rectangular ones. But in this Chinese home, the architects had little choice as the building is dominated by a huge, rounded bay window.
      Studio Atelier Tao+C added a curved plywood seat that also has storage spaces. It matches a two-storey plywood volume that houses all the functional rooms of the apartment.
      Find out more about U-Shape Room ›
      Photo by Magnus Berger NordstrandThe Yellow House in the Apple Garden, Norway, by Familien Kvistad
      This renovated 1950s house in Oslo was given a colourful interior by locally based duo Familien Kvistad and also features “an abundance of wood”.
      While window seats are usually placed under large windows, here the designers chose to add one underneath the smaller, rectangular kitchen window. The long bench is made from ash and has practical storage space hidden underneath a dark green cushion seat.
      Find out more about The Yellow House ›
      This is the latest in our lookbooks series, which provides visual inspiration from Dezeen’s archive. For more inspiration see previous lookbooks featuring interiors created on a budget, immersive saunas and light-filled kitchens.

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      REV Architecture decorates Carita Maison de Beauté with “translucent clouds”

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      Local studio REV Architecture has completed an interior renovation of the Maison de Beauté in Paris, France, for L’Oréal Luxe skincare brand Carita.

      Surrounded by other luxury brands along the Rue du Faubourg Saint-Honoré, the studio aimed for the space, which houses a hair salon and skincare treatment rooms as well as a restaurant and eye studio, to be an embodiment of the brand’s identity.
      REV Architecture gave the Parisian beauty house an update”Our aim was to convert a commercial space into a cultural space,” REV Architecture said. “We wanted the Maison Carita to stand out as a new must-go-to destination in Paris, with all the legend that goes with it to reflect what these modern, timeless women were like.”
      Design efforts focused on the 2,000-square-metre building’s former courtyard, which was restored to its original proportions by removing recent additions and raising the height of the glass roof.
      A raised glass roof extends across the renovated atrium”To transcend this heritage, it was necessary to identify the logic of the space,” the studio explained. “The architecture becomes the singular experience that leads to the discovery of the brand’s culture.”

      Natural light is filtered through what the studio describes as a series of “translucent clouds” – circular glass panels that overhang the length of the restored atrium.
      The portico entryway is defined by a series of staggered archesTo draw visitors in from the street, REV Architecture introduced a series of staggered arches along a portico leading from the Rue du Faubourg Saint-Honoré.
      “[The arches create] a subtly accelerated perspective that gradually reveals the vision of the atrium, the epicentre of the new Maison de Beauté,” the studio said.
      The studio incorporated a restaurant by French chef Amandine Chaignot into the designPublic spaces and private rooms are alternated throughout the layout, and are connected through the central atrium by a raised path network.
      “The different spaces of the Maison de Beauté are linked to the atrium by aerial paths, a unique architectural promenade [experienced] as a promise or souvenir of the visit,” the studio said.

      Remedy Place in Manhattan is designed to “bring back hospitality into healthcare”

      Materials were selected to reference the white-and-black colours of Carita’s most iconic products, as well as to evoke their fluid textures and its brand identity.
      “We have cultivated a sense of natural materiality [and] tactile surfaces where charm, contemporary purity and responsibility come together; the sensuality of gypsum, white and black marble warmed by touches of pink onyx and chromed metal,” the studio said.
      “Sensitive, natural, responsible [materials] made more beautiful by the passage of time.”
      The treatment rooms were informed by the clean lines of the Carita brand logoThe studio was further informed by the Carita brand logo and how it could be fused with the forms of the renovated rooms and treatment spaces.
      “It is the lines and the femininity of this simple and poetic monogram that we have chosen to define the overall expression of the new architecture,” REV Architecture said.
      The house of beauty includes a salon by John NolletREV is a Paris-based architecture and design studio founded by Cristiano Benzoni and Sophie Thuillier. The project has been shortlisted in the health and wellbeing (interior) category of Dezeen Awards 2023.
      Other recent beauty and well-being projects include a beauty store which takes its cues from underground factories in China and a spa embedded in the Mexican jungle by Soler Orozco Arquitectos and Javier Sánchez.
      The photography is by Benoit Linero.

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      Mexico City restaurant by RA! arranged around upside-down pyramid bar

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      A bar counter shaped like an inverted ziggurat sits at the centre of this restaurant in Mexico City, designed by local architecture studio RA!

      Tana is a tapas spot located in the city’s wealthy Polanco neighbourhood, within a compact and intimate space facing Parque Lincoln.
      The Tana restaurant is organized around a central concrete barRA! gutted the 65-square-metre unit to make way for its cave-like concept, achieved by applying textured plaster and concrete across the four-metre-high walls.
      “The intervention began by demolishing the superimposed finishes of the old premises, in order to discover the structure and the materials that originally constituted the space,” said RA! co-founder Pedro Ramírez de Aguilar.
      The bar’s inverted ziggurat form features cove lighting along its tiered sides”The balance of the sounds, colours, textures and tones of the space creates a cave atmosphere that shelters those who inhabit it,” he contined.

      The main dining area is organised around a central bar counter, which has a stepped form reminiscent of an ancient pyramid – similar to those located at the Aztec archeological site of Teotihuacan just outside of the city.
      Cove lighting also illuminates the plaster and concrete walls and floors around the restaurant’s perimeterRough concrete also wraps the bar’s tiered sides, under which cove lighting is installed to illuminate each layer.
      “The bar questions the traditional linear organization of bars to create a square distribution that allows greater coexistence between users and the mixologist,” Ramírez de Aguilar said.
      Slender-framed metal stools provide seating for dinersFurther cove lighting encircles the room just above floor level, and about two-thirds of the way up the walls, as well as beneath the narrow drink shelves.
      Behind the bar, a copper lighting fixture comprises two concentric circles, with a soft glow emanating from behind the small, front disk.
      Cylindrical concrete pendants lamps hang above the dining areaThe copper fixture was mounted on a floor-to-ceiling shelving system built from thin metal pipes, which displays liquor bottles and holds hanging plants at the top.
      “The plate made in Michoacán, Mexico, is positioned on a large formation of rods that go from the support cabinet to the ceiling, generating a series of shelves on which the bottles and other service elements are positioned,” said Ramírez de Aguilar.

      Sofía Betancur references nearby church for Pizzeria Della Madonna

      Tall, slender-framed stools surround the bar, and provide additional seating along either side of the space.
      Above hang cylindrical concrete pendant lamps with steel caps, which direct the light downwards as a series of spots.
      RA! designed the restaurant to look and feel like a caveBehind the shelving unit is a small, omakase-style dining area that offers guests a direct view of the kitchen.
      The restaurant opens fully to the street, where more tables are placed on a covered patio surrounded by plants.
      Tana also has a covered outdoor patio surrounded by plantsRA! was founded in 2017 by Ramírez de Aguilar along with Cristóbal Ramírez de Aguilar and Santiago Sierra in Mexico City, where the dining scene is booming and many creative minds are helping to shape interiors for its chefs.
      Along with Tana, new spots include Pizzeria della Madonna in Roma Norte, which designer Sofia Betancur modelled on a neighbouring church, and Ling Ling, an Asian fusion restaurant on the 56th floor of the Chapultepec Uno skyscraper.
      The photography is by Ariadna Polo.

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      Eight bright and airy interiors illuminated by perforated brick walls

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      Dezeen’s latest lookbook explores eight interiors – from bright, airy residential spaces to cool, open-plan offices – illuminated by perforated brick walls.

      Perforated brick walls are often used as a cooling strategy in warmer climates. This lookbook highlights their effect on the lighting and shading of interior spaces and how they can be used to create a playful, light atmosphere.
      This is the latest in our lookbooks series, which provides visual inspiration from Dezeen’s archive. For more inspiration see previous lookbooks featuring homes with light-filled kitchens, sculptural wooden staircases and airy, pared-back loft conversions.
      Photo by Hemant PatilStudio by the Hill, India, by Mind Manifestation
      This converted apartment in Pune, India – designed by architecture studio Mind Manifestation to house the studio’s office – uses perforated bricks to create a well-lit and ventilated workspace.

      Bricks was used extensively across the flooring and complemented by green lime plaster walls.
      “The material palette has been tastefully chosen so as to match with the different shades of the hill throughout the year,” Mind Manifestation explained.
      Find out more about Studio by the Hill ›
      Photo by Oki HiroyukiCuckoo House, Vietnam, by Tropical Space
      Cuckoo House, designed by Tropical Space, is a two-storey home situated atop a cafe in Da Nang, Vietnam, encased by a shell made from local clay bricks.
      Living spaces on the upper floor feature perforated brick for privacy and ventilation, with the design resulting in a playful chequered lighting pattern across the wooden and concrete interior.
      Find out more about Cuckoo House ›
      Photo by Oki HiroyukiWall House, Vietnam, by CTA
      Square perforated bricks salvaged from nearby buildings sites are used on the exterior of CTA’s Wall House in Bien Hoa, Vietnam.
      Stacked in an irregular formation, the punctured bricks filter sunlight and air into the space, creating dotted shadows across the plant-filled double-height living room.
      Find out more about Wall House ›
      Photo by Hemant PatilGadi House, India, by PMA Madhushala
      Gadi House in Maval, India, by PMA Madhushala is a compact arrangement of volumes and courtyards.
      Dimly-lit courtyards and living spaces are illuminated by pockets of sunlight accessed through perforations in the brick and stone walls.
      Find out more about Gadi House ›
      Photo by Federico CairoliIntermediate House, Paraguay, by Equipo de Arquitectura
      The Intermediate House by Paraguay-based studio Equipo de Arquitectura is a narrow residence in Asunción organised around an open-air courtyard.
      Manually pressed, unfired bricks form the perforated street-facing facade – drawing sunlight and air through the vaulted brick-roofed dining room and into adjacent spaces.
      Find out more about Intermediate House ›
      Photo by Oki HiroyukiThe Termitary House, Vietnam, by Tropical Space
      Patterned shadows decorate the dimly-lit brick and wood interior of The Termitary House in Da Nang, Vietnam, designed by Tropical Space.
      Inspired by earthen termite nests, the studio used perforated brick on the facade and internal walls to bring natural light into the interiors during the day and draw in artificial light at night.
      Find out more about The Termitary House ›
      Photo by Timothy KayeCloud House, Australia, by Dean Dyson Architects
      Australian studio Dean Dyson Architects designed the Cloud House – a two-storey home in Malvern – using an exterior layer of grey, perforated brickwork.
      Intended to create a “private oasis” for the clients, the perforated brick pours light into the interior living spaces, with passive ventilation enabled by operable windows.
      Find out more about Cloud House ›
      Photo by Joana FrançaTropical Shed, Brazil, by Laurent Troost Architectures
      Located on a long, narrow plot in Manaus, Tropical Shed is a plant-filled office with a centralised courtyard designed by Brazilian studio Laurent Troost Architectures.
      Interlocking bricks – repeated throughout the design – form a perforated wall in the double-height office to create a cool work environment decorated with playful shadows.
      Find out more about Tropical Shed ›
      This is the latest in our lookbooks series, which provides visual inspiration from Dezeen’s archive. For more inspiration see previous lookbooks featuring homes with light-filled kitchens, sculptural wooden staircases and airy, pared-back loft conversions.

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      Framery predicts focus spaces to be key office design trend in 2024

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      Promotion: the need for well-considered focus spaces will come to the fore in workplace design in 2024, driven by the uptake of artificial intelligence, according to office pod brand Framery.

      Framery says that the increase in AI in the workplace will result in it taking more responsibility for mundane, repetitive tasks, resulting in the need for additional focus spaces in open-plan offices to help support employees’ deep and focused tasks.
      “If it happens how it’s expected and AI takes more responsibility for repetitive tasks, the office design should reflect this development and support deep, focused work,” said Tomi Nokelainen, head of Framery Labs, the company’s research and innovation unit.
      Framery predicts focus areas will be the key office design trend of 2024According to Framery, while post-pandemic hybrid office design placed an emphasis on the creation of collaborative spaces and “flashy common areas embodying organisational culture”, the next phase of this evolution will centre on creating areas that minimise distraction and allow for focused work.
      “It’s noteworthy that employees value focused working spaces beyond collaborative spaces,” said Nokelainen. “With work complexity on the rise, there is a heightened demand for both acoustic and visual privacy.”

      The company points to the findings of research company Leesman, which has reported that workers are still choosing to stay at home for solitary work. Leeman’s research suggested that some working activities were “better supported at home” including individual-focused work and planned meetings.
      However, Framery says that when employees have the option to work from home, that may not be sufficient to fulfil their productivity needs.
      “It can’t be assumed that all employees have the luxury of a dedicated home office room, or are willing to invest in expensive desks or ergonomic chairs,” said Nokelainen.
      Office workers value focus areas more than collaborative spaces, Framery research findsFramery, a Finnish brand, was one of the first to enter the office pods space in 2010, creating soundproof booths that drown out external distractions so that employees can undertake focused work or conduct video conferencing calls.
      According to Framery Labs’ research, focus spaces are the number one desired perk for employees that would draw them into working in the office rather than at home and they address distractions to focused work, for example, noise.
      Only 33 per cent of employees report finding noise levels satisfactory in their workplace and dissatisfaction with noise has the strongest correlation to an employee saying that the design of their workplace does not support their personal productivity.
      The pods are soundproof so external noise is not a distractionThis can be especially consequential for neurodiverse people, who constitute around 15 to 20 per cent of the global population and who can have a greater sensitivity to sensory stimuli, according to the brand.
      With workplaces becoming more inclusive, the next step will be to design them to function as “a catalyst not a barrier to productivity”, said Nokelainen, with a recognition that different people have different needs.
      “There are no one-size-fits-all focus spaces – they can be everything from silent open areas, library-like spaces, private offices or pods,” said Nokelainen. “Each role and industry has their own special needs that must be taken into account.”
      The Framery One pod is Framery’s bestselling productThese considerations can be addressed with products like the Framery One, Framery’s bestselling office pod. A single-person workstation for focused work that is also optimised for virtual meetings, it includes soft lighting and adjustable ventilation to help create a personalised environment.
      In a closed pod like this, neurodiverse people can apply “sensory integration techniques”, said Nokelainen which means incorporating the sensory tools or approaches that promote calm and focus for them.
      There are also multi-person pods like the Framery Q Flow, one of the newest models. It is designed to help enable workers to achieve the “flow” state of mind, where work feels effortless and time switches off, and includes a height-adjustable electric table so that users can shift positions without interrupting their thought process.
      The office pods come with Framery Connect, an integrated workplace management tool that supplies detailed data and analysis around how often and when they’re being used.
      The pods include the Framery Connect workplace management systemFramery says it prides itself on the quality of its soundproof office pods, as well as having been among the first to bring the product category to the market. The company launched 13 years ago after its founder – Samu Hällfors – devised a solution to address the distraction caused by his boss’s loud phone calls.
      “Our founder and CEO Samu Hällfors invented the office pod category in 2010,” said Framery. “Now we have over 200 competitors globally. To ensure we stay the market leader we are relentlessly innovating to engineer the most advanced pod in the world.”
      Framery also has a sustainable and responsible ethos and has made a commitment to converting to a circular business model.
      To find out more about Framery and its products, visit the brand’s website.
      Partnership content
      This article was written by Dezeen for Framery as part of a partnership. Find out more about Dezeen partnership content here.

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      Kin designs Dentons law firm office interior for more than “just a business meeting”

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      Design studio Kin has created the Edinburgh office interior for global law firm Dentons, featuring a communal rotunda with no doors and an open-plan bar.

      Manchester-based Kin designed the office at 9 Haymarket Square – a mixed-use development in Edinburgh.
      Oranges and greens feature throughout the interiorThe studio sought to “challenge the conventional approach to design for legal practices” when creating the interior, which includes a central rotunda designed as a casual place to gather.
      Built from Scottish oak, the round structure features a circular footprint to counterbalance the existing building’s angles and straight lines.
      Kin positioned a rotunda in the centre of the office”We wanted it to have a homely familiar feeling with no physical doors, just a series of connected spaces,” Kin director Matt Holmes told Dezeen.

      The rotunda was also partially clad with acoustic panels made from recycled plastic bottles, which were fitted to absorb sound and reduce ambient reverberation from around the rest of the office.
      Statement timber arches frame the welcome deskIlluminated, amphitheatre-style seating was positioned in the middle of the rotunda, while individual meeting booths were placed on its perimeter.
      The welcome desk was framed by oversized statement arches set within a boxy timber shelving unit.

      WOA designs own studio space using materials that had been “relegated to landfill”

      Elsewhere, Kin added an open-plan bar to the office, made from bespoke wooden rods and solid terrazzo.
      “The bar was designed to act as a focal point for the client space – somewhere for people to gravitate around as they leave the concierge desk,” said Holmes.
      “A visit [to Dentons] is not just a business meeting, but an experience,” he added.
      Potted plants add a lush touchThroughout the office, the studio opted for orange and green hues for working areas and used both smooth geometric tiles and more tactile surfaces.
      “The materiality draws inspiration from Scotland’s abundant natural landscape through warm timbers and rich and textured fabrics,” said Holmes.
      “Whilst balancing them against the warm tonal colour palette and strong geometry of Edinburgh’s built environment, the rooftops and tenement tile patterns provided so much inspiration.”
      Materials were informed by “Scotland’s abundant natural landscape”Kin worked with local craftspeople when building the project.
      Other offices designed to make their occupants feel at home include a real estate office in Tokyo created by Flooat to be “as stress-free as possible” and Mason Studio’s self-designed office in Toronto that also doubles as a space for community programming such as exhibitions and other events.
      The photography is by Amy Heycock.

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      Chongqing’s hidden factories inform interiors of Harmay beauty store

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      Conveyor belts and cog-like display stands appear within this beauty store in Chongqing, China, designed by AIM Architecture, which takes cues from the city’s underground network of factories.

      Harmay is located at the heart of Chongqing inside a former shopping mall, with its entrance set below street level.
      A skylight punctures the ceiling of Harmay’s Chongqing store”The store is located underneath a large plaza with a multitude of steps going down into it,” explained Shanghai practice AIM Architecture.
      “So, to work with this unique spatial setting, we explored typologies of underground structures within the local context.”
      Products are displayed on conveyor belts, creating a factory-like settingA particular source of inspiration was the hundreds of bomb shelters that can be found beneath Chongqing, which were used to hide from Japanese air raids during world war two but have now been widely converted into shops, eateries and small-scale factories

      To imitate the enclosed feeling of these shelters, the practice used gypsum panels to form a dropped ceiling within the store, simultaneously concealing its exposed service ducts.
      These boards were also used to clad the store’s facade and have all been rendered in a brick-red hue on the interior.
      Some display stands were made to look like generatorsStainless steel was used to create a series of industrial-style display fixtures, nodding to the factories that now inhabit some of the shelters.
      This includes a long conveyor belt that snakes throughout the store’s main room with small grey crates placed at intervals along its surface, each containing different beauty products.
      Other stands look similar to machine cogsIn the store’s smaller peripheral rooms, products are showcased on gridded steel shelves and stands that were designed to look like generators or oversized machinery cogs.
      Simple strip lights were hung from the ceiling and a skylight was installed so that shoppers can look upwards to the outdoors, further enhancing the feeling of being underground.
      Gridded steel shelves were also been added to the storeAIM Architecture has designed a number of locations for beauty retailer Harmay, including an apothecary-style store in Hong Kong, and another in Hangzhou that resembles a 1970s office.
      This branch in Chongqing is shortlisted in the large retail interior category of the 2023 Dezeen Awards.
      Here, it is competing against other projects such as the Super Seed shop by FOG Architecture, which features more than 100 moving display boxes, and Kooo Architects’ Freitag store, which occupies an old textile factory.
      The photography is by Wen Studio. 

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      Cox Architecture celebrates heritage features of its own Sydney studio

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      A brick, steel and timber structure is left exposed in this office interior in Sydney, which local firm Cox Architecture has revamped to house its own studio.

      Cox Architecture removed previous alterations to the structure, which occupies five floors of the heritage-listed Metcalfe Bond Stores warehouse in Tallawoladah, to highlight its original features and complement them with pared-back, flexible workspaces.
      Cox Architecture has designed its own studio in a Sydney warehouse”Our objective was to do more with less, balancing the poetic with the pragmatic,” explained the studio.
      “Restrained interventions allow the heritage to be the hero and minimise the project’s embodied energy,” it continued. “Our starting point was a process of reduction, removing non-heritage elements to create clarity.”
      The studio exposed its existing structureThe interior is defined by the original steel and timber structure’s columns and beams that have been painted white, and the brickwork of the outer walls that are left exposed.

      New elements such as glass doors and walls, room dividers, curtains and furniture were chosen to touch the existing structure “as lightly as possible”, and feature alongside dark-wood carpentry and gallery-style lighting tracks.
      Dark-wood carpentry features throughoutThe workspaces themselves are designed to be flexible and “hackable”, allowing areas to be reconfigured and subdivided easily by staff.
      This includes a forum space on the fifth level of the building, which has a wall lined with magnetic whiteboards and can be used as anything from a collaborative workshop space to a presentation area for 200 people.

      De Winder Architekten retains industrial traces for offices in converted factory

      Alongside it is a kitchen with a backdrop of exposed brickwork and two long counters topped with unsealed brass that will patinate over time.
      A black-steel stair leads up to a mezzanine level above containing further desk spaces. This sits at the top of the building, lit by skylights in the apex of the pitched roof.
      The workspaces are designed to be flexible”Anchored by a generous kitchen, a flexible forum space is a magnet for serendipitous exchange between Cox’s own people and the wider design community,” said the studio.
      “The majority of elements within the space are movable, creating an experimental, nimble workspace allowing teams the autonomy to control their space and future-proofing the studio as the workplace evolves,” it continued.
      The presentation space is lined with magnetic whiteboardsFacing the street, Cox Architecture created a “shopfront window”, giving staff the opportunity to populate vitrines with the studio’s work.
      Cox Sydney Studio has recently been shortlisted in the large workplace interior category of Dezeen Awards 2023. Another office interior completed by the studio is the Midtown Workplace in Brisbane, which features a large, plant-filled atrium with by a weathered-steel staircase.
      The photography is by Nicole England and Cameron Hallam.

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