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      Seven cosy living rooms with industrial material palettes

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      Living rooms with tactile brick, concrete and wood surfaces feature in this lookbook, which shows that opting for industrial materials doesn’t have to sacrifice cosiness.

      Typically informed by old and unrefined factories, lofts and warehouses, industrial-style interiors are a go-to for many contemporary designers.
      Homes of this style are often characterised by a combination of man-made and natural materials, including brick, wood, concrete and metal, and the exposure of details that are usually concealed, such as ductwork.
      While, for some, the image of industrial spaces can conjure up feelings of being cold and unwelcome, this list of living rooms proves that with the right finishes, the style can actually be warm and inviting.
      This is the latest in our lookbooks series, which provides visual inspiration from Dezeen’s archive. For more inspiration see previous lookbooks featuring interiors with furry walls, sculptural wooden staircases and rustic Italian interiors.

      Photo by Mariell Lind HansenSt John Street, UK, by Emil Eve Architects
      Emil Eve Architects retained the raw aesthetic of this former warehouse while transforming it into a warm and inviting home.
      In the living room, old brick walls, metal window frames and a rough concrete ceiling form a tactile backdrop to contemporary wooden furnishings and an abundance of tall plants.
      Find out more about St John Street ›
      Photo by Mike SchwartzMichigan Loft, USA, by Vladimir Radutny Architects
      A suspended black-metal fireplace is the centrepiece of this lofty apartment, which is located in Chicago and dotted with floor furnishings including a Toga sofa.
      The fireplace is complemented by exposed black ducting and hanging lights, which pop against the surrounding brick, warm wood and concrete elements.
      Find out more about Michigan Loft ›
      Photo by Fran ParenteGale Apartment, Brazil, by Memola Estudio
      Exposed services, ducting and concrete help achieve an industrial look in this living room, which is located in a Brazilian apartment designed by Memola Estudio.
      To add warmth to the space, these finishes are balanced with natural details including dark wooden floorboards and furniture, suede chairs and a textile wall tapestry.
      Find out more about Gale Apartment ›
      Photo by Andrey Bezuglov and Maryan BereshRelogged House, Ukraine, by Balbek Bureau
      This living room belongs to a Ukrainian cabin, designed by Balbek Bureau with a utilitarian aesthetic that aims to challenge conventional cabin interiors.
      Concrete is the predominant material, but stainless steel and wooden elements such as horizontally stacked logs also feature throughout. To add warmth, a giant fireplace takes centre stage and is positioned opposite a modular sofa on which visitors can cosy up.
      Find out more about Relogged House ›
      Photo by Casey DunnSouth 5th Residence, USA, by Alterstudio Architecture
      In this lounge, the stripped-back material palette helps to draw attention to the “dramatic vistas” over a valley in Austin, Texas.
      Rough-textured concrete forms the walls of the space, while polished concrete lines the floor. Window frames made of wood and steel add to the room’s industrial look, and colour is introduced through furnishings including a tubular pink-metal armchair.
      Find out more about South 5th Residence ›
      Photo by JAG studioA Forest House, Ecuador, by Aquiles Jarrín
      Aquiles Jarrín married dark Chonta wood with black-steel beams and rough concrete for the design of this textural living room, found in A Forest House in Quito.
      The wooden elements help break up the open-plan interior, carving out cosy nooks and storage spaces for the owner. The seating area is warmed by a cowhide rug and tan butterfly chairs.
      Find out more about A Forest House ›
      Photo by Joe FletcherAnalog House, USA, by Olson Kundig Architects
      A tactile material palette of metal, concrete and glass tones was used for the living room of Analog House, a home in a Californian forest created by Olson Kundig Architects with the ​​founder of Faulkner Architects – the client for the project.
      In the lounge, these materials are paired with light wooden floors and minimalist furnishings including hanging lights, a sleek black sofa and tubular chairs.
      Find out more about Analog House ›
      This is the latest in our lookbooks series, which provides visual inspiration from Dezeen’s archive. For more inspiration see previous lookbooks featuring interiors with furry walls, sculptural wooden staircases and rustic Italian interiors.

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      PLY+ and MPR Arquitectos convert historic Detroit building into colourful school

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      PLY+ and MPR Arquitectos have transformed a building at a former Catholic college into the School at Marygrove Elementary, filling it with colours and shapes that help spark “experimentation and exploration” among children.

      Located in northwest Detroit, the building is part of the School at Marygrove, a new educational institution that will eventually serve students in kindergarten through 12th grade (K-12). The curriculum has a special focus on engineering and social justice.
      PLY+ and MPR Arquitectos converted a Catholic college in Detroit into an elementary schoolThe school occupies the site of a former religious college, Marygrove College, that closed in 2019. The campus – which is listed on the US National Register of Historic Places – is now owned and managed by a nonprofit organization, the Marygrove Conservancy.
      Several buildings on the 53-acre (21-hectare) campus are being converted into facilities for the School at Marygrove.
      The school is on a historic campusThis project involved transforming a brick-faced, concrete building that first opened in 1941 into a public elementary school for children in kindergarten through fifth grade.

      The design was led by PLY+, a studio based in Ann Arbor, Michigan, and MPR Arquitectos, which is based in Ann Arbor and Murcia, Spain.
      It was led by firms run by Michigan architecture professorsBoth firms are led by professors at the Taubman College of Architecture and Urban Planning at the University of Michigan.
      The architects aimed to preserve original features in the 65,000-square-foot (6,039-square-metre) building while integrating a host of new elements.
      Features of the original architecture were maintainedThe goal was to “establish a foundational, collaborative educational environment” while preserving the historic components.
      The building’s exterior was kept intact, the only change being the addition of an accessible entrance.
      Plywood millwork was addedWithin the building, the team modified rooms and added new finishes and plywood millwork. The decor was carefully selected, and special details – such as visually dynamic ceiling baffles – were incorporated.
      The building’s original layout was mostly retained, as the double-loaded corridor layout was deemed historically significant and kept in place.
      The brick of the original building was kept exposed for some of the interiorsThe corridor received new storage nooks with spots for bags, coats and shoes. In the classrooms, the team inserted counters, sinks, benches, chalkboards and storage space.
      “Custom millwork elements provide design flexibility without impinging on historic elements,” the team said.
      Colourful patterns adorn the walls and floorsThe project also called for the creation of maker spaces, reading rooms, a media centre and a restorative justice centre. An existing gymnasium was renovated.
      Throughout the facility, the team used a mix of soft and bold colours, ranging from bright peach to pale yellow-green.

      KOKO Architecture + Design creates interactive children’s space for the Met

      The palette was informed by historic hues and the desire to introduce colours that signal “the new use of the building and the new model of pedagogy being fostered”, the team said.
      “Colour and form play an important role in establishing unique identities for individual classrooms and signal the vibrancy and joy of collaborative learning,” the team added.
      The design is meant to encourage exploration for the childrenOverall, the design is meant to speak to its young users.
      “The design engages children’s sense of curiosity and encourages experimentation and exploration,” the team said.
      The project was a collaboration between Detroit Public Schools Community District, which operates the school, and the University of Michigan’s School of Education.
      Other school projects include an athletic centre at an Oregon school that features trellises laced with climbing vines and a boarding school in southern California that has buildings with jagged rooflines.
      The photography is by Jason Keen.
      Project credits:
      Architect: PLY+ and MPR ArquitectosPly+ team: Craig Borum, Jen Maigret, Andrew Wolking, Yusi Zha, Olaia Chivite Amigo, Yibo Jiao, Masataka YoshikawaMPR Arquitectos team: Ana Morcillo-Pallares, Jon RuleArchitect of record: Integrated Design SolutionsClient: Marygrove ConservancyCollaborators: Detroit Public Schools, University of Michigan School of Education

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      HawkinsBrown renovates Reading offices to create a “connection to nature”

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      A stack of meeting rooms and a moss-covered wall overlook the atriums of Here + Now, a pair of office buildings in England refurbished by architecture studio HawkinsBrown.

      Informed by changing attitudes to workplace design following the Covid-19 pandemic, the two buildings have been renovated with a focus on wellbeing and a connection to nature.
      They are located within a wider business park in Reading, formerly used by Microsoft.
      HawkinsBrown has renovated a pair of offices in Reading called Here + NowConnected by a bridge at their centre, the two buildings contain different facilities. One of them, named Here, offers space for more established companies, while the other, named Now, contains offices for smaller companies and start-ups.
      “Here + Now is located on a business park, not in a city centre, which provides users with a much closer connection to nature and therefore better opportunity for activity and wellbeing,” HawkinsBrown partner Massimo Tepedino told Dezeen.

      “The idea is that companies can scale up or down and thereby stay on the campus for longer – this ultimately helps to create a sense of community,” he added.
      A moss-covered wall overlooks an atrium in the Now buildingWhile the two buildings share a similar material and colour palette, the finishes of each were slightly different based on its tenants.
      The approach to the Now building focuses on more cost-effective, flexible spaces, while the Here building is finished to a higher specification.
      Wood has been used to form seating areas and quiet nooksEach of the two buildings features a large arrival atrium designed to evoke a sense of “wonder”.
      In the Here building, this space has a stack of meeting pods described by HawkinsBrown as a “treehouse”, while dehydrated moss-covered balconies animate the atrium in Now.

      HawkinsBrown and RPP Architects create “beacon for university life” in Belfast

      Shared by both buildings are a range of on-site amenities, including a gym and treatment rooms, as well as a “lifestyle manager” who organises events and workshops.
      “The benefit of having two buildings share amenities is that office spaces can accommodate a wide range of budgets, while everyone benefits from best-in-class amenities and the opportunity to socialise with established professionals and young entrepreneurs,” explained Tepedino.
      The two buildings are connected by a bridgeThe glass and metal structures of the existing buildings have been treated internally with wooden panelling, which complements new wooden seating areas and nooks.
      Particular attention was paid to the colour scheme, with a muted palette intended to evoke the nearby natural landscape and create a relaxing atmosphere.
      The project is located on a business park”We know that colours can facilitate, regulate, and even influence people’s behaviour – our colour palette takes its cues from the natural landscape and compliments the neutral tones of the existing buildings,” explained HawkinsBrown.
      “The bathrooms take inspiration from spas and hotels, with green shades and bold graphics create a strong visual connection to nature and a calming environment.”
      Here + Now has been shortlisted in the large workplace interior category of Dezeen Awards 2023.
      Other projects recently completed by HawkinsBrown include a student hub at Queen’s University Belfast with RPP Architects and the transformation of the historic Central Foundation Boys’ School in London.
      The photography is by Jack Hobhouse.

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      Didier Faustino creates shrink-wrapped scenography for Paula Rego exhibition

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      French-Portuguese architect Didier Faustino has shrink-wrapped a series of wooden blocks to display paintings by the late artist Paula Rego as part of an exhibition in Hanover, Germany.

      The unusual scenography was created for the exhibition titled Paula Rego: There and Back Again at the Kestner Gesellschaft art association and has been shortlisted in the exhibition design category of the 2023 Dezeen Awards.
      Didier Faustino has designed the scenography for Paula Rego: There and Back AgainDidier Faustino and his practice Mésarchitecture created a series of display walls for the show, providing additional surface area inside the building for displaying Rego’s work while referencing her distorted artistic style.
      “The aim of the scenography is to emphasise the contemporaneity of Paula Rego’s work, as well as to echo the violence of the world she describes,” said Faustino.
      The exhibition is spread over four rooms, each painted in a different colourThe Portuguese-British artist, who died aged 87 in 2022, was known for her stark depictions of injustice – particularly against women – and has been heralded as a feminist icon.

      Unfolding across four rooms over two levels, the exhibit comprised 80 works including paintings, drawings, prints and costume designs.
      The scenography consists of a variety of shrink-wrapped blocksTo display some of the larger or more important paintings, Faustino built a variety of freestanding wooden structures with shapes and protrusions that respond to the architecture of each space, as well as the sizes of the specific frames.
      He then wrapped these structures in white thermo-retractable film and exposed the material to heat so it pulled taught over the formwork.

      Didier Faustino adds “explosive architectural installation” to André Bloc’s 1950s villa

      “Walls to hang her paintings have been designed with protruding parts, giving them a grotesque appearance resembling the grotesque figures of the artist,” Faustino said.
      “Their wrapping with heat-shrink white film, with its stretched and wrinkled parts, gives a sense of both tension and sensuality.”
      Arched clerestory windows are echoed across the tops of the display blocksFaustino also pulled several colours from Rego’s paintings and applied these to the perimeter walls that surround the sculptural displays.
      More artworks and exhibition texts were presented on these brightly-hued surfaces, which contrasted with the stark white plastic. The exhibition was Rego’s first institutional solo show in Germany and ran from 30 October 2022 to 29 January 2023.
      The shrink-wrapping creates wrinkles and protrusionsFaustino’s work spans both art and architecture, ranging from bright spiky doorways and stages added to historic buildings, to a bar interior in Ghent with pink marble walls and olive green furnishings.
      The photography is by David Boureau.
      Paula Rego: There and Back Again took place at the Kestner Gesellschaft from 30 October 2022 to 29 January 2023. See Dezeen Events Guide for an up-to-date list of architecture and design events taking place around the world.

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      Akin Atelier houses Gallery Shop at Sydney Modern in “translucent bubble”

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      Curved resin walls define this retail space, which architecture studio Akin Atelier has created for the Sydney Modern extension at the Art Gallery of New South Wales.

      Designed by Akin Atelier with surfboard designer Hayden Cox, the Gallery Shop is located in the entrance pavilion of the gallery that was recently completed by Pritzker Architecture Prize-winning studio SANAA.
      The retail space is conceived as a “translucent bubble” within the entrance area, the studio said, and it aims to challenge the typical commercial experience in a museum shop.
      Akin Atelier has created the Gallery Shop at Sydney Modern”The shop captures natural light throughout the day, bringing dynamic reflections and refractions of the city while holding people, objects, and books within its centre,” Akin Atelier told Dezeen.
      “[It] showcases products to passers-by through the lens of the resin walls – gently maximising the identity of the space while preserving the architectural experience of the new building.”

      The Gallery Shop comprises two resin walls that curve around its displays, with a gap between the two of them forming the entry point.
      It has curved walls made from a resinThe installation is placed in the northwest corner of the entrance pavilion, to the left-hand side of its entrance, meaning that its distinctive resin walls are visible from the street.
      Its walls are constructed of 29 modules formed of 12 tonnes of resin. According to the studio, the resin is a type of “bio-resin” manufactured to incorporate biological matter.
      It sits within the building’s entrance pavilion that was designed by SANAA”It is composed of a minimum 26 per cent biological matter,” said the studio.
      “[This reduces] the amount of embodied carbon as well as reducing toxicity during the manufacturing process.”

      SANAA designs Sydney Modern to be “harmonious with its surroundings”

      The distinct tonal gradient of the bio-resin was achieved by hand pouring layers of colour into custom moulds – a process that took 109 days.
      Meanwhile, its glossy translucency was achieved through hand sanding followed by seven rounds of hand polishing.
      The translucent material allows natural light through the space. Photo by Tim SalisburyThe resin’s earthy hues reference the sandstone used in the original Art Gallery of New South Wales, while its gradation is a nod to the layered nature of Sydney’s bedrock of sandstone.
      “The handmade nature of resin casting and finishing allowed for experimentation across colour and form while addressing the patinated qualities of the outside environment,” explained Akin Atelier.
      Two curved walls enclose the shopInside the Gallery Shop, adjustable resin shelves line the curved walls, housing books and publications. Stainless steel is used for display plinths, providing a contrast to the warm tones of the resin.
      The project has been shortlisted in the small retail interior category of the Dezeen Awards.
      Akin Atelier also recently used tactile materials such as onyx, plaster and travertine to form the interiors of a branch of the womenswear store Camilla and Marc in Melbourne.
      The photography is by Rory Gardiner unless otherwise stated. 

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      Dezeen Awards China 2023 Designers of the Year shortlist revealed

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      Dezeen has announced the Designers of the Year shortlist for the inaugural Dezeen Awards China, which includes Mario Tsai, OPEN Architecture and Ziin Life.

      The Designers of the Year award rewards the best emerging and established talent or studio across architecture, interiors and design, and recognises those whose innovative work has made a notable impact on the design, interiors and architecture industry in China.
      18 studios shortlisted across six categories
      The 18 shortlisted names, which are in the running for awards in six different Designers of the Year categories, include Beijing-based Vector Architects, shortlisted for architect of the year, Chengdu-based MUDA Architects, shortlisted for emerging interior designer of the year and Shanghai-based Studio Kae shortlisted for emerging designer of the year.
      Other shortlisted studios have designed projects such as a cultural centre with sweeping white-concrete geometries, a modular lighting system informed by scaffolding and a playful fashion boutique which references tailoring motifs.

      All Dezeen Awards China 2023 shortlisted projects revealed
      The Designers of the Year were nominated and shortlisted by Dezeen Awards China judges and Dezeen’s editorial team.
      This is the first edition of Dezeen Awards China, which is in partnership with Bentley Motors. This is the final shortlist revealed this week. The architecture, interiors and design shortlists were unveiled earlier this week.
      Above: Vector Architects Studio by Vector Architects. Photo by Vector Architects. Top: Shenzhen Fuqiang Elementary School by People’s Architecture Office. Photo by People’s Architecture OfficeAll shortlisted Designers of the Year are listed below, each with a link to a dedicated page on the Dezeen Awards China website where you can find an image and more information about the designer.
      The winner of each category will be announced at a party in Shanghai in December.
      Read on for the full Designers of the Year shortlist:
      Shanfeng Academy by OPEN Architecture. Photo by Jonathan LeijonhufvudArchitect of the year
      › OPEN Architecture› People’s Architecture Office› Vector Architects
      Haikou Xixiu Park Visitor Center by MUDA Architects. Photo by Arch-Exist and Archi-translatorEmerging architect of the year
      › HCCH Studio› MUDA Architects› Roarc Renew Architects
      Ravine by A Work of Substance. Photo by A Work of SubstanceInterior designer of the year
      › AIM Architecture› A Work of Substance› Vermilion Zhou Design Group
      Som Land Hostel by RooMoo Design Studio. Photo by RooMoo Design StudioEmerging interior designer of the year
      › FOG Architecture› Office AIO› Roomoo Design Studio
      Building within building series by Ziin Life. Photo by Ziin LifeDesigner of the year
      › Mario Tsai› U+› Ziin Life
      DONG Series by Restudio. Photo by RestudioEmerging designer of the year
      › MMR Studio› Restudio› Studio KAE
      Dezeen Awards China 2023
      Dezeen Awards China is the first regional edition of Dezeen Awards, to celebrate the best architecture, interiors and design in China. The annual awards are in partnership with Bentley Motors, as part of a wider collaboration that will see the brand work with Dezeen to support and inspire the next generation of design talent in China.

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      Patricia Urquiola converts historic palazzo into Six Senses Rome hotel

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      Milan-based designer Patricia Urquiola has converted a palazzo in Rome into a hotel and spa, filled with circular elements and traditional Italian materials.

      The Six Senses Rome is located within the Palazzo Salviati Cesi Mellini, close to historic sites like the Pantheon and the Trevi Fountain in the city centre.
      The lobby of the Six Senses Rome is an open social space with multiple seating areasAdjacent to the Church of San Marcello al Corso, the building was first constructed in the 15th century before being updated in the 18th-century baroque style by architect Tomaso De Marchis.
      An impressive central staircase and the building’s main UNESCO-listed facade, which overlooks the bustling Via del Corso, are among the period details that were restored during the renovation works led by Studio Urquiola.
      The Bivium restaurant connected to the lobby offers all-day diningThe entrance to the Six Senses Rome from Piazza di San Marcello leads into an open lobby and social area, furnished with a variety of sofas and lounge chairs from Urquiola’s oeuvre alongside classic Italian designs.

      These are positioned in groupings with tables and decorative objects on circular rugs, between potted plants spread across the travertine floors.
      Circular elements appear throughout the hotel, including rugs and tables in the lobby”At every turn, the craftsmanship, the finishes, the materials and the graphics create a union with nature while staying true to both Roman classicism and Palazzo Salviati Cesi Mellini’s rich history,” said Urquiola.
      A curved green marble bar is positioned near the windows, forming an incomplete circle with the matching counters in the courtyard, which are visible through the glazing and follow the shape of earth-toned steelwork overhead.
      In the courtyard, a green marble bar counter continues from insideThe courtyard also features benches built into planters along the back wall and additional seating, where diners can enjoy food and drinks from the trattoria-style Bivium restaurant.
      Circular forms and motifs continue throughout the hotel, including in the Six Senses Spa and Roman baths on the first floor.
      The spa waiting area features seating within sheer curtain enclosuresHere, sheer curtains encircle small seating areas for those waiting for treatments or preparing to enter the travertine-lined bathhouse, which offers multiple pools for soaking and relaxing.
      Bedrooms across the central levels have “quirky” layouts and a soft neutral decor, including tambour panelling, patterned rugs and a variety of spherical light fixtures.
      Travertine lines the walls and ceiling inside the spa and Roman bathsSeveral of Six Senses Rome’s 96 guest rooms and suites have balconies, and all enjoy either a courtyard or city view.
      Plasterwork in the rooms is made from an ancient Roman material known as cocciopesto, which comprises fragments of earthenware or brick mixed with lime and sand.

      The Rome Edition opens in converted 1940s bank building

      “The legacy of antiquity is also honoured with the choice of cocciopesto, which decorates the plaster of the rooms and gives a nod to Roman architect Vitruvius,” said the studio.
      The hotel also features a roof terrace and bar called Notos that offers views across the city and serves botanical cocktails and light bites.
      The bedrooms at the Six Senses Rome have a soft neutral decorArtworks such as watercolours, sculptures, textile works and canvases throughout the interior are curated by art advisor Federica Sala and are all unique to the hotel.
      Six Senses Rome is shortlisted in the hotel and short stay interior category of Dezeen Awards 2023, while Studio Urquiola is shortlisted for interior designer of the year.
      Plasterwork in the bedrooms and suites is made from cocciopestoOriginally from Spain, Urquiola is one of Europe’s most sought-after designers and has released furniture and product collections with brands like Moroso, Cassina, Kettal and Boffi among many more.
      Other hotels designed by her studio include the Haworth Hotel in Michigan, the Hotel Il Sereno on the shores of Lake Como and the Room Mate Giulia in Milan.
      The photography is by Luca Rotondo.
      Project credits:
      General contractor: CDS HoldingArchitecture: Starching and professor Paolo MicalizziInterior design: Patricia Urquiola

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      Ennead Architects and Rockwell Group create “floating” classrooms for Johns Hopkins University

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      New York-based studios Ennead Architects and Rockwell Group have completed the renovation of an academic building for Johns Hopkins University in Washington, DC with “floating” classrooms at its core.

      Called the Johns Hopkins University Bloomberg Center, the 435,000-square-foot (40,400 square metre) building will serve as an interdisciplinary educational and event centre for the university and the public.
      Ennead Architects and Rockwell Group have renovated an academic building for Johns Hopkins University. The photo is by Jennifer Hughes.Located at 555 Pennsylvania Avenue, the 10-story building was designed to evoke a “democratic society”, with a large central atrium that contains conference and classrooms seemingly suspended in its core.
      A central staircase doubles as seating and sits at the base, while multiple floors span upwards and contain a number of classrooms and event spaces.
      It will serve as both an education and event centre for the university and the public. The photo is by Jennifer Hughes.”The design is focused on multiple gathering spaces that can shrink and grow to accommodate every type of convening, from an intimate policymaker breakfast to a teeming global conference,” said interior architect Rockwell Group.

      “A large floating transparent classroom and treehouse-like, stacked assemblage of glass classrooms and open lounges hang, suspended on either side of the atrium, providing vistas of the Hopkins community at work and evoking the openness of academic inquiry in a democratic society.”
      The team updated both the interior and exterior of the building. The photo is by Jennifer Hughes.Rockwell Group worked with exterior architect Ennead Architects and architect of record SmithGroup to renovate the interior into a “vertical quad”, distributing 38 classrooms, a library, a multimedia studio, 26 study rooms, three floors of conference centre space, workspaces, a banquet hall, a fitness centre and a 375-seat theatre around the building’s central atrium.
      Ennead Architects, then Polshek Partnership, previously built the building in 2008 for the Newseum before undertaking its current transformation for Johns Hopkins University.
      The team opened up the interior to create a “vertical quad”. The photo is by Alan Karchmer.16,888 square feet (1,586 square metres) of outdoor terraces were also added to the exterior.
      “As architects, it is a rare opportunity to revisit an earlier design and reimagine it for an entirely new purpose,” said Ennead Architects design partner Richard Olcott.
      Suspended classrooms hang in the interior of a central atrium. The photo is by Alan Karchmer.”Major interventions include the complete reworking of the vertical circulation to suit the needs of the complex academic program, numerous realigned floors, and structural transfers to accommodate classrooms and a completely reconfigured auditorium.”
      “The new central spaces will create a nexus of activity throughout the day and evening, offering meeting, classroom, lounge and gathering spaces of varying types and scales, and blurring the traditional boundaries between them.”
      A floating unit at the centre of the atrium contains classrooms and workspaces. The photo is by Jennifer Hughes.The exterior was also refinished to reflect the architectural language of the surrounding buildings such as John Russell Pope’s National Gallery of Art and IM Pei’s National Gallery East Building.
      Pink Tennesse marble wraps around a newly installed, central glass curtain wall with horizontal sunscreens trimmed in bronze and copper.

      Triangular glass panels wrap Knight Center at the University of Oregon

      The sunscreens provide protection from heat gain, while Ennead Architects shifted facade elements to bring more daylight to the space.
      Rockwell Group outfitted the interior palette to include a warm mixture of wood walls and panels, terrazzo tile floors, brick and wood floor tiles and accents of an earthy red, blue and grey.
      Warm wood panelling, terrazzo floors, and accents of an earthy red complete the interior. The photo is by Alan Karchmer.”The Hopkins Bloomberg Center is a holistic example of everything our studio is interested in – creating an urban environment within the larger structure, gathering spaces within larger spaces, and a sense of place that is defined in part, by adaptability and use,” said Rockwell Group founder David Rockwell.
      “How people move, interact, and meet is at the core of every inch of the building.”
      Elsewhere, Ennead Architects recently completed a research facility at the University of Oregon, while together, Ennead Architects and Rockwell Group recently created a food distribution centre in Brooklyn.
      The photography is by Jennifer Hughes and Alan Karchmer. 
      Architect: Ennead ArchitectsInterior architect: Rockwell GroupArchitect of record: SmithGroup

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