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    Eight sculptural wooden staircases that bring warmth to the home

    Our latest lookbook features eight sculptural staircases made of wood that make a statement and bring warmth to apartments from Hong Kong to Boston.

    Often the organizing principle in the planning of any space, a staircase can either blend in or stand out.
    The eight gathered in this lookbook lean into the latter – showcasing both the structural abilities of wood like larch, birch and plywood and demonstrating how circulation need not be boring.
    From a completely pre-fabricated staircase in a Boston apartment to a plywood spiral staircase twisting from the loft of a renovated barn in the Netherlands, these sculptural stairs create a visually striking centrepiece, as well as a fun way to traverse a house.
    This is the latest in our lookbooks series, which provides visual inspiration from Dezeen’s archive. For more inspiration see previous lookbooks featuring rustic Italian interiors, autumnal bedrooms and show-stealing dining room tables.

    Photo by James LengHairpin House, USA, Studio J Jih and Figure
    Located in Boston’s South End neighbourhood, this historic townhouse renovation sees a four-storey interior plan wrapped around a white oak staircase that spirals around a 40-foot-high (12-metre-high) atrium.
    “Aptly named Hairpin House, the project takes the tight, unpredictable, and ultimately poetic switchback turns of a mountain road as inspiration for the overall renovation – and in particular a new unravelling central stair,” said the design team.
    Find out more about Hairpin House ›
    Photo by Jonathan LeijonhufvudCape Drive Residence, Hong Kong, Linehouse
    Just a short walk from the beaches of Hong Kong’s south side, this three-storey house channels “coastal essence” through natural materials and light, Chinese studio Linehouse told Dezeen.
    An “easy flow” was also imbued into the design, created in part by a timber stairwell that’s tucked to the side and – save for a white metallic screen – is open to the living spaces.
    Find out more about Cape Drive Residence ›
    Photo by Frank FrancesMass Timber House, USA, Schiller Projects
    According to design studio Schiller Projects, this renovated carriage home in Brooklyn is the borough’s first single-family residence that uses mass timber construction.
    Besides repurposed wooden elements like timber panels and floorboards used for the project, the house features a pre-fabricated glue-laminated timber (glulam) staircase that can be completely disassembled.
    Find out more about Mass Timber House ›
    Photo by Alex BaxterBarn at the Ahof, the Netherlands, Julia van Beuningen
    Architectural designer Julia Van Beuningen converted this Gelderland barn into a holiday home complete with a spiral staircase made out of plywood at the heart of the floor plan, which contrasts the more rustic materials of the surrounding building.
    “This is very different and very unusual in a barn like this,” said Van Beuningen. “It’s something you either love or hate, but it’s definitely a statement.”
    Find out more about Barn at the Ahof ›
    Photo by Eric PetschekCarroll Gardens Townhouse, USA, Starling Architecture and Emily Lindberg Design
    New York studios Starling Architecture and Emily Lindberg Design merged a two-family dwelling into one for the owner’s growing family.
    White oak running throughout the two units unifies the project, which includes the addition of a new wooden staircase covered by a slated screen made of the same material.
    Find out more about Carroll Gardens Townhouse ›
    Photo by Jim StephensonStoke Newington loft, UK, Whittaker Parsons
    Architecture firm Whittaker Parsons was tasked with adding a loft to a house in Stoke Newington, London, as well as updating spaces throughout the lower floors.
    With efficiency and quality in mind, the studio used prefabricated structural insulated panels (SIP) to construct the new loft. The space is accessed by a spiral staircase made of larch that’s topped with a skylight.
    Find out more about Stoke Newington loft ›
    Photo is by Tim CrokerDragon Flat, UK, Tsuruta Architects
    A floating timber staircase features in this flat in London, which is outfitted with walls CNC-etched with images of peonies, dragons, bats and the Thames.
    The central staircase allows light to filter into the kitchen and living room below, while solid timber bricks act as landings on either side.
    Find out more about Dragon Flat ›
    Photo by Rory GardinerElsternwick penthouse, Australia, Office Alex Nicholls
    The timber staircases in this Melbourne house were integrated into its “library spine” an organizing corridor that contains the family’s collection of books, art and artefacts.
    “From a practical standpoint, it allowed everything to be easily accessible and displayed but it also helps to draw people through the apartment and celebrate the two staircases to the roof garden at either end,” said Office Alex Nicholls founder Alex Nicholls.
    Find out more about Elsternwick penthouse ›
    This is the latest in our lookbooks series, which provides visual inspiration from Dezeen’s archive. For more inspiration see previous lookbooks featuring rustic Italian interiors, autumnal bedrooms and show-stealing dining room tables.

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    Adi Goodrich and Sam Klemick among exhibitors at INTRO/LA

    Curated by design consultancy Small Office, this year’s INTRO/LA features sculptural furniture from local designers such as Adi Goodrich, Sam Klemick and Jialun Xiong.

    The exhibition is being shown in Small Office’s Los Angeles showroom, with pieces displayed among semi-transparent dividers.
    Pieces by Los Angeles designers Adi Goodrich, Sam Klemick, Jialun Xiong and more are on display at INTRO/LAIt showcases both emerging and established Los Angeles designers.
    “The show is to display how diverse the community is, and how everyone’s working in different styles and production methods and materials,” Small Office founder Paul Valentine told Dezeen.
    For the first time, the exhibition is hosted at the showroom at Small Office, which runs the event. On the left is a collection by Estudio Persona and on the right is a collection by Adi Goodrich”[It’s] really to show the expansive of creativity here, rather than zero in on one trend and say, ‘this is what’s happening’.”

    Colourful, geometric pieces from Adi Goodrich’s Sing Thing collection are on display, including multi-tiered lamps, a checkered dining chair and playful, flat-pack side tables.
    Designer Sam Klemick showcased the Sweater Chair, a simple wooden chair draped with a carved-wooden sweaterThe collection is an homage to the silhouettes and character of the French L’Esprit Nouveau movement, as well as Lina, an influential woman in Goodrich’s life who taught her “how to live”.
    Sam Klemick’s Sweater Chair and an accompanying, wiggle-legged stool sit nearby.
    Jialun Xiong’s architectural side table features geometric cut-outsRecently on display as part of 2LG Studio’s You Can Sit With Us exhibition, the Sweater Chair consists of a carved-wood sweater draped over the backrest of a chair of the same material.
    An aluminium side table inspired by “the exterior of a boxy home” by designer Jialun Xiong sits among a chair, bench and stool featuring stainless steel elements and minimalistic lines.
    Caleb Engstrom’s Wet Wool chair is made of wooden and metal pieces draped with resin-soaked woolXiong’s Dwell side table consists of a metallic cube with rectangular and circular slices taken from around its body, “representing different architectural elements to enrich the user’s experience”.
    Caleb Engstrom’s Wet Wool chair is made of resin-drenched wool draped and set to dry over metal and wood pieces, which debuted earlier this year at Los Angeles Design Festival 2023,

    Nine design highlights from Los Angeles Design Festival 2023

    The chair sits next to a stackable side table made of rubber, lacquer and resin table bases used in Engstrom’s other pieces. One such base layer contains “faux” lemons trapped in its transparent form.
    Other work includes rustic wooden stools and lighting by Ravenhill Studio, spikey, wooden chairs and a large mirror by Objects for Objects and scalloped, ceramic planters and side tables from BZIPPY. Also on show was a collection by Leah Ring and Adam de Boer as well as studio Waka Waka, which has a production studio next door.
    The exhibition was curated to highlight the diversity of local work. The collection shown is by Taidhg O’NeillThe INTRO series was started in 2013 as a platform to showcase both emerging and established designers in contrast to the traditional trade show format. Valentine aims to create “one interior feeling” by displaying pieces from various designers in close proximity to one another for a community-oriented exhibition.
    Previous design exhibitions around Los Angeles include Future Perfect’s Dear Future show, which displayed work from Gaetano Pesce and a variety of shows at Los Angeles Design Festival 2023.
    INTRO/LA is on show at Small Office in Los Angeles until 17 November. See Dezeen Events Guide for more architecture and design events around the world.
    The photography is by JJ Geiger.

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    ICRAVE unveils sci-fi interiors of MSG Sphere Las Vegas

    US studio ICRAVE has revealed images of the public spaces inside the world’s largest spherical structure in Las Vegas.

    Chosen through an international competition, ICRAVE was tasked with designing the interiors of the public spaces within the MSG Sphere Las Vegas by Sphere Entertainment – the giant venue’s operator.
    Upon entering the MSG Sphere Las Vegas, visitors are ushered through an arched passagewayThe scope included the building’s entry bridges, lobby and guest welcome areas, the main concourse, food and beverage outlets, as well as private artist dressing rooms, and VIP clubs and suites.
    The 20,000-person venue, designed by architecture firm Populous, was unveiled over the summer.
    In the main atrium, the building’s curves continue across the intersecting balconies and bridges. This photo and top are by Rich Fury / Sphere EntertainmentWhile the building’s exterior is covered with 580,000 square feet (53,900 square metres) of programmable LED panels, the inside glows with bands of coloured indirect lighting.

    “The spectacle that is Sphere on the outside sets the stage and bar for how magical the designed experience ICRAVE was tasked with must be on the inside,” said the studio, which has offices in New York City and Miami and is led by Lionel Ohayon.
    The colourful indirect lighting throughout the public spaces can be customised for different performancesUpon entering the venue, visitors are ushered through a series of repeated illuminated archways before arriving in a vast eight-storey atrium.
    Here, the building’s curved form is continued through a series of sweeping balconies and bridges, which intersect at different points across multiple levels to create “a sense of continuous motion”.

    MSG Sphere in Las Vegas opens with bespoke artworks by Es Devlin and John Gerrard

    Thresholds and doorways are also shaped as either circles or ovals, while beside the escalators, a 160-foot-tall (49-metre) scrim wall hanging acts as a huge lenticular light installation.
    Reflective black terrazzo flooring creates a sci-fi feel within the public spaces, which is further enhanced by the coloured lighting.
    Thresholds and doorways are shaped as circles and arches, while black terrazzo flooring reflects the light”The lighting sets the tone and ‘performs’ as part of the Sphere experience from entry, to Atrium activation, to showtime, and as you transition out of Sphere and back to the bustle of Vegas,” ICRAVE said.
    The studio also designed the various food and beverage spaces within the venue, each carrying a distinct character.
    Each of the food and beverage outlets features a different designTucked into areas where the ceiling height is lower, these bars and food vendor spots include fluted panels, dark counters, and more indirect lighting.
    Throughout the building, mathematical graphics added to surfaces are derived from the equations used in the Sphere’s construction.

    Michael Gove places Populous’ spherical music venue on hold

    In the dressing rooms, artists can enjoy lounge areas and massage chairs, as well as makeup stations, private bathrooms and showers.
    Meanwhile, the VIP viewing suites feature a mix of absorptive and reflective materials intended not to distract from the performances.
    The venue can accommodate up to 20,000 visitors”In an effort to create a transformative entertainment space that takes artists and fans out of the mundane and into the future, ICRAVE sought to bring life to every inch of Sphere, not just the stage,” said the studio.
    “With a sophisticated mix of lighting, soundscape, visuals, ambiance and tactile elements, audiences and the artists will have a captivating experience like nowhere else in the world.”
    A huge scrim wall behind the escalators acts like a lenticular lighting installation. Photo by Rich Fury / Sphere EntertainmentThe Sphere began its programming in October with a concert by U2, featuring visuals by designer Es Devlin, artist John Gerrard and more on an enormous wrap-around screen.
    A similar venue was also planned for London, but the government put the project on hold earlier this year to give the Secretary of State more time to review the proposal.
    The photography is by ICRAVE unless stated otherwise.
    Project credits:
    Owner and developer: Sphere EntertainmentArchitect: PopulousInterior designer: ICRAVELighting designer: JourneyAudio engineer: ARUPAudio tech / manufacturer: Holoplot

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    Dezeen Awards 2023 party tickets now on general release

    Remaining tickets for the Dezeen Awards 2023 party in London on Tuesday 28 November are now available to buy on general release. Book your tickets now before they sell out!

    Early-bird ticket sales ended last night, Tuesday 31 October, at 11:59pm London time. All remaining tickets are now available at our general release price of £175 + VAT. You can also save a further 10 per cent if you book a package of 10 tickets or more.
    Taking place at Shoreditch Electric Light Station in London on 28 November, we will celebrate the winners of Dezeen Awards 2023 with food, drink, live entertainment and music throughout the night.
    The winners of all 39 Dezeen Awards project categories will be revealed, as well as the overall architecture, interiors, design and sustainability projects of the year.
    We will also be announcing the six Designers of the Year and revealing the winner of the inaugural Bentley Lighthouse Award.

    The party will be a chance for everyone to come together to celebrate their achievements with fellow nominees and winners, as well as our illustrious Dezeen Awards 2023 judges.
    Judges this year include Patrik Schumacher, Patrizia Moroso, Giulio Cappellini, Sabine Marcelis, and Tola Ojuolape. See who they crowned as winners when they collect their trophies, and join in the celebrations.
    Tickets selling out fast
    With three quarters of all tickets already sold for this year’s glamorous event, make sure to grab the final few tickets before they are gone. Don’t miss out on this year’s celebrations!
    Book your ticket now via Eventbrite: dezeenawards2023.eventbrite.co.uk
    Email [email protected] if you have any questions. Sign up to our Dezeen Awards newsletter to get updates on the winners party and future editions of Dezeen Awards. More

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    Barde vanVoltt draws on Japanese zen gardens for Calico Club interior

    Dutch studio Barde vanVoltt has used rippled mirrored glass, boulders and pebbles to create the interior of Calico Club, a retail store located in a century-old farmhouse in the Netherlands.

    The studio aimed to combine Dutch heritage with Japanese tradition to create an “unexpected” but never overwhelming interior for the store, which is located in the village of Nistelrode.
    Pebbles decorate the floor in Calico Club”The main objective was to pay respect to the monumental 100-year-old farmhouse that Calico Club moved into,” Barde vanVoltt co-founder Valérie Boerma told Dezeen.
    “The challenge was to find ways to add materials we could remove easily to keep the original state of the construction as it was,” she added.
    Barde vanVoltt added plants to the interiorBoerma and her co-founder Bart van Seggelen added several organic details to the space, which has been divided into different sections.

    “The floor plan is shaped like a Japanese zen garden and its traditional elements of rock, water, and plants have been interpreted in more modern and abstract ways,” Seggelen explained.
    Boulders are scattered throughout the spaceOn polished concrete flooring, the studio placed whitewashed boulders that are used as retail displays and created elevated pebble islands above which garments are hung.
    Barde vanVoltt also designed matching islands made from walnut wood. The same warm wood is also used for the fitting rooms, cabinets and counters.
    Walnut wood is used for the counters inside the storeMateriality is an important aspect of the project, with rippled mirrored glass added in a nod to the water features that are often included in zen gardens.
    “Rippled mirrored glass and silver colour was to create contrast and depth,” Boerma said.

    Barde + vanVoltt transforms dingy Amsterdam garage into family home

    “The rippled glass keeps changing from wherever you look at it, this added an extra layer to the space, much like water, that is always changing,” she added.
    The aim was for the interior to “nourish creative flow, harmony and support it with a screen-free store policy to create calm in an unpredictable world,” the studio said.
    A large tree adds a touch of nature at the back of the storeAt the back of the store, a tree sits inside a round glass bench behind a metal wall divider.
    “Encased in a circular glass bench, the tree and the fashion collection opposite is given its moment thanks to a sheet of curved, rolled metal to separate it from the fitting rooms,” Seggelen said.
    “And at the front of the store, customers are shown the best of the collection with floating glass display cylinders filled with hay.”
    Calico Club is located in a red-brick former farmhouseThe pared-back designs and shiny materials inside the store contrast against its exterior, a rustic red-brick farmhouse.
    “With every project we do, we feel the responsibility to search for high quality, natural materials that are produced in a sustainable way,” Boerma said.
    “These materials and heritage come with earthy tones and it suited well with our Japanese reference,” Seggelen added.
    Rippled glass references the water in zen gardensCalico Club has been shortlisted in the retail interior (large) category of Dezeen Awards 2023.
    Previous projects by Barde vanVoltt include a former garage in Amsterdam that was transformed into a family home.
    Other recent projects in the Netherlands include an underground house and a wood-lined home in Zwaag.

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    D415 reimagines mundane materials for Bratislava boutique Som Store

    Design studio D415 has used standard construction materials such as plasterboard and steel profiles in unexpected ways to create a concept store in Bratislava, spotlighting young fashion designers from Slovakia and neighbouring Czechia.

    Set inside the Nivy shopping centre, Som Store gives each featured fashion brand an equally-sized space in which to showcase its work with the aim of helping the region’s designers reach a wider audience.
    D415 has designed the SOM Store boutique in BratislavaIn order to present these Sometimes disparate collections in a cohesive way, D415 opted for an approach the studio calls “introvert x extrovert”.
    By enveloping each collection within panels of steel, positioned at a 45-degree angle from the entrance, only glimpses of the products can be seen from the storefront.
    The shop offers different local fashion designers a small retail spaceAs they venture further into the store, customers are gradually able to see and browse the different collections.

    “When entering the store, the entire space has an introverted character,” D415’s Peter Gonda told Dezeen. “All the models on display can be seen only in a hint and the number of outfits on display is not distracting.”
    “The extroverted character of the space is only apparent upon entering the store, where the individual models on display are revealed from behind the rotated walls.”
    Each unit is framed by steel walls placed at a 45-degree angleRather than putting off customers, Gonda has found that this set-up helps to create a sense of intrigue that draws them into the store.
    “The client was concerned that the insufficient presentation of clothes from the entrance to the store would have a negative impact on the store’s traffic,” he explained. “The opposite turned out to be the right solution.”
    “Customers are attracted to enter the store by a certain degree of mystery, which is not typical for fashion stores in large shopping centres, where the new collection is already in the store window.”

    Noiz Architekti completes minimal park-side home in Slovakia

    These 45-degree angles are repeated throughout the whole space, with its angled grid layout created using a matrix of steel profiles.
    Here, this humble material – commonly used for framing drywalls – is exposed and celebrated as the hero material of the space.
    “The element was used raw, with a standard galvanized surface treatment just as it is sold for building structures,” Gonda said.
    The “floating” cash register has a simple rectilinear designThe steel profiles are used against a backdrop of unpainted plasterboard. Both are typically unappreciated materials, according to Gonda, and both have a matt grey in colour while being distinctive enough to create a subtle visual contrast.
    “It’s a demonstration of how it is possible to create a final element that is not only functional but also decorative from simple building elements, which were primarily intended as a supporting secondary structure,” Gonda said.
    Finished in the same pale grey tone, the resin floor was chosen because it can easily be repaired by tradespeople, which according to D415 makes it more sustainable.
    A multifunctional furniture piece provides seating and display spaceSimilarly, the steel elements can be unscrewed and reused for their original purpose further down the line.
    To ensure that the clothes remain the focal point, the furniture elements including the versatile display cabinets and the “floating” cash desk are simple, rectilinear in design and made from birch board.
    At the centre of the space is a long multifunctional furniture element that variously serves as a display stand for accessories and a bench that provides seating for trying on products and for any fashion shows and events that will be held in the store.
    The changing rooms are hidden behind beige curtainsOut-sized squashy seats dot the space around the changing area, colour-coordinated with the full-height curtains that frame the fitting rooms.
    Som Store has been shortlisted in the small retail interior category of this year’s Dezeen Awards.
    Also in the running is a plastic-free paint shop by Linda Bergroth and a skincare store finished in salvaged materials and biotextiles by Nina+Co.
    The photography is by D415.

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    Delve Architects designs “nurturing but playful” nursery in east London

    English practice Delve Architects has used joyful colours and natural, tactile materials to outfit a newly established kindergarten by the River Thames in east London that can be accessed via boat.

    The Nest daycare centre is part of a wider housing development in the Royal Wharf area, occupying a commercial unit at the base of a 19-storey housing block.
    The Nest nursery was designed by Delve ArchitectsAs a result, the primary challenge was to bring the towering newbuild space down to child scale and make it feel more homely while forging a greater connection to the riverfront.
    “We wanted to create a calm, nurturing but playful space that reflected the values of the nursery,” Delve Architects co-founder Alex Raher told Dezeen.
    “Their ethos is for children to have a positive learning experience through a healthy relationship with the environment around them and a connection to the outdoors.”

    The studio used timber arches to define the space and envelop the new staircaseTo boost the internal floor are, the studio installed a new mezzanine with a bespoke, powder-coated metal staircase that rises through a double-height space defined by a series of arched timber fins.
    These maple-veneered arches – each around 4.5 metres tall – were conceived by Delve Architects to subdivide the space, creating zones without physical barriers.
    The timber fins taper off into low benches for the children”We wanted to connect the spaces visually and physically between the mezzanine and lower level, and to soften the hardened edges of the space,” said Raher.
    The arches are formed from a series of fins that merge into benches and individual seating as they approach the ground.
    The stairs lead up to a new mezzanine level”The grand scale of the arches for a small child could feel overwhelming, so we brought this down into child-height seating, benches and joinery to play with the scale and make it more familiar to them,” said Raher.
    “The material flows seamlessly between the two levels and creates a natural material palette that the children could recognise and read through different heights and spaces.”
    The arches also span over the main staircase, where Raher says they suggest a canopy of trees.

    Chinese kindergarten designed as “small town” of flexible classrooms

    “We wanted it to be a centrepiece that was exciting, functional and exploratory, almost like a meandering joinery up to a treehouse-style level on the mezzanine, through a network of arches and branches on the way,” the architect explained.
    “One of the first concepts we explored was the treehouse idea, developing ideas around the nursery name The Nest and how we could bring a playful part of nature into the design.”
    Given its inner-city location, the nursery is fortunate to have a large garden overlooking the riverfront, which is connected to the nursery via a double set of six bi-folding doors.
    The upper level is finished almost entirely in baby pinkThe external fencing was designed by Delve Architects “to merge with the rhythm of the existing tower’s balconies” and powder-coated in a matching colour.
    “We wanted to celebrate the connection to the outside space, the riverfront location and the child-height views from the mezzanine to the water, as it was unique to the space and to the nursery setting,” said Raher.
    “Children can arrive and parents can commute using the river boat directly outside the nursery. The new pier designed by Nex Architecture is a beautiful backdrop to the site.”
    The mezzanine houses cosy play areasTo cope with the demands of a nursery setting, materials and finishes are resilient as well as being natural and tactile. Among them is recycled and recyclable Marmoleum flooring, maple-veneered joinery and low VOC paint.
    A colour palette of soft muted shades helps to create a homely atmosphere inside The Nest.
    “This palette works better than bolder primary colours, as these create too much visual noise for younger children,” Raher said.
    The Nest’s garden overlooks the riverfrontA panel of dark teal blue creates a datum line around the walls, designed to be “resilient to little fingers” while making the tall spaces feel more relatable to children.
    “We always try to design from a child’s perspective, putting ourselves at that level, quite literally in some cases,” Raher said.
    The soft blue of the flooring gels with the tones of the pale maple veneer and the matt pink that wraps around the ceiling and upper walls, covering almost the entire mezzanine.
    It can be accessed via river boat”It both draws your eye upwards but also manages to change the scale of the space,” said Raher. “In some areas there is a five-metre ceiling height, so we wanted to break this up visually.”
    “The services for heating, cooling and ventilation were also left exposed, giving a little insight for children to explore and imagine what they could be – a network of intriguing forms and geometry running through the nursery.”
    Other kindergartens that hope to forge a greater connection to nature include this English nursery by Feilden Clegg Bradley, which makes use of natural materials to reflect the surrounding woodland, and a timber kindergarten extension in Austria by Bernardo Bader Architekten.
    The photography is by Fred Howarth.

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    Studio Hinge creates library spaces beneath tree-like wooden columns

    Indian practice Studio Hinge has completed Forest of Knowledge, a library in Mumbai that sits beneath a tree-like canopy of latticed wood.

    The library was designed for the Cricket Club of India, a member’s club dating back to the 1930s that is housed in an art deco building in southern Mumbai.
    Columns were created to resemble tree trunksAdapting the third floor of this building, Studio Hinge looked to recreate the feeling of “sitting under a tree with a book” by reimagining the structure’s concrete columns as tree trunks.
    Alongside, a former Zumba studio has been updated to be used as a flexible space for book clubs, film screenings and workshops.
    Circular bookshelves sit underneath the “canopy””India experienced one of the harshest and most sudden covid lockdowns in the world, and a lot of the design of the library was developed during this time, during which it was clear that people were yearning to meet and share ideas in person again,” explained the studio.

    “On a conceptual level, the design draws from nature, in particular the notion of sitting under a tree with a book, and also borrows from the beautiful canopy formed by the ficus and gulmohar trees to be found in the adjacent street,” it continued.
    The shelves are connected by plank-covered steel framesA steel frame covered with small wooden planks lines each of the concrete columns.
    This integrates shelving and extends upwards to create arched forms across the ceiling that are then connected in areas with a wooden lattice.

    The Act of Quad converts Mumbai shed into studio with see-through facade

    Curving bookshelves have been organised in a circle at the base of each column, with seating areas at the edges of the floor plate creating a variety of different conditions and atmospheres for visitors.
    On the library’s floor, custom terrazzo tiles feature a pattern of green “leaves” with a circle of wooden flooring used at the base of each column.
    The floor was decorated with a leaf pattern”Care has been taken to ensure no bookshelf in the open space is taller than 1.2m,” explained Studio Hinge.
    “This allows maximum natural light to permeate deep into the plan and for most adults to have an unobstructed view whilst standing, while creating sheltered semi-private nooks to sit and read in,” it added.
    “It also provides a very different perception of the library for children, from whose vantage the space between the circular bookshelves is playful, almost labyrinthine in nature.”
    A ceiling of timber planks adds interest to the multipurpose roomIn the multipurpose room, the ceiling has been finished with an undulating pattern of timber planks and the walls lined with cabinets to maximise storage.
    Forest of Knowledge was recently longlisted in the workplace interior (small) category of Dezeen Awards 2023.
    Elsewhere in Mumbai, The Act of Quad recently converted a former library into its own interior design studio, with a see-through facade of perforated, white metal sheets and Malik Architecture transformed an ice factory into an events space.
    The photography is by Suryan + Dang.
    Project credits:
    Design team: Interior Architecture – Studio Hinge, Pravir Sethi, Chintan ZalavadiyaLighting design: Studio Trace, Tripti SahniMEP: ARKK Consultants

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