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      Eight renovated mid-century homes that marry period and contemporary details

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      From a modernist villa in Beverly Hills to a flat in one of Brasília’s iconic Superquadra apartment blocks, the mid-century renovations in this lookbook are a masterclass in updating a period home while retaining its distinctive character.

      Originally constructed in the post-war period between 1945 and 1969, mid-century homes have proved enduringly popular due to their prescient emphasis on natural light, clean lines, open floor plans and humble materials such as wood, stone and concrete.
      The renovations below see many of these original features retained and restored, supplemented with contemporary additions such as double-height ceilings and furniture by the likes of Tadao Ando and Mario Bellini.
      This is the latest in our lookbooks series, which provides visual inspiration from Dezeen’s archive. For more inspiration see previous lookbooks featuring art deco homes, sunny yellow interiors and serene bedrooms with striking natural views.
      Photo by Jack LovelCity Beach Residence, Australia, by Design Theory

      Australian studio Design Theory looked to preserve the “considerable mid-century charm” of this home on the coast of Perth during its renovation (top and above), remaining true to the rich palette of natural materials found in the original design.
      Contemporary furniture and lighting with gently curving forms were chosen to soften the rigorous lines of the original architecture and prevent the interiors from feeling like a period pastiche.
      Find out more about City Beach Residence ›
      Photo by An PhamBrandaw Residence, US, by 180 Degrees Design + Build and CBTWO Architects
      A new double-height living room with a pitched roof and full-height glazing was added to modernise this 1960s home in Phoenix, creating sightlines up and out towards nearby Camelback Mountain.
      Modernist touches remain on the interior in the form of plentiful wood panelling alongside finishes and furnishings in muted primary colours ranging from teal to mustard-yellow.
      Find out more about Brandaw Residence ›
      Photo by James O DaviesHampstead House, UK, by Coppin Dockray
      This house in Hampstead was originally designed by British architect Trevor Dannatt in 1960 as London’s answer to the post-war Case Study Houses built by the likes of Richard Neutra and the Eameses in California.
      When renovating and extending the property for a growing family, local studio Coppin Dockray contrasted vintage and contemporary furniture for a “domestic, lived-in” feel, with pieces ranging from a Togo chair to Mia Hamborg’s Shuffle table for &Tradition.
      Find out more about Hampstead House ›
      Photo by Gerhard HeuschBeverly Hills villa, US, by Heusch
      Historical images helped architecture firm Heusch to restore this Beverly Hills villa to its former glory and reverse some of its “unfortunate transformations” over the years.
      Existing terrazzo floors on the ground floor were restored and complemented with fluted glass details and dark timber furnishings, both new and old, including Ando’s cantilevered Dream Chairs and a bookshelf by Italian architect Augusto Romano from the 1950s.
      Find out more about Beverly Hills villa ›
      Photo by Justin ChungPalermo house, US, by OWIU
      California studio OWIU retained several original elements during the renovation of this 1955 home in LA’s San Rafael Hills, among them the glass-block walls and wooden ceiling beams, which were exposed from under false ceilings and sanded down to reveal their natural colour.
      These were contrasted with more neutral contemporary elements such as pale oak flooring and walls coated in Venetian plaster, with assorted lights by Isamu Noguchi and George Nelson – one of the founding fathers of American modernism.
      Find out more about Palermo house ›
      Photo by Joana FranceBrasília apartment, Brazil, by Debaixo do Bloco Arquitetura
      This apartment is located inside Brasília’s historic Superquadra 308 Sul, the first “superblock” apartment complex constructed as part of architect Lucio Costa’s 1957 master plan for the new Brazilian capital.
      Local studio Debaixo do Bloco Arquitetura cut open the building’s exposed concrete walls, opening up its layout to meet the needs of a modern family while preserving period details such as the building’s distinctive white breeze-block screens and its granilite flooring.
      Find out more about Brasília apartment ›
      Photo by Ingalls PhotographyMalibu Surf Shack, US, by Kelly Wearstler
      When interior designer Kelly Wearstler turned this 1950s beachfront cottage in Malibu into a bohemian retreat for herself and her family, she retained the original wood-panelled walls and selected finishes that were “hand-crafted, rustic and raw” to match the existing material palette.
      The interiors feature abundant planting, alongside an eclectic mix of period-agnostic furnishings including a 1980s green marble table by Bellini, paired with a plaster-covered Caféstuhl chair by contemporary Austrian designer Lukas Gschwandtner.
      Find out more about Malibu Surf Shack ›
      Photo by Rafael SoldiGolden House, US, by SHED
      Seattle architecture firm SHED had to make several aggressive interventions when renovating this 1950s building in nearby Shoreline, which was originally constructed as a family home but had previously been divided up to serve as a retirement home.
      Working around the existing post-and-beam structure, the studio updated the interior to maximise views of the Olympic Mountains and Puget Sound while enlarging the kitchen and reorganising it around a central island.
      Find out more about Golden House ›
      This is the latest in our lookbooks series, which provides visual inspiration from Dezeen’s archive. For more inspiration see previous lookbooks featuring art deco homes, sunny yellow interiors and serene bedrooms with striking natural views.

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      Odami creates textured minty interior for Aesop Palisades Village store

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      Mint green materials cover this store for skincare brand Aesop, which Toronto studio Odami designed for the Palisades area of Los Angeles.

      The Aesop store opened at the end of 2022 in the Palisades, a verdant corner of the city northwest of Santa Monica where several seminal modernist houses are located.
      In the center of the store are stainless steel sinks for testing the brand’s products”Aesop Palisades Village takes inspiration from its natural surroundings, as well as the area’s vernacular architecture, where local buildings are delicately perched within a cascading landscape of lush ridges and valleys,” said Odami.
      “Most notably, this includes celebrated local architect Ray Kappe’s own residence, a critical reference for the project.”
      Planters with tropical foliage are placed behind the sink and along the side wallThe same shade of pale green is used across the walls, ceiling, floors, display stand bases, and a sink for testing products in the centre of the store.

      The velvet curtain and upholstery fabric is matched to the microcement surfaces, resulting in a monotone texture throughout the small shop.
      Textured microcement surfaces and velvet curtains match to create a uniform effectBehind the full-height curtains, Aesop’s distinctive brown bottles are presented on shelves built using reclaimed walnut wood.
      The dark wood is also used for countertops, individual shelves, and a storage unit that sits below a large product display set into one wall.
      The mint-green curtains open to reveal more products displayed on reclaimed walnut shelves”Gently placed amongst this unfolding landscape, the various storage and display requirements are resolved as long horizontal planes, composed of either reclaimed wood or stainless steel, to create an interplay of levity and mass,” Odami said.
      The sinks, which are lined with stainless steel, face a planter brimming with tropical foliage – a feature repeated perpendicularly along the adjacent side wall.

      Victorian balusters pattern surfaces at Aesop Yorkville store by Odami

      A skylight above the flora brings in extra natural light into the space, while a low bench offers customers a place to sit and pause.
      “Together, the design for Aesop Pacific Palisades aims to create a biophilic environment, elevating the ritual of self-care through the presence and evocation of nature,” said Odami.
      A bench is provided for customers to sit and pauseThe Toronto studio was founded in 2017 by Spanish architect Aránzazu González Bernardo and Canadian designer Michael Fohring.
      The team has completed a wide range of projects, from residential and restaurant interiors to a furniture collection, as well as another Aesop store located in Toronto’s Yorkville neighbourhood.
      The store is located in Los Angeles’ Palisades neighbourhoodAesop is renowned for the interiors of its stores, which each have a distinctive design relating to their location.
      Recently completed include an outpost in London’s Marylebone that’s organised to reference a bookshop, and another in Cambridge, England that features handwoven bulrush shelves.
      The photography is by Rafael Gamo.
      Project credits:
      Client: AesopDesign: OdamiGeneral contractor: Precise Contractor IncFabrication: Dayone DesignsArchitect of record: WORD Design x ArchitectureEngineering: RKM Consulting Engineers Inc

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      Eight open-plan interiors where dining tables take centre stage

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      A brutalist apartment in Belgium and a coastal house in Australia feature in this lookbook, which collects open-plan interiors where dining tables are the focal point.

      With dining rooms often forming part of larger, multipurpose living areas in our homes, tables are an easy way to create a focal point that subtly breaks up space.
      As demonstrated by this lookbook, dining tables also present an opportunity for homeowners to bring personal style into a room while carving out an intimate setting to entertain guests.
      This is the latest in Dezeen’s lookbooks series, which provides visual inspiration from Dezeen’s archive. For more inspiration see previous lookbooks that feature interiors with reclaimed materials, art deco influences and sunny yellow finishes.
      Photo by Jose HeviaLandaburu Borda, Spain, by Jordi Hidalgo Tané

      A dining table takes centre stage in this house extension, which architecture studio Jordi Hidalgo Tané added to Landaburu Borda in rural Navarra.
      Supported by chunky metal legs, the table is formed of two giant pieces of wood and paired with bright red chairs that help it pop against a backdrop of concrete walls.
      Find out more about Landaburu Borda ›
      Photo by Olmo PeetersRiverside Tower apartment, Belgium, by Studio Okami Architecten
      Studio Okami Architecten used the dining table as an opportunity to inject colour into this concrete apartment, which is located in a brutalist tower in Antwerp.
      The bright aquamarine tabletop was married with slender red-metal legs, which draw the eye to the dining area with the help of a black ceramic chandelier plunging overhead.
      Find out more about the Riverside Tower apartment ›
      Photo by Timothy KayeBarwon Heads House, Australia, by Adam Kane Architects
      Slabs of travertine form this monolithic table, located in the large living and dining room at a coastal home in Barwon Heads.
      It brings a lavish aesthetic to the otherwise understated room, which features black wooden chairs, sheer curtains and a pared-back colour palette.
      At one end is a sink, allowing the table to also be used as an island for food preperation.
      Find out more about Barwon Heads House ›
      Photo by Megan TaylorSunderland Road house, UK, by 2LG Studio
      Pink was used throughout this renovated Edwardian house in London by 2LG Studio, including in the playful dining room set.
      Set against white walls and a baby-blue vitrine, the statement table has a top made from waste wood chips and resin and matching sculptural pink chairs.
      Find out more about the Sunderland Road house ›
      Photo by Joe FletcherThree Chimney House, USA, by T W Ryan Architecture
      A mottled-brass chandelier was suspended over this big eight-seater table, which sits at the heart of Three Chimney House in Virginia.
      Its minimalist yet striking wooden form stands boldly against white walls, a pale-brick chimney and delicate spindle-back chairs.
      Find out more about Three Chimney House ›
      Photo by Read McKendreeSag Harbor 2, USA, by Kevin O’Sullivan + Associates
      Smooth edges and a curved cut-out give a sculptural look to the wooden legs beneath this chunky dining table.
      Teamed with vintage Fresco dining chairs by G Plan, it brings a mid-century-style focal point to the contemporary interior of Sag Harbor 2.
      Find out more about Sag Harbor 2 ›
      Photo by Jose CamposNieby Crofters Cottage, Germany, by Jan Henrik Jansen and Marshall Blecher
      Architects Jan Henrik Jansen and Marshall Blecher designed this dining table as an extension of the island in the kitchen at Nieby Crofters Cottage.
      Illuminated by low-hanging pendant lights, the table was surrounded by eight of Hans Wegner’s Wishbone chairs and creates an opportunity for the owner to entertain guests while preparing food.
      Find out more about Nieby Crofters Cottage ›
      Photo by Michael SinclairTelevision Centre apartment, UK, by Waldo Works
      Flanked by a black fireplace and kitchen cabinetry, this dining table stands out because of its glossy pine-green top.
      Waldo Works contrasted it with saffron-coloured chairs a mustard-yellow rug, which helps establish it as the focal point and social heart of the open-plan room.
      Find out more about the Television Centre apartment ›
      This is the latest in Dezeen’s lookbooks series, which provides visual inspiration from Dezeen’s archive. For more inspiration see previous lookbooks that feature interiors with reclaimed materials, art deco influences and sunny yellow finishes.

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      Relogged house by Balbek Bureau reinterprets traditional log cabins

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      Architecture studio Balbek Bureau has revamped a house in Ukraine using stainless steel and concrete to create a modern interpretation of a log cabin.

      The three-bedroom cabin was built from horizontally stacked logs, which the designers kept on display throughout the interior.
      Horizontally-laid logs clad both the exterior and interiorThe Kyiv-based studio aimed to deviate from conventional cabin interiors, instead creating an industrial, utilitarian scheme informed by the style of American fashion designer Rick Owens.
      “The pre-existing interior was in a classic log cabin style,” Balbek Bureau told Dezeen. “The logs were a lighter shade, closer to the natural wood colour – the furniture was mostly made of wood as well with traditional country-style shapes dominating the interior.”
      The stairs have cantilevered steps that appear to floatIn order to lend itself to a more industrial finish, the studio trimmed the interior of surplus logs and timber.

      “Our goal was to achieve a clean geometry of the space with as little extra lines as possible,” said the studio.
      “That is why we removed part of the log beams that were not load-bearing – we did the same with non-bearing walls to create an open space on the first floor.”
      A towering fireplace dominates the living spaceMicrocement flooring and project-bespoke furniture pieces such as stainless steel consoles were added to the spaces to contrast the traditional log walls.
      Vintage lounge and dining chairs from the owner’s own collection were added to character to the spaces, which were hung with paintings belonging to the client.
      Log beams juxtapose industrial finishes in the kitchenThe glass-fronted entryway contains a staircase comprising timber planks cantilevered out from wall. Beyond, the kitchen, dining room, home office and living room are contained within one fluid space.
      The cabin’s construction is most apparent in the double-height living space, where logs form tall bookcases accessed by a sliding metal ladder. These flank a tapered fireplace made from concrete blocks, at the foot of which sits a large sofa.

      Looking Glass Lodge features glass facades that reflect the surrounding woodland

      The use of concrete continues in the kitchen, which is dominated by a monolithic kitchen island flanked by floor-to-ceiling stainless steel cabinets.
      Plywood panelling replaces logs in the curtain lined theatre room leading off of the kitchen.
      Metal consoles on casters sit below the screenModern, black-framed windows were installed throughout the building, with vertical windows added in the home office and dining room to bring more sunlight into the space.
      Original ceiling beams were left exposed to highlight the cabin’s original construction.
      A clear desk contrasts the wooden dining room furnitureRecalling the sofas downstairs, the master bedroom features a sprawling custom-made bed that sits low to the floor. Its upholstered sides were bolstered by stainless steel consoles similar to those in the theatre room.
      Retro lamps were added as a playful touches including a bulbous standing lamp that arches over the bed.
      The main bedroom utilises warmer-toned woodA moveable mirror-panelled screen on castors sits against one wall, and a wooden mid-century console references the warm-toned timber-clad walls.
      Throughout the house black radiators, ceiling lights, window frames and power outlets punctuate the rooms.
      Upholstered sleeping nooks create a cosy atmosphereThe two bedrooms on the other side of the cabin retain the dark-toned log walls of the living room, adjoined by steel shelves and contrasted by soft, padded sleeping nooks.
      Both of the bathrooms are a stark contrast from the rest of the interiors, with almost no wooden finishes at all and housing white fixtures.
      Concrete covers the bathroom walls, floors and ceilings”[Relogged] allowed us to work on rethinking the rather established and traditional form of a log cabin,” concluded the studio.
      Other cabins featured on Dezeen include A-frame cabins in a remote Canadian forest by Atelier l’Abri and a cabin clad in ash wood on a rocky outcrop in Norway by Line Solgaard Arkitekter.
      The photography is by Andrey Bezuglov and Maryan Beresh.

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      Puntofilipino brings noble materials to apartment in former bank office

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      Design studio Puntofilipino has created a richly layered interior full of texture and patina for this Madrid apartment, designed to offer an unexpected take on the client’s passion for Danish art and furniture.

      Set in a former bank office building in the Salamanca neighbourhood that dates back to 1929, the one-bedroom apartment was conceived as a refuge for the client.
      Puntofilipino has completed the Radikal Klassisk apartment”He was looking for a space of relaxation, silence and solitude,” Puntofilipino founder Gema Gutiérrez told Dezeen. “Madrid is a very fast city and his need was to find a place where time stopped.”
      Puntofilipino set out to design a space that reflects the client’s love of Danish style without resorting to Scandinavian design cliches.
      Instead, the studio sought to foster a sense of timelessness by balancing modern and historical influences, calling the apartment Radikal Klassisk.

      The interior features natural materials such as stone and wood”It’s a very modern design and yet also with a slightly historical bent,” she said. “There is a perpetual link between the past and the present.”
      “I wanted to show the client the coexistence and communion between classic and contemporary Danish brands,” Gutiérrez added.
      “Pieces by designers such as Hans J Wegner, father of modern Danish design, coexist with contemporary Danish brands such as Overgaard & Dyrman – both free of passing trends, timeless.”
      Layered textiles add depth to the spaceWhile the lines and forms are clean and modern, Gutiérrez says the materials themselves, which range from natural stone to terrazzo and wood, “are historically recognised noble materials, used in palaces throughout the centuries”.
      The work of Danish painter Ebba Cartensen was another influence on the apartment’s aesthetic.
      The late artist’s cubist compositions informed the heavily patinated finishes seen in each room, from the clay-rendered walls to the marbled tiles.

      Studio Noju renovates curvy apartment in brutalist Torres Blancas tower

      “I looked for the pictorial representation of Ebba Carstensen’s painting,” said Gutiérrez.
      “The patinated finishes express time, distance, and memory – a ground-breaking, elegant and sober aesthetic that goes beyond the concept we have of Danish design.”
      Dark botanical wallpaper frames the bedroomIn the bedroom, Puntofilipino used a darkly immersive botanical wallpaper by Instabilelab with a mural-like scale.
      “The client has a predilection for bucolic painting,” the studio said. “In addition, the plant motifs give depth to the space.”
      Here, as elsewhere, the colours are rich and intense, taking their cues from the tonal variations in the stone, metal and wood used in each room.
      A monolithic tub forms the centrepiece of the roomIn the open-plan bedroom-bathroom, a monolithic stone tub takes on a sculptural quality as the central focal point within the space.
      “I considered breaking with architectural patterns and giving more prominence to the centre of the room,” Gutiérrez said. “The inside of the bathtub, metaphorically, reflects a bench where you could see any work of art in a museum.”
      The sofa fulfils a similar function in the living room, this time with an emphasis on curves rather than straight lines.
      The living room is centred by a curvy NORR11 sofaProduced by Danish design brand NORR11, it consists of three distinct elements, each upholstered in a different fabric progressing from off-white bouclé to olive green leather.
      “I studied the soleo, the path of the sun, and how it affects colours and materials in the interior,” Gutiérrez said. “The gradual transition gives depth and makes you look around the space, a dance through the senses.”
      Furnishings include Danish design classics such as this Hans J Wegner chairNearby in Salamanca, locals studio Lucas y Hernández-Gil recently completed JJ16 – a compact family home filled with colour blocking and clever storage solutions.
      Also in the Spanish capital, Studio Noju has renovated a curvy two-storey apartment in the city’s brutalist Torres Blancas tower.
      The photography is by Polina Parcevskya and Julie Smorodkina.

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      Ramy Fischler blends contemporary and historic for Moët Hennessy’s first cocktail bar

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      Belgian designer Ramy Fischler has collaborated with Moët Hennessy and cocktail creator Franck Audoux to create the Cravan cocktail bar in the heart of Paris’ Saint-Germain-des-Prés.

      Named Cravan, the bar for luxury drinks group Moët Hennessy was a collaboration between architect Fischler and restaurateur, author, historian and cocktail aficionado Audoux.
      Ramy Fischler designed the Cravan bar for Moët Hennessy”The objective of the design was to amplify a story by Franck Audoux originating from his small bar in the 16th arrondissement of Paris and transforming it into a cocktail house over five levels in the centre of the capital – to imagine the creation of a new house of the Moët Hennessy group,” Fischler told Dezeen.
      “This is not a one-shot but the beginning of a long adventure. It was therefore necessary to define a harmony, a coherence, between all the ingredients of the project, whether it is the decoration, the service, the music or the lighting.”
      The building features three separate barsThe space takes its name from the avant-garde poet-boxer and sometime art critic, Arthur Cravan, a free-spirited figure greatly admired by Audoux, with whom Fischler worked closely on this project.

      “We share a common vision, based essentially on cultural references from literature and cinema, and above all a taste for scenic impact, framing a context, point of view, or narrative,” said Fischler.
      “We started with the desire to freely assemble codes, eras, and styles to craft a new repertoire which made sense to us and expressed the essence of Cravan.”

      Citrons et Huîtres oyster bar creates impression of “diving into an aquarium”

      Set in a 17th-century building in the heart of this historic and literary district, the space was arranged over five floors, with a small invitation-only space on the roof.
      The building has separate bars, each with its own distinct character on the ground, first and third floors, while the second floor hosts the Rizzoli bookstore-cum-library, where guests can come with their drinks to leaf through and buy books. On the fourth floor, there’s another invitation-only atelier-style space.
      Each of the spaces was designed to combine modern elements with the building’s historic fabricAccording to Fischler, the whole project took its cues from the concept of the cocktail.
      “I would never have imagined this project in its current state if it were not a question of drinking cocktails” he said.

      Socca restaurant feels like “a pocket of Southern France in Mayfair”

      “There are a number of ingredients that we blend together to create a unique whole, that seems offbeat but is actually very controlled,” he continued.
      “I thought of the spaces as cinematic scenes, hence the individual atmospheres on each floor which form different sets. You can sit in front of the stage, on the stage, or behind the stage, depending on the experience and viewing angle you prefer.”
      The bar is Moët Hennessy’s firstTo create these different scenes, the project makes use of a wide range of materials, often reclaimed salvaged pieces including parquet floors, stone floors and wood wall coverings, painstakingly installed by a large team of craftspeople.
      In Ramy Fischler’s projects, the textiles always play an important role and the practice features its own in-house textile designer.
      “For Cravan, we tried to use as much re-used material as possible, and in particular textiles from Nona Source, a start-up that makes available leftover, unused fabrics from the fashion houses of the LVMH group.”
      Historic elements were retained throughout the spaceThe practice strived to create a contrast between the warm and natural colours of the historic fittings, and the colder and metallic colours of the contemporary furniture and fittings, “which cohabit one alongside the other”.
      “Depending on the level, the colour palette is totally different, and since no room is alike, and each colour has been chosen according to the universe we have sought to compose,” said Fischler.
      Fischler also designed glasses for the barAll of Cravan’s furniture was custom designed and Fischler’s holistic approach extends to the cocktail glasses, which the practice designed for Cravan and which are displayed in the library.
      “Rather than creating new shapes, we preferred to select, from the history of glassware over the past 300 years, the models that we liked and that we wanted customers to rediscover,” explained Fischler.
      Other recent bars featured on Dezeen include an eclectic cocktail in Los Angeles designed by Kelly Wearstler to feel “like it has been there for ages” and the Ca’ Select bar and distillery in Venice.
      The photography is by Vincent Leroux and Alice Fenwick

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      The Rome Edition opens in converted 1940s bank building

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      American entrepreneur Ian Schrager’s The Edition group has landed in Rome, opening a hotel in a converted bank that makes use of its soaring lobby, original marble staircases and hidden front courtyard.

      The Rome Edition began welcoming guests earlier this year to the 91-room hotel, located a block away from Via Veneto – the street that was immortalised in the 1960 movie La Dolce Vita.
      Arrival to The Rome Edition is via a path under a bronze pergola that leads to the lobbySchrager and his in-house team spearheaded the renovation of the grand building, utilising many of the original features including a cipollino marble staircase, central courtyards, statues and lamps.
      “Built in the 1940s and formerly occupied by one of the main Italian banks, the building is a striking example of the rationalist style and was created by Cesare Pascoletti in collaboration with the famed architect Marcello Piacentini,” said The Edition team.
      The plant-filled, sunken courtyard acts as an all-day lounge and dining spotUnusually for Rome, arriving guests are escorted through a sunken garden “piazza” – which acts as an outdoor lounge, restaurant extension and gathering place – before reaching the lobby.

      Once inside, dramatic seven-metre-high ceilings, full-height windows and green curtains, and travertine floors and walls set the tone for The Edition’s signature brand of soft minimalism.
      The dramatic hotel lobby features seven-metre-high ceilings and full-height green curtainsSymmetrical arrangements of custom white furniture and low coffee tables exaggerate the strict geometry of the architecture.
      “The lobby is Edition at its most dynamic,” said the team. “It is a place to relax and make merry; a place to see and be seen or play a few games of pool on the custom-made table.”
      The Amina restaurant is divided into two dining spaces, one of which is accented with chartreuse-coloured upholstery and carpetFor the hotel’s signature restaurant, Anima, the team partnered with local chef Paola Colucci on a menu that puts a modern spin on family recipes and traditional Roman dishes.
      Amber glass separates the kitchen from the two dining areas, one with chartreuse-toned accents across furniture and artwork, and the other blue.
      The restaurant’s second dining space is decorated with blue accentsThe various bar areas on the lobby level each provide guests with a experience. The Punch Room is a concept borrowed from other Edition properties including another recent opening in Tampa and occupies a cosy room with warm wood panelling and deep red tones, for sharing bowls of punch – a 17th-century tradition that’s been given a contemporary spin.
      A dark walnut bar, Rosso Levanto marble fireplace, dark pink velvet sofas, and custom armchairs in rosewood and dark brown leather all add to the cosy atmosphere in the dimly lit space.
      Off the lobby, The Punch Room bar is lined in walnut and includes dark pink velvet furnitureWith space for just 10, the intimate Jade Bar features a rotating cocktail menu and is fully lined in deep green antique marble.
      This small and dramatic room is furnished with emerald-hued velvet soft seating and satin brass and gold accents – including a wall-mounted sculpture influenced by artist Jeff Koons.
      The Jade Bar is wrapped in antique green marble, with emerald seating and brushed brass accentsIn the front courtyard, The Garden is filled with over 400 plants and lightly perfumed by the jasmine that climbs over the facade.
      A bronze awning divides the outdoor space in two, with an al fresco dining area for Amina on one side, and an all-day casual terrace for cocktails and light bites on the other.

      Tampa “about to explode” as a destination, says Edition hotels founder Ian Schrager

      Teak banquettes and free-standing furniture are surrounded by “an Italianate arrangement of lanterns to give it the feel of a traditional Roman garden”.
      The roof terrace on the seventh floor features a pool and bar area that offers sweeping views over the Eternal City’s rooftops.
      Walnut wall panelling and herringbone floors feature in the bright guest roomsIn the bright guest rooms, walnut wall panelling and herringbone floors are paired with custom beige leather furniture.
      Carrera marble basins and brushed brass fixtures stand out against the grey stone bathrooms, and frosted glass partitions are used to conceal showers and toilets.
      Carrera marble sinks contrast the dark grey stone in the bathroomsThe Rome Edition is the group’s 16th global property, following locations that include Times Square in New York, West Hollywood in Los Angeles, and Tokyo.
      The Madrid Edition, designed with British minimalist John Pawson, was longlisted in the hotel and short-stay interiors category of Dezeen Awards 2022.
      The photography is by Nikolas Koenig.

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      Spacon & X adds kombucha brewery to 1930s functionalist building in Copenhagen

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      Danish studio Spacon & X preserved “different layers of unique history” when designing the Folk Kombucha brewery, which is set within a listed building in Copenhagen’s Meatpacking District.

      The factory belongs to fermented-tea brand Folk Kombucha and features a production area for kombucha brewing overlooked by a mezzanine level used for workshops and other social events.
      Spacon & X designed a brewery for Folk Kombucha in CopenhagenLocal firm Spacon & X aimed to balance the history of the 1930s functionalist building with its contemporary needs when designing the interior, which is led by cobalt blue, orange and pink accents.
      “The buildings in the Meatpacking District are from the 1930s and have a strong character,” said architect Malene Hvidt.
      “Our design team aimed to preserve different layers of unique history,” she told Dezeen.

      Mustard-hued floor tiles were preserved in the renovationSpacon & X maintained the building’s “archetypal Meatpacking white-tile walls” as well as mustard-yellow and green marble floor tiles.
      Translucent iridescent panels were placed behind the various stainless steel fermentation tanks to delineate spaces within the brewery.
      The studio also maintained the building’s green marble flooringStainless steel was also used to form the extensive network of pipes connected to the tanks as well as custom tables and benches topped with bright blue rubber.
      This tangle of tubes was echoed with the addition of spaghetti-shaped wire lighting.
      “The buildings in the area are all known for their white facades with windows and panels painted in a strong cobalt blue colour,” explained Hvidt. “Cobalt blue was chosen to pay tribute to the area itself.”
      A mezzanine overlooks the main production areaSpacon & X created lounge tables by recycling plastic packaging salvaged from fish and other food waste, which was industrially produced at the site before it became the Folk Kombucha brewery.
      “Instead of throwing out this long-lasting hygienic material, we transformed it into unique custom-made tables,” Hvidt said.
      Hand-hammered steel lamps also feature on the interiorArtwork made of scoby — a culture of yeast and bacteria that kickstarts the kombucha fermentation process — was used to decorate the interior alongside bespoke hand-hammered steel lamps.
      Other spaces within the multipurpose building include offices, a separate lounge, a laboratory and various storage areas.

      Pihlmann Architects creates sleek brewery in former Copenhagen slaughterhouse

      “The brewery’s spatial design was created in a way that resembled and preserved the listed building’s long history and strong character,” said Hvidt.
      “The design also incorporates subtle, organic and innovative spatial solutions with functionality and uses the building’s industrial nature as a guiding principle.”
      Cobalt blue, orange and pink accents define the breweryElsewhere in Copenhagen, Spacon & X previously created the interior for a burger restaurant filled with natural materials and plants.
      The studio has also completed an Ace & Tate glasses store in the city, taking cues from colourful artists’ studios.
      The photography is by Hedda Rysstad.

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