More stories

  • in

    “Space that is exclusionary does not live up to its full potential”

    It’s time for equitable design to become a priority rather than an afterthought, writes Google’s Annie-Jean Baptiste.

    When you think about equitable design, what does it look like? In my mind, it means everyone being able to move seamlessly throughout spaces without having to think about how their identity might change their approach or reception. This includes a person’s age, race, socioeconomic status, whether they have a disability, and more.
    Equitable design is about creating a world where products, services and experiences are made for everyone and are helpful to everyone, with a particular focus on groups that have been historically marginalized. It’s about creating a world where everyone belongs.
    It’s not enough to create for one type of person
    Equitable design isn’t an afterthought. It’s imperative to ensure environments work for as many people as possible. When we do that, we create spaces that not only reflect the world around us, but create the space for innovation to blossom. When spaces are inequitable, they stunt ideation, growth and change. Non-inclusive spaces can at the least be alienating, and at most, be harmful and dangerous (hospitals come to mind).

    There are many factors that can contribute to making someone feel like they don’t belong in a space. For instance, have you ever walked into a store and felt like you were being followed or that you were unwelcome because of your race? Have you ever gone to a restaurant and found that there wasn’t enough space for your wheelchair? Have you ever gone to a movie and realized that there weren’t subtitles in your language? All of these are examples of experiences that can leave people feeling uncomfortable or unwanted.
    It’s important to be intentional about designing inclusively and being considerate of every person’s identity. All of us have bias, but we must move from intent to impact. It’s not enough to create for one type of person. We must build to reflect that world and commit to learning about experiences unlike ours in order to do so.

    DAF launches to “ensure Deaf people have a stake in architecture”

    There are several approaches to creating inclusive and accessible spaces, including being thoughtful about how a space is designed. One of my favorite examples of this is by the Magical Bridge Foundation. Their organization designs and creates playgrounds that center around inclusion across several dimensions, including ability and age. This ensures that people with a variety of identities are able to equitably enjoy the space.
    Another aspect of inclusive design in physical spaces could be the presence of adjustable lighting, which can be highly beneficial in a multitude of environments, including workspaces. Adjustable lighting could include dimmable lights or blinds/curtains to regulate the amount of natural light. This type of lighting allows individuals to modify their environment to best suit their visual needs, enhancing comfort and productivity. It can also help all skin tones show up beautifully and accurately by ensuring people have the ability to adjust to what works best for them, whereas non-adjustable lighting can fail to account for darker shades and hues.
    Spaces can also be used to celebrate identity. For many historically marginalized groups, having environments to authentically connect to is extremely important, because there’s nothing quite like being in a place that was designed with your experience in mind. For the LGBTQ+ community, these types of affinity spaces can cultivate a feeling of belonging. Another example, Black Girl Green House in Oakland, creates spaces for Black women to come together in community.
    There are many benefits to having inclusive spaces
    While progress is being made, there is so much work that needs to be done.
    Consider what a person’s experience would be in a space from end-to-end. The physical components are just one aspect of that. When they enter a space, they should be greeted warmly. There should be someone who speaks their language available to help with questions. Signage should be clear and easy to understand, agnostic of reading level. Hallways should be wide enough for wheelchairs. It’s worth co-creating with communities that may be most at the margins to ensure that you are creating an inclusive experience for as many people as possible.
    There are many benefits to having inclusive spaces. They can not only help to create a more just and equitable society, but, at an individual level, they can also help to improve well-being both physically and mentally, by reducing stress and anxiety. These spaces are able to provide people with a sense of community, belonging, and support.

    “Despite the media buzz, ‘Femtech’ is still struggling to find equality”

    Creating inclusive spaces allows everyone to thrive and tap into their creativity no matter where they are: in the workplace or in the world. Creating inclusive spaces means developing an environment where everyone feels welcome and respected, regardless of their background, identity, or beliefs. There are many parallels between creating inclusive products and inclusive spaces. Space, in fact, is a physical product that people will interact with, utilize and connect with.
    Space that is exclusionary does not live up to its full potential. Better decisions and ideas come from dissent, friction and multiple perspectives getting to a solution that is nuanced and multifaceted. The outcomes are better for everyone when you create spaces where groups that have historically been at the margins feel like they have agency to speak their truth.
    When creating inclusive spaces, products or experiences, you must always ask: who else? Who else should be involved? Whose voice needs to be a part of the process? As designers, developers, marketers, and creators, we have an opportunity to create products and services that make people feel seen.
    We must admit that we don’t know everything, and ensure that we include diverse perspectives
    In order to do that, we must admit that we don’t know everything, and ensure that we include diverse perspectives, particularly from people who have been historically marginalized, at key points in the process — ideation, research, design, testing, and marketing. This means being humble, asking questions, and letting those with the lived experiences guide the way. Center the experiences of historically marginalized communities, and build with them, not just for them.
    It’s not enough to build something you would like, because you don’t represent the world. When we broaden our perspective and bring in other perspectives, we design, create and innovate for everyone.
    The photo is by Red John via Unsplash.
    Annie Jean-Baptiste is head of product inclusion and equity at Google and founder of the Equity Army network. Her first book, Building for Everyone, is published by Wiley.
    Dezeen In Depth
    If you enjoy reading Dezeen’s interviews, opinions and features, subscribe to Dezeen In Depth. Sent on the last Friday of each month, this newsletter provides a single place to read about the design and architecture stories behind the headlines.

    Read more: More

  • in

    Van Eijk & Van der Lubbe designs Utrecht care facility like a boutique hotel

    Domstate Zorghotel is a rehabilitation centre in Utrecht, the Netherlands, designed by Dutch studio Van Eijk & Van der Lubbe to give patients a hotel experience.Van Eijk & Van der Lubbe deliberately approached the interiors of the 84-bed health facility like they were creating a 4-star hotel to give patients a more comfortable stay.
    “Unlike similar ‘healing environments’, this care hotel is designed from the user’s perspective,” said the studio.
    “The interior actively participates in the rehabilitation process of the patients,” they added. “From small interior accessories to large spatial gestures, everything is focussed on the process of healing.”

    Top: the care facility has 84 bedrooms. Above: a grand piano sits in the lobby

    In the patients’ rooms elements such as a mirror, a shelf and a headboard hang from a curved rail on the wall on thick leather straps. As well as providing a striking visual element, the rail can be used for rehabilitation exercises.
    Straps on handles and peepholes placed at different levels cater to patients with different levels of mobility.

    Door handles have accessible straps
    To add to the boutique hotel vibe, each floor of rooms has a different colour scheme.
    Colour is a central part of making the interiors feel less institutional. The lobby features a grey-blue curving reception desk and rounded seating with a mustard-yellow base.

    Parking for mobility walkers and plants
    Fabric curtains on rails can be used to screen areas off and a grand piano can be used for practices and performances.
    Graphic markings on the floor mimic different floor finishes and change colour according to the area, such as blue in the lobby, green in the dining room and pink in staff areas.

    Staff areas are also colourful
    In Domstate Zorghotel’s restaurant, a curving green unit provides a discreet place to park wheelchairs and walkers. Rooms such as this are designed to subtly encourage guests to practise for real-world situations when they leave.
    Plants spill out of boxes in the built-in dividers and seating areas.

    Colourful patterns cover the floors
    Van Eijk & Van der Lubbe were careful to make sure the staff areas are fun and comfortable too.
    A pink curved multi-level banquette screened by plants in pink planters forms an attractive place for employees to sit outside of their desks. Geometric markings in the pink floor add interest to another staff area.

    Integrated Field decorates children’s hospital in Thailand with slides and a pool

    “In the areas of the building where employees work, it’s OK for them to colour outside the lines,” said Van Eijk & Van der Lubbe.
    “The design for these areas is aimed at making the most of innovation and diversity in day-to-day work.”

    Van Eijk & Van der Lubbe designed the facility to be fun
    Van Eijk & Van der Lubbe was founded in 1998 by Dutch designers Miriam van der Lubbe and Niels van Eijk. Their previous work includes a mirrored concept car and the refurbishment of a concert hall in Eindhoven.
    Domstate Zorghotel has been shortlisted for Dezeen Awards 2020 in the leisure and wellness interior category, alongside a children’s hospital in Thailand and an underground spa in New York.

    Read more: More