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      EBBA Architects designs sculptural pop-up shop for Rotaro at Liberty

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      London-based studio EBBA Architects has channelled the environmental ethos of fashion rental platform Rotaro for its pop-up boutique at department store Liberty.

      The project aimed to show that beautiful and interesting spaces can be created for temporary use, while still considering the environmental impacts of materials and construction.
      “We are very aware of our environmental impact and we believe design should speak to this, while also trying to make a unique experience for the visitor,” EBBA founder Benjamin Allan told Dezeen.
      EBBA designed a pop-up shop for fashion rental platform Rotaro”Rotaro is all about fashion rental, as a response to waste in the industry,” he added. “Circularity is key to their ethos and we wanted to connect to this, both in the use of material and form.”
      Bringing definition to Rotaro’s space within the wider store, EBBA has demarcated the area with a pair of substantial columns, each with an elongated, semi-circular cross-section.

      “The position and shape of the columns create the sense of walking into an entirely new space within the historic context of Liberty,” said Allan.
      The studio demarcated the area with a pair of substantial columnsEntwining the two columns, a pair of metal rails have the dual function of creating a display area and introducing a sculptural element that further defines the space, with soaring, free-form curves.
      “The two rails rotate and wrap around each of the columns, while also simultaneously responding to the opposite rail, a bit like a choreographed piece,” Allan said.
      Cork is the project’s primary materialContinuing the theme of duality, just two key materials have been used in the space – cork and metal.
      EBBA was influenced by the work of artists Donald Judd and Carl Andre and their elevation of humble materials through detailing and construction.
      A pair of metal rails have a dual function”We always look to push the potential of a project, to make the most impact through the simplest of means and also address the need to be economical,” Allan said.
      “Essentially the design revolves around only two materials which, working together, give a sense of regularity in the layouts of the blocks, combined with the sculptural forms of the rails.”
      Curated garments hang from the railsCork was used as the primary material, cladding the two columns and creating the backdrops that zone Rotaro’s area.
      EBBA aimed to use a material that had an environmental quality, while using the standardisation of the blocks to set parameters for the design.

      EBBA Architects transforms former jellied-eel restaurant into eyewear store

      “We chose blocks of a specific dimension that could then be adapted to create both the walls and the columns themselves,” Allan said.
      “The cork is a natural material that has an inherent warmth and depth, while also being incredibly versatile and easily recycled,” he added.
      Texture characterises the pop-up shopBrushed stainless steel was used for the metalwork, with each rail comprised of a single piece of metal that was bent and sculpted to wrap around the columns.
      This rail’s curving form relates to the idea of circularity in Rotaro’s business model, while also bringing an adaptability to the space by allowing the garments to be shown in a variety of ways.
      Brushed stainless steel was used for the metalwork”The primary purpose is to display the continuously updated collection while also adding a sculptural aspect that helps to create a sense of space,” said Allan.
      Within the ornately-detailed Liberty store, the project offers a bold, contemporary response to the interior, while finding common ground with the wider building.
      The rail’s curving form relates to the idea of circularity”The tones and textures in the warmth of the cork, tie in with the timber and natural colours of Liberty’s interior spaces,” Allan said. “Detailing and decoration in the original columns relate to nature and vegetation, which also tie into the use of cork and its qualities.”
      Because the Liberty building has Grade II listed status, no fixings were allowed into the building fabric.
      “The benefit of the lightweight cork material meant we could also adapt the Rotaro space with minimal impact on the wider building,” he added.
      Cork was chosen for being lightweightTo create a plinth that provides a flat surface for displaying objects, EBBA used the same semi-circular form of the columns, but flipped onto its side.
      This element has been given an ultramarine blue coating to add a sense of playfulness and catch the attention of visitors, using one of Rotaro’s key colours to connect with the brand’s identity.
      A semi-circular plinth features an ultramarine blue coatingWhile the space has been designed as a pop-up, EBBA worked – through the quality of the materials and the construction of the walls and blocks – to give it a sense of permanence.
      “All of our projects aim to achieve a quality of permanence through the use of natural materials and the detailing of the construction,” Allan said.
      “We believe that this level of quality helps to create a design that feels purposeful, even for temporary uses.”
      Other recent projects by EBBA Architects include a shop for Cubitts in an old pie-and-mash restaurant and a house extension with brutalist-style materials.
      The photography is by James Retief

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      Barbie and Ken unveil bright-pink lifesize dollhouse in Malibu

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      Rental website Airbnb has unveiled Barbie’s Malibu Dreamhouse, an all-pink California mansion with an outdoor disco, infinity pool and Western-themed bedroom.

      Located on the oceanfront in western Malibu, California, the lifesize dollhouse is being rented out by Barbie’s partner Ken via an Airbnb listing written as if by the doll himself.
      “Kendom Saloon” welcomes beach house guestsThe house, which was previously listed by Airbnb for Barbie’s 60th anniversary in 2019, has had a recent update to give it more “Kenergy” and mark Barbie making her live-action debut in the Barbie film starring Margot Robbie.
      “We all have dreams, and Barbie is lucky enough to have a house full of them,” Ken said. “But now, it’s my turn, and I can’t wait to host guests inside these one-of-a-kind – dare I say, one-of-a-Ken? – digs.”
      A cowboy-themed bedroom nods to Ken’s styleThe large oceanfront house features a pink bedroom decorated with cowhide rugs, cowboy hats and horse-printed throws as well as a closet from which guests can borrow Ken’s fringed cowboy shirts and his guitar.

      Some of Barbie’s clothing, including the iconic high-heeled pink shoe with a fluffy feather decoration from the movie, also hang in the closet.
      Barbie’s Malibu Dreamhouse is located by the beach in CaliforniaAt the centre of the building, on one of the house’s many terraces, guests can make use of an outside disco dance floor in pink, purple and yellow with its own DJ deck.
      “I’ve added a few touches to bring some much-needed Kenergy to the newly renovated and iconic Malibu DreamHouse,” Ken said.

      Barbie lists Malibu Dreamhouse on Airbnb

      The Dreamhouse also has a bright-pink outdoor lounging area, an outdoor gym – complete with a barrel filled with “beefy body brine” –  a pink outdoor kitchen with a barbecue and an infinity pool.
      Other details that nod to Ken’s takeover include a Western-style swing door, decorated with an image of a horse and the words “Kendom Saloon”, and a crossed-out “Barbie” sign above the outdoor kitchen that now reads “Ken”.
      Guests can disco outdoorsGuests can enjoy nearby activities such as shopping, surfing and roller blading on the boardwalk, and will also get to take home their own set of yellow-and-pink Impala skates and surfboard.
      Barbie’s Malibu Dreamhouse will be available to book for up to two guests each on July 21 and July 22, 2023, with bookings opening on 17 July.
      An outdoor gym features weightlifts and “body brine””All stays will be free of charge – because Ken couldn’t figure out how to put a price on Barbie’s Malibu DreamHouse – after all, Ken’s thing is beach, not math!” Airbnb said.
      The company will make a one-time donation to the charity Save the Children in celebration of the Barbie movie.
      The film was recently in the news as it made “the world run out of pink”, while a recent book explored Barbie’s Dreamhouse through the ages.
      The imagery is by Hogwash Studios.

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      Loewe ReCraft store in Osaka finds ways to let leather live on

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      Fashion brand Loewe has opened a store in Osaka that, for the first time, is specifically dedicated to the repair and preservation of its leather goods.

      The opening of Loewe ReCraft continues the “obsessive focus” that the brand has had on leather since 1846, when it initially launched as a leather-making collective.
      The store is set inside luxury department store Hankyu Umeda, and – thanks to the presence of an in-house artisan – is able to offer maintenance services ranging from re-painting and stitching to the replacement of handles and eyelets.
      The store is exclusively used to preserve and repair Loewe’s leather goods”The launch [of the store] builds on Loewe’s ongoing commitment to the longevity of its handcrafted bags,” explained the brand. “It’s about the joy of craft beyond the new; it’s a commitment to breathing fresh life into long-cherished possessions.”
      The store’s open facade allows for uninterrupted sightlines through to the interior, which has been decked out in natural tones and materials.

      Dotted across the recycled-wood floor is a trio of chunky consultation islands, each clad with glossy emerald-green tiles sourced from Spain.
      Thread, cutting tools, and leather swatches lie behind a glass windowThe longest of the three islands has a thickset countertop made from limestone and wood.
      It features a series of inbuilt flat trays from which customers can select straps, charms or studs to customise their items. Monogramming services are also available.
      A window in a tile-covered wall looks through to a small repair room that houses a sewing machine, various cutting tools, swatches of leather, and a rainbow of different threads.
      Loewe bag models with surplus-leather patches and pockets will be for sale in the storeAnother tiled wall at the rear of the Loewe ReCraft store showcases bags crafted from leather left over from Loewe’s past collections, which customers can purchase.
      Limited editions of the brand’s signature Basket bag are also available to buy, updated with patches and pockets made out of surplus leather.
      As well as leather items, Loewe also makes clothing, accessories and pieces for the home.
      Earlier this year the brand released a pair of trainers covered in shaggy green raffia, emulating the appearance of grass. It also collaborated with French metal artist Elie Hirsch to produce a series of bulbous pewter and copper jackets.

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      Atelier Caracas imbues apartment in Caracas with 1980s industrial edge

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      Interiors studio Atelier Caracas has brought industrial influences and offbeat materials into this apartment in Caracas, designed around the restrictions posed by Venezuela’s recent political and economic crisis.

      Set in the capital’s Campo Alegre district, Apartamento N.1 belongs to a relative of Atelier Caracas co-founder Julio Kowalenko, who gave the studio a rare carte blanche for the renovation of the 400-square-metre interior.
      Atelier Caracas has renovated an apartment in Caracas”He’s a corporate, traditional Oxford type of guy,” the duo explained.
      “We said to ourselves, there are two ways in which we can approach this project,” they added. “We could either play it safe or go nuts.”
      Ultimately, Kowalenko and his co-founder Rodrigo Armas used the opportunity to experiment with applying industrial design principles at an architectural scale and enhanced the apartment’s loft-like qualities in a nod to the architecture of 1980s Los Angeles.

      Overhead lights are mounted on a system of perforated metal sheets”We’ve always been fascinated with a sort of robotic, mechanical aesthetic that accompanies 80s LA architecture,” the studio said.
      “This popular mechanics approach, as we call it, can be seen in the early works of Frank Gehry and later on in the experimental houses and appendixes of Eric Owen Moss and Morphosis among others,” the duo added.
      “There is a finesse in this artisanal slash industrial approach, which we always like to pay homage to in our designs.”
      The same sheet metal was also used to form room dividersThese influences are seen most clearly across the home’s experimental material palette.
      The studio decided to completely expose the raw concrete slab structure of the ceiling, celebrating it with a textural finish rather than hiding it away.
      The duo avoided the use of pre-fabricated components, instead carefully designing the majority of the elements themselves.
      The kitchen is fronted with unfinished wooden panelsTo preserve the integrity and simplicity of the ceiling, the lighting is mounted on a black-coated perforated metal structure – a reference to the 1980s aesthetic and custom-designed for this apartment by Atelier Caracas.
      The studio also utilised the same perforated sheet metal to create a number of versatile room dividers that break up the largely open-plan space.
      Set on wheels and attached to the ceiling via matching rails, they can be easily moved around to separate the kitchen from the living areas.
      “Microperforated sheet seemed a clever option to generate both permeable and ephemeral separations between private and public spaces within the apartment,” Atelier Caracas said.

      Atelier Caracas models Venezuelan day spa on 2001: A Space Odyssey

      The early stages of the apartment’s design kicked off in 2017 when Venezuela faced intersecting economic and constitutional crises.
      Inevitably, Atelier Caracas says this “difficult period of turmoil” also impacted the availability of materials.
      “There was a scarcity, which in turn led the studio to a never-ending investigation on how what was available could be used differently,” the duo said. “The main goal was to make high-end architecture with simpler materials.”
      Triangular cut-outs serve as door handles for the kitchen frontsThe simple white terrazzo floor – used almost everywhere across the apartment – was produced on-site and chosen for its cooling properties in the city’s tropical climate.
      “Even in high temperatures, it remains fresh and cooled,” the studio said. “Also, the reflective quality of this material was a key factor for bathing the spaces with the natural sunlight coming from the windows.”
      The kitchen is fronted with unfinished wooden panels, decorated only with geometric cutouts that double up as door handles.
      Terracotta floor tiles were repurposed for the wallsMeanwhile, the wall that borders the living room is finished in terracotta flooring tiles from a pool supply store.
      “This type of terracotta is usually found on pool terraces and public areas of middle-class Venezuelan residences,” Atelier Caracas explained. “Nowadays it’s considered to be a kitsch or outdated material.”
      “Contrast between refined and low-tech materials can generate new narratives on what luxury can be. We believe that luxury lies in the way people inhabit their spaces, and not in the number of flamboyant finishes.”
      White terrazzo floors help to reflect the lightIn terms of line and form, the apartment playfully mixes linear grids and diagonals with rounded corners and arches.
      “Monotony and routine can, sometimes, cause a stagnant state of contentment that we like to disturb through our designs,” the studio said.
      “We like to think that architecture should be uncomfortable in some sort of way, by pushing people out of their comfort zone, one can really redefine humans’ relation to design.”
      This same philosophy also inspired one of the studio’s previous projects in Caracas – a day spa modelled on Stanley Kubrick’s film 2001: A Space Odyssey.
      The photography is by Outer Vision.

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      Dog-friendly London club refurbished with giant 3D dachshund relief and Hockney artworks

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      Dog-friendly private members’ club George in London has been refurbished by restaurateur Richard Caring with David Hockney murals and Mayfair’s largest dining terrace.

      The revamped club was designed to be dog-friendly throughout as well as displaying a large collection of dog-related artwork.
      British painter Hockney created a mural for the dining room that sits alongside other original works of his, while London sculptor Jill Berelowitz has crafted a giant sculptural relief of a dachshund on the stairs descending to The Hound Club in the basement.
      A bespoke David Hockney artwork fills a mirrored wall panel at the George clubGeorge was designed to be “a home away from home” for its members and their pets, Caring told Dezeen.
      It was painted navy blue and features expansive navy awnings over an outdoor dining terrace that is the now the largest in Mayfair, providing space for guests and their pets.

      London sculptor Jill Berelowitz crafted a giant sculptural relief of a dachshundNamed after the club founder Mark Birley’s own dachsund, the George has been refurbished as “an oasis for both members and their four-legged friends –  continuing its legacy as London’s most dog friendly club”.
      Served from the revamped open kitchen, which has been clad in copper panels, a menu of snacks has been curated just for the canine guests, which includes “dog caviar”.
      The richly decorated interiors were painted a dark navy and furnished with bespoke furniture made in-house by The Birley Clubs’ design team.
      Paintings hang in mirror-tiled panels of the dining room, under a mirrored ceiling recessA circular bar, embellished with ornate metal work, separates the two dining rooms. Metal latticework cornicing echoes the level of decoration and detail throughout the scheme.
      Artworks hang in mirror-tiled wall panels, below similarly mirror-tiled ceiling recesses.
      A private dining room seats 16 and showcase works from Hockney’s iPad series, such as his 2011 work The Arrival of Spring in Woldgate.
      The main bar of George features high stools and intricate metal latticeworkBerelowitz’s dachschund sculpture dominates the main stairwell. The work was cast in bronze and patinated to match the club’s interior palette. The sculpture measures five by three metre and weighs 1.5 tons.
      The navy ground floor area leads to a burgundy red basement that houses The Hound Bar. An Art Deco theme dictated the use of antique brass and fluted mahogany panels for the bar.
      More mirrored glass has been used on columns and doorways almost to the effect of a hall of mirrors, creating an after-dark, subterranean feeling.
      The Hound Bar is a dark and dramatic subterranean space in the basementHighly polished mahogany was used to clad the vaulted ceilings and the same fluted panels from the bar were repeated in niches and around seating areas.
      Caring, who designed the interiors of George with his team, previously commissioned Martin Brudnizki Design Studio to renovate his other London club, Annabel’s, in 2018.

      Monumental Damien Hirst sculptures feature inside Bacchanalia London restaurant

      He also worked with Martin Brudnizki Design Studio on the launch of Bacchanalia London, which features monumental sculptures by Damien Hirst.
      Other restaurant interiors recently featured on Dezeen include nearby 20 Berkeley, also in Mayfair, where Pirajean Lees has created an Arts and Crafts-style interior, and an intimate cocktail lounge in Austin, USA, by Kelly Wearstler.
      The photography is by Ryan Wicks and Milo Brown.

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      Studio Kiki imbues Carlotta restaurant interiors with “old-school glitz and glamour”

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      Design firm Studio Kiki has created warmly-lit interiors for an Italian restaurant in London to mimic the decadent but familial atmosphere of a 1980s Italo-American trattoria.

      Located on Marylebone High Street, Carlotta is the latest project by the Big Mamma restaurant group. Studio Kiki, the group’s in-house design team, created its interiors to capture a sense of “old-school glitz and glamour”, it said.
      Carlotta is a restaurant on Marylebone High Street”[Carlotta is informed by] Italo-American neighbourhood restaurants in the 1980s, where the likes of [singer and actor] Frank Sinatra and friends would swing by for a bite to eat or a nightcap, and know the waiters’ names,” the team told Dezeen.
      Visitors enter the trattoria through a burgundy facade emblazoned with neon signage, which glows above clusters of spindly tables and chairs positioned for al fresco dining.
      The bar is defined by glowing sources of lightInside, a gilded bar is concealed behind a red velvet curtain. This space is defined by high stools upholstered with geometrically patterned textiles and a curved marble-topped bar clad with illuminated ribbed panels sourced from New York.

      “We wanted the bar to glow and have a back-lit element, so it feels incredibly welcoming as soon as you step inside, making it the jewelled centrepiece of the restaurant,” explained Studio Kiki.
      A psychedelic-style carpet adds a touch of humour to the main dining spaceBeyond the bar, the main dining space is draped with golden festoon curtains that take cues from 1950s Milanese casinos, and also features a psychedelic-style carpet covered with swirly flowers.
      This was informed by the 1998 film Fear and Loathing in Las Vegas, a black comedy road movie based on the book by journalist Hunter S Thompson, according to the designers.
      The basement includes a mirror-striped ceilingIn the dining room, curved metallic chairs and burgundy banquettes finished in knotted leather hug small circular tables made from dark wood and dressed with sculptural lamps.
      “[Throughout the restaurant] we liked to ensure each table has its own source of light, which can come in various forms whether that be architectural lighting, back-lit tables or a handmade cordless table lamp,” said Studio Kiki.
      The main dining space also includes arrangements of framed photographs. Among the collection are retro wedding pictures from Italian weddings of the design team’s own parents and grandparents.

      Pirajean Lees creates Arts and Crafts-style interior for Mayfair restaurant

      Downstairs, a “midnight blue hideout” forms a subterranean drinking den, complete with a 1980s-style mirror-striped cavernous ceiling, eclectic crockery and an open kitchen.
      Bathed in bright red light, the bathrooms are equally playful – a haloed Jesus effigy was positioned atop a font-like basin, while slatted mirrored walls reflect the ceiling’s oversized chandelier.
      A Jesus effigy crowns the bathroom basinCarlotta joins a number of other recently designed eateries with decadent interiors.
      These include a pop-up cafe at London’s Harrods department store by Italian fashion house Prada and a bar and restaurant in Canada with rich colours and leather upholstery informed by author Truman Capote.
      The photography is by Jérôme Galland. 

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      GRT Architects uses “riot” of materials for Bad Roman restaurant in New York

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      Brooklyn studio GRT Architects has designed an Italian restaurant in New York City where a visual cacophony of colour, pattern and materials combine for a maximalist aesthetic.

      Bad Roman is the latest venture from the hospitality group Quality Branded, for which GRT Architects previously completed the interiors for Michelin-starred Don Angie.
      Bad Roman guests are greeted by a sculpture of a boar raised on a patterned podiumServing a “contemporary and whimsical” take on Italian cuisine, Bad Roman is located on the third level of a shopping centre in the Time Warner Center on Columbus Circle, at the southwest corner of Central Park.
      “Where The Shops at Columbus Circle are politely elegant, Bad Roman is a riot of rich and varied materials, textures, found objects, shapes and colour,” said GRT Architects.
      The organically shaped bar is clad in stripes of marble and glassThe 6,500-square-foot (604-square-metre) space has an open layout so that diners can enjoy the view of the park through the glass facade.

      To set the tone, guests are greeted by a sculpture of a boar, which is raised on a patterned podium and wears an illuminated collar.
      Booths lined up along the window feature stepped orange backsA curved bar sits in the middle of the restaurant. A light box above is clad in stripes of marble, mirror and cast glass, and emits a soft glow onto the marble bar counter below.
      Throughout the restaurant, a variety of booth seating arrangements are designed to accommodate parties of all sizes.
      Blown-glass lighting, 19th-century sculptures and various decor elements are combined in the colourful spaceThe booths have fabric-wrapped cushioned backs with multiple panels at stepped heights, which form waves when placed side-by-side around the tables.
      “We made these islands into worlds unto themselves, incorporating textured plaster cladding, assemblages of found objects and segmented upholstery in a family of orange fabrics,” said the studio.
      Private dining rooms at the end of the restaurant each have a distinct design languageAt one end of the 160-foot-long (49-metre) space are a pair of private dining rooms, while a fully glazed area is located at the other – each with a distinct design language.
      Greenery spills from planters suspended from the coffered ceilings, and several different types of lighting help to set the mood.

      Don Angie restaurant interior takes influences from Italy and New Jersey

      The bright dining room is contrasted by dark and moody bathrooms, where a two-tiered, classical-style garden fountain sits on a mosaic basin at their entrance.
      “Minimal it is not, but the design of Bad Roman is unified by a high level of handcraft, and a say-yes-to-all-beautiful-materials attitude,” GRT Architects said.
      A classical-style fountain is positioned at the entrance to the bathrooms”Locally blown-glass light fixtures, trompe l’oeil mosaics, 19th-century fragments and intricate tilework all collude to create an exuberant home for Bad Roman’s fresh take on modern Italian.”
      The studio was founded by Tal Schori and Rustam-Marc Mehta in 2014, and their team has since completed a variety of projects across the US.
      The dark and moody bathrooms contrast the bright and colourful dining roomOther restaurants in their portfolio include Cucina Alba in New York and Curtis Stone’s Georgie in Dallas.
      In the residential sector, GRT Architects recently completed the renovation of an East Village apartment and a house perched above the marshes in Connecticut.
      The photography is by Christian Harder.

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      Eight homes where wardrobes are used as a focal point

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      Statement wardrobes with red-leather doors and bright yellow shelving feature in this lookbook, which proves clothes storage does not have to be a blight on the interior.

      It’s not unusual for wardrobes to be pared-back and concealed in residential interiors, often in an attempt to hide clutter and retain focus on other furnishings and finishes.
      However, this lookbook spotlights the works of architects challenging this idea and using essential clothing storage as an opportunity to create a focal point in a home.
      This is the latest in our lookbooks series, which provides visual inspiration from Dezeen’s archive. For more inspiration see previous lookbooks featuring pergolas, guesthouse interiors and bedrooms with bathtubs.
      Photo by Nick WorleyLeather Dressing, UK, by Simon Astridge

      Rust-coloured leather lines the floor and sliding wardrobe doors of this dressing room, which architect Simon Astridge designed as an eye-catching centrepiece in a refurbished London house.
      “The best part of the leather tunnel is the lovely fresh leather smell you get every time you get out of bed to get dressed,” said Astridge.
      Find out more about Leather Dressing ›
      Photo by Studio NojuCasa Triana, Spain, by Studio Noju
      This vivid yellow wardrobe is among the brightly coloured spaces in Casa Triana, an open-plan apartment by Studio Noju in Seville.
      Its bright shelves and surfaces pop against its white surroundings and form a striking backdrop to the owner’s clothes. While forming a feature of the home, it also helps to create the illusion of having separate spaces within its open plan.
      Find out more about Casa Triana ›
      Photo by José HeviaThe Magic Box Apartment, Spain, by Raúl Sánchez Architects
      This shiny brass wardrobe at the centre of an apartment near Barcelona in Spain was intended to resemble a precious jewellery box. It also acts as a partition between two rooms, featuring a “secret passageway” in its middle.
      “I love brass, and in this precise project it gave that magic look, that look of a precious object,” said architect Raúl Sánchez.
      Find out more about The Magic Box Apartment ›
      Photo by José CamposYellow Apartment Renovation, Portugal, by Pedro Varela & Renata Pinho
      Yellow was also used by architects Pedro Varela & Renata Pinho to colour this wardrobe, which is located in an apartment in Portugal.
      The wardrobe forms part of a wall of storage that divides the apartment. Finishing touches include different-sized circular openings for use as handles and a step that is pulled out of the wall with a smiley-face cut-out.
      Find out more about Yellow Apartment Renovation ›
      Photo by Salem MostefaouiWood Ribbon, Paris, by Toledano + Architects
      This Parisian apartment is named Wood Ribbon after the sinuous plywood wall that snakes through its interior.
      While dividing the residence into three zones, the structure also incorporates several doorways, a dressing room and storage areas for clothes, including one in the hallway.
      Find out more about Wood Ribbon ›
      Photo by Jan VranovskyNagatachō Apartment, Tokyo, by Adam Nathaniel Furman
      A sugar-sweet colour palette fills every corner of the Nagatachō Apartment, which designer Adam Nathaniel Furman created for a retired expat couple in Tokyo.
      This includes the bedroom, where a built-in wardrobe is outlined by bright baby-blue doors and yellow semicircular motifs that stand out against the white and green walls on either side.
      Find out more about Nagatachō Apartment ›
      Photo by Filippo PoliGalla House, Spain, by Cavaa
      Though it sits seamlessly against the wall, the detailed design of this wardrobe ensures makes it a standout feature of the Galla House in Spain.
      It features wooden drawers for shoes and taller blue-painted cupboards for hanging clothes, alongside a deep window seat that is enjoyed by the home’s feline occupants.
      Find out more about Galla House ›

      Versailles Studio Apartment, Australia, by Catseye Bay Design
      Catseye Bay Design designed the wooden wardrobe of Versailles Studio Apartment to double as a privacy screen for the bed.
      Projecting diagonally from one of the bedroom walls, the two-metre-high structure incorporates clothes storage and shelving on the other side. Alongside the bed, it conceals an upholstered bench that looks out to a window.
      Find out more about Versailles Studio Apartment ›
      This is the latest in our lookbooks series, which provides visual inspiration from Dezeen’s archive. For more inspiration see previous lookbooks featuring pergolas, guesthouse interiors and bedrooms with bathtubs.

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