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      Preen designs Prime steakhouse for a casino in the Arizona desert

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      Designer Alexis Readinger of US studio Preen has incorporated earthy hues, wide arches and textured plaster into an Arizona eatery and bar that is part of a casino owned by a Native American community.

      The restaurant, Prime, is located on the top floor of an 11-storey tower at a casino and resort complex just south of Phoenix. The site, called Wild Horse Pass, is owned by the Gila River Indian Community.
      fThe restaurant features wide archesThe space was designed by Preen, a Los Angeles-based studio led by hospitality designer Alexis Readinger.
      Given that American casinos can often be ostentatious or kitschy, the design of Prime is meant to “challenge the traditional concept of a casino restaurant”.
      A “French aesthetic” permeates the spaceReadinger took cues from the surrounding landscape, which is dotted with cacti, shrubs and other vegetation found in the Sonoran Desert and the Estrella Mountains, located to the west of the site.

      “The design originates with the desert and is created intentionally to frame, to view and to honor the sacred land,” the designer said.
      The restaurant also exhibits a “stylised, lightly French aesthetic”, the designer added.
      Dining spaces are arranged around a central bar and loungeRectangular in plan, the eatery consists of multiple dining spaces that are arranged around a central bar and lounge.
      Rooms are divided by wide arches that reference those found at Arcosanti, an experimental, 1970s housing complex in the Arizona desert that was designed by architect Paolo Soleri.
      The bathroom features sink basins made of glazed lava stoneIn addition to the arches, the designer created a large, inverted pyramid that hovers over the main dining space. The pyramid is coated with textured “slagged plaster”.
      Throughout the restaurant, the team used earthy materials and colours.
      Preen added an inverted pyramid to the dining spaceIn the main room, seating areas are enclosed within half-walls made of rainbow limestone – a reference to “the desert moiré of sediment, horizon and time”, the designer said.
      Banquettes are wrapped in ultra suede in a reddish-orange hue. Chairs from Stellar Works are made of ash and oak.

      Snarkitecture designs Manifest “self-care” club in Washington DC

      Other elements include round tables with steel edges and mirrored tops, and globe-shaped pendants by John Barlow of Lightspeed.
      The globes have a finish that looks like a pockmarked moon, and are counter-weighted by long rods. “Another moment of time and suspension,” the designer said.
      Beyond the dining rooms, the restaurant has two waiting areas that are monochromatic. One is has an earthy red hue, while the other is a deep shade of green.
      The restaurant has two monochromatic waiting areasBoth spaces are fitted with leather chairs designed by Preen and built by the fabricator Jecco. Small, rounded tables are from Blu Dot.
      The bathroom features a vanity with a powder-coated countertop and sink basins made of glazed lava stone. Motion-activated faucets come down from the ceiling. Affixed to a wall are sconces from Rich Brilliant Willing.
      Outdoor terraces provide views of the surrounding landscapeThe eatery also has outdoor terraces where guests can take in the scenery. One setting features iroko wood furnishings and sculptural, built-in shelving that holds an array of candles.
      Other hospitality projects in Arizona include the Mountain Shadows resort, which features interiors by Mark Zeff that were inspired by desert mid-century modernism, and the Hotel Valley Ho, an iconic 1950s hotel that was brought up to date by architect Edward L Varney.
      The photography is by Brandon Barré.

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      Ten interiors that use innovative room dividers instead of walls

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      A pastel-pink wardrobe and a theatrical silver curtain feature in our latest lookbook, which highlights 10 creative ways to split a space into different sections by using room dividers.

      Whether they’re lightweight and movable such as screens, fixed yet adjustable like curtains, or built into the framework of a building like a shelving unit, room dividers can be a practical and inexpensive solution to break up a space and provide more privacy.
      The interiors in this lookbook, which range from homes in Spain and Australia to hotel rooms in Japan and exhibition spaces in Brasil and the US, showcase innovative solutions for how to partition a large room.
      This is the latest in our series of lookbooks providing curated visual inspiration from Dezeen’s image archive. For more inspiration see previous lookbooks showcasing homes with parquet flooring, compact bedrooms and self-designed studios by architects and designers.
      Photo is by Luis Díaz DíazReady-made Home, Spain, by Azab

      Pale blue curtains slice through the middle of this whimsical home in Bilbao, designed by architecture studio Azab.
      Challenged with a floor plan in the shape of a semi-circle, the studio decided to section off the two bedrooms and the bathroom using sheathes of the vibrant fabric, injecting a playful element into the apartment.
      Other colourful features include a pink extraction hood above the cooking stove, a yellow lacquered steel storage unit and an exposed wall.
      Find out more about Ready-made Home ›
      Photo is by Denilson Machado of MCA EstudioCasa Alma, Brasil, by Studio Melina Romano
      This exhibition space looks more like a cosy apartment than a traditional exhibition hall, thanks to an array of homely features including gauzy curtains, low-slung coffee tables and mossy gardens.
      Brasilian practice Studio Melina Romano hoped to create a sensorial atmosphere by using rounded elements and tactile materials for attendees of Casacor, São Paulo’s annual festival of architecture and interior design.
      Find out more about Casa Alma ›
      Photo is by Elsa YoungMetamporhic Wardrobe, UK, by Studiomama
      East London-based design studio Studiomama devised a pastel-coloured wardrobe called Metamorphic, which has a set of large doors that open out into a partition.
      The closet features a rail to hang clothes on, drawers in varying sizes and a set of doors that can be unfurled into a screen. The design showcases how room dividers made from furniture can be used as an innovative solution for creating private spaces in open-plan interiors.
      Find out more about Metamorphic Wardrobe ›
      Photo is by Yikin HyoK5 Tokyo Hotel, Japan, by Claesson Koivisto Rune
      A converted bank building in Tokyo, which survived bombing during world war two, was turned into a boutique hotel by Swedish studio Claesson Koivisto Rune. The practice aimed to transform the lodging into a warm, cosy place to stay by adding bespoke elements and furniture in deep brown hues.
      In each of the 20 rooms, delicate blue ombre curtains surround a wooden desk and cabinet, which guests can use as a private space for personal activities. Similar hand-dyed curtains in blue and white colours also frame the beds.
      Find out more about K5 Tokyo Hotel ›
      Photo is by José HeviaCasa A12, Spain, by Lucas y Hernández-Gil
      An indoor courtyard, bright orange furniture and a series of shiny silver curtains are some of the quirky features that Spanish studio Lucas y Hernández-Gil added to enliven the basement of this Madrid apartment.
      In an effort to counter the lack of light and space on the lower level, the studio painted the walls white and used dramatic full-height curtains that can be pulled back to seal off the bedroom suite.
      Find out more about Casa A12 › More

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      MAWD revamps lobby and atrium of Denver tower designed by IM Pei

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      Design studio MAWD has redone the interiors of an IM Pei tower in Denver, Colorado, including the lobby and an adjoining Philip Johnson-designed atrium.

      The London and US-based interiors studio redesigned aspects of the interiors at the 23-storey commercial tower 1700 Broadway in downtown Denver for Beacon Capital.
      MAWD updated the 27,000-square-foot (250-square-metre) lobby and atrium – the latter attached in 1983 by architect Philip Johnson, almost 30 years after the tower’s completion.
      MAWD redesigned both the lobby of the IM Pei tower and the attached atriumRebranded as the Atrium Campus, the extensive redesign of 1700 Broadway – which was the first skyscraper in the city – includes an update to the security desk, a lounge, and updates to the streetscape.
      Influenced by the mid-century architecture of the original design, MAWD included a massive communal fireplace with travertine accents. The coherence with the original was achieved through using repurposed stone from other parts of the building.

      The front desk was placed back and out of the way, and is surrounded by wooden louvres”We drilled into the mid-century details that were prevalent, authentic and ‘of-the-moment’,” said Elliot March, design lead on the project.
      The designers surrounded the fireplace area with long and short tables for gathering, as well as booths along the walls. Wooden louvres were placed over the welcome desk to highlight the green wall behind it.
      The seating around the lobby looks out into the atrium “streetscape”The lobby is framed by the black colonnades that define the structure from the street, which open up to the atrium.
      Johnson’s sloping atrium, which wraps around the lobby, was redesigned as an extension of the “streetscape” indoors. From the entrance is a walkway between the walls of the atrium and the open lobby, where benches, greenery and fixtures that imitate street lamps were placed.
      Steps were added in the atrium to increase social spaceThese elements lead up to an addition that the designers refer to as “Spanish steps”.
      This structure is pyramidal and works with the changes in elevation of the site to create more sitting and social areas in the atrium.

      “With IM Pei’s death, the last of the modern monument makers has passed”

      The steps climb towards a mezzanine that connects the atrium to a covered walkway over Broadway, as well as to the second floor of the building.
      On the second floor, MAWD revamped 9,300 square feet (863.9 square metres) for amenities including a gym, yoga studio, and conference rooms.
      MAWD added a lounge space on the second floorThe purpose of the design, according to MAWD was “to attract leading companies during the area’s tech boom, providing flexible and responsive spaces for the future of work”.
      The legacy of Chinese-American architect IM Pei, who died in 2019 aged 102, continues to draw interest; the Mesa Lab in nearby Boulder, Colorado, has become a focal point for architectural photographers. His structures that have received updates in recent years include Eskenazi Museum in Bloomington, Indiana, renovated by Ennead Architects.
      The photography is by Robert Benson.

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      Forte Forte's first US store features golden changing rooms and balancing stones

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      Light fixtures inspired by James Turrell artworks, balancing stones, and a circular golden changing room feature in the interiors of fashion brand Forte Forte’s Los Angeles boutique.

      The Italian label’s art director Robert Vattilana designed the interiors of the store, which is located at 8424 Melrose Place in Los Angeles – the first Forte Forte branch in the US.
      Vattilana called the design “an ineffable balance of the geometric and the organic”.
      The store features a sage green enamelled metal facadeTwo rectilinear shop windows are framed by a sage-green enamelled metal facade with the boutique’s glowing logo. The recessed front door is crafted from enamelled wood.
      Inside, a bright white ceiling is lit at the edges casting light on the textured walls, which create a neutral backdrop for Vattilana’s minimal but eclectic designs.

      A mixture of pastel and brighter tones define the space”The Los Angeles boutique is meant as a concise and vibrant project where light becomes matter, in an ineffable balance of the geometric and the organic,” the interior designer told Dezeen.
      Both pastel hues and brighter pops of colour are seen in the store’s furniture, which ranges from chunky terrazzo planters and gold shelving to a powdery pink chaise longue.
      The changing rooms were placed in a rounded gold boothThe amount of garments on display is minimal, with single dresses suspended delicately from various squiggly formations of gold wire.
      Changing rooms exist within a rounded, bright gold pod that is separated into cubicles. These feature a mixture of plush sea-green textiles and an array of mirrors.

      Forte Forte fashion boutique in Madrid is filled with shapely details

      Another standout element is two giant stones placed in front of ethereal, full-height muslin curtains, one of which balances on top of the other in a dramatic formation.
      “The stones are from the Palm Springs desert and are meant as a tribute to the work of [former Swiss art duo] Peter Fischli and David Weiss,” explained Vattilana.
      Two giant stones add drama to the boutiqueBack-lit, circular openings throw light on the boutique, which, according to the designer, also take cues from an existing artist.
      “Perimeters and ceilings create movement and an iridescent light emerges from the total depth of the shop, referring to the luminous geometries of [light artist] James Turrell,” he continued.
      The lighting was informed by the work of James TurrellVattilana described the brand’s Los Angeles store as a space that “echoes the volumes and lines of Californian modernism,” as it follows a group of uniquely designed Forte Forte stores in locations such as Milan and London.
      “The contrast with Italian materials and finishes enriches the balance of components with further nuances, sealing the uniqueness of the project.”
      “Each Forte Forte location follows a different rhythm,” he concluded.
      Giada Forte and her brother Paolo Forte founded the Italian fashion brand in 2002. Its other store designs include a Tuscan boutique with a hull-style ceiling and a Rome store “drowned” in green onyx.
      The images are courtesy of Forte Forte.

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      Rawan Muqaddas designs Sloane Street Deli to be a “classic neighbourhood spot”

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      Green tiles and bentwood chairs feature inside this deli and restaurant in central London, which design studio Rawan Muqaddas has renovated to complement its local surroundings.

      Situated along an affluent street in Belgravia, Sloane Street Deli incorporates a barista bar, take-away-deli counter and an eatery that serves breakfast, lunch and dinner.
      Sloane Street Deli is situated in an affluent London neighbourhoodRawan Muqaddas, founder of eponymous design studio Rawan Muqaddas, aimed to create a comfortable place to dine that captured the spirit of the local neighbourhood.
      At the same time, she hoped to inject some of her own Middle Eastern flair into the restaurant to give it a homely atmosphere.
      Rawan Maqaan has renovated a deli into a vintage style eatery”The concept behind Sloane Street Deli was to build on a classic neighbourhood spot that’s also an extension of one’s home,” Muqaddas told Dezeen.

      “A spot where you can come in and spend five minutes or 50, in a space that is inviting, comfortable and warm, with the customer’s comfort at heart.”
      A curved serving counter is positioned at the deli’s entranceUpon entering the deli customers are greeted by a green-tiled deli counter serving baked goods and fresh pastries.
      It is clad in Arcaico tiles, a Japanese tile that Muqaddas wrapped one at a time around the curved counter.
      Rattan furnishing and bentwood chairs add to the deli’s retro feel”The focus was on the layering of textures and an earthy colour palette, the centre being the Japanese handmade single tiles,” Muqaddas explained.
      “As customer journey was key, I introduced the curvature around the counters, followed by the curvature of the banquette to optimise the flow of the customer.”
      Green tiles contrast terracotta-coloured seatsThe same tiles can be seen on the spice shelf and the adjacent barista counter where customers can purchase hot drinks. Here, a retro, cream-coloured coffee machine perches on another counter in front of large windows.
      Other vintage elements throughout the eatery which is mainly spread over the ground floor level, include cushioned diner-style booth seating, rattan furnishing, bentwood chairs and shiny brass accents.
      The kitchen, prep room and restrooms have been renovated in a similar fashion and are all located downstairs in the basement.

      Sella Concept avoids South American cliches in retro-themed London restaurant Piraña

      Muqaddas employed a mix of creamy green tones and earthy terracotta – colours that are often associated with Middle Eastern interiors to flesh out the rest of the space.
      Elsewhere, splashes of pale pink can be seen on the leather and fabric seats as well as on the awnings that hang outside.
      The space is framed by large windowsTo further tie the deli to the neighbourhood, the studio wanted to preserve as many elements of the original deli as possible, including the facade, interior walls and flooring.
      It refurbished some of the existing bistro tables and kept the original white mouldings and marble tabletops.
      The kitchen and customer restrooms are located downstairsRawan Muqaddas is not the only studio to give a modern eatery a retro look. Cafe Banacado, an all-day breakfast cafe in Stockholm by architecture studio ASKA has a colour palette of muted yellows, brown and cream hues.
      Parisian design studio Lizée-Hugot added low-slung lacquered seating and wooden panels to Abstinence, a Parisian eatery that recalls traditional French brasseries.
      Photography is by Kensington Leverne.

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      The Standard to open design-led Asia flagship hotel in Bangkok

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      Promotion: hotel brand The Standard is set to open a Bangkok outpost in King Power Mahanakhon, featuring bright interiors by Spanish designer Jaime Hayon and The Standard’s in-house design team.

      Named The Standard, Bangkok Mahanakhon, the design-led lifestyle hotel in Thailand will open in May 2022 and become The Standard’s Asia flagship.
      The Standard is opening a hotel in Bangkok’s King Power Mahanakhon skyscraperThe 155-room hotel is being developed in the pixelated King Power Mahanakhon.
      Its interiors, which are being designed by Hayon in collaboration with the brand’s in-house designers, are hoped to encapsulate the “unmistakable energy of the Thai capital”.
      Its interiors are being designed by Jaime Hayon”There is nothing in Bangkok, or the entire region, like what we have created here,” said The Standard’s executive chairman Amar Lalvani.

      “We love the energy, style and culture Bangkok offers and couldn’t be more proud to partner with King Power to open our flagship for the region in this awe-inspiring building, in this incredible city.”
      The 155 guest rooms will vary in sizeThe 78-storey King Power Mahanakhon was chosen as the host building for the hotel in recognition of its iconic architectural design and setting within Bangkok’s central business district.
      It is also in close proximity to Bangkok’s Old Town, which the brand said: “has recently become the chosen enclave for the city’s dynamic creative community”.
      Finishes will be bright and colourfulThe interiors of the hotel will be distinguished by bright colours and fluid shapes. There will also be a mix of art installations and greenery.
      These finishes have been developed by Hayon to challenge the usual aesthetic of other luxury hotels in Bangkok.
      Greenery will feature throughoutHotel rooms will range in size from 40-square-metre guest rooms to a spacious 144-square-metre penthouse.
      In addition to the hotel rooms will be a meeting and events room, as well as shops and a gym that will be open to the local community.
      Like all other hotels by The Standard, there will also be an outdoor terrace pool and a mix of restaurant, lounge, bar and nightlife venues.
      The terrace, described by The Standard as “the highest alfresco sky beach in Bangkok” will have sweeping views of the city.
      The hotel aims to encapsulate the “unmistakable energy of the Thai capital”The Standard was established in 1999. It is known for its design-led approach to hotels.
      Its Bangkok outpost joins the US and European flagships, named The Standard, High Line, and The Standard, London, as well as waterside retreats in Miami, the Maldives, and Hua Hin. The Standard, Ibiza is also opening this spring.
      The hotel will feature a roof terrace and poolTo celebrate the opening of The Standard, Bangkok Mahanakhon, the brand is offering a pre-opening discount of 25 per cent on bookings until 31 Jul 2022 for stays until 28 Feb 2023.
      For more information on The Standard, Bangkok Mahanakhon, and its opening, visit its website.
      The imagery is courtesy of The Standard.
      Partnership content
      This article was written for The Standard as part of a partnership. Find out more about Dezeen partnership content here.

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      Caro Lundin launches understated co-working space ARC Club in south-east London

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      Architect Caro Lundin has opened the second branch of her affordable co-working chain ARC Club in London, which features a pared-back interior accented by colourful fixtures and furnishings.

      Set in the southeastern neighbourhood of Camberwell, the shared workspace was put together in just seven weeks and takes over a 223-square-metre commercial unit that previously sat empty for three years.
      The reception of ARC Club Camberwell doubles as a cafeThe latest ARC Club outpost follows in the footsteps of the company’s first location in Homerton, which opened a few months after the start of the pandemic.
      Much like its forebearer, it aims to provide a low-cost co-working space for hybrid workers, who don’t want to return to the office full-time but struggle to do their jobs effectively while working from home.
      Both spaces feature similarly simple interiors that prioritise functionality over frivolous decor.

      The collaborative work area features large group tablesLundin says this understated approach is key in a time when co-working is “a necessity and not a lifestyle accessory”.
      “Being Swedish, I’m very much in favour of the saying that good design and art should be available to everyone,” she explained. “Just because ARC Club is an affordable alternative doesn’t mean members should have to compromise on quality or design.”
      Furniture and artworks provide bursts of colourThe Camberwell co-working space is loosely divided into three different zones. Near the entrance, there’s a small cafe where members can drop in throughout the day to grab food and drinks.
      To the left is an area for collaborative work, complete with group desks and high counters that can accommodate two to three people and their laptops.
      The right side of the room is designated for more quiet, focused work. It features a plum-red seating banquette and a series of smaller tables for solo workers.

      ARC Club is a London co-working space for people wanting to escape working from home

      The different areas are separated by two boxy birch plywood volumes arranged into a rough T shape, with one containing meeting rooms and storage cupboards while the other houses six private booths where members can make video calls.
      The volume that sits towards the front of the plan delineates the cafe from the rest of the interior and is slightly shorter than the other in order to allow natural light to seep into the work areas at the rear.
      Otherwise, fixed partition walls and doors were omitted so that when office hours are over, ARC Club Camberwell is flexible enough to be used for other events.
      This area is dedicated to quiet workMost surfaces in the shared office are left raw or freshened up with a coat of white paint. But pops of colour are provided by the baby-pink booth doors and the orange-framed armchairs that are positioned around some of the tables.
      Vivid contemporary artworks loaned by local gallery Bosse & Baum help to liven up the walls.
      Baby-pink doors front the private phone boothsSeveral co-working spaces have opened in London in recent months to cater to locals who are opting to carry out their jobs remotely.
      Other examples include Paddington Works with its wellness-focused interiors and Bureau in Greenwich, which is designed to act as a “home for creatives”.
      The photography is by Andrew Meredith.
      Project credits:
      Architect: Caro Lundin of Studio Caro LundinContractor: Berry Interiors

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      Rockwell Group takes maximalist approach to Japanese design at Katsuya NYC restaurant

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      Elements of traditional Japanese architecture and design are combined and given a contemporary spin by New York studio Rockwell Group at this sushi restaurant in Manhattan.

      Katsuya is the latest restaurant of its name by chef Katsuya Uechi, following locations in Los Angeles, Miami and the Bahamas all serving sushi with a Californian twist.
      Katsuya serves Californian-influenced Japanese cuisine by chef Katsuya Uechi. This and top photos by Nikolas KoenigFor its interior, Rockwell Group looked to a variety of Japanese aesthetic traditions, and blended them together to create a theatrical experience.
      “The interior dining rooms take a maximalist approach to Japanese aesthetics, an entertaining departure from the contemporary minimalist vogue,” said the team.
      A long red-lacquered communal table occupies the centre of the dining room. Photo by Nikolas KoenigThe restaurant totals 6,890 square feet (640 square metres) and seats up to 305 diners. Guests enter past the sushi bar and lounge, which is set up for casual diners to enjoy light bites in view of the kitchen.

      In the main dining area, the space is divided into three sections by a pair arched openings and a series of translucent glass screens subtly printed with images of wagasa – Japanese umbrellas.
      Translucent screens divide up the hall-like spaceThe archways, shaped to reference torii and pagoda architecture, are trimmed with red lacquer and inlaid with square wooden tiles.
      Screens are suspended from a black powder-coated metal framework, reminiscent of kumiki wood joinery.
      Secluded banquettes are positioned towards the back. Photo by Emily AndrewsDominated by red, the central space has a long communal table, plus several two-tops and a trio of secluded banquettes towards the back.
      Small to medium-sized parties are accommodated in the section to the right, where the red tones are swapped for warm creams and the wagasa patterns appear again on the wallpaper.
      Several traditional Japanese wagara motifs decorate the wallsMore banquette niches are framed by curved ceilings, and decorated with other traditional wagara motifs and imagery of performers with fans.
      The final indoor dining area includes a variety of table sizes, as well as a robata grill – a specialty that the chef is “renowned for pioneering in the West” according to the team.
      A private dining room seats 10. Photo by Nikolas KoenigConcentric pendant lights by Allied Maker spotlight individual tables and booths throughout the restaurant.
      Meanwhile, the red-lacquered communal table is “illuminated by a custom chandelier with a lazily undulating form that appears like waves rendered in ink”.

      Rockwell Group models Casa Dani restaurant in New York on Andalusian patios

      A private dining room at the end of the hall-like restaurant features red-leather-backed chairs around a circular wooden table, which seats 10.
      In the warmer months, a terrace influenced by autumnal Japanese gardens will provide space for 98 guests outdoors.
      Screens are subtly printed with images of wagasa – Japanese umbrellasKatsuya opened in March 2022 as one of two full-service restaurants inside the Citizens food hall, located within the Manhattan West development between Hudson Yards and Penn Station.
      Rockwell Group was also responsible for the interior design of Citizens, as well as the other fine-dining option Casa Dani, which serves Andalusian cuisine in a setting to match.
      Allied Maker’s Concentric pendant lights are hung throughout the restaurantThe firm was founded by architect and designer David Rockwell in 1984, and is best known for hospitality projects, and production design for theatre and events.
      Its studios have recently collaborated with fellow designers Joyce Wang on the first Equinox Hotel, Yabu Pushelberg for the Moxy Chelsea hotel and Diller Scofidio + Renfro to build 15 Hudson Yards and The Shed – all in New York City.
      The photography is courtesy of Katsuya, unless stated otherwise.

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