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    Trahan Architects restores Superdome to be “microcosm” of New Orleans

    Local studio Trahan Architects has finished an interior renovation of the Caesars Superdome in New Orleans, completing a series of renovations launched after Hurricane Katrina that it claims will extend the stadium’s life by 25 years.

    Trahan Architects’ work on the interior is the latest upgrade since the studio was engaged on the Superdome restoration in 2005, after it was damaged by Hurricane Katrina. The building sheltered as many as 20,000 thousand people fleeing the storm.
    The Superdome was originally completed in 1975 by Curtis and Davis Associated and featured a dome and concave cylindrical facade clad with aluminium panels.
    Trahan Architects has completed the renovation of the Superdome stadium in New OrleansAfter Hurricane Katrina, Trahan Architects implemented an overhaul of the exterior, replacing all the panels with a rainscreen system made from anodized aluminium metal panels.
    The current phase of the renovation, which was completed in time for its first game of the NFL season, included the removal of the ramp circulation system on the concourse.

    This allowed for concessions to be pushed to the outside of the structure, as well as for the installation of atriums in the entry programs and for lounges to be installed.
    In total, the renovation opened up more than 100,000 square feet (9,290 square metres), according to the studio.
    It is the latest in a series of renovations undertaken after the stadium was damaged by Hurricane Katrina in 2005The removal of the ramps allowed for more shared spaces and circulation, according to the studio, which modelled the concessions and circulation on the community-oriented streetscapes of New Orleans.
    “With this interior overhaul, we wanted the building to feel like a microcosm of our city,” Trahan Architects founding principal Trey Trahan told Dezeen.
    “We thought of the design as a series of stacked neighborhoods or ‘faubourgs’ as we call them, all connected by generous circulation spaces that served them – aka ‘the street’.”
    Also important to the renovation was bringing the materiality used for the original facade inside.
    Both Trahan and studio partner Brad McWhirter told Dezeen that the original innovativeness of Superdome, structurally and materially, was important throughout the redesign process.
    Anodized aluminium similar to that found on the exterior was used to clad the atriums”The rich material language they worked with, having the exterior skin of anodized aluminum which ages beautifully over time, along with its elegant form, made us see it as a sculpture that needed to be expressed both inside and out,” said McWhirter.
    “Before, you never got to experience the shape of the building from the interior – they were treated as two completely separate elements.”
    This move is most obvious in the atriums placed at three corners of the structure, which are the most visually apparent interventions.
    Here, express elevators move up through the voids. The voids have walls clad with anodized aluminium rods and are crossed by thick metal-clad beams that reveal the structure.
    Trahan Architects removed the circulation ramps and added additional seating and concessionsPlanning for resiliency and bringing the structure to compliance with codes around ventilation and accessibility were also important in the redesign process.
    Trahan Architects worked with engineering firm Thornton Tomasetti to ensure the building could stand up to high winds – it was during this 3D modelling process that the voids covered by the circulation ramps were discovered, which led to their removal.

    Intuit Dome basketball stadium set to open its doors in Los Angeles

    “You would walk up the ramps from floor to floor with an eight-foot (2.4 metre) ceiling height, to small, cramped concourses until you finally got to your seat for some relief,” said Trahan.
    “With the model, we could see the full breadth of the voids and wasted space that could be more useful for the public, building operations, and for incorporating new mechanical systems.”
    These processes all happened while keeping the stadium in use for the American football season. The studio also had to install accessible decks for movement-impaired people, all while making sure that new mechanical systems did not interfere too much with the aesthetic of the exterior.
    “This, and from a design standpoint, implementing universal accessibility within a 50-year-old building was very difficult.  We had to make up for a lot of lost time to bring the building up to today’s standards and go the extra mile to prepare for the future,” added Trahan.
    Escalators and elevators now provide the primary circulation to the upper levelsThese future-looking improvements included the aforementioned facade replacement and the inclusion of new emergency generators, as the loss of power during Hurricane Katrina created harsh conditions for those sheltering inside.
    The architects also lauded some of the original features of the structure, which were maintained.
    Accessibility decks were also added as part of the renovation”For instance, the ‘gutter tubs’ of the roof, hidden behind the lip of the facade at the top, manage stormwater such that draining a 10-acre roof doesn’t overload the city’s system,” said McWhirter.
    “This continues to work very well to this day – even with the incredible amount of development that’s occurred since the building first opened.”
    According to the studio, the total of the renovations since 2005 will drastically extend the lifespan of the stadium.
    “This comprehensive renovation is expected to extend the building’s lifespan by 25 years, allowing future generations to enjoy the same sense of community and excitement the New Orleans landmark has fostered for nearly half a century,” it said.
    Other restorations of iconic buildings include Foster + Partners’ interior overhaul of the Transamerica Pyramid skyscraper in San Francisco.
    Meanwhile, natural disasters worsened by climate change continue to be an impetus to design buildings better. In light of that, Dezeen launched a series last year called Designing for Disaster to highlight the different problems and solutions architects and designers face in the face of extreme weather events.
    The photography is by Tim Hursley.

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    Iosa Ghini Associati clads Fiandre office in “decorative skin” of ceramic surfaces

    Promotion: architecture practice Iosa Ghini Associati has renovated the 1980s headquarters of Italian surfacing manufacturer Fiandre in Castellarano, using ceramic to cover almost the entire interior from the walls and floors to the custom furnishings.

    Set across three floors and 2,400 square metres, the office was originally designed by architect Quintilio Prodi in 1989 and is described by Fiandre as “vaguely post-modern”.
    Iosa Ghini Associati has renovated the Fiandre officeIosa Ghini Associati has revamped and reorganised the interiors by designer Carlo Cattani to prioritise the wellbeing of employees and encourage their return to the office post-pandemic.
    With this aim, the architectural studio, with offices in Milan and Bologna, introduced novelties including a hangout area in the basement complete with a football table, a “take one, leave one” bookshelf and rocking chairs overlooking the garden.
    The basement houses hangout areas including a football table, and a space with music and books to be sharedOffice space and meeting rooms are spread across all three floors of the building, separated by glass partitions that allow daylight to filter into the core of the building while still providing acoustic privacy.

    Different areas are also distinguished by their use of different Fiandre ceramics, which architect Massimo Iosa Ghini used across almost all available surfaces.
    Ceramic surfaces define different areas”Ceramic surfaces were applied like a changing, decorative skin to floors and walls, at times adorned with precious triangular and herringbone cuts to embellish the spaces without ever overdoing it,” Fiandre said.
    Fiandre’s ceramic surfacing was used to cover floors across all three storeys, as well as various walls, washbasins and custom desks, meeting tables, bar counters and coffee tables designed bespoke for the office.
    The ceramics can resemble marbleTo improve indoor air quality and hygiene, Fiandre chose Active Surfaces – ceramic slabs developed by Fiandre’s parent organisation Iris Ceramica Group. The photocatalytic properties of these “eco-active ceramic surfaces use light energy to trigger chemical reactions that eliminate bacteria, viruses and pollutants, converting them into harmless substances”, the company said.
    In total, the building uses 5,058 square metres of ceramic slabs, which together with the LED lights help to purify over 10,000 cubic metres of air from odours and volatile organic compounds per day, according to calculations from researchers at the University of Milan.
    In the lobby, the floor is finished in a herringbone pattern formed from alternating matte and glossy slabs of the marbled Premium White Maximum porcelain.
    The reception desk is flanked by two waiting areas, underscored in Pietra Grey Maxium and enveloped by two curving walls clad in fluted ceramic slabs made using the 4D Ceramics technology pioneered by Fiandre’s parent company Iris Ceramica Group and distributed by Sapiestone brand.
    Pietra Grey also features in the basement, combined with terrazzo-like Seminato Beige.
    Meeting rooms feature touch panels integrated directly into the stone tabletopsThe executive offices on the first floor feature walls adorned in striking blue Amazonite Maximum, while the 70-square-metre CEO office is equipped with a mini-bar and a private bathroom that features Fiandre’s highly polished Glint finish, which reflects light around the room.
    The first floor also features a huge 18-by-3-metre mural by digital artist Becha, printed on ceramic slabs using the company’s Design Your Slabs (DYS) technology and reused from Iris Ceramica Group’s exhibition space at international ceramics fair Cersaie in Bologna in 2023.
    Ridged table bases are created using 4D Ceramic technologyMeeting rooms scattered around the rest of the building can accommodate between eight and 20 people and feature tables with ridged and fluted bases made using the 4D Ceramic technology.
    The lighting and polarised windows in the meeting rooms can be controlled with touch ceramic surfaces integrated directly into the stone surface, eliminating the need for unsightly external cover plates and switches.
    Marsala Red decorates the meeting roomsAnd walls are decorated in Marsala Red with a tessellated pattern cut into the surface to provide subtle decoration.
    “The colour of the furnishings and finishes adds personality, making the spaces feel more creative and more like home, while adding a sense of timeless elegance,” the architect specifies,” Iosa Ghini said.
    Fiandre is part of Iris Ceramica Group. For more information on Fiandre, visit the company’s website.
    Partnership content
    This article was written by Dezeen for Fiandre as part of a partnership. Find out more about Dezeen partnership content here.

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    Claves evokes classic Parisian bistro interiors at cafe Le Cornichon

    French design studio Claves has transformed the interior of a Paris cafe, introducing bespoke retro-style decor that mirrors the architecture of local bars and tobacconists from the 1930s to the present day.

    Claves founders Laure Gravier and Soizic Fougeront were assigned to craft a space fuelled by nostalgia and French tradition for the reopening of Le Cornichon, a contemporary neighbourhood cafe, bar and restaurant owned by Bertrand Chauveau and Paul Henri.
    Claves has redesigned a contemporary neighbourhood cafe to evoke Parisian bistros”As the owners’ aim was to create a place where people from all backgrounds could come and go from morning to night, every day of the week, the decor had to lend itself to all kinds of scenes”, the design studio told Dezeen.
    “The morning coffee while reading the paper, the business lunch, the aperitif with friends, the romantic dinner, the evening out.”
    The interior of Le Cornichon incorporates nostalgic chrome fittings and laminate detailsLe Cornichon is positioned on a corner site, its facade and architecture designed to be indistinguishable from that of a local Parisian bar or tobacconist.

    “These are highly identifiable but timeless places, which don’t refer to any particular period, or rather which cross the eras by adjusting as they go along”, said Claves.
    Touches of different period styles are reflected in the cafe’s decor. Its interior was completely redone from floor to ceiling, and Claves also redesigned the bay windows and blinds for its facade.
    A glossy lacquered wave ceiling is highlighted by painted walls with textured plasterClaves designed the cafe’s speckled mosaic flooring to reflect the typical architecture of the 1930s, while the creation of a glossy lacquered wave ceiling was a nod to 1950s Italy.
    Textured plaster was applied to painted walls to create contrast and highlight the ceiling.
    “We used the classic palette of Parisian bistros, including Bordeaux red, bottle green, cream and chrome details”, said the design studio.

    El Fant Café and Bar celebrates both traditional and contemporary Finnish design

    The counter and waiter station of the bar are covered in laminate travertine effect panels in matt red, with walnut effect worktops in gloss black.
    Le Cornichon’s bar was clad in laminate fittings reminiscent of Formica, a material invented at the beginning of the 20th century and used in many post-war bars and tobacconists.
    Neon green bar lights pay homage to the space-age design style of the 1960s”We wanted customers to feel comfortable and at home very quickly, that there would be ‘regulars’,” said Claves. “That’s why we’ve taken the codes that everyone knows and built a space that’s rhythmic, harmonious and punctuated with amusing details.”
    1980s-style mirrors and chrome rod strips, inside and on the facade, add shine and give rhythm to the space. The studio also added neon-green lights to evoke the space-age design style of the 1960s and lend a party atmosphere to the cafe.
    A decorative ‘smoke’ frieze aligns the velvet-padded banquette seating area”We also wanted to create a very cinematic space, like in Cédric Klapisch’s film Un air de famille,” explained the design studio. “This is reflected in strong markers such as the painted ‘smoke’ frieze and the fresco in the toilets.”
    The decorative frieze, which evokes wisps of smoke, was created by decorative painter Mauro Ferreira.
    Le Cornichon’s toilet displays a fresco mural paintingAccompanying laminate tables are green banquettes padded in thick velvet, which were custom-designed and produced by a Parisian workshop in the style of typical comfortable cafe bench seating.
    Wave-shaped backrests echo the ceiling design and the wisps of smoke in the frieze. Chromed steel and black artificial-leather chairs were also custom-designed and made by another local workshop.
    Numerous items were hunted down by the design studio to add a patina element to the interior, including the washbasin, mirror and bar lights.
    “The pinball machine was hired from a vintage arcade game enthusiast and the postcard holder was bought from a specialist website,” said Claves.
    Before founding Claves in 2022, Gravier and Fougeront gained experience working together over several years for French interior designer Pierre Yovanovitch.
    Other retro cafe, bar and restaurant interiors that have recently been featured in Dezeen include the Fika restaurant in Almaty, Kazakhstan, by NAAW Studio and the Sant Ambroeus Coffee Bar Aspen in Aspen, Colorado, by Giampiero Tagliaferri Studio.
    The photography is by Matteo Verzini.

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    True Joy named Dulux Colour of the Year 2025

    Paint brand Dulux has revealed an “uplifting” bright yellow colour called True Joy as its Colour of the Year for 2025.

    True Joy was chosen for its bold and sunny disposition that adds a sense of cheerfulness to interiors, according to Dulux.
    Dulux has announced a bright yellow named True Joy for its Colour of the Year 2025″Dulux Colour of the Year 2025 True Joy is an uplifting yellow – a bright and positive colour that brings optimism, pride and imagination to homes and commercial spaces,” the brand’s senior colour designer Dawn Scott told Dezeen.
    “It was chosen to inspire people to leap out of their comfort zone, to just go for it and feel confident.”
    The sunny colour aims to evoke optimism and creativityDulux worked with trend forecast researchers ColourFutures to choose the 2025 Colour of the Year. The company’s analysis across design, architecture, journalism and technology found three trends to base the colour selection on.

    “This year, our global trend forecast highlighted three major trends: the excitement of making a joyful leap into the unknown, the celebration of handmade craftsmanship and the re-embrace of heritage,” said Scott.
    “These themes have informed our choice of True Joy, along with the colour yellow more generally, creating a collection that helps you design spaces where people can feel inspired to pursue new horizons, connect with human creativity and feel rooted in their identities.”
    Dulux collaborated with ColourFutures to chose the colourScott hopes the sunny hue will provoke feelings of human connection and motivate people to make bolder colour choices.
    “True Joy will likely define the year by resonating deeply with our collective desire for change and reconnection,” she said.
    Three colour palettes incorporating True Joy were created”As we move into an era dominated by technology and AI, this colour will inspire us to embrace new frontiers, encouraging spaces that are both adventurous and spontaneous,” Scott added.
    “It will also reflect our growing appreciation for human creativity and craftsmanship, grounding us in environments filled with earthy, handmade touches that reconnect us with our humanity.”

    Soft pink Sweet Embrace named Dulux Colour of the Year 2024

    Three complementary colour palettes were also revealed alongside True Joy to offer suggested colour pairings for interiors.
    The Bold Colour Story palette contrasts True Joy with bright blues and oranges, designed to be used in education and office interiors to encourage creativity.
    Dulux suggested pairing the bright yellow with neutral shades from the Human Colour StoryThe Human Colour Story features more neutral shades of wood and clay, aiming to reflect raw materials in artisanal craftsmanship and add warmth to education and healthcare settings.
    Deep tones of brown and green characterise the Proud Colour Story palette, which was created for hospitality and residential spaces to create a welcoming atmosphere.
    The Proud Colour Story combines True Joy with deep huesDulux’s Colour of the Year for 2023 was a pale yellow named Wild Wonder and for 2024, the brand chose a soft pink colour called Sweet Embrace.
    Scott described True Joy as a striking and exciting contrast to the subtler hues that came before it.
    The rich tones of the Proud Colour Story aim to create a welcoming interior”Where Sweet Embrace provided warmth and comfort, creating spaces that made people feel at ease during uncertain times, the yellow of this year encourages a joyful leap into new horizons,” Scott explained.
    “It’s a bold and uplifting colour that reflects a shift from seeking simplicity and calm to embracing adventure and creativity.”
    The photography is courtesy of Dulux.

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    Gold-leaf wall divides renovated Barcelona apartment by Raúl Sánchez Architects

    Architect Raúl Sánchez has renovated a flat in a typical Barcelona apartment building, adding built-in cabinetry and furnishings in hues that echo the original mosaic flooring.

    The 85-square-metre flat was created following the subdivision of a larger apartment with aspects towards the Carrer d’Enric Granados on one side and a large internal courtyard on the other.
    Raúl Sánchez Architects has renovated a Barcelona apartmentSánchez’s studio was tasked with making the most of the available space, which is just six metres wide and needed to incorporate two bedrooms and two bathrooms along with a generous living area.
    Following the partitioning of the original apartment, this smaller flat was left with an entrance set within the building’s interior at one end and a gallery-like room overlooking the courtyard at the other.
    A wall covered in gold leaf separates the living area from the gallerySánchez chose to leave the main living area and gallery open to enhance the sense of space and connection with the view.

    The rest of the interior comprises private functions that are arranged along a hallway leading from the entrance to the living space.
    The gallery houses the dining room and overlooks the courtyard”I wanted to maximise the light throughout the apartment and make something special of the corridor that was necessary given the situation of entering at one end,” the architect told Dezeen.
    “Even though the apartment is small, there are different space situations like differences in height, materials, dimension or colour, which create a very rich experience inside the flat.”
    The kitchen features a pink marble splashbackThe hallway is lined with full-height cabinetry, incorporating doors that lead to the bedrooms on either side. Each bedroom receives natural light and ventilation from a window that opens onto an internal courtyard.
    Small annexes that serve as dressing rooms connect the bedrooms with en-suite bathrooms, one of which is also accessible from the hallway. These spaces feature cabinets, shelves and handles made from water-resistant varnished MDF.
    The flat is styled with modern design pieces including a sofa from KragelundThe walls lining the hall feature a rose-gold finish, only interrupted by a pair of dark blue lacquered bookshelves roughly halfway along.
    Sánchez explained that the colour choices derive directly from the intricate mosaic floors, which were preserved and treated to restore them to their original condition.

    Red accents enliven social housing block on triangular plot in Barcelona

    Rooms where the mosaic had previously been removed now feature off-white micro cement floors.
    “Everything inside the apartment has a bit of that brownish-reddish-beige hue of the tiles,” he pointed out. “Even the blue of the shelves, which may seem a big contrast, can also be found in the tiles.”
    Full-height cabinetry lines the hallway of the flatThe hallway’s walls form a datum that extends through into the living space, where the original exposed ceiling beams create a differentiation in height that is emphasised by a subtle change in colour.
    The rose-gold hue used for the cabinets is echoed by a pink Portuguese marble splashback in the kitchen that was assembled from unmatched salvaged slabs.
    Small annexes connect the bedrooms with en-suite bathrooms from the hallwayAn existing structural wall separating the living area from the gallery space was covered with gold leaf in order to lighten its appearance and conceal its load-bearing purpose.
    “This imparts a more symbolic and abstract presence, serving as a connection element with the exterior, reflecting the light that falls upon it from the backyard,” said Sánchez.
    The flat’s furnishings echo the mosaic flooring of the original apartment designThe property is owned by a client based in Dubai, who will use it as a pied-a-terre as well as renting it out some of the time.
    It was styled with modern design pieces including a sofa from Kragelund, a chaise longue by Sancal and a cork stool from Vitra.
    Dark-blue lacquered bookshelves coexist side-by-side with the rose-gold cabinetryLocal gallery Víctor Lope Arte Contemporáneo provided the various artworks.
    Raúl Sánchez has lived and worked in Barcelona since 2005, where his studio takes on global projects across architecture, interiors, urbanism and design.
    The office was named emerging interior design studio of the year at Dezeen Awards 2022 and has previously completed projects including a townhouse with a four-storey spiral staircase and an apartment featuring a shiny brass wardrobe.

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    Bureau Tempo applies subtle tones and textures to renovated Brooklyn loft

    Canadian studio Bureau Tempo has completed a “gentle redesign” of a loft space in Brooklyn, New York, which features a subtle pale green kitchen and fritted glass partition walls.

    The home faces the busy Atlantic Avenue thoroughfare that runs through the Brooklyn Heights neighbourhood and enjoys tall ceilings and large windows at either end.
    A mural depicting Prospect Park is painted above the loft’s den areaMeasuring 1,600 square feet (150 square metres), the loft is roughly divided into three sections.
    At the front are the primary bedroom – painted in a colour called Dead Salmon by Farrow & Ball – and an office space that is equipped with a foldaway Murphy bed that can be deployed for guests.
    The dining room features a large black table and matching Windsor chairsThis multifunctional space is separated from the living area by a partition of wood and fritted glass panels.

    Folding doors open to connect with the lounge and dining area, but the light can still reach these central spaces when closed thanks to the glass.
    The lounge is furnished with comfy sofas and armchairs, plus an oxblood-coloured coffee table”The addition of an operable wood and fluted-glass wall between the primary space and the Atlantic Avenue end of the home allows for an open office by day and an inviting and private quarters when hosting guests,” said Bureau Tempo.
    The lounge is furnished with comfy sofas and armchairs, plus an oxblood-coloured coffee table, all placed atop a rug by Armadillo.
    The office space can be opened up to the rest of the apartment with folding panelsBeyond is the dining area, where a large black table is accompanied by six Windsor chairs and a pair of stretched-fabric pendant lights that hang overhead.
    The final portion of the loft is raised up two steps, and contains a den area with more soft seating and the kitchen.
    A retractable Murphy bed allows the office to double as a guest roomAbove a section of bead-board panelling where the TV is mounted, a mural by artist and friend of the loft’s owners Melody Lockerman depicts nearby Prospect Park.
    “Painted in tones that compliment choices throughout, the mural adds a welcome touch of levity,” Bureau Tempo said.

    General Assembly exposes wooden beams inside revamped Brooklyn loft

    In the kitchen opposite, textured four-by-four-inch ceramic tiles create a subtle checkerboard pattern of pale pink and white across the floor.
    Millwork on the central island and lower cabinets was painted a very light shade of green and is accented with brass hardware.
    Fritted glass panels allow light from the front window to penetrate deeper into the apartment”These rooms share a direct connection with the intimate yet spacious and light-filled north facing terrace, which dramatically extends the perception of the home’s size,” the team said.
    The majority of the walls throughout the apartment are covered in a textured lime plaster finish by Bauwerk Colour, complementing exposed wooden ceiling beams in each room.
    The primary bedroom is painted in Dead Salmon by Farrow & Ball to contrast the lime plaster in other spacesMany of Brooklyn’s former industrial buildings now house chic apartments and lofts, many of which maintain nods to their past.
    At a residence in Gowanus, wooden structural elements were uncovered and retreated during renovations by General Assembly, while a home inside a former chocolate factory in Bedford-Stuyvesant has ductwork and services are left exposed.
    The photography is by Alex Lesage.

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    Eight sumptuous members’ clubs united by luxury interiors

    A dog-shaped bronze sculpture and pale pink onyx basins feature in our latest lookbook, which collects a selection of lavish members’ clubs from around the world.

    Members’ clubs are private spaces that offer social and other facilities to paying members, typically designed with luxurious touches.
    From a newly opened venue in São Paulo to one of London’s first nightclubs, these eight projects reveal the breadth of visual influences and materials that make up these exclusive spaces.
    This is the latest in our lookbooks series, which provides visual inspiration from Dezeen’s archive. For more inspiration, see previous lookbooks featuring giant sofas, statement bathtubs and self-designed homes by architects and designers.
    Top: photo of House of Koko by Lesley Lau. Above: photo by Christopher SturmanSoho House São Paulo, Brazil, by Soho House & Co

    Global members’ club Soho House recently opened its first South American location in São Paulo’s Cidade Matarazzo, a group of early 20th-century Italianate maternity ward buildings.
    The club’s in-house design team looked to Brazilian modernism when creating the interiors, which feature textured plaster walls and locally made artisanal furniture.
    Find out more about Soho House São Paulo ›
    Photo by Ryan WicksGeorge, UK, by Richard Caring
    George is a dog-friendly private members’ club in London’s Mayfair, complete with an oversized sculptural relief of a bronze dachshund.
    Refurbished by restaurateur Richard Caring, the club is characterised by rich decoration, including antique brass and fluted mahogany panels in the basement’s art deco-style Hound Bar.
    Find out more about George ›
    Photo courtesy of Martin Brudnizki Design StudioAnnabel’s, UK, by Martin Brudnizki Design Studio
    Also owned by Caring, Annabel’s is another Mayfair members’ club with a similarly decadent design, crafted to elicit a sense of “fantasy”. The famed venue was one of London’s first nightclubs.
    New York firm Martin Brudnizki Design Studio aimed to reference “English eccentricity” when renovating the interiors, which incorporate baby-pink onyx basins and a handmade silk flower-lined ceiling in one of the bathrooms.
    Find out more about Annabel’s ›
    Photo by Lesley LauHouse of Koko, UK, by Pirajean Lees and Olly Bengough
    London’s iconic Koko music venue reopened in 2022 following a major renovation and expansion by Archer Humphryes Architects.
    Part of the project involved the creation of House of Koko, a “timeless” members’ club designed by local firm Pirajean Lees and Koko’s owner Olly Bengough. The club includes timber-clad vinyl listening rooms with under-seat record storage to give guests the feeling of sitting in a retro train carriage.
    Find out more about House of Koko ›
    Photo by Fabien CharuauSoho House Mumbai, India, by Soho House & Co
    Soho House Mumbai is the members’ club’s first location in India. Former design director Linda Boronkay chose “regional materials and bespoke pieces sourced nearby” when creating the textile-heavy interiors.
    A deep blue cinema features on the first floor, finished with padded walls upholstered in handprinted fabric sourced from the country’s Rajasthan region.
    Find out more about Soho House Mumbai ›
    Photo by Taran WilkhuAllbright London, UK, by Suzy Hoodless and Beth Greenacre
    Women-only members’ club Allbright opened its second-ever outpost in Mayfair, featuring art pieces by exclusively female creatives across its five floors.
    Bathrooms were clad with eclectic coloured wallpaper, including a graphic dragon print finished in shades of pink and purple.
    Find out more about Allbright London ›
    Photo by Clemente VergaraLàlia, Mallorca, by Tatjana von Stein
    Làlia is a private members’ club in Palma, Mallorca. London studio Tatjana von Stein created the interior for the venue, which was restored and renovated in collaboration with local practice Gras Reynès Arquitectos.
    A jewel-toned palette referencing the sunny colours of the Palma region was implemented throughout, including yellow upholstery informed by Mallorcan buildings.
    Find out more about Làlia ›
    Photo by Aubrie PickChief Los Angeles, USA, by JM|A+D, TAP Studio and AvroKO
    New York studio AvroKO designed the interiors for this Hollywood members’ club, which admits “powerful women in business”.
    Set within a former puppet theatre built in the 1940s, Chief Los Angeles is characterised by rich colours and furniture chosen to create a residential feel. The club incorporates many pieces by female artists and designers.
    Find out more about Chief Los Angeles ›
    This is the latest in our lookbooks series, which provides visual inspiration from Dezeen’s archive. For more inspiration, see previous lookbooks featuring giant sofas, statement bathtubs and self-designed homes by architects and designers.

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    Eight contemporary living rooms with sculptural coffee tables

    Block-shaped, curved and wavy tables are among the unusual designs in this lookbook, which features sculptural coffee tables from around the world.

    In these homes. from India to Sweden, interior designers have used coffee tables with sculptural shapes to add a fun detail to the living room.
    While the designs may feel a bit quirky, the tables all manage to be practical as well as eye-catching, whether they’re made from glass, stone, wood or steel.
    This is the latest in our lookbooks series, which provides visual inspiration from Dezeen’s archive. For more inspiration, see previous lookbooks featuring homes with pull-out furniture and dramatic circular openings and skylights.
    Photo by Joe FletcherTwentieth House, US, by Woods + Dangaran

    Floor-to-ceiling windows let light into the living room of this Australian home, which was designed around a decades-old olive tree.
    At its centre, a blocky rectangular coffee table made from polished brown stone complements comfortable lounge chairs in a matching brown hue.
    Find out more about Twentieth House ›
    Photo by Prue RuscoePalm Beach House, Australia, by YSG
    The striking stone coffee tables in this home look like solid blocks at first glance, giving them a monolithic effect that grounds the living room.
    Their marble patterning in beige and pinkish shades fit well into the room’s overall colour palette of faded rose and beige hues.
    Find out more about Palm Beach House ›
    Photo by Alice MesguichAmsterdam School house, the Netherlands, by DAB Studio
    The interior of this Dutch house was designed to reference the country’s Amsterdam School movement from the 1920s and 30s but with added contemporary touches.
    Among its many playful details is a sculptural coffee table made from glass that balances on a triangle and a rectangular block, its geometric shapes a nod to the many other angular furniture pieces in the room.
    Find out more about Amsterdam School house ›
    Photo by Jonas Bjerre-PoulsenForest Retreat, Sweden, by Norm Architects
    Copenhagen studio Norm Architects used peaceful colours and tactile materials for the interior of this holiday home in Sweden.
    Its furniture is similarly pared back, including a low-slung wooden coffee table with a decorative grainy surface that appears to float above the floor.
    Find out more about Forest Retreat ›
    Photo by David DworkindQuébec home, Canada, by Ménard Dworkind
    A steel table with an angular geometric shape adds a sleek, polished feel to the cosy rug and cushioned white sofa in the living room of this home designed by local studio Ménard Dworkind.
    The table’s steel top rests on stone blocks, creating a surprising material juxtaposition in the calm living space.
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    Photo by Maarten WillemsteinHome Dijkhuis, the Netherlands, by Studio Modijefsky
    Named Dijkhuis for its setting next to a dyke in Amsterdam, this traditional home was designed by interior studio Studio Modijefsky.
    In its living room, a corduroy sofa in a muted forest green colour and a leather armchair provide seating around a vintage clover-shaped coffee table made from travertine and wood.
    Find out more about the Dijkhuis ›
    Photo by Ishita SitwalaMumbai apartment, India, by The Act of Quad
    This multigenerational Mumbai apartment, which even has its own temple, features orbs and circles throughout its interior, including in the living room.
    Here, a sculptural coffee table and bench are among the custom-made furniture pieces by Indian studio The Act of Quad. The table was designed to match the bench, with alternating brown and wood colour combinations.
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    Photo by David MitchellTribeca loft, US, by Timothy Godbold
    New York interior designer Timothy Godbold created panels inspired by “a classic 1970s sci-fi series,” for this Tribeca loft, the studio said. Its living room features a pale rug with a pattern resembling a computer circuit board.
    Sofas with circular details add to the space-age feel, while an oblong-shaped coffee table with its own built-in plant pot contributes some greenery to the pale interior.
    Find out more about the Tribeca loft ›
    This is the latest in our lookbooks series, which provides visual inspiration from Dezeen’s archive. For more inspiration, see previous lookbooks featuring homes with pull-out furniture and dramatic circular openings and skylights.

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