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      Rise Design Studio opts to “reuse and recycle” for Carousel restaurant interior

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      London restaurant Carousel has moved to a new venue but taken many of its old fixtures and fittings with it, thanks to an environmentally conscious approach from Rise Design Studio.

      Founded seven years ago by brothers Ollie and Ed Templeton, the restaurant has moved into three converted Georgian townhouses in Fitzrovia, with dining rooms on two floors.
      Rise Design Studio designed the original Carousel restaurant in Marylebone, so the architects decided to be as resourceful as possible when repeating the formula in a new location.
      Carousel occupies three converted Georgian townhouses in FitzroviaSeveral design elements from the original restaurant have been repurposed in the new location.
      These include the tall metal-clad entrance door, which can now be found at the entrance to one of the dining rooms, and a copper light window that is now installed internally rather than externally. A set of Spanish wall tiles were also carefully removed and now serve as floor tiles.

      These are combined with new colours and textures, from materials such as painted brickwork and terrazzo-style tiles.
      A guest kitchen and dining room is lit from above by a large skylight”Carousel 2.0 was an opportunity to create new spaces which didn’t exist in the original Carousel,” said Rise Design Studio director Imran Jahn. “But we also did not want to lose the feel of the original.”
      “We wanted to re-use and recycle,” he told Dezeen. “We wanted previous customers and returning guest chefs to be reminded of Carousel 1.0, so we proposed to retain finishes, fixtures and fittings and use them again here.”
      Wall tiles from the previous Carousel venue have been reused here as floor tilesThe new property gives the restaurant enough space for several dining rooms and kitchens plus, for the first time, a wine bar.
      On the ground floor, the bar sits in between an all-day dining room and a space for Carousel’s ever-changing roster of guest chefs. The former faces the street, while the latter is lit from above through a lightwell.
      The all-day dining room features painted brickwork and terrazzo-style tilesThere’s also a separate diner-style restaurant space intended for new dining concept launches, which is currently occupied by Goila Butter Chicken.
      Upstairs, a subdividing lounge/events space leads through to a private dining room.
      A wine and cocktail bar is sandwiched between the two ground-floor spaces”Ed and Ollie had scoped out a draft layout of the various zones they wanted to create before we were introduced to the project,” said Jahn. “They needed our design expertise in interiors to help bring it all together.”
      A consistent element throughout the interior is the use of industrial-style Crittall screens and doors, which are infilled with fluted glass.
      Concrete counters feature slatted wooden frontsSeveral rooms feature walls finished with a type of Nordic plaster that comes in different colours and creates a smooth, durable and multi-tonal surface. The guest kitchen is a mid-grey shade, while the private dining room is soft green.
      Other details include concrete counters with wooden slatted fronts, exposed steel structural beams and formica tables.
      An events space leads through to a private dining room”The overall tone of the proposals brings together the distinct spaces but allows them to sit happily in their individuality,” said Jahn.
      “The use of Crittall screens throughout and reeded glazing provides for continuity but also an air of mystery for the viewer wanting to find out more about the partially hidden spaces within.”
      A special type of plaster gives a multi-tonal quality to the wallsThe new Carousel location welcomed its first diners in November 2021. The all-day menu, prepared by Ollie, includes a range of small plates including beef tartare toast, confit pumpkin with burrata and sage, and grilled mackerel flatbread.
      “We’ve been dreaming about this move for a long time,” said Ed. “We loved being a part of the Marylebone community, but we genuinely couldn’t have imagined a more exciting neighbourhood, or a more fitting home, to be moving into.”
      Carousel offers an all-day menu and also hosts a roster of guest chefs”You’ll find all the best bits of the old Carousel in the new space, with some fun additions like the neighbourhood wine bar, where you’ll finally be able to experience the kind of food that Ollie likes to cook, in an easygoing all-day setting,” he added.
      Other recent restaurant openings in London include Kol, a Marylebone eatery with a Mexican menu, and Maido, a sushi restaurant in St John’s Wood.
      Photography is by Joe Okpako. Video is by Henry Woide.

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      Twelve Berlin architecture studios photographed by Marc Goodwin

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      British photographer Marc Goodwin has gone behind the scenes at 12 architecture studios in Berlin including Barkow Leibinger and Sauerbruch Hutton for the latest in his photography series exploring where architects work.

      Goodwin, who is the founder of studio Archmospheres, has documented architecture studios in cities across the world including Istanbul, Shanghai and São Paulo.
      Following a brief hiatus caused by the coronavirus pandemic, he is now continuing his global tour by visiting offices across Europe including those in the German capital.
      “We are working our way around Europe at the moment and Berlin is of course one of the major stops on that tour,” he told Dezeen.
      “The idea was to go there two years ago but a little something got in the way.”

      São Paulo studios of Brazilian architects including Paulo Mendes da Rocha captured in photos

      The Berlin series offers a glimpse inside 12 architecture studios including Barkow Leibinger, LAVA, Sauerbruch Hutton and Studio Karhard, the designer of the city’s renowned nightclub Berghain. The studios range in size from three employees to 140 members of staff and occupy a mix of purpose-built offices and adaptively reused buildings.
      Goodwin described the experience as “Vorsprung durch Technik” – referring to the famous slogan of German carmaker Audi, which translates as “progress through technology”.
      “There was little of the Bohemian Berlin of bygone days – that was what struck me most,” Goodwin explained.
      “It seemed a very professional place of work and I’ll be interested to compare it with upcoming shoots in Munich, Frankfurt and Stuttgart.”
      Scroll down for a look inside 12 architecture studios in Berlin:

      Barkow Leibinger
      In this space since: 1997Number of members of staff: 80Building’s history: located at Schillerstraße 94 by Georg Lewy

      Bundschuh Architekten
      In this space since: 2007Number of members of staff: nineBuilding’s history: former counselling centre

      Christoph Hesse Architects (Berlin)
      In this space since: 2018Number of members of staff: threeBuilding’s history: old workshop

      FAR
      In this space since: 2019Number of members of staff: 10Building’s history: new build

      Graft
      In this space since: 2007Number of members of staff: 90Building’s history: former carburetor production facility

      Studio KarhardIn this space since: 2010Number of members of staff: nineBuilding’s history: residential

      Jasper
      In this space since: 2017Number of members of staff: 26Building’s history: office building

      JWA
      In this space since: 2018Number of members of staff: 27Building’s history: commercial building

      Kleihues
      In this space since: 1989Number of members of staff: 80Building’s history: former waste-loading station by Paul Baumgarten

      LAVA
      In this space since: 2021Number of members of staff: 29Building’s history: brewery and bottle store

      Richter Musikows
      In this space since: 2015Number of members of staff: eightBuilding’s history: new build

      Sauerbruch Hutton
      In this space since: 1991Number of members of staff: 140Building’s history: historic barracks

      Tchoban Voss (Berlin)
      In this space since: 1995Number of members of staff: total: 80Building’s history: located atHackesche Höfe complex by Kurt Berndt

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      Neil Dusheiko transforms London fashion showroom into light-filled home

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      Architect Neil Dusheiko has converted a showroom in west London into a bright, contemporary residence designed to meet the changing needs of its elderly owners.

      Nicknamed Danish Mews House for its minimalist Scandinavian furnishings, the home is tucked away in a quiet mews lane in the Lancaster Gate area.
      The mews house was once a showroom for the owner’s fashion companyAlthough in recent years the current owners repurposed the building as a showroom and warehouse for their clothing company, it was originally built as a Georgian coach house for storing horse-drawn carriages.
      Dusheiko’s primary concerns when converting the property into a home were bringing in more light, as well as making sure that the interior could support its inhabitants as they grow older.
      The main kitchen and sitting room are on the first floorFor this purpose, the house was fitted with a guest bedroom, kitchenette and toilet on the ground floor, which could ultimately be used by the inhabitants themselves in case their mobility becomes restricted.

      A lift was installed to provide easy access to the upper floors of the house, which can also be reached via a central staircase.
      Glazing in the stairwell brings light into the living spacesIn the stairwell, a newly installed skylight and a wall of gridded glazing on the first-floor landing allow sunlight to seep into the interior.
      Behind the glass partition lies a sitting room and a kitchen with oatmeal-coloured cabinetry as well as a small dining area.
      Light leaks in from a skylight at the top of the stairwell. Photo by Rachael SmithBoth here and throughout the rest of the home, several of the furnishings were sourced from well-known Danish design brands including Carl Hansen, Louis Poulsen and Montana.
      The second floor is illuminated by six new dormer windows and accommodates another two bedrooms plus their respective en-suite bathrooms.

      Neil Dusheiko creates home for his father-in-law featuring a wall of ceramics and glassware

      The principal bedroom is largely clad in wood, save for a section on the rear wall that is finished in chintzy floral wallpaper.
      Glazed doors with black metal frames run along one side of the room and can be slid open to access a sun terrace lined in Douglas fir battens.
      Floral wallpaper features in the principal bedroom. Photo by Rachael SmithThe space is decorated with a couple of folding director’s chairs and a built-in white-brick planter.
      Danish Mews House is one of several residential projects that Neil Dusheiko has completed in London.
      The room also has its own sun terrace. Photo by Rachael SmithPreviously, the architect created a home for his father-in-law in Stoke Newington, in which a striking wall of shelving is used to display ceramics and glassware.
      Dusheiko also overhauled a home in Hammersmith, introducing a curved brick extension and a cinema room.
      The photography is by Ståle Eriksen unless stated otherwise.
      Project credits:
      Architect: Neil Dusheiko ArchitectsStructural engineer: Price and MyersContractor: ABC LimitedQuantity surveyor: White and Lloyd

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      Alex Meitlis uses plaster and terrazzo to create pink tones in Ottolenghi Chelsea

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      London deli chain Ottolenghi has taken a new approach with its latest venue, styled by interior designer Alex Meitlis with a palette of warm pink and red hues.

      Ottolenghi Chelsea features bare plaster walls, pink terrazzo tiles, red upholstered seating and rattan seats.
      The look is a departure from the other Ottolenghi delis, where the design is typically more bright and minimal.
      Pink and red tones feature throughout Ottolenghi ChelseaMeitlis has been behind the design of all the other delis, as well as sister restaurants Nopi and Rovi, which all feature the food of Israeli chef Yotam Ottolenghi and business partners Noam Bar and Sami Tamimi.
      Here the idea was to make more of a statement, using colours that match the Ottolenghi tableware collection recently launched by Serax.

      In the same spirit, the shopfront and exterior signage bring in vibrant shades of yellow, blue and turquoise.
      Clay plaster walls are left exposed”I take my approach from looking very closely at Yotam’s approach to his food,” said Meitlis, who has studios both in London and Tel Aviv.
      “It’s about taking very basic ingredients but using them in a slightly different way.”
      Pink terrazzo features on the walls and floorsThe clay plaster on the walls was made using recycled bricks, which provide the warm terracotta colour.
      The multi-tonal character of this material is emphasised by curving walls that offer a play of light and shadow.

      Cristina Celestino uses plaster and terracotta for 28 Posti restaurant interior

      Meitlis worked with artist Ivo Bisignano – who also designed the tableware collection – to create the restaurant’s distinctive floor, where pink terrazzo alternates with white tiles to create a striped effect.
      The same terrazzo also features on wall surfaces at the front of the space and behind the deli counter.
      Upholstered banquettes have a graphic feel, with cylindrical cushionsThe upholstered banquettes bring a geometric element to the design, combining blocky seats with cylindrical cushions. The choice of red fabric allows these to become the most eye-catching elements in the space.
      They are paired with white circular tables and Mies van der Rohe-designed MR Chairs, which introduce more curves.
      Curves are integrated in the wallsOther elements include the familiar deli counter, where the cakes, pastries and salads create an appetising display.
      “We usually start from scratch; almost all elements of the design are made specifically,” Meitlis told Dezeen. “The only items we bought were the iconic Mies chairs.”
      “Once again, it’s about mirroring the brand’s attitude; all the food is made in the kitchen, with few elements pre-prepared.”
      The facade features shades of yellow, blue and turquoiseOttolenghi Chelsea opened in January 2022 and is located on Pavilion Road, in a converted Victorian stable building that is now home to various independent retail brands.
      Dishes for Ottolenghi delis and restaurants are developed at the brand’s test kitchen in Holloway, which was recently overhauled by Studiomama with pops of saffron yellow and raspberry red.

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      McLaren Excell unveils minimalist London headquarters for Samsung Design Europe

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      Only a handful of spruce partitions carve up the pared-back interior of this London office, which McLaren Excell has created for Samsung’s European design studio.

      Set inside a 21-storey tower known as the Can of Ham building, Samsung Design Europe is one of the tech company’s seven product design hubs across the globe, with other outposts located in the US, China, Brazil, India, Japan and South Korea.
      Local architecture studio McLaren Excell said it devised the minimalist interior for the London headquarters to “consign the formality of the workspace to the past”.
      Spruce wood partitions break up the Samsung Design Europe headquarters”[The office] instead embraces a more relaxed, informal and experiential place of work,” explained the firm’s co-founder Luke McLaren.
      “We want the Samsung office to have all the qualities that are enjoyable about your home – a softness, a sense of calm, a high degree of tactility, spaces to congregate, spaces to which one can withdraw – but all the while nurturing that sense of welcome, of belonging, of enjoyment.”

      As a result, the office features just a handful of glue-laminated spruce partitions that loosely split the floor plan into private meeting rooms and communal zones where staff members can engage in more collaborative work.
      Spruce fins also run along the office’s windowsSpruce glulam also forms a series of vertical fins, which appear at intervals along the office’s windows.
      In the breakout area, the same pale-toned timber was used to craft the dining table, counter and benches.
      Furnishings in the breakout area are made from spruceGrey linen curtains that hang from tracks on the ceiling can be used to further divide up the open-plan office while bringing a sense of tactility to the interior.
      In an effort to make the HQ seem more relaxed and inviting, planters overspilling with foliage were embedded into the top of the desk banks.

      McLaren Excell channels church interiors for The Splash Lab’s LA showroom

      McLaren Excell also abandoned a traditional lighting grid in favour of fitted lamps, which illuminate pockets of the office in more targeted and intimate ways.
      The architecture studio was founded by Luke McLaren and Robert Excell in 2010 and is based in London’s Chelsea neighbourhood.
      Planters are embedded into the office’s desk banksRecent projects by McLaren Excell include a bathroom showroom in Los Angeles with arched doorways and altar-like tables reminiscent of a church.
      The photography is by Lorenzo Zandri.

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      RCKa designs Nourish Hub to tackle food poverty in London

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      Architecture studio RCKa has transformed a row of vacant shop units in west London into a community kitchen and learning space that hopes to reduce dependency on food banks.

      Located on the Edward Wood Estate in Hammersmith, Nourish Hub provides the first permanent home for UKHarvest, a charity that uses food as a tool for social impact.
      Nourish Hub is designed to feel open and accessibleWith Hammersmith & Fulham the London borough with the highest dependency on food banks, Nourish Hub’s ambition is not only to provide food for vulnerable local residents. It offer opportunities for people to practice cooking skills, learn about nutrition and access jobs in the food industry.
      The space includes a commercial kitchen, a teaching kitchen and a flexible space that can be used as a dining room, workspace, classroom or event venue.
      A flexible interior can be used as a dining room, classroom, workspace or event venueRCKa’s role was not only to plan the interior, but to find ways of empowering the local community to get involved in the facility and make it their own.

      The design strategy focused on making the space – which previously housed a post office and a supermarket – feel as accessible as possible.
      Vibrant colours and bold signage make the space more welcomingThe facade can be opened up, thanks to sliding glass doors and a serving hatch, while bright colours and bold signage create a friendly feel throughout.
      “Getting people through the door is the first challenge, so the Hub had to seem open and welcoming to the entire community,” said RCKa director Dieter Kleiner.
      The facade integrates a serving hatch and large sliding doorsWhen developing the design, the architects decided against a traditional community engagement programme. Instead, they hosted a range of pop-up activities to attract the interest of local residents and learn about their experiences.
      They started by painting a graphic mural over the old shutters. They also set up an outdoor kitchen, created playful questionnaire cards and hosted workshops with children.

      London youth centre by RCKa features a translucent polycarbonate facade

      “It wasn’t about co-designing the space with local people; that wasn’t what we needed,” explained project architect Anthony Staples during a press tour.
      “We had three aims: to raise awareness of the project, to test ideas and to establish a local identity.”
      A ceiling mural design came out of a children’s workshopIn one children’s workshop, participants created graphic designs out of raw fruit, vegetables and grains.
      One of these designs is now painted on the ceiling, while another has been turned into ceramic wall tiles.
      The training kitchen includes wheelchair-accessible surfacesFor the interior layout, RCKa took cues from Victorian kitchens. The teaching kitchen takes the form of a large island, while open cabinets display tableware and cookbooks.
      “We were really inspired by old-fashioned kitchens, which are very performative,” said Staples.
      “Everything is on display, so when you go in, you feel like you want to touch and grab things.”
      Open shelving was favoured over cupboardsThe space is furnished with wooden tables, and chairs in bold shades of red and yellow.
      There are also various details added in to make the space accessible to a wide range of users. These include lowered surfaces that cater to wheelchair users and a curtain that supports those with specific privacy needs.
      The children’s design workshop also provided graphics for ceramic wall tilesYvonne Thomson, the CEO of UKHarvest, believes the concept can help to tackle issues of food poverty and insecurity, which impact an estimated 8.4 million people in the UK.
      The project was realised with funding support from the Mayor of London’s Good Growth Fund, as well as the borough, but the target is for Nourish Hub to become financially self-sufficient within three years.
      “Great care has been taken to create a versatile space that enables us to facilitate positive change and meet the needs of different community groups,” Thomson said.
      The architects began the community engagement process by painting the old shuttersRCKa compares the project with its previous work on The Granville, a community centre with the purpose of providing accessible workspace for local startups.
      Staples believes these types of projects could easily be replicated across the UK, to bring change at a large scale.
      “This project is totally replicable,” he said. “We could roll them out in a lot of London boroughs and beyond.”
      Photography is by Francisco Ibáñez Hantke.

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      Ten cavernous interiors that swap corners for curves

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      A nursery by Junya Ishigami and MAD’s Cloudscape of Haikou feature in our latest lookbook, which highlights 10 softly contoured interiors from the Dezeen archive that were modelled on the sinuous shapes of clouds and wind-smoothed caves.

      Whether crafted from plaster, concrete or wooden panels, undulating walls can help to bring a sense of intimacy to otherwise large, impersonal spaces.
      Beyond just looking pretty, they can also be a practical solution to integrate everything from seating to storage into the fabric of the interior, while concealing unsightly mechanical and electrical systems.
      This is the latest in our series of lookbooks providing curated visual inspiration from Dezeen’s image archive. For more inspiration see previous lookbooks showcasing bright-white kitchens, cosy conversation pits and self-designed homes by architects and designers.
      Photo is by Joe FletcherSoftie, USA, by OPA

      Design studio OPA subverted the rational modernist grid of this house near San Francisco by overlaying a series of cloud-like architectural features on top of its existing structural shell.
      Its load-bearing columns are now enveloped by bulging white walls, while ceilings droop down to form a series of intimate seating nooks as well as a cove that surrounds the freestanding circular tub in the bathroom.
      Find out more about Softie ›
      Photo is by Paola PansiniFerrari flagship, Italy, Sybarite
      Going down a sleeker, more space-age-style route, London studio Sybarite carved out a sinuous display area at the centre of Ferrari’s lifestyle concept store in Maranello to house the carmaker’s debut fashion collection.
      The otherwise open-plan interior is cast in shades of glossy red and white and also incorporates touches of mahogany, which was used to make Ferrari’s original Enrico Nardi steering wheels of the 1950s and 1960s.
      Find out more about the Ferrari flagship ›
      Photo is by Lars Petter PettersenCabin at Norderhov, Norway, by Atelier Oslo
      Curved birchwood panels engulf the walls and ceilings of this cabin, turning it into a cosy refuge on the banks of Norway’s Lake Steinsfjorden while sweeping windows provide panoramic views over the natural landscape.
      Like a winding tunnel, the interior was designed as one continuous space, with the bedroom cordoned off from the open floor plan by a heavy grey curtain.
      Find out more about the Cabin at Norderhov ›
      Photo is by Yiorgos KordakisTwo Holiday Houses in Firostefani, Greece, by Kapsimalis Architects
      Three rocky vaulted caves, which once provided additional storage space for a traditional dwelling on Santorini, were smoothed out and finished with earthy-hued plaster to create this summer house by local practice Kapsimalis Architects.
      Colours, finishes and fittings throughout the interior were designed to reflect the building’s humble origins, incorporating arched niches and doorways, flush built-in storage and furniture made by local craftsmen.
      Find out more about Two Holiday Houses in Firostefani ›
      Photo is by CreatAR ImagesCloudscape of Haikou, China, by MAD
      Designed to evoke “a wormhole that transcends time and space”, the interior and exterior of MAD’s library on Hainan Island were cast as one continuous vessel without any right angles.
      On the inside, the sinuous white concrete shell forms small reading nooks and bookcases recessed into the walls, while concealing all of the building’s electrics and plumbing.
      Find out more about Cloud of Haikou ›
      Photo is by Tom FergusonNational Museum of Qatar gift shop, Qatar, by Koichi Takada Architects
      Around 40,000 slabs of wood were stacked on top of each other and assembled by hand to form the soaring walls and built-in shelves of the gift shop in the National Museum of Qatar.
      The interior, much like the Jean Nouvel-designed building, pays homage to Qatar’s desert landscape – particularly the crystal-crusted cavern of Dahl Al Misfir, which tunnels deep into the earth outside Doha.
      Find out more about the gift shop ›
      Photo is by Simone BossiMyrto, Sardinia, by Studio Wok
      Studio Wok looked to the way that the wind carves granite rocks on the Sardinian coast into sinuous, almost architectural structures when designing this pizzeria, set in the island’s port town of Porto Cervo.
      This erosive process is referenced in the restaurant’s curved, sandy pink plaster walls and arched windows, which are complemented by custom furnishings including a tiled counter in varying shades of green that echo the colours of local shrubs.
      Find out more about Myrto ›
      Photo is by Edmund SumnerCloud Garden, Japan, by Junya Ishigami
      Rather than covering up the bulky columns found in this high-rise office block in Atsugi, Junya Ishigami converted its former cafeteria into a nursery by inserting wiggly concrete partitions, creating archways and pathways as well as various spaces for play.
      “There are crevices that only children can pass through, and absent spaces that are considered large even for adults,” Ishigami said. “It is a space that softly ties in various objects and scales.”
      Find out more about Cloud Garden ›
      Photo is by 1988 Photography StudioTT Pilates, China, by Wanmu Shazi
      Designer Wanmu Shazi used micro-cement to cover up not just the walls but also most of the windows in the TT Pilates studio, which is located in a typical high-rise office building in Xiamen.
      Only a few organically-shaped openings allow visitors to catch glimpses of the sky while letting light dapple into the interior, in a bid to shut out the usual hustle and bustle of the Chinese port city.
      Find out more about TT Pilates ›

      Grotto, Canada, by Partisans
      Cedarwood panelling creates an undulating terrain inside this sauna in Canada, curving up from the floor to form stepped seating and skewed porthole windows as well as enveloping the wood-burning stove.
      Set on a craggy outcrop on the shore of Lake Huron, it was designed to resemble a seaside grotto carved out by the water, while its exterior was moulded perfectly to the rock formation using a 3D scanner.
      Find out more about Grotto ›
      This is the latest in our series of lookbooks providing curated visual inspiration from Dezeen’s image archive. For more inspiration see previous lookbooks showcasing bright-white kitchens, cosy conversation pits and self-designed homes by architects and designers.

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      GS Design repeats arch motifs throughout Sumei Skyline Coast hotel on Hainan Island

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      Cresting ocean waves served as a blueprint for the arched forms found on the interior and exterior of this beachside hotel that GS Design has created in Sanya, China.

      Located on the tropical island of Hainan, the Sumei Skyline Coast hotel was designed to reference its immediate environment.
      Arches feature on the interior and exterior of the Sumei Skyline Coast hotelThe building’s facade is punctuated by curved windows and balconies that suggest rolling waves, and is painted in a crisp shade of white to contrast the rich blues of the surrounding sea and sky.
      “We worked to craft the space into a timely and sophisticated art piece with a long lifespan of usage by adopting this classic colour,” explained Chinese architecture firm GS Design.
      Sculptural white furnishings decorate the lounge areaOn the ground floor, a series of upside-down arches runs along the wooden decking adjoining the infinity pool.

      More spots for swimming are found on the expansive roof terrace as well as in the first-floor lounge, where stepping stones lead over a curvy-edged indoor pool.
      The light-filled room is otherwise dressed with a couple of potted plants and an array of sculptural white armchairs with matching side tables.
      Stepping stones lead over the curvy-edged poolThe curved shapes seen on Sumei Skyline Coast’s exterior are echoed throughout its guest rooms, which are accessed via vaulted corridors.
      Some rooms have circular skylights or huge round headboards that project over the beds. Others feature arched recesses accommodating cushioned bench seats or vanities.

      Anonimous and JAHS repurpose historic Querétaro villa as a boutique hotel

      All bathrooms come complete with a standalone tub, positioned next to the windows to give guests optimum views of the island beyond.
      In keeping with the rest of the hotel, the guest rooms are finished completely in white with textural interest provided by tufted beige decorative cushions that are scattered over the soft furnishings.
      Arched or rounded forms are incorporated into the guest roomsGS Design was established in 2014 and is based in Shenzhen.
      The studio’s Sumei Skyline Coast project joins a number of hotels that have recently opened across China. Among them is BAN Villa, which was designed to look like a “floating village”, and Grotto Retreat Xiyaotou, a hotel modelled on ancient cave dwellings.
      The photography is by Ao Xiang.
      Project credits:
      Architecture, interiors and furnishing: GS DesignDesign directors: Liangchao Li, Yuanman HuangDesign team: Chao Li, Zigeng LuoFurnishing director: Yu Feng

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