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      Atelier L2 creates modular wooden interiors for Ateliers des Capucins

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      Rennes studio Atelier L2 has installed 20 wooden boxes as modular units for shops, exhibitions and hospitality businesses inside Ateliers des Capucins, a covered square in a 19th-century arsenal in Brest, France.The Ateliers des Capucins has been shortlisted for a Dezeen Awards 2020 in the large workspace interior category.
      The studio’s brief was to design a number of shells in order to create an interior street with two floors inside the historical arsenal building, covering 5,000 square metres.

      Top: the project is located inside the 10,000 square-metres former arsenal. Above: Units with gabled roofs are slotted into the ceiling
      Atelier L2 used laminated veneer lumber (LVL) for the shells, which were designed to stand out against the metal structure and pitched glass roof of the 10,000 square-metres Ateliers des Capucins.

      Each wooden shell measures between 150 and 400 square metres, with some of the concept stores in the space using more than one.

      Some facades are as tall as 13 metres
      “In this way, the client would be able to find buyers who could convert each ‘box’ to complete the cultural and service offer,” Atelier L2 co-founder Pierre Lelièvre told Dezeen.
      The boxes are a permanent fixture of the Ateliers des Capucins – which functions as a large, covered market space – and can’t be moved.
      “Even though their appearance suggests it, the ‘boxes’ are absolutely fixed and cannot be moved under any circumstances,” Lelièvre said.
      “Their technical and structural complexity does not allow such flexibility. They are indeed equipped with all the necessary networks to host any kind of activity: exhibitions, restaurants, offices, breweries, co-working.”

      Laminated veneer lumber was used for the facades and floors
      The studio chose to use LVL made of spruce veneers for the structure of the facades and the floors, which span 10 to 14 metres, as it allowed them to create the units with as little impact on the existing building as possible.

      Studio VDGA lines office in India with curving walls of honeycomb cardboard

      “The entire design of the project was thought out with respect for natural resources,” Lelièvre explained.
      “The facing of the facades is made of spruce, the internal bracing uses gypsum boards and the insulation is made of wood wool. The floor boxes are ballasted with aggregates.”

      The wood stands out against the 19th-century building
      Windows were inserted into the facades of the wooden shells, to make them resemble many smaller houses inside the bigger building.
      The ceiling height of the huge hall space means some of the boxes have facades that reach as high as 13 metres, and gabled roofs that have been slotted into the ceiling.

      The units are used for retail spaces, offices and more
      “The use of wood was a way for us to stand out against the existing building, which is entirely made of stone and metal, while also giving an ephemeral side to our layout,” Lelièvre said.
      “We wanted to give the feeling that our project was simply set down in this historical and remarkable setting.”
      Atelier L2 is based in Rennes and was founded by Julie de Legge and Pierre Lelièvre.
      Also on the shortlist for the large workspace interior category are the monochrome interiors for KCC Office in a former factory, and The Audo hotel in Copenhagen that doubles as a showroom.

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      Sim-Plex Design Studio creates a four-bedroom smart home in Hong Kong

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      Voice-activated technology and space-saving furniture helped Sim-Plex Design Studio turn a two-bedroom home in Hong Kong into Smart Zendo, a four-bedroom apartment with hidden storage.Smart Zendo is in Hong Kong’s Coastal Skyline neighbourhood. The project has been shortlisted for Dezeen Awards 2020 in the small interior of the year category.

      A coffee table appears on voice command
      Sim-Plex Design Studio converted the home for a couple who often travel for work and needed room for multigenerational living.

      “Eric and Lory moved to Hong Kong from Taiwan many years ago and have a son,” said Sim-Plex founder Patrick Lam.

      Benches hide storage in the kitchen area
      “Eric needs to travel frequently throughout the country, and Lory is a flight attendant. The lack of time spent at home means they often need their grandmother to take care of the children,” added Lam.
      “Eric and Lory often talk about the scenery and homestay in Taiwan and how they missed them so much.”

      The apartment can now house four or five people
      Sim-Plex Design Studio aimed to recreate the feeling of their old home in Taiwan while building a flexible living space that could make the most of the 492-square-foot home.
      Wide windows make the most of the views and pale Maplewood floors and cabinets were chosen to create a calm and warm atmosphere.

      A screen unfolds to turn the living area into a private room
      The floor of the living room is a raised platform with trap door-style elements that lift to reveal hidden storage for children’s toys and other household necessities.
      A coffee table up rises up from the platform to create a sunken bench where the adults can sit and enjoy tea ceremonies.

      Toys can be stored in the raised platform floor
      Technology is everywhere in the apartment, but the interior designers deliberately made it less obvious, preferring a subtle approach rather than overtly futuristic placements.
      Smart homes should use technology to enhance the lives of busy city dwellers, not distract them, said Lam.

      A table rises up for sharing a tea ceremony
      Voice-activated technology allows the residents to open the curtains, turn on the lights, lock or unlock the door and even raise the table.
      Curtains, screens and the home security system are all controlled by apps and remotes, and plugs and wall sockets are all secreted away.

      Big windows frame the scenery
      “The integrated TV cabinet wall and the wooden floor platform are plain and warm, yet hide a large number of intelligent devices,” said Lam.
      “The design is also integrated into the traditional Feng Shui doctrine, to create a spiritual space where tradition and technology, people and scenery are combined.”

      A raised platform in the bedroom forms a desk chair
      Eric, in particular, is a keen practitioner of Feng Shui, so Sim-Plex Design Studio carefully oriented the living space according to this. Maplewood was chosen to represent the wood element of Feng Shui.

      Pets Playground apartment in Hong Kong is designed for couple, a parrot and a cat

      “Although the traditional Feng Shui aesthetics and smart technology seems to be contradictory, if applied properly, they also have their compatibility,” said Lam.

      Wood was chosen for its symbolism in Feng Shui
      The open plan kitchen and living room freed up the old kitchen room, which has been converted into a third bedroom for the family’s live-in maid.
      Sliding doors can screen off the living area from the kitchen to create an extra fourth bedroom for when the grandmother comes to stay.

      A makeup table folds out in the bedroom
      Space-saving furniture has been used throughout, including rounded benches that tuck under the dining table in the kitchen area. More storage is integrated into the base of the chairs and the slim drawers in the tabletop.
      In the child’s room, the platform-style bed doubles as a chair for sitting at a desk, while the master bedroom has a hidden makeup table and the bed can double as a stool for using it.

      Marble tiles clad the walls in the bathroom
      The bathroom, with its marble-tiled walls, was modelled on a boutique hotel aesthetic.
      Sim-Plex Design Studio was founded by Patrick Lam and specialises in small space solutions for Hong Kong residents.
      The studio recently designed an apartment in Yuen Long for a multigenerational family – and their pet cat and parrot.

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      Old Spanish workshop converted into tactile family home by Nomos

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      Tactile bricks and pinewood partitions decorate the La Nave apartment, which Nomos has slotted into the concrete shell of a disused workshop in Madrid, Spain.La Nave was developed by Nomos as a family home for two of its partners, Ophélie Herranz and Paul Galindo, who head up its Spanish office.
      The project has since been shortlisted for apartment interior of the year at Dezeen Awards 2020.

      Wood and brick partitions divide the old workshop’s concrete shell
      La Nave was originally used as a large, open-plan printshop arranged around a structural concrete grid measuring 34 metres in length and 10 metres in depth.

      Nomos’ intervention retains this structure but converts its open layout into a continuous loop of living areas, arranged around enclosed private rooms.

      The new partitions are positioned at angles to the outer walls
      “La Nave is the transformation of an industrial space into a place for life, which takes place as a continuous sequence, with very little difference between work and family leisure,” said the studio, which also has offices in Geneva and Lisbon.
      “La Nave’s plan escapes any typological definition. It results from the search for new spatialities required by existing constraints.”

      Bricks and wood were used to warm the existing concrete structure
      Nomos’ initial plan for the apartment was to position the enclosed spaces and wet areas on the rear wall – opposite to the only facade with windows.
      However, La Nave’s existing plumbing is attached to the central concrete columns, meaning the wet areas had to be placed centrally too.

      The bedrooms and bathrooms are enclosed by the new partitions
      To achieve this while ensuring natural light could enter the depths of the apartment, Nomos positioned the wet areas and enclosed rooms in line with the central columns, but at a 45-degree angle to the outer walls.
      They are divided into two parts and set back from windows, making space either side and in between to ensuring light from the windows can pass through.

      Glazed bricks line the wet areas and bathrooms
      “The typological strategy started from the search for the optimal location of the service spaces,” Herranz told Dezeen.
      “The wet cores had to reach the downspouts, attached to the central pillars, but we wanted to move them towards the back of the space, to offer more light to the living spaces. We rotated them 45 degrees and explored the potential of the diagonal.”

      Original beams and brickwork add warmth to pared-back Madrid apartment

      The layout creates a continuous loop of shared living spaces around the perimeter of the apartment, which are used for work, play and dining.
      “We never thought of creating a large, open, loft-like space, but rather a sequence of well-defined spaces, which would give rise to multiple situations,” Herranz added.

      Bedrooms are positioned through the centre of the apartment
      By setting the private living spaces away from the windows, Nomos also made space for a “winter garden” along the window wall.
      This area doubles as a thermal buffer – a space that separates living areas from the outside to reduce dependence on artificial heating and cooling.

      The “winter garden” doubles as a thermal buffer
      The predominant material throughout the renovation is glazed brick, finished in white and cobalt blue, teamed with a pinewood framework and MDF panels.
      The materials were chosen by Nomos to complement the existing concrete structure while providing the space with a warmer and more homely atmosphere.

      Patterns are made with glazed and unglazed bricks
      “The qualities of traditional materials provide comfort and reinforce the idea of home, of domesticity, in contrast to the surrounding industrial space,” said Herranz.
      “The glazed bricks provide a note of brightness and colour typical of a more ornamental language.”

      A loop of living spaces wraps the central rooms
      The bricks were used to build most of the partitions, with their glazed sides lining bathrooms and kitchen and the unglazed faces exposed in the living rooms.
      Their glazed and unglazed sides are also alternated in places to create patterns.

      A kitchen aligns with old workshop’s existing plumbing
      The majority of furniture in the space is bespoke, designed by Nomos from pine wood specifically for La Nave.
      This includes a low-lying, circular table and coffee table made from pine, and terrazzo detailing made with old flooring that was removed from the workshop.
      Other projects that are shortlisted for apartment interior of the year at Dezeen Awards 2020 a sea-facing residence in Jaffa by Pitsou Kedem and a two-storey dwelling by Coffey Architects that is covered in thousands of wooden blocks.
      Photography is by Luis Asin.

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      Luke Edward Hall stirs print and colour inside Hotel Les Deux Gares in Paris

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      A clashing mix of pea-green walls, leopard-print furnishings and candy-striped beds feature in this hotel that British designer Luke Edward Hall has completed in Paris.Hotel Les Deux Gares is tucked down a narrow street in Paris’ 10th arrondissement, set between two of the city’s major train stations – Gare du Nord and Gare de l’Est.

      The hotel’s entrance lobby. Top image: one of the hotel’s olive-green guest bedrooms
      The five-storey building had been left vacant for a number of years, but when Luke Edward Hall was brought on board to design the interiors, the focus wasn’t on making the rooms seem more contemporary.

      Hall instead set out to fashion an “anti-modern” aesthetic that nodded to a Paris of the past.

      Chintzy wallpaper and leopard-print furniture decorate the lobby
      “I love listening to stories from the past and feeling as though I’m entering another, more elegant era,” explained Hall, who is based in London.
      “I always begin my projects by leafing through old books and magazines; then, I visit galleries and museums. I allow myself the time to dream and invent stories.”

      Breakfast and coffee is also offered to guests in the lobby
      The hotel is entered via a vivid lobby, where Hall has created a riotous collision of pattern and colour. The lower half of the walls have been painted pea-green, while the upper half has been covered in chintzy, pale blue wallpaper with a maroon-coloured motif.
      Black-and-white chevron flooring runs throughout.

      Headboards have a candy-striped pattern
      Guests can sit back on the room’s plush sofas – one of which is completely upholstered in leopard print fabric, the other is cobalt blue with bright-red fringing. There’s also a couple of striped pink-satin armchairs arranged beneath a portrait that Hall painted himself.
      “I really wanted this space to feel above all joyful and welcoming and alive, classic but a little bonkers at the same time,” added Hall.

      Luke Edward Hall has added illustrations to the bedrooms’ lampshades
      This bold palette continues upstairs in the forty guest bedrooms, which have been painted sky blue, violet or olive green.
      Each room features geometric carpeting, a candy-striped headboard and a canary-yellow armchair and pouf created bespoke by Hall.
      The designer has also personalised the reading lamps above the bedside tables with sketchy doodles of martini glasses, the Eiffel tower and different French words.

      Bathrooms in the hotel are equally bright in colour
      Even the hotel’s gym boasts graphic red-and-white checkerboard flooring and floral wallpaper from Swedish homeware brand Svenskt Tenn.

      Hoy hotel is designed to be a calming refuge at the heart of Paris

      Breakfast can be enjoyed down in the lobby, or across the street from the hotel in Cafe Les Deux Gares which Hall also designed.

      The gym features floral wallpaper and checkboard flooring
      Intended to feel much like a traditional Parisian eatery, the space has been finished with stripy seating banquettes and wooden bistro chairs from Thonet.
      Vintage exhibition posters have also been mounted on the walls in a wink at the fact that the city’s cafes were once hotspots for “social and cultural exchange”.
      The cafe is topped by a tortoiseshell-effect ceiling painted by local artist Pauline Leyravaud.

      The hotel’s cafe across the road boasts a tortoiseshell-effect ceiling
      Hotel Les Deux Gares is the first large-scale interiors project by Luke Edward Hall, who set up his self-titled design studio in 2015.
      Other spots to stay around the French capital include hotel Hoy, which has TV-free rooms and an in-house yoga studio so that guests can escape the chaotic hustle and bustle of Paris’ streets.
      Photography is by Benoit Linero.

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      DooSooGoBang restaurant in South Korea references Buddhist practices

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      The ascetic lifestyle and diets of Korean Buddist monks influenced the interiors that Limtaehee Design Studio has created for DooSooGoBang restaurant in the city of Suwon, South Korea.DooSooGoBang, which is shortlisted in the restaurant interior category of this year’s Dezeen Awards, is located east of Suwon in the district of Yeongtong-gu and serves Korean temple food.
      The cuisine originated 1,700 years ago in Korea’s early Buddhist temples and sees organic, seasonal meals prepared without the use of onions, garlic, chives, leeks and spring onions.

      The main dining hall of DooSooGoBang restaurant
      Monks and nuns typically avoid these five ingredients as they’re said to disrupt harmonious spiritual practice, instead relying on elements such as mushroom powders and fermented soybean pastes for flavour.

      These practices came to be a key point of reference for Limtaehee Design Studio, which wanted the interiors of the restaurant to evoke the same “humbleness” as a Korean Buddhist temple and the dishes developed there.

      A platform at the back of the room is used for traditional Korean-style dining, where guests sit on floor cushions
      The restaurant has been divided into three areas – the first is a spacious hall-style room which will act as the main dining room, finished with black-tile flooring and walls washed with pale grey plaster.
      Cabinets around the room openly display ceramic ornaments.

      Various Associates designs Voisin Organique restaurant to resemble a gloomy valley

      Towards the rear of the room is a platform where diners can eat seated on floor cushions, in traditional Korean style. Additional bench seats and wooden dining tables have also been scattered throughout the room.

      Shutters look through to the second dining area
      Wooden shutters lead through to the restaurant’s second area, which is meant to have a more intimate ambience.
      “Contrary to a rather public image of the main hall, this area offers a feeling that you are away from the city and meditating in a temple in the mountains,” explained the studio.
      The focal point of the room is the timber-inlaid dining table, which has a stream of water trickling down from its side into a rough stone bowl that sits on the floor.

      The room is arranged around a communal table inlaid with timber
      Diners must take off their shoes before entering the third area of the restaurant, which has been entirely lined in white hanji – a type of Korean paper handmade from the inner bark of a mulberry tree.
      Limtaehee Design Studio likens this area to a sarangbang, a room in a traditional Korean home sometimes used for leisure activities or to entertain visitors.
      “We prepared this room imagining [head chef] Jung Kwan sharing conversation with guests, or relaxing herself,” the studio added.

      The restaurant’s third dining area is lined with hanji paper
      Limtaehee Design Studio is based in Seoul. Its DooSooGoBang project will compete in this year’s Dezeen Awards against projects such as Tori Tori by Esware Studio, an eatery in Mexico that takes design cues from the armour of a samurai warrior.
      Also in the running is Voisin Organique by Various Associates, a restaurant in China with shadowy rooms and soaring ceilings intended to make diners feel like they’re wandering through a mountain valley.
      Photography is by Youngchae Park.

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      Mythology crafts warm plywood interiors for Shen beauty store in Brooklyn

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      Plywood covers almost every surface in this store that creative studio Mythology has designed for beauty retailer Shen in Brooklyn, New York.Shen’s new retail space is nestled in Brooklyn’s Cobble Hill neighbourhood and measures 1,550 square metres.
      The former store of the beauty retailer – which is known for selling a roster of independent makeup and skincare brands – had been located in the nearby area of Carroll Gardens and featured a mix of white and lavender-pink walls.

      The interior of Shen’s store is lined with plywood
      Manhattan-based Mythology has fashioned a warmer fit-out for this location, opting to line every surface in Baltic birch plywood.

      “We challenged ourselves to use a singular material because we wanted to juxtapose a humble utilitarian material like plywood with the high-end products featured in Shen’s product offering,” Ted Galperin, a partner and director of retail at Mythology, told Dezeen.
      “Using both the face and end-grain of the plywood allowed us to create a multitude of custom applications, and add visual variety to the space.”

      Colour is provided by hand-drawn wall murals
      Inside, Shen has been loosely divided into three sections. The first section is dedicated to customer browsing and lies towards the left of the store.
      Plywood has been used here to make a sequence of storage units that fan outwards from the wall, each one complete with vanity mirror and shelving where products are openly displayed. Names of different brands that are on offer have been carved into plywood panels set directly above the units.

      Plywood counters displaying products slope out from the walls
      The second section comprises a couple of triangular plywood islands in the middle of the store, where Shen staff can spotlight certain products and talk through them in detail with customers or demonstrate how they’re used.
      On the right-hand side of the store is the third section, which is used for services like makeup tutorials. There’s also an angled plywood counter here that showcases candles and scents for the home, running beneath a three-dimensional plywood sign of Shen’s company logo.

      The store includes an area for makeup tutorials
      Excluding a handful of restored 1950s stools from Thonet, furnishings and decorative elements in the store have been kept to a minimum.
      A splash of colour is added by a bespoke mural created by New York artist Petra Börner, which features a black-line illustration of a person’s face surrounded by wobbly blotches of green and turquoise paint.

      Beauty treatment rooms lie towards the rear of the store
      Another mural by Börner using pink and orange tones appears in the treatment area at the rear of the store, where customers can come for treatments like facials, waxing, and microblading.
      Walls here have also been painted a pinkish hue, but exposed plywood can still be seen on the floor, built-in sofas and beauticians’ cupboards.

      Walls in the treatment rooms have been painted pink
      Mythology isn’t the only design studio that has created a striking retail interior using just one material.
      Brooks + Scarpa lined the walls of an Aesop shop in downtown Los Angeles with cardboard fabric rolls salvaged from local fashion houses and costume shops, while Valerio Olgiati blanketed a Celine store in Miami in blue-tinged marble.
      An Ace & Tate store in Antwerp is also lined exclusively in white terrazzo tiles inlaid with red and blue aggregate.
      Photography is by Brooke Holm.

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      Minimal interiors of Bodice store in New Delhi champions slow fashion

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      Bodice founder Ruchika Sachdeva has designed the pared-back interiors of the womenswear brand’s store in New Delhi to counter the “more, new and now” culture of fast fashion.Bodice’s flagship is located in New Delhi’s affluent Vasant Kunj neighbourhood, occupying a building on the same site as the brand’s design studio.
      Sachdeva took on the task of designing the interiors of the store herself, setting out to create a simple, thoughtful space that would encourage customers to “think more consciously about what they’re buying and why”.

      Top image: the exterior of Bodice’s New Delhi flagship. Above: floor-to-ceiling windows flood the store with natural light
      “I feel there is a need to question the way we consume clothes,” Sachdeva told Dezeen. “The fast-paced, retail-driven space like a market or a mall does the opposite by encouraging customers to buy quantity instead of quality.”

      “The culture there makes it alright to buy more and dispose quickly whereas our philosophy at Bodice is a little different,” continued Sachdeva, who is a judge for Dezeen Awards 2020. “We focus on longevity and for us, the essence of the product is a lot more important than the number of collections.”
      “We are not really in the favour of feeding the ‘more and new and now’ culture, so I felt that the store should reflect that.”

      Bamboo blinds partially cover the windows
      Fixtures and furnishings throughout the open-plan store are therefore few and far between – those that do appear have been made from naturally sourced materials.
      This sustainable ethos is also applied to Bodice’s clothing, which is designed to be a more minimal, practical alternative to garments currently offered to women in India.
      Pieces are fabricated from non-synthetic textiles like wool or silk and then dyed with natural pigments such as those sourced from indigo plants.

      Furniture inside the store has been kept to a minimum
      The blinds in the store that partially shroud the floor-to-ceiling windows are made from bamboo. The triangular-frame rails where garments are hung have been crafted from light-hued mango wood.
      Sachdeva also designed some of the tables and chairs that have been scattered throughout the space, borrowing samples from the adjacent studio.

      Bodice clothes are for the women “challenging conventions” in Indian society

      “Since this was the first space I have designed, I organically had a very clear idea of what I wanted,” she explained.
      “I knew I wanted it to be surrounded by trees and nature, [the store] has a lot of clear glass so I wanted it to be filled with sunlight and since we are in India, we have plenty of it,” Sachdeva added.
      “I feel that the store was a culmination of years of visual information that I have been processing.”

      Clothes rails are crafted from mango wood
      A growing number of designers and brands are attempting to slow the pace of the fashion industry and make consumers more considerate of what they purchase.
      Earlier this year, Gucci’s creative director Alessandro Michele announced that the high-end label will now be holding just two fashion shows per year instead of the traditional five in a bid to reduce waste that accumulates from producing each collection and the subsequent harm to the environment.

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      Ten tranquil bathrooms with dark and soothing interiors

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      A charred-wood washroom and a monolithic, concrete bathtub feature in this roundup of 10 zen bathrooms that swap traditional white walls for dark, moody hues and tactile materials.

      Untitled House, UK, by Szczepaniak Astridge

      Smooth, dark, concrete characterises the walls and monolithic bathtub of this bathroom, which Szczepaniak Astridge designed as part of a house renovation in Camberwell, London.
      The bath is screened by stainless steel Crittal windows that enclose a void through the home and is teamed with a bespoke, polished stone sink. According to the studio, the aim was to design a “place to retreat to, to guiltlessly linger and hang out”.
      Find out more about Untitled House ›

      Pioneer Square Loft, USA, by Plum Design and Corey Kingston
      A washroom, shower, toilet and sauna are all enclosed in the dark, tactile boxes that wrap around the central open-plan living area of this apartment in Seattle, Washington.
      Accessed through frosted glass doors, the bathroom facilities have walls and ceilings lined with blackened wood, charred using the traditional Japanese technique called Shou Sugi Ban, while the floors are covered with dark cement tiles.
      Find out more about Pioneer Square Loft ›

      Villa Molli, Italy, by Lorenzo Guzzini
      A palette of serpentine stone, concrete and smokey, natural lime plaster gives rise to the atmospheric interiors of this bathroom in Villa Molli, a dwelling overlooking Lake Como in Sala Comacina.
      It forms part of one of the house’s large bedrooms, in an effort to challenge the traditional boxed-off design of bathrooms, and features large windows that frame views out to the lake.
      Find out more about Villa Molli ›

      Belgian Apartment, Belgium, by Carmine Van Der Linden and Thomas Geldof
      Deep seaweed-coloured walls enclose this apartment’s guest bathroom, which Carmine Van Der Linden and Thomas Geldof designed to emulate its calming, coastal setting.
      It is accessed through a green, wood-lined door and is teamed with dark-grey terrazzo flooring and a statement Gris Violet marble basin that has polished metal pipes.
      Find out more about Belgian Apartment ›

      Cloister House, Australia, by MORQ
      The shell of this Australian house is made from rammed-concrete, which has been left exposed in the bathroom and other interior spaces to create “a sense of refuge”.
      Its textured, brutalist aesthetic is softly lit by a small window at one end, and warmed by a brushed nickel tapware and a rough-sawn red hardwood ceiling, vanity and joinery.
      Find out more about Cloister House ›

      House 23, USA, by Vondalwig Architecture
      This bathroom takes its cues from Japanese interiors and was designed as part of Vondalwig Architecture’s overhaul of a 1960s house in Hudson Valley.
      It is animated by the speckled grey, stone tiles that line its walls and floor, which has been complemented by portions of Port Orford Cedar and a steep-sided, ofuro soaking tub at one end.
      Find out more about House 23 ›

      Screen House, Australia, by Carter Williamson Architects
      Carter Williamson Architects created the spa-like setting for the bathroom of Screen House by enveloping it from floor to ceiling with tactile black tiles.
      Interest is added with an asymmetric pitched roof, a wooden basin and window frames, and a bubble-liked pendant light that is suspended above the freestanding bathtub.
      Find out more about Screen House ›

      Sunken Bath, UK, by Studio 304
      This bathroom, added to a ground-floor flat in east London, features a large sunken bathtub that looks into a garden and invites residents to relax by engaging in Japanese ritual bathing.
      The majority of the room’s surfaces are lined with a waterproof cement-based coating, chosen for a “Japanese-inspired concrete aesthetic”, and offset by golden fixtures and wooden boards.
      Find out more about Sunken Bath ›

      Western Studio, USA, by GoCstudio
      The Western Studio apartment’s bathroom is contained within a stained plywood box that is intended to offer a snug counterpoint to the brighter, open-plan interiors of the dwelling.
      Its moody aesthetic was created using inky venetian plaster on the walls, paired with black Dornbracht fixtures and a large bespoke sink carved from warm Jatoba wood.
      Find out more about Western Studio ›

      Kyle House, UK, by GRAS
      Tactile plaster and large charcoal-coloured stone tiles line the surfaces of this generously-sized bathroom, which GRAS designed as part of a renovation of a derelict house in the Scottish Highlands.
      It features a freestanding black bath, placed beside a window overlooking Ben Loyal mountain, and is brightened by Danish oak ceiling panels, window frames and cabinetry that conceals the toilet.
      Find out more about Kyle House ›

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