all

Subterms

    More stories

    • 113 Shares169 Views

      Shaker-inspired rooms feature in Mexico City's Círculo Mexicano hotel

      by

      Architecture studio Ambrosi Etchegaray drew upon the pared-back design ethos of the Shakers to create the minimal rooms within this hotel in Mexico City.The Círculo Mexicano hotel is located downtown of Mexico City, taking over a 19th-century building that previously accommodated private residences.

      The hotel occupies a 19th-century building
      Ambrosi Etchegaray, which is led by architects Jorge Ambrosi and Gabriela Etchegaray, undertook the task of transforming it into a more hospitable space.

      The studio has left behind some time-worn elements that hint at how long the building has been around – for example, the dramatic zigzag staircase that links together all the levels of the hotel backs onto a wall of crumbling bricks.

      A zigzag staircase links together the hotel’s different floors
      However in the 25 bedrooms, which are spread across the building’s second and third floors, the studio has taken a much more contemporary, minimal approach.

      Ryo Kan hotel blends Mexican materials and Japanese traditions

      A key point of reference was the style of the Shakers: a Christian sect founded in 1747 that has become known for their ascetic lifestyles and equally austere approach to designing their living quarters and furniture, which were completely devoid of ornamentation.
      “Originally all the design process was inspired by an ecclesiastical aesthetics,” Ambrosi told Dezeen. “With that premise, we imagined an architecture free of ornament, where the correct use of simple materials enhances the quality of the space.”

      Rooms in the hotel have simple Shaker-inspired interiors
      “When we saw the first room partially finished, we decide to invite different designers to work on the essential elements for the space, lighting, desk, chair, etc,” Ambrosi continued.
      “We had some initial talks with studio La Metropolitana to design a chair for the room and they came back with a proposal to create a group of utilitarian elements that will become part of the room,” he added.
      “Their proposal was inspired in the Shakers – they understand the value of that movement as a community that developed a refined technique working with wood.”

      Some of the rooms boast barrel-vaulted ceilings
      Círculo Mexicano’s rooms are therefore host to just a few blocky plinths, which form side tables or support wooden storage cupboards. The largest plinth is used as a base for the rooms’ beds, which are covered with plain, beige-coloured linens with exposed seams.
      Surrounding surfaces are mostly painted white, but some rooms boast barrel-vaulted ceilings clad in red tiles.

      Beds are covered in beige-coloured linens
      Decor is provided by Shaker-style peg rails, where members of the sect would typically hang clothes, hats and light pieces of furniture when not in use. In the hotel rooms, these are used to suspend mirrors, trinket boxes and wooden chairs created by La Metropolitana.
      Some rooms will also include prints by revered Mexican photographer Manuel Álvarez Bravo, who was born in the hotel building back in 1902.

      Shaker-style peg rails provide decoration
      Most of the communal spaces are situated on the hotel’s rooftop, where there is a pool and a pop-up restaurant called ONA Le Toit that serves Mexican food with a French twist. The menu will change week to week as the chef’s take on different regional dishes.
      Guests can sit around the jet-black dining tables or on the more relaxed woven-back sofa seats while taking in views of notable Mexico City attractions such as the Metropolitan Cathedral and Templo Mayor.

      The hotel includes a rooftop restaurant and pool
      While beachy parts of Mexico like Tulum and Cancun have become holiday hotspots, many also flock to the capital for its rich culinary scene, architecture and annual design week.
      Other spots to stay in Mexico City include boutique hotel Ryo Kan, which takes aesthetic cues from Japanese culture, and Hotel Carlota, which features a lush central courtyard.
      Photography is by Sergio López courtesy of Grupo Habita.

      Read more: More

    • 163 Shares189 Views

      Pinocchio is a tiny bakery in Japan decorated in the colours of bread

      by

      Design studio I IN has used warm, golden hues to decorate the Pinocchio bakery in Yokohama, Japan, which displays bread and pastries on minimalist shelves.Measuring at just 4.2 metres wide, Pinocchio sits in front of Oguchi train station and has been decorated to match the delicacies sold within.
      The tiny bakery project, which I IN also calls Small Icon, has been shortlisted for Dezeen Awards 2020 in the small retail interior category.

      Top image: Pinocchio has been decorated to match the delicacies sold inside. Above: The bakery is just 4.2 metres wide
      “Though the space was extremely limited, the store asked to have a strong identity with the facade and interior,” said I IN.

      “Vivid gradient and soft textures that express the quality and colour of the bread are spread both inside and outside the store,” added the studio.
      “It expresses the soft charm of the bread itself and allows the customer to feel the world of bread with their entire body.”

      Pinocchio is spelt out in a slim, sans serif font above the doorway
      The interior and exterior walls are rendered in a textured material that has been painted with a golden hue, like the crust of a freshly baked loaf or a flaky croissant.
      “A plasterer who works in the performing arts collaborated with us,” said the studio. “Along with the vivid colour, the surface has a dense and bold texture.”

      The interior and exterior walls are rendered in a textured material
      Pinocchio is spelt out in a slim, sans serif font above the wide, square doorway. Glazed doors are set deep into the thick outer walls.

      Six bakeries and sweets shops with delectable interiors

      Inside, the ceilings have been painted to match the crust-coloured walls.
      A corridor of wooden floorboards runs down the centre of the shop, flanked by corridors of flooring that have been delicately sponge-painted in bready colours.

      The bakery interior features crust-coloured walls
      The bakery has only 30 square metres of floor space, so the designers created an uncluttered interior that focuses on the products.
      Two rows of minimal floating shelves made of wood run along both walls and around corners. Spotlights on the ceiling and under the topmost shelves bathe the baked goods in a soft glow.

      Two rows of minimal floating shelves line the walls
      Based in Tokyo, I IN is a design studio that was founded in 2018 by Yohei Terui and Hiromu Yuyama.
      More bakeries with interiors that are good enough to eat include this sugar-pink bakery in Ukraine and an artisanal flour shop and bakery in Canada painted in shades of caramel.
      Photography is by Tomooki Kengaku.
      Project credits:
      Client: Yokohama shokusanArchitect: I INConstructor: LegorettaLighting design: I IN

      Read more: More

    • 138 Shares169 Views

      Torrado Arquitectos carries out subtle renovation of 1930s Buenos Aires house

      by

      Argentinian studio Torrado Arquitectos has used material that match the original home for its renovation of House in Barrio Parque in Buenos AiresThe local studio renovated and reconfigured the property, which was completed in 1938 by architect Alberto Rodriguez Etchetoc, but aimed to change the appearance as little as possible.

      Top: The house is on a corner plot in the city. Above: House in Barrio Parque has fresh white walls.
      “The aesthetic concept of imitating is known as mimesis, in which the imitation cannot be compared to the original, on the contrary, it becomes its equivalent,” said Torrado Arquitectos.

      “It is within this frame of work that the renovation and extension of the House in Barrio Parque was planned,” it continued.
      “The addition of new bedrooms, the new circulation and the relocation of service areas blend with the original project, at times completely disappearing.”

      Arched opening leads to garden
      The house is one of two properties built on a corner plot in the Argentinian capital city, giving it an unusual triangular footprint. Two spiral staircases lead up its three floors: one has stone steps while the other has wooden treads.
      Reddish brick forms the exterior, while inside its tall walls are updated with fresh white paint coating tiles and prominent skirting and cornice moulding.

      The main intervention is wood cabinets
      Decorative details include the insertion of glass that is cut to match the ceiling trim so it is difficult to see, and also allows natural light between spaces.
      New materials, including wood veneer and marble flooring, were also chosen to match the existing finishes.

      Windows meet the ornate ceiling detail
      “There is almost no difference in the materials chosen for the renovation,” the studio added.
      “Few new materials were used, the veneer chosen for the furniture and divisions and the travertino marble with a rustic finish for the floors, all blend with the white stucco and the Slavonian oak wooden floor already existent.”

      Modernist furniture alludes to the house’s history
      Torrado Arquitectos said it did make two big interventions in the project: “only two sectors in the kitchen and the dressing room, completely built with wooden panels, are a proper renovation, the rest is a work of invisible conservation and restoration, mimesis of a longed past”.

      Estudio Nu retrofits creative studios in former Buenos Aires workshop

      Wood kitchen cabinetry is paired with marble splashback and limestone flooring in the kitchen. An arched window with doors that open onto the back garden where there is a seating deck and a small pool.

      Wooden herringbone flooring on an upper level
      Storage in the dressing room is also paired with the limestone, which extends to form walls of the bathroom and shower.
      In the adjoining living room and dining room wood herringbone flooring offsets white walls, while modernist furniture allude to the building’s history.

      Wood cabinets are paired with limestone flooring in the dressing room
      Other recently completed residential projects in Buenos Aires include the extension of a courtyard house designed by Hernan Landolfo and Marcos Asa and a small apartment that IR Arquitectura created from a leftover corner of a 1950s building.
      Photography is by Javier Agustin Rojas.
      Project credits:
      Project and design: Torrado ArquitectosProject team: Martin Torrado, Architect Ligia Gaffuri, Architect Gonzalo Yerba, Architect Leandro Valdivieso, Architect Mora Linares

      Read more: More

    • 163 Shares179 Views

      Tom Postma Design suspends 1,400 porcelain plates in gold-gilded room at Fondazione Prada

      by

      A Fondazione Prada exhibition about Chinese export porcelain, designed by Dutch firm Tom Postma Design, was housed within three prefabricated timber volumes clad in velvet and real gold leaf.From January to September 2020, The Porcelain Room installation was staged in one large exhibition space in the OMA-designed Torre annexe.
      The Porcelain Room has been shortlisted for this year’s Dezeen Award in the exhibition design category.

      Above: two of the timber volumes were clad in velvet and one in gold leaf. Top image: the final, golden room housed 1,400 porcelain plates
      Visitors passed through the walk-through volumes within it, tracing the history and legacy of Chinese porcelain in Europe and the Middle East.

      The installation progressed in chronological order, showcasing porcelain pieces dating back to the arrival of the Portuguese in south China in the early 16th century, all the way up to the 19th century.
      After passing through the first two rooms, the climactic highlight of the show was the final, gold-gilded room. Here, 1,400 of the approximately 1,700 porcelain pieces in the exhibition were suspended from the walls and ceiling.

      Porcelain pieces were suspended from the walls and ceiling of the Golden Porcelain Room
      This offered a modern reimagining of the porcelain rooms found in European palaces and aristocratic houses of the time, such as the Charlottenburg Palace in Berlin and the Santos Palace in Lisbon.
      Then, China plates and other tableware pieces were used as decorative rather than functional items, arranged into lavish displays that covered most of the visible surfaces including the walls and sometimes even the ceiling like three-dimensional wallpaper.

      The room was a modern interpretation of the royal and aristocratic porcelain rooms of the time
      “These porcelain rooms were the first examples of people using objects designed for a purpose, usually dishes intended for the table, in a completely different way as pieces of a decorative puzzle,” said Jorge Welsh, who curated the exhibition alongside Luísa Vinhais.
      “To bring the original concept into a contemporary context, we designed a dense, abstract pattern in which each piece of porcelain is used rather as if it were a pigment, chosen for its colour and shape, to create a kind of mural that engulfs the exhibition space.”

      Black display cases housed rare made-to-order pieces in the first room
      In contrast to this, the first two volumes were much more muted, covered inside and out in deep brown velvet.
      The introductory room housed some of the first porcelain editions, which were made-to-order for Portuguese and Spanish clients in the 16th and 17th century.
      Of the approximately 150 pieces of this type that remain in the world according to Welsh, 53 were displayed here, set against a deep black backdrop and illuminated by spotlights to allow their rarity to speak for itself.

      The second room showcased tableware shaped like animals, vegetables and fruit
      The second room took the form of a 12-metre long corridor, flanked by display cases on either side that contained later tableware designs, shaped like different animals, vegetables and fruit to cater to Western tastes.
      This passageway led the way into the golden room, with a layout designed in collaboration Welsh and Vinhais, who also co-founded the Jorge Welsh Works of Art gallery.

      The second room acted as a corridor leading into the last
      Using cutouts of each of the hundreds of plates, they created a scale model of the room, which was then transferred into a digital drawing by Tom Postma Design.
      “We checked every single plate and assigned it a unique code, indexing its display position, diameter, typology, the distance from the wall and other data,” Paride Piccinini, an architectural engineer at Tom Postma Design, told Dezeen.
      “Then we attached a life-sized print out of the drawing to the walls in order to drill the supports in exactly the right positions.”

      Welsh and Vinhais designed the pattern using a scale model
      This allowed the team to develop an unobtrusive system of fixings and lighting that kept the overall design clean and minimal.
      “This immersive environment needs effective lighting to able to reach all the pieces in all directions, without blinding the visitors or showing the source of light,” said Piccinini.
      “This issue has been solved with a system of diffused and hidden spotlights, embedded into the walls, the ceiling, the floor and the glass balustrade system.”

      Tom Postma Design developed the reuseable lighting and supports in the Golden Porcelain Room
      The gold gilding, which took a group of artisans five days to apply to the interior and exterior of the volume leaf by leaf, mirrored the colours of the porcelain and reflected light onto the plates from behind.

      Formafantasma designs recyclable displays for Rijksmuseum exhibition

      Aside from the smallest spotlights, the lighting system was developed from reused fixtures from Fondozione Prada’s existing supply. The whole installation was designed to be disassembled and used again.

      Underneath the cladding, the installation consists of modular timber panels
      “The installation is entirely built from timber, with modular panels that can be stored and reused for future exhibitions,” said Piccinini.
      “The metallic supports for the plates, the lighting system, shelves and display cases can also be reused for a similar installation.”
      Other projects nominated for Dezeen Awards include a memorial filled with items that belonged to victims of gun violence and ĒTER’s multi-sensory design for an exhibition about ASMR at ArkDes.
      Photography is by Mark Niedermann.

      Read more: More

    • 125 Shares189 Views

      Nendo completes Marsotto showroom in Milan with dimpled marble facade

      by

      Passersby can perch in the facade of Italian marble brand Marsotto’s new showroom in Milan, which has been designed by multidisciplinary studio Nendo.From afar, the front of Marsotto’s showroom in Milan’s Brera district looks as if it’s sealed up by blocks of veiny white marble.
      To achieve this, Nendo lined the entire facade – including the flush front door – in marble tiles, being careful to set them in line with the existing stonework on the building.

      Top image: people can perch in the showroom’s facade. Above: the facade appears to be sealed up with marble
      At one point the tiles dip inwards to form a small nook where passersby on the street can sit.

      “Because the traffic circle facing the showroom will soon be greened and turned into a small park, part of the facade was made into impromptu street furniture with a soft recess on it, in the hopes that neighbours might sit as if on a bench and rest for a spell,” Nendo explained.

      A flush-set door can be pushed back to reveal the showroom’s entryway
      Beyond the showroom’s front door lies a small white-painted entryway. Pale marble has been used again here to cover the floor and to form a screen which obscures the staircase leading down to the basement.
      The screen is made up of two overlapping slabs of 10-millimetre-thick marble, each punctuated with holes that measure 65 millimetres wide.
      “The partition’s tempered transparency and lightness reduce the oppressiveness of the marble constitution, softly drawing visitors to the basement exhibition space,” the studio added.

      A perforated marble screen hides the staircase to the basement
      Downstairs, the showroom has been divided into four different rooms. To keep a majority of the floor area free to accommodate different exhibitions, Nendo created three-sided display plinths that sit in the corner of the rooms.
      Each of them is backlit with bright-white strip lights.

      Products are presented on three-sided display plinths
      Some of the plinths dramatically curve inwards to form a half-moon shape. One of these has been used to present sample blocks of different types of marble that Marsotto offers.
      Stool seats in matching finishes are displayed in a row underneath.

      Steel and concrete steps cut through facade of Stairway House by Nendo

      Another room in the basement has been kit-out with one of Marsotto’s dining tables and wall-mounted shelves so that, when necessary, it can be used to host lunch meetings.

      Some of the display plinths curve inwards into a half-moon shape
      This isn’t the first time that Nendo has worked with Marsotto. For the 2016 edition of Milan Design Week, the design studio created an exhibition space for the marble brand that was half white, half black – furniture was arranged to match.
      Four years ago Nendo also came up with the Sway table for Marsotto. Designed to “provide a new expression of agility to marble”, the table looks as if it’s tilting to one side.
      Photography is by Hiroki Tagma.

      Read more: More

    • 138 Shares179 Views

      Atelier XY covers cocktail bar in Shanghai with over 1,000 insects

      by

      Preserved tarantulas and beetles decorate the shadowy rooms inside this bar in Shanghai, China designed by local studio Atelier XY.Atelier XY designed the bar, which is called J Boroski, to reflect its owners’ interest in insects.
      It’s located in Shanghai French Concession – a region of the city that was occupied and governed by the French state from 1849 up until 1943. Over the last few decades the area has been redeveloped, and it’s now host to a number of eateries, boutiques and quaint music venues.

      Top image: beetles cover the surfaces of the bar. Above: a glass-brick wall runs down the back of the room
      To enter the bar, visitors walk through an assuming door and up through a dark stairwell.

      “It acts as a transition between the noisy exterior and the quiet interior. Once the reception is reached, the unique character of this place slowly reveals itself,” explained the studio.

      Behind the partition are dimly lit lounge areas
      The main bar area inside is dominated by a 12-metre-long counter where up to eight mixologists can stand and rustle up cocktail orders.
      Amber-hued lights illuminate drink bottles on display, fostering a sense of warmth.

      Office AIO’s Bar Lotus in Shanghai turns from daytime cafe into evening cocktail bar

      A gridded teak-wood framework covers the wall directly behind the counter and extends up to cover half the bar’s ceiling. Every square opening in the grid is centred by a beetle – in total there are 1,254.

      Dark leather furniture features throughout the bar
      Along the rear of the bar is a glass brick wall, through the centre of which runs a series of see-through blocks that contain 42 preserved Thai Black tarantulas.
      It has also been inbuilt with a couple of black-iron drawers – when pulled out, further taxidermy insect specimens are revealed. These can also double-up as small ledges where standing visitors in the bar can rest their drinks.

      Preserved spiders are set inside the glass-brick wall
      The wall separates the bar from a couple of dim lounge areas dressed with comfy armchairs upholstered in dark, umber-coloured leather.
      A small amount of light is offered by a handful of tealight candles in glass tumblers.

      The bar includes a lab-style space where guests can watch cocktails being made
      There is also what the studio describes as a “chamber room”, which lies behind a heavy glass-brick door. Inside there’s a laboratory-style space where visitors will be invited to watch mixologists experiment with making drinks, using extravagant tools like centrifuges or rotary distillation machines.
      The dark colour palette of the bar seeps through into the bathroom, which is completely clad in glazed, oxblood-coloured tiles. It’s centred by a lengthy wooden sink.

      Oxblood-coloured tiles cover the bar’s bathroom
      Atelier XY is based in Shanghai and was established in 2018 by Qi Xiaofeng and Wang Yuyang.
      Its J. Boroski project is shortlisted in the bar interior category of this year’s Dezeen Awards. It will go up against spaces such as The Berkeley Bar & Terrace by Bryan O’Sullivan Studio, which features ornate plasterwork friezes, walnut wall panelling and a blush-pink snug where guests can retire with their drinks.
      Photography is courtesy of Schran Images and Hu Yanyun.
      Project credits:
      Design: Atelier XYTeam: Qi Xiaofeng, Wang Yuyang, Chen XiProduct design: Notion Common, Atelier XYLighting: Zenko lighting design

      Read more: More

    • 125 Shares189 Views

      Minimal Fantasy holiday apartment in Madrid is almost completely pink

      by

      Patricia Bustos Studio channelled “aesthetic madness” to create the striking bright-pink interior of this rentable apartment at the heart of Madrid, Spain.Locally-based Patricia Bustos Studio applied 12 different shades of pink throughout the Minimal Fantasy apartment, which is meant to offer a bolder take on the typical holiday rental.
      “We wanted to do something eye-catching and not go unnoticed, since in Madrid the offer of vacation rentals is enormous and you have to differentiate yourself if you want to have a recurrence in the rentals,” the studio told Dezeen.

      Surfaces throughout the apartment are bright pink
      The 55-square-metre apartment is set inside a 1950s residential building that’s a stone’s throw away from Madrid’s lively Puerta del Sol square.

      It formerly played host to just one bedroom and one bathroom, but Patricia Bustos Studio reconfigured the floor plan so that it can comfortably accommodate slightly larger groups of holiday goers.

      An arched doorway looks through to the kitchen
      There are now two bedrooms and an additional bathroom. The kitchen has also been separated from the living area so that, if necessary, it can sleep another two guests.
      With structural changes out the way, the studio set about creating the apartment’s stand-out interior – which is almost exclusively pink.

      Cabinetry in the kitchen is a mix of blue, pink and gold
      “Except for the distribution, which had to be practical, the rest of the project has been an aesthetic madness to take the visitor out of their comfort zone and make them dream,” explained the studio.
      “Pink is already the colour of a whole generation… the generation of the brave, those who are not afraid of change,” it continued.
      “Pink vindicates the fall of stereotypes – everything is possible, nothing is planned or established and that’s the beauty of it. There are no rules, or rather that everyone has their own.”

      Pink cushions and faux-fur throws dress the beds
      In the living area, bubblegum-pink paint has been applied across the walls and ceiling. A flecked pink laminate covers the floor and a chunky L-shaped plinth that winds around the corner of the room, topped with plush pink sofa cushions.
      Guests can gather for meals around the oval-shaped pink dining table, which is surrounded by dining chairs upholstered in metallic pink fabric with an iridescent finish.

      One of the beds is supported by a pink-tile platform
      The monochromatic colour scheme is interrupted in the adjacent kitchen, where the cabinets are covered in a mixture of blue, pink and gold geometric shapes.
      Worktops are lined with glazed, blush-pink tiles.

      Child Studio looks to worker’s cafes for pink interiors of London’s Humble Pizza

      These same tiles have been used to clad the side tables and supporting mattress base in one of the apartment’s bedrooms.
      In the other bedroom, the mattress is pushed up against a scalloped pink headboard. Textural interest is added throughout by baby-pink lamé soft cushions and faux-fur throws.
      Arched sliding doors can be drawn back to reveal pink-tile bathrooms, complete with pink-frame vanity mirrors and shiny pink shower curtains.

      Bathrooms lie behind arched sliding screens
      Other than a few spherical pendant lights, trailing ivy plants and neon art piece, Patricia Bustos Studio hasn’t incorporated a lot of decoration in the apartment.
      Some elements, like the stepped blocks which display books and other trinkets, are meant to riff off La Muralla Roja – a housing development designed by Spanish architect Ricardo Bofill in 1968, distinguished by its maze of interlocking stairways.
      “[Bofill] creates a mysterious and infinite space with the perfect transformation between 2D and 3D, and with several elements that play with the optical illusion,” added the studio.

      Shiny pink curtains and pink-frame mirrors complete the bathrooms
      Several other architects and designers haven’t shied away from making extensive use of the colour pink – last year, Child Studio covered the interior of a vegan pizza restaurant in London with candy-pink Formica.
      Mar Plus Ask also washed the walls of a cave-like guesthouse in Spain with blush-pink stucco.
      Photography is by JC de Marcos.

      Read more: More

    • 113 Shares99 Views

      Outdoor dining on New York City streets becomes permanent

      by

      New York City mayor Bill de Blasio has made the Open Restaurants Program, which allows restaurants in the city to extend seating onto streets, sidewalks and public spaces, permanent following the coronavirus pandemic.First temporarily initiated in June to allow restaurants to continue doing business while adhering to social distancing restrictions, the programme will now be a year-round fixture, De Blasio announced on 25 September.
      The Open Restaurants Program, which has seen outdoor dining spaces pop up across the city, will boost the capacity of restaurants as they open indoor dining at 50 per cent capacity as New York gradually reopens after the coronavirus lockdown.
      Restaurants allowed to heat outdoor spaces and build tents
      Under the scheme, eateries are allowed to extend seating onto sidewalks and roadways, or onto adjacent outdoor spaces with their neighbours’ consent. Establishments must follow a list of requirements for an Open Restaurant design, which include a clear path on the pavement, a maximum distance from the curb and a required height of enclosing barriers.
      De Blasio’s extension will also introduce guidelines for restaurants to heat outdoor areas during the colder winter months, which will be released by the end of September.

      David Rockwell unveils kit to build restaurants on streets following pandemic

      These regulations will allow the installation of electrical heaters on both sidewalks and roadways, and propane and natural gas heaters only on pavements. Propane will require a permit from New York City Fire Department.
      Restaurants will also be able to build tents, ranging from partial to full enclosures, in order to keep diners warm.
      Outdoor seating enables safe dining amid pandemic
      Food establishments will have to apply online for permission to become an Open Restaurant. Three or more restaurants on a street that is closed to traffic can also apply together to expand outdoors in another option known as Open Streets: Restaurants.
      Following the city lockdown, more than 10,300 restaurants citywide reopened with activities outdoors over summer, according to the New York Times, allowing them to stay afloat amid the coronavirus pandemic.
      A number of architects and designers also came up with creative ways for restaurants to allow safe dining post-Covid-19. In May, ahead of New York’s outdoor dining programme, designer David Rockwell created a kit of parts to turn the city’s streets into outdoor restaurants with socially distanced dining.
      His firm, Rockwell Group, later built a pro-bono DineOut NYC project (pictured top) comprising 120 seats for restaurants on Mott Street in Chinatown.
      Arts centre Mediamatic also developed a socially distanced dining experience in Amsterdam where guests sit in their own greenhouse and hosts wear face shields.
      Photograph of DineOut NYC is by Emily Andrews for Rockwell Group.

      Read more: More