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      Pablo Chiereghin violently destroys and rebuilds furniture for Riot Design exhibition

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      Italian visual artist Pablo Chiereghin has created a series of furniture pieces from the remains of items he destroyed “using a riot aesthetic” for an exhibition at Vienna’s Kunstforum.Named Riot Design, the exhibition consists of a series of reconstructed pieces of furniture and everyday items displayed alongside videos showing Chiereghin destroying the original items.
      “Riot Design is a process through consumerism, violence appeal, design and the market,” explained Chiereghin.
      “Un-personal everyday objects are destroyed and transformed using a riot aesthetic and then brought back to functionality through an invasive restoration,” he told Dezeen.

      The Riot Design exhibition is at Vienna’s Kunstforum.

      Each of the items, chosen for their normality, was destroyed on-site within the gallery, which is in the former vault of the bank that houses the Kunstforum.
      They were then reassembled using construction materials that are usually hidden within items to draw attention to the rebuilding.

      Riot Design consists of destroyed and rebuilt furniture
      “The act of destruction is part of the artwork, violence models and deconstructs the object, leaving left-over pieces which are then to be recomposed in a unique object,” Chiereghin said.
      “The exhibition is conceived as a whole installation which combines objects and videos, changing rhythm through rough sounds and flirty objects, between construction materials and pink moulded plastic.”

      The items were chosen for their normality
      Chiereghin destroyed the items while wearing a helmet or balaclava to make a visual connection to the act of rioting.
      “The combination of the objects and the riot tools was influenced by the destruction result I wanted to obtain and by visual references to the history of riots,” said Chiereghin.
      “The idea of applying violence to things is common, either in everyday life or in the art,” he continued. “Nevertheless, I was for a long time fascinated by the power of exercising violence and the appeal that violence has on human beings.”

      The furniture was destroyed within the exhibition space
      “With the passing of the time I realised I wanted to excerpt the idea of riot and its violence from a context and use it as a cultural, ready-made tool of design,” continued Chiereghin.
      “Destruction activates multilayer connections: damage, hedonistic liberation, loss of value and reaction against status quo.”

      Videos show the items being destroyed
      The exhibition was created after Chiereghin watched lots of footage of riots, including those at the WTO in Seattle in 1999 and the Genova G8 Summit in 2001. The artist also focused on anti-austerity riots in Greece between 2010-2015, along with the recent riots in Hong Kong and USA.

      “As a predominantly white profession, we recognise that we have contributed to this pain”

      He accepts that the subject matter and the title of the exhibition may prove controversial, but hopes that it challenges visitors to ask questions.

      Pablo Chiereghin violently destroyed the pieces
      “If somebody finds it inappropriate, contradictory or speculative they are right,” he said.
      “The project offers a multilayer approach, which goes from entertainment to speculative design and consumerism critics,” he continued.
      “Visitors have possibilities to stay on the level they want but I think I would be happy if some visitors go home with questions.”
      Riot Design is on at the Kunstforumin in Vienna from 15 October to 22 November 2020. See Dezeen Events Guide for an up-to-date list of architecture and design events taking place around the world.

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      Ten architecture and design events this November and December from Dezeen Events Guide

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      Design Shanghai, Design Miami and Dubai Design Week are among the architecture and design events listed in Dezeen Events Guide taking place this winter, alongside a host of virtual programmes including an Archigram symposium and the Dezeen Awards ceremonies.Other events taking place in November and December include an Enzo Mari exhibition in Milan curated by Hans Ulrich Obrist, the Quito Pan-American Architecture Biennial in Ecuador, Barcelona Design Week and Contemporary Istanbul.

      Above: the iconic illustration of the coronavirus virion is one of the designs on show at the Beazley Designs of the Year exhibition. Top: Walking illustration by Drawing Architecture Studio for the M+ museum’s Archigram Cities symposium
      Beazley Designs of the Year exhibition21 October 2020 to 28 March 2021
      The nominees for the 2020 Designs of the Year awards are currently on show at the London Design Museum until March of next year, allowing visitors to reflect on the state of the world in the months leading up to the coronavirus pandemic.
      Exhibits are arranged in chronological order, starting with Jack and Huei’s proposal for naming Bleached Coral as colour of the year at the start of 2019 and leading all the way up until January of this year, when the CDC released its 3D rendering of the novel coronavirus.
      About Time: Fashion and Duration exhibition29 October 2020 to 7 February 2021
      In celebration of the 150th anniversary of New York’s Metropolitan Museum of Art, the annual exhibition put on by its Costume Institute is this year sharing a retrospective of seminal fashion pieces from 1870 until the present day.
      The show, which is usually launched with the Met Gala in May, highlights the cyclical nature of fashion by mixing up styles from throughout the decades in two clock-like gallery spaces created by set designer Es Devlin.
      M+ Matters: Archigram Cities Online Symposium4 to 21 November
      In a virtual event organised by Hong Kong’s M+ museum, scholars and architects will come together to reconsider the work of British architecture collective Archigram and its enduring influence on modern architectural discourse.
      Over a series of three Zoom presentations, speakers will include architects Liam Young and Mark Wigley as well as Atelier Bow-Wow’s Tsukamoto Yoshiharu.
      Dubai Design Week9 to 14 November
      Dubai is one of the few design weeks to take place not just virtually by also in real life this year, spanning more than 200 events across the second week of November focused on how we can reimagine the way we live in light of the pandemic.
      This includes the Global Grad Show, exhibiting projects by students from around the world, and the trade fair Downtown Design alongside the city’s inaugural d3 Architecture Festival.
      Dezeen Awards ceremonies23 to 25 November
      The winners of this year’s Dezeen Awards will be announced via a three hour-long livestreams, hosted by Saatchi Gallery’s poet in residence LionHeart.
      Set on three consecutive days, each ceremony will be dedicated to a different category from architecture to interiors and design, with their respective key judges Norman Foster, Michelle Ogundehin and Paola Antonelli each sharing an address reflecting on this year’s entries.

      Combo chair by Frank Chou, one of the designers exhibiting at Design Shanghai

      Design Shanghai26 to 29 November
      Postponed from its original date in March, China’s preeminent design fair Design Shanghai will now take place at the end of November, highlighting local designers and brands alongside exhibitors from 30 other countries.
      The highly-anticipated Norwegian Presence showcase, which is normally exhibited at Salone del Mobile, will be presented as part of the Chinese trade fair instead, alongside a speaker programme featuring Ini Archibong, Ross Lovegrove and Hong Kong designer André Fu.
      Design Miami28 November to 6 December
      For its 16th edition, the Design Miami fair will supplement its regular programme with a new curated exhibition series called Podium, in which pieces of collectable design and craft will be not just on display but also for sale.
      In the wake of a tumultuous year in US history and the divisive 2020 election, the showcase will highlight pieces that question what it means to be American, from a 19th-century Navajo tribe textile to ceramics by Puerto Rican “ghetto potter” Roberto Lugo.
      World Architecture Festival30 November to 4 December
      The WAF is going virtual this year, with a series of talks, panel discussions and special prize ceremonies being live-streamed for free.
      Speakers including UNStudio’s Ben Van Berkel, Archigram founder Peter Cook and Jeanne Gang of Chicago firm Studio Gang will discuss everything from recent technical innovations to the ever-present topic of how we can learn to live with pandemics.
      Contemporary Istanbul16 to 20 December
      Turkey’s leading contemporary art fair will this year offer both virtual and physical events, including its recurring Plugin exhibition, which this year is focusing on human-machine communication and artificial intelligence.
      The event’s online version will act as a platform for visitors to interact with the fair in real-time, during its actual opening hours.
      National Gallery of Victoria Triennial19 December 2020 to 18 April 2021
      The second triennial from Melbourne’s NGV will showcase projects from around the globe that blur the line between art, design, architecture, science and technology.
      More than 80 artists and designers will take part in this year’s edition, including up-and-coming talent alongside stalwarts such as Kengo Kuma, Faye Toogood, Jeff Koons and Patricia Urquiola.

      Patricia Urquiola presents an installation titled Recycled Woollen Island at NGV Triennial 2020
      About Dezeen Events Guide
      Dezeen Events Guide is our guide to the best architecture and design events taking place across the world each year.
      The guide is updated weekly and includes virtual events, conferences, trade fairs, major exhibitions and design weeks, as well as up-to-date information about what events have been cancelled or postponed due to the ongoing coronavirus pandemic.
      Inclusion in the guide is free for basic listings, with events selected at Dezeen’s discretion. Organisers can get enhanced or premium listings for their events, including images, additional text and links, by paying a modest fee.
      In addition, events can ensure inclusion by partnering with Dezeen. For more details on inclusion in Dezeen Events Guide and media partnerships with Dezeen, email eventsguide@dezeen.com.

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      Recycled drink cans decorate exterior of Daily Paper's first US store

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      Over 13,000 flattened aluminium cans decorate the facade of Dutch fashion label Daily Paper’s inaugural shop in the US, which has opened in Manhattan, New York. The two-storey Daily Paper store spans 1,140 square feet (106 square metres) and occupies a prominent corner building in Manhattan’s Lower Eastside. Up until now, the brand has exclusively
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      Freitag's Sweat-Yourself-Shop is a tiny factory for making bags

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      Swiss brand Freitag has created a shop in Zurich, which is a “micro-factory” where customers can help make their own bag out of recycled tarpaulins.Named Sweat-Yourself-Shop, the interactive retail space on Grüngasse was designed by Freitag to take their existing customisation options one step further.

      Freitag bags are made of recycled truck tarpaulins
      The 80-square-metre retail space was originally a standard shop for the brand but has been given a factory-style makeover.
      “We were looking for a unique pilot retail experience to reduce used truck tarp leftovers from our factory,” explained Freitag.
      “With the new shop, customers can get further involved by assembling their bag to their own taste and getting involved in the final production steps,” added the brand.
      “From now on, Freitag is transferring the final stages of production and the entire responsibility for the bag’s design to future owners, in our newly converted micro-factory.”

      Customers can operate a conveyor belt of material

      Founded in 1993 by graphic designers Markus and Daniel Freitag, Freitag specialises in practical bags made out of recycled tarpaulins.
      Used tarpaulin bought from trucking companies in Europe are cleaned, cut up and fashioned into bags. The material, polyester fabric coated with polyvinyl chloride (PVC), makes for durable and waterproof accessories.

      The shop is set up as a “micro-factory” for bags
      At Sweat-Yourself-Shop, customers can make their own shopper-style bag.
      The interiors of the micro-factory are designed to look “functional and industrial”, with grey walls and floors. Freitag painted all the machinery in Colour Index industrial green, the brand’s signature shade.

      The shopper bag is fully customisable
      A rainbow of tarpaulin panels are clipped to hangers dangling from a looped conveyor belt that runs along the shop’s ceiling.
      Customers can press a button to power the conveyor belt, bringing more colour choices out from behind windows of frosted glass.

      Customers can watch their bag being stitched
      Workshop stations allow them to pick out colours for the main bag and the outer pocket and watch them be cut and stitched together.

      Miniwiz creates pop-up store where rubbish is exchanged for recycled products

      “The sheer amount of colour choices for tarp pieces that go into the F718 BUH shopper will probably have our part-time bag makers in the new Sweat-Yourself-Shop perspiring more heavily than the production work itself,” joked the brand.

      The whole process is visible through big display windows
      Large windows frame the shop so that passersby can also watch the process from the street.
      Sweat-Yourself-Shop is shortlisted for Dezeen Awards 2020 in the small retail interior category, alongside projects including a tiny bakery in Japan and beauty brand Glossier’s Seattle shop that’s covered in moss.

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      Thirty domestic bathrooms by architects including concrete, travertine and pink-tiled designs

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      Making improvements to your home because you’re spending so much more time there? Here are 30 bathrooms designed by architects to give you some ideas.

      Minimal Fantasy apartment by Patricia Bustos Studio
      Designed by Patricia Bustos Studio, this pink bathroom has shiny pink curtains and mirrors with pink frames to match the rest of the apartment in Madrid, which is almost entirely pink.

      Botaniczna Apartment by Agnieszka Owsiany Studio
      This bathroom in a Poznań apartment designed by Agnieszka Owsiany Studio for a couple working in medicine has travertine marble walls and a travertine basin.

      House 6 by Zooco Estudio
      Zooco Estudio covered the walls and floors of this bathroom in Madrid with white tiles and blue grouting. A geometric counter clad with blue tiles snakes across the ground and up the wall to form a storage closet in the space.

      Porto house by Fala Atelier 
      Fala Atelier used square white tiles for this bathroom in a house in Porto. The tiles are paired with marble countertops, blue cupboard doors and a large round mirror over the sink.

      Makepeace Mansions apartment by Surman Weston 
      The bathroom in this apartment designed by Surman Weston is finished with hand-painted tiles that are arranged to form a black-and-white graphic pattern that mimics the housing block’s mock-Tudor facade.

      Unit 622 by Rainville Sangaré
      Set in an apartment within Moshe Safdie’s brutalist Habitat 67 housing complex in Montreal, this bathroom designed by Rainville Sangaré has colour-changing shower screens.

      Rylett House by Studio 30 Architects
      Created as part of the renovation of a Victorian maisonette in London, this small en-suite bathroom is finished with a black grid of tiles and a bright yellow wall.

      Cats’ Pink House by KC Design Studio 
      This holiday home in Taiwan is designed with a focus on the owner’s cat and includes cat ladders, a rotating carousel-shaped climbing frame and a fluffy pink swing. Its bathroom combines larger square pink floor tiles with a wall made from terrazzo with large flecks of pink and grey.

      Borden house by StudioAC
      This en-suite bathroom at the front of a house designed by StudioAC has pitched walls covered in grey tiles.

      Spinmolenplein apartment by Jürgen Vandewalle
      This bathroom in an apartment in Ghent’s tallest building is enclosed within a white lacquered-wood box and is accessed by a set of barn-style doors. Internally the bathroom is finished with earthy, pink-tone micro cement to contrast the white wood.

      Cloister House by MORQ
      The rammed-concrete walls of Cloister House in Perth have been left exposed in the bathroom where they are softened with timber slatted floors and a timber-clad bath and sink.

      Akari House by Mas-aqui
      Designed by Architecture studio Mas-aqui as part of a renovation of a 20th-century apartment in the mountains above Barcelona, this small bathroom combines red floor tiles with white wall tiles.

      Louisville Road house by 2LG Studio
      Created by 2LG Studio as part of a colourful overhaul of a period house in south London, this bathroom has pale marble walls and a baby-blue tiled floor. The baby-blue colour was also used for the taps and mirror surround, which contrast with the coral vanity unit.

      Apartment A by Atelier Dialect
      This en-suite bathroom, which forms part of a large open-plan master bedroom in an Antwerp apartment designed by Belgian studio Atelier Dialect, has a rectangular freestanding tub at its centre.
      The bath is wrapped in mirrored steel to compliment a stainless-steel basin, while the walls are finished with subway tiles and mint-green paint.

      House V by Martin Skoček
      Martin Skoček used salvaged bricks throughout the interiors of this gabled house near Bratislava, Slovakia. The master bedroom has a dramatic en-suite bedroom with a freestanding bathtub that is alined with the apex of the pitched timber roof.

      308 S apartment by Bloco Arquitetos 
      The bathroom in this 1960s apartment renovated by Bloco Arquitetos in Brasília incorporates white tiles as a reference to architecture in the city in the 6os. The white walls and ceiling are combined with a vanity counter and floor made from Branco São Paulo – a matte-finished granite.

      Mexican holiday home by Palma
      This slim shower room is tucked behind a bedroom in a holiday home designed by architecture studio Palma. It has slatted wooden doors that open directly to the exterior.

      South Yarra Townhouse by Winter Architecture
      This bathroom designed by Winter Architecture in a Melbourne townhouse combines exposed-aggregate grey tiles and thin, horizontal white tiles with towels rails and taps made from gold-hued brass.

      Edinburgh apartment by Luke and Joanne McClelland
      The main bathroom in this Georgian apartment in Edinburgh has glazed green tiles on the lower half of the walls and the front of the tub. Alongside the bath, a sink was placed on a restored 1960s wooden sideboard by Danish designer Ib Kofod Larsen.

      Ruxton Rise Residence by Studio Four
      Built for Studio Four’s co-director Sarah Henry, this tranquil house in the Melbourne suburb of Beaumaris has bathrooms with surfaces covered in tadelakt – a waterproof, lime-based plaster that is often used in Moroccan architecture to make sinks and baths.

      House with Three Eyes by Innauer-Matt Architekten
      In House with Three Eyes, the bathroom has a full-height glass wall that has views out across the surrounding Austrian countryside. The marble-clad bath is positioned right next to this window so bathers can enjoy the views.

      Hygge Studio by Melina Romano
      Brazilian designer Melina Romano designed this fern green coloured bathroom to extend from a bedroom in a São Paulo apartment. It features a striking black toilet, a corner mirror and a vanity unit built from red brick that has an open slot for storing towels and toiletries.

      Ready-made Home by Azab
      This en-suite bathroom in Azab’s Ready-made Home is separated from the bedroom by an angled blue curtain. The triangular bathroom space is differentiated from the bedroom by its blue tiles on the floor, which extend up the front of the bath and walls.

      Immeuble Molitor apartment by Le Corbusier
      This small bathroom was designed by Le Corbusier in the Immeuble Molitor apartment in Paris that was his home for over 30 years. The room, which has walls that are painted sky blue and covered with small white tiles, has a short bath and sink.

      Apartment in Born by Colombo and Serboli Architecture
      Colombo and Serboli Architecture added a new guest bathroom to this apartment in Barcelona’s historic El Born neighbourhood, which has by blush-toned tiles and a circular mirror.

      130 William skyscraper model apartment by David Adjaye
      Built within an apartment in David Adjaye’s 130 William skyscraper in New York, this bathroom is lined with serrated grey marble tiles and has a wooden sink unit with a matching profile.

      Pioneer Square Loft by Plum Design and Corey Kingston
      The bathroom facilities in this loft apartment in Seattle are located in a custom-built L-shaped wooden box in one of the room’s corners, which is topped with a bedroom.
      A washroom, shower, toilet and sauna are each located in different boxes that are each clad in wood charred using the traditional Japanese technique known as Shou Sugi Ban.

      VS House by Sārānsh
      The bathroom in VS House by Sārānsh in Ahmedabad, India, combines two clashing Indian stone finishes. Floors and walls are made from flecked grey tiles, while an emerald-coloured marble surrounds the toilets and mirror.

      Nagatachō Apartment by Adam Nathaniel Furman
      Forming part of the brightly coloured Nagatachō Apartment, which Adam Nathaniel Furman designed to be a “visual feast”, this bathroom combines a blue-tiled with milky-orange-tiled walls. A sky blue vanity unit, lemon-yellow towel rail and taps, and pink toilet complete the colourful composition.

      Kyle House by GRAS
      This holiday home in Scotland was designed by Architecture studio GRAS to have a “monastically simple” interior. This is extended into the bathroom, which has grey walls and a shower space clad with large black tiles.

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      Neri&Hu keeps time-worn details in Parisian restaurant Papi

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      A huge cylindrical volume clad in white tiles sits amongst aged stone walls inside Papi, a restaurant in Paris designed by Neri&Hu.Papi can be found in the French capital’s ninth arrondissement, taking over the ground floor of a 19th-century Haussmann building.

      Top image: the exterior of Papi. Above: steel-framed windows can be pushed back to open up the restaurant to the street
      Rather than modernising the 52-square-metre site of the restaurant, Neri&Hu has instead tried to showcase the “layers of material heritage” that denote the building’s long and storied past.
      The Shanghai-based studio explained the building works had to be carried out “as carefully as an archaeological dig”.

      Neri & Hu stripped back the interior to expose old brick and limestone surfaces

      “Every single existing element was meticulously examined, and the challenge was in resisting the urge to fix every imperfection, to instead honour the imprint of time upon each surface,” added Neri&Hu.
      “Each fragment represents a different period in Paris’ history, forming a beautiful yet challenging existing canvas for [Neri&Hu] to intervene.”

      The dining area is enclosed within a cylindrical volume
      Wallcoverings and finishes that have built up over the years from previous occupants have been peeled back to reveal the building’s older brick or limestone surfaces.
      Aged stone moulding that borders the entrance door has also been exposed, and a slim cut-out has been made in the facade to reveal an existing steel lintel.
      Similar steel has been used to frame the expansive panels of glazing that front the restaurant. These can be slid back during the warmer months, diffusing the boundary between Papi’s diners and passersby on the street.

      Slim white tiles clad the inside and outside of the volume
      The most significant contemporary addition that Neri&Hu have made to the interior is a towering cylindrical volume that encompasses Papi’s eating area.
      Clad in narrow white tiles, the volume has been placed slightly off-centre so that it butts up against the right-hand side of the restaurant.

      Neri&Hu looked to “traditional courtyard house typology” for Tsingpu Yangzhou Retreat

      Inside are a handful of wooden dining tables and chairs. Guests can alternatively opt to sit on one of the bench seats that have been fitted in the birch plywood-lined openings running around the perimeter of the volume.

      The volume hugs against the restaurant’s right-hand wall
      Other than a couple of tube lights – specifically chosen by Neri&Hu to stand in “stark modern contrast” to the crumbling stone walls – decor in Papi has been kept to a minimum.
      A few mirrors have also been incorporated within the cylinder.
      “[The mirrors] create dynamic perspectives and voyeuristic moments between interior and exterior, but also invite guests within to cross gazes,” concluded the studio.

      Bench seats have been integrated into the volume’s openings
      Neri&Hu has been established since 2004. Other projects that the studio has completed this year include a cultural centre in Beijing that’s covered with aluminium louvres and a hotel in Taipei that takes design cues from the city’s urban landscape.
      Photography is by Simone Bossi.

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      Edition Office rearranges The Melburnian Apartment around oak wood volumes

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      Towering, pale wood volumes hide the functional elements of this apartment in Melbourne, Australia which has been overhauled by local architecture studio Edition Office.The Melburnian Apartment – which is shortlisted in the apartment interior category of this year’s Dezeen Awards – is set within a residential building in the Southbank neighbourhood, overlooking the city’s arts precinct and royal botanical gardens.
      Prior to Edition Office’s intervention, it had featured several rectilinear rooms that were awkwardly crammed into the apartment’s crescent-shaped floor plan.

      The Melburnian Apartment is arranged around volumes made from oak wood

      The studio was asked by the young couple who own the apartment to create a less restrictive, easy-going layout that was more suited to their often unpredictable social lives.
      After knocking through a majority of the existing plaster-board partition walls, Edition Office decided to tuck away the functional elements of the home inside a trio of full-height storage volumes.

      A kitchen is hidden behind one of the volumes
      “The design response is inherently simple, refined and calming – which restores and creates freedom,” explained the studio.
      “Circulation drifts and flows around the formal partitioning elements, allowing for a space with no doors,” it added. “In this way, the clients move from sleep to morning coffee to home office to showering to washing to working to thinking in a continually evolving and smooth loop.”

      White oak wood lines the outside of the volumes. Photo is by Kim Bridgland of Edition Office
      Each of the rounded volumes are externally lined with oiled white oak wood, while the insides are clad with grey granite tiles – two materials that the studio thought would offset the apartment building’s “textural aloofness”.
      One of the volumes contains a kitchen, which has been minimally finished with handleless timber cupboards. The second volume has been in-built with a sofa upholstered in tan-brown leather and a small desk, which are meant to have the same feel as a study cubicle in a library.

      The inside of the volumes are clad with granite tiles
      The third and final volume has been made to curve around a freestanding desk to form a larger home office. Several steel shelves have been incorporated so that the inhabitants have a place to display their wide array of novels.
      An additional bathroom is also integrated into the back of this volume, which is almost entirely covered with slim white tiles. It also includes a marble-effect vanity cabinet.

      Another one of the volumes curves around a study with steel bookshelves. Photo is by Kim Bridgland of Edition Office
      Edition Office has carefully arranged the volumes to provide shade to living spaces, which were often flooded with sunlight from the floor-to-ceiling window that curves around the apartment’s front elevation.

      Black pavilion filled with glass yams examines colonisation in Australia

      “Their curved forms invite light and shadow to drift and smear around corners, and allow for a home that has too much natural daylight to provide the sanctuary of shadow and the textural delight that comes with it,” added the studio.
      The volumes also block sightlines to the master bedroom in the corner of the apartment, which is simply separated from the rest of the plan by a raw-linen curtain.

      This volume also includes a white-tile bathroom
      Edition Office was established in 2016 and is led by Kim Bridgland and Aaron Roberts. The studio was named as emerging architect of the year in the 2019 Dezeen Awards.
      In this year’s awards, its Melburnian Apartment will compete against projects such as La Nave by Nomos, a flat in Madrid that occupies an abandoned workshop, and Jaffa House 4 by Pitsou Kedem Architects, an apartment that’s set inside a 300-year-old brick building in Tel Aviv.
      Photography is by Ben Hosking unless stated otherwise.

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      About Time: Fashion and Duration exhibition at The Met celebrates 150 years of fashion

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      Set designer Es Devlin has created two clock-like gallery spaces for the latest fashion exhibition at New York’s Metropolitan Museum of Art, which compares design over 150 years.The Met’s Costume Institute opens About Time: Fashion and Duration at the museum’s Fifth Avenue location on 29 October –  the original planned opening in May 2020 was postponed due to the coronavirus pandemic.
      Featured fashion dates back 150 years to 1870 to coincide with The Met’s 150th anniversary. Rather than presenting designs chronologically, the exhibition mixes up the timeline in order to compare the cyclical nature of fashion across the years.

      Above image: the all-bacl Clock One gallery space. Top image: the mirrored Clock Two gallery space

      “About Time: Fashion and Duration considers the ephemeral nature of fashion, employing flashbacks and fast-forwards to reveal how it can be both linear and cyclical,” said The Met director Max Hollein.
      “The result is a show that presents a nuanced continuum of fashion over the museum’s 150-year history.”
      Devlin, who has created stage sets for musicians The Weekend and Katy Perry, worked with The Met’s Design Department to create a time-travelling-themed exhibition.

      White markings or light divide galleries into 60 “minutes”
      It is located in two galleries in the museum’s Iris and B Gerald Cantor Exhibition Hall that are in a circular formation like a clock. Called Clock One and Clock Two, they have different material finishes. The former is nearly all black, and the latter is covered in mirrors.
      White markings on the floor or thin white lights punctuate both spaces, resembling the marks on a clock face.
      These marks split the galleries into 60 segments or “minutes”. Each minute showcases two garments – one that follows time chronologically and another from a different time period to showcase similarities or differences in form.

      One of the spaces is covered in mirrors
      Examples include an 1870s black silk faille princess-line dress paired with a 1990s Alexander McQueen skirt and a mid-1890s silk satin dress with puffed sleeves contrasted by 2004 Comme des Garçons ensemble.
      “Fashion is indelibly connected to time,” said Andrew Bolton, the Wendy Yu curator in charge of The Costume Institute.
      “It not only reflects and represents the spirit of the times, but it also changes and develops with the times, serving as an especially sensitive and accurate timepiece.”

      It is located in two galleries in the museum’s Iris and B Gerald Cantor Exhibition Hall
      There are 125 fashions in the exhibition with a number sourced from The Costume Insitute’s collection. It includes work from well-known contemporary and historic designers and brands like Virgil Abloh, Azzedine Alaïa, Jonathan Anderson, Iris van Herpen, Karl Lagerfeld and Vivienne Westwood.
      First announced last year, The Met’s About Time exhibition is based on French 20th-century philosopher Henri Bergson’s idea of time as la durée, or duration – something which can be measured through images but never perceived as a whole.

      The Met celebrates “resurgence of camp” in new exhibition Camp: Notes on Fashion

      The Met closed its main building on Fifth Avenue, as well as its Met Breuer and Met Cloisters locations, in early March in response to the emergence of outbreaks of coronavirus in New York City.
      In lieu of the spring opening, the museum created a virtual version of About Time: Fashion and Duration on Youtube.

      Garments include this spring/summer 2020 haute couture by Viktor + Rolf
      The annual Costume Institute Benefit, also known as the Met Gala, was due to take place in May 2020 to coincide with the original opening of the exhibition. It was also cancelled due to the pandemic.
      The Met’s Costume Institute organises a spring exhibition every year. Last year’s exhibition Camp: Notes on Fashion celebrated the “resurgence of camp”, while the 2018 showcase Heavenly Bodies was themed on religion.
      Others have included a retrospective of Comme des Garcons founder Rei Kawakubo, a study of handcraft and machine production and an exploration of China.

      About Time will run from 29 October 2020 to 7 February 2021. See Dezeen Events Guide for an up-to-date list of architecture and design events taking place around the world.

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