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      Get listed in Dezeen’s digital guide for NYCxDesign 2024

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      If you’re hosting an event during NYCxDesign, you can get listed in Dezeen Events Guide’s digital guide to the festival, which highlights the key events taking place across New York City’s five boroughs.

      NYCxDesign runs from 16 to 23 May 2024 and features hundreds of events including installations, exhibitions, fairs, tours, open studios and product launches.
      One of the largest events taking place during the eight-day programme is the International Contemporary Furniture Fair (ICFF) and WantedDesign Manhattan, located at the Javits Center from 19 to 21 May 2024. Each year the fair sees 10,000 visitors from the architecture, design and retail fields.
      With 2024 marking the festival’s 12th anniversary, NYCxDesign aims for its events to target themes of sustainability, inclusivity and diversity while exploring a range of design mediums.
      Get listed in Dezeen’s digital NYCxDesign guide

      Get in touch with the Dezeen Events Guide team at [email protected] to book your listing or to discuss a wider partnership with Dezeen.
      There are three types of listing available:
      Standard listings cost £125 ($160) and include the event name, date and location details plus a website link. These listings will feature up to 50 words of text about the event.
      Enhanced listings cost £175 ($225) and include all of the above plus an image at the top of the listing’s page and a preview image on the Dezeen Events Guide homepage. These listings will also feature up to 100 words of text about the event.
      Featured listings cost £350 ($450) and include the elements of an enhanced listing plus a post on Dezeen’s Threads channel, inclusion in the featured events carousel on the right hand of the homepage for up to two weeks and 150 words of text about the event. This text can include commercial information such as ticket prices and offers and can feature additional links to website pages such as ticket sales and newsletter signups.
      For more details about partnering with us to help amplify your event, contact the team at [email protected].
      About Dezeen Events Guide
      Dezeen Events Guide is our guide to the best architecture and design events taking place across the world each year.
      The guide is updated weekly and includes events, conferences, trade fairs, major exhibitions and design weeks.
      The illustration is by Justyna Green.

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      ORA creates modern home in 500-year-old Czech Renaissance building

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      Czech architecture studio ORA has renovated a Renaissance-era house in the town of Český Krumlov, preserving original features like its carved wooden beams while adding free-standing contemporary furniture.

      Local entrepreneurs Petra Hanáková and Radek Techlovský purchased the dilapidated house in the town centre in 2016 and asked ORA to oversee a modernisation process that retains the interior’s historical character.
      Masná 130 is a renovated home by ORA in Český KrumlovThe 500-year-old building, now called Masná 130, had been neglected for decades and was not even connected to the town’s sewage system. It also had flood-damaged foundations and a roof in need of major repairs.
      Despite its issues, the owners saw potential in the property and spent two years transforming its ground floor into a cafe that has become a gathering place for the local community.
      The architects added bespoke furniture made from dark-stained birch plywoodThe latest phase of the project involved renovating the first-floor living spaces. The original intention was to redevelop them as rental flats, but Hanáková and Techlovský eventually decided to create a single apartment that they could occupy themselves.

      ORA’s design for the apartment reveals aspects of the building’s past while introducing modern features that reflect the owners’ love for contemporary design and minimalist style.
      The building’s original carved wooden ceiling beams are left exposed”We did not want to create a historical ‘museum’ interior, nor a design showroom,” said Hanáková and Techlovský. “We wanted to organically connect the historical and contemporary layers.”
      The architects began by removing an existing partition wall in the main living space and reinstating the original open layout. This created a large salon that reveals the full splendour of the Renaissance-era wooden ceiling.
      The kitchen was designed as a standalone unit that is raised above the floorThe restoration process also uncovered original stone walls that were painted a deep crimson colour. Together with the wooden rafters, this informed a material palette that complements these dark, saturated tones and creates a cosy atmosphere.
      The apartment’s bedroom features a small remnant of the original ceiling fresco. The rest of the room is painted a cream colour to lend the space a calm and relaxing feel.

      No Architects completes “seamless” revamp of 1920s house in Prague

      In the bathroom, ORA chose to combine cool colours with white tiles and large mirrors to brighten the space. Playful details such as the irregularly shaped bathtub, curved sinks and tiles with rounded edges help to soften the overall aesthetic.
      Throughout the apartment, the architects added bespoke freestanding furniture that performs the necessary functions without disturbing or concealing the existing heritage features.
      The bed is dominated by an oversized headboard”The interior design is approached as a collage of motifs,” said ORA. “The furniture is inserted into the historical space in the form of separate objects that create distance from the historical elements.”
      The kitchen, for example, was designed as a standalone unit that is raised above the floor and stops well short of the ceiling. Its sink, hob and countertop occupy a central void, with all other functions concealed within the cabinetry.
      It takes pride of place in the centre of the bedroomThe bed features an oversized headboard that connects with a wardrobe on its reverse side. It is placed in the centre of the bedroom and is angled to provide the best view of the window and the original painted ceiling.
      Custom-made furniture is built from dark-stained birch plywood with contrasting brass legs that help to enhance the sense of separation from the existing spaces.
      Lighting is either freestanding or integrated into furniture such as the kitchen unit and bed. An overhead light above the dining table is mounted on a bracket so it does not touch the historical ceiling.
      ORA combined cool colours with white tiles in the bathroomORA, which stands for Original Regional Architecture, was founded in 2014 by Jan Veisser, Jan Hora and Barbora Hora. The studio is based in the small town of Znojmo, with previous projects including the conversion of a 16th-century home in Mikulov to create a modern guesthouse.
      Other recent attempts at revamping the historical residences of the Czech Republic include a 1920s villa in Prague that was renovated by No Architects and a 100-year-old apartment in Karlovy Vary, where Plus One Architects uncovered the building’s original paintwork.
      The photography is by BoysPlayNice.

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      AHMM to transform office into co-living space next to London’s Barbican estate

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      Developer HUB and investor Bridges Fund Management have revealed plans to convert a 1950s office building in London into Cornerstone, a co-living residential scheme designed by Allford Hall Monaghan Morris.

      Located on the edge of the Barbican estate, the Cornerstone project will draw from the iconic Barbican architecture to transform 45 Beech Street into 174 co-living residences along with street-level commercial spaces and amenities.
      “Building on the success of our previous London projects with HUB, we are joining forces again to transform an underloved office building in the heart of the city,” Allford Hall Monaghan Morris (AHMM) director Hazel Joseph said.
      AHMM has revealed plans for a co-living retrofit next to London’s Barbican estateAHMM’s proposal aims to re-use as much of the building’s existing structure and facade as possible, taking a “retrofit-first approach” to minimise the need for new building works.
      The studio will also primarily work within the geometric parameters defined by the original envelope, while updating the rectilinear language to create uniform apertures for each co-living apartment.

      Referencing the Barbican estate, a series of arched, double-height extrusions will be introduced across the crown of the building to house additional co-living apartments.
      The design will adapt the existing building’s form and insert a series of arched spaces at the top”The architectural approach has been carefully considered, responding sensitively to the much-loved Barbican context, completing the northern frontage of the estate,” Joseph said.
      The arches will be partially set back from the building’s facade and lined with an asymmetric patchwork of glazed and tile panels underneath the curved overhangs.

      Plans for Barbican concert hall by Diller Scofidio & Renfro axed

      At street level, warm red panel accents will contrast against the building’s neutral concrete finishes to highlight commercial and collective functions.
      The scheme will integrate a public cafe, a co-working space and community-focused amenities at its lower levels to improve the public realm for those who live and work in the area.
      “The existing structure of 45 Beech Street will be re-used and extended, creating a new residential community with shared amenities and breathing new life into the local streetscape,” Joseph explained.
      At street level, new commercial and public amenities will seek to activate the ground planeAccording to HUB and Bridges Fund Management, AHMM’s proposal was developed in collaboration with the community – including Barbican residents – who were consulted through a series of workshops and events.
      A website was also established to solicit viewpoints about the redevelopment, reiterating the design vision to establish a “vibrant community” that will adapt the original building and holistically contribute to the neighbourhood.
      AHMM was established in 1989 by Simon Allford, Jonathan Hall, Paul Monaghan and Peter Morris in London. The studio has previously converted a 1930s block into New Scotland Yard’s headquarters in London and completed a mixed-use building in Southwark with interlocking flats.
      Also adjacent to the Barbican estate, Diller Scofidio & Renfro’s proposal for a pyramidal music centre was recently scrapped when the City of London Corporation revealed its plans for a “major renewal” of the Barbican.
      The images are courtesy of HUB and Bridges Fund Management.

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      ICA Stop supermarket designed as a “culinary dream come true”

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      Swedish studio Westblom Krasse Arkitektkontor and design agency Snask have revamped a supermarket in Täby, adding pastel hues and materials such as terrazzo and wood to “turn shopping into an experience”.

      The design was intended as a facelift for the store, which is part of Sweden’s ICA supermarket chain and had been given many smaller additions over the years without an overall design direction.
      Together, Snask and Westblom Krasse Arkitektkontor redesigned the 2,200-square-metre store outside of Stockholm, refreshing its interior by creating multiple themed stations.
      A pink juice bar welcomes visitors inside Täby’s ICA StopThese include a pink juice and smoothie bar, a “vegan butchery” station, a seafood and champagne bar and a bar for delicacies, designed to give ICA Stop the feel of a market hall.
      “Our main goal was to create a more personal shopping experience,” Snask creative director Freddie Öst told Dezeen.

      “We did this by modernising the brand and giving it a concept as the culinary dream come true.”
      Snask and Westblom Krasse Arkitektkontor used colours that would enhance the produceTo create clean sightlines inside the shop, which also has a restaurant space at the front, Westblom Krasse Arkitektkontor and Snask used rounded shapes throughout the interior.
      “This wasn’t just about keeping the store from turning into a sardine can,” Öst said. “It was about giving everything and everyone room to breathe – and look fabulous doing it – even products that would otherwise be blocking one another.”
      Fruit counters have ribbed sides and perforated metal shelvingFor both practical and aesthetic reasons, the bars and counters were given a ribbed effect that adds textural interest to the store interior.
      “It’s like putting pinstripes on a curve – it adds just the right amount of flair without messing with the flow,” Öst said.
      “[It’s] a classy shout out to those fluted columns from the architectural playbook,” he added. “We made store design not just functional but fashionably sleek, with a wink and a nod to the ancients.”
      Terrazzo was used for the tabletops in the restaurantThe studios used materials not usually associated with supermarkets for the interior, including lacquered wood, stainless steel and terrazzo, which was used for the tabletops in the restaurant section.
      Counters were wrapped in thick medium-density fibreboard (MDF) and fortified with steel rods to protect them against “rogue shopping carts”, while the fruit and vegetable shelves were constructed from perforated lacquered metal.

      Wine and Eggs is a colourful Los Angeles grocery with a European feel

      “We made sure to blur the lines between a regular supermarket and the nirvana of a chef, turning shopping into an experience,” Öst said.
      As the store remained open while it was being refurbished, the studios had to plan the change of the interior in different stages.
      Stainless-steel counters “pop like a comic strip”They chose to use pastel colours throughout the stores for the shelving and bars to keep the focus on the food itself.
      “We fine-tuned the entire space against a new backdrop of soothing soft blue allowing for the fresh produce to become the leading actor with its rainbow hues,” Öst said.
      “The stainless steel counters add a pop like a comic strip,” he added. “The market hall slithers like a friendly serpent, presenting an array of cheese, meats and cold cuts, guiding you through the culinary wonderland without disturbing the colours of food and packaging.”
      Snask redesigned the logo and branding for the storeAs well as the refreshed interior, Snask also worked on the branding for ICA Stop.
      “The logo was redrawn and we also added the S symbol, making it a recognizable brand marker,” Öst explained.
      “Per usual, we threw away the old ways of doing things and dialled up both colours, typography, design, architecture and fun.”
      The colourful store is located in Täby outside of StockholmThe unusual interior of the store, which is now open to customers, has divided opinions.
      “Most customers adored the change, while others… not so much. But hey, that’s the result of flipping the supermarket game on its head,” Öst concluded, adding a quote by graphic designer Tibor Kalman: “When you create something no one hates, no one loves it either”.
      Other creative grocery store designs include Wine and Egg in Los Angeles, which was designed to have a “European feel”, and the stripped-back and simple interior of supermarket Consum’s Benicàssim store.
      The photography is by Mikael Lundblad och Jesper Westblom.

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      Chai Guys Portobello cafe interior evokes “the colour of spices”

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      Local studio SODA has used warm colours and natural materials to create the first store for tea brand Chai Guys on Portobello Road in London’s Notting Hill neighbourhood.

      The studio drew on the “informal nature” of drinking masala chai tea when designing the interior for the cafe – the first one for the Chai Guys brand, which has previously operated from market stalls.
      The Chai Guys cafe is located on Portobello Road in London”We wanted to keep true to the informal nature of drinking chai by creating a grounded space with low-level seating where there is always room for one more by pulling up a stool,” SODA interior designer Matilde Menezes told Dezeen.
      “The counter was kept quite low, too, to showcase the act of serving chai, which is quite theatrical.”
      The interior has plaster walls and boucle seatsThe Chai Guys Portobello cafe comprises a seating area and a front-of-house desk where the tea is prepared, as well as a bakery at the back that sells pastries.

      As many of the visitors will be getting takeaway drinks, Menezes says she wanted to provide “an impactful impression that was simple and subtle at the same time”.
      Timber panelling clads part of the wallsThe studio also aimed for the 55-square-metre space to be a peaceful refuge from hectic Portobello Road and to reference the Chai Guys branding.
      “The brand is a modern take on chai with its black dynamic typography layered over clean and minimal design,” Menezes explained.

      SODA creates contemporary MYO offices inside 1970s London building

      “We wanted the colour palette to sit back and let the branding and product be the main event in moments such as the counter, the shopfront, and the retail shelving,” she added.
      “In areas where the branding wasn’t present, we wanted the palette to evoke the colours of the spices and standalone as a direct but understated reference to chai.”
      SODA used natural materials like leather and wood for the cafeThe studio chose to work mainly with natural materials for the interior, which features walls in Clayworks plaster.
      “Clayworks is non-toxic, has low embodied energy and carbon, is breathable, passively regulates humidity and is produced in the UK,” Menezes said.
      “On top of this, the handmade quality of each stroke and lived-in quality complemented the aesthetic we were trying to achieve.”
      A counter serves Chai tea and pastriesSODA also clad the walls in timber panelling and chose boucle and leather for the seating, adding to the store’s tactile feel.
      “Timber has its innate grain and richness, leather ages and provides sheen and the boucle appeals to the touch and is quite striking in the Masala tone,”  Menezes said.
      “All these tactile touchpoints were selected to be resilient in a high-traffic commercial space.”
      Other recent projects by SODA, which was founded by Laura Sanjuan and Russell Potter in 2012, include a colourful interior for The Office Group and a theatre with a revolving auditorium.

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      Ivy Studio installs colourful marble in Montreal’s Hayat restaurant

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      Montreal-based Ivy Studio has chosen a variety of dramatic marble to outfit a Middle Eastern restaurant, which features a colour palette influenced by “the earthy tones of the Syrian deserts”.

      In Montreal’s Old Port neighbourhood, the 1,500-square-foot (140-square metre) Hayat restaurant is designed to reflect the cuisine served by chef Joseph Awad.
      The marble host stand at Hayat sets the tone for the restaurant’s Middle Eastern-influenced colour palette”This Middle Eastern restaurant’s colour palette was inspired by the earthy tones of the Syrian deserts and their surrounding greenery,” said Ivy Studio.
      Upon entering is a screen of black hammered-glass panels, which also conceals the kitchen in the far corner.
      In the main dining space, banquette seating runs along two walls below a fabric ceiling installationIn the main dining room, built-in benches form an L along two walls, while a pair of U-shaped booths sit against another that arches over them.

      The seat backs are upholstered in mauve velvet and the cushions are wrapped in contrasting deep green leather.
      Private booths are positioned below an arched ceiling and behind a partition of black hammered glassCloser to the kitchen is another small, semi-circular booth built into the walnut millwork.
      Here the cushioned seats are covered in ruby-toned velvet, and a metallic light fixture is suspended above.
      The bar is made from a dramatic marble variety with streaks of teal, pistachio and cream coloursIvy Studio selected a wide variety of striking, richly veined marbles, “each contributing their own touch of colour into the space” according to the team.
      The bar is made from a dramatic stone with teal, cream and pistachio striations, while the host stand and dining table tops in the main area are purple and white.
      A red-hued semicircular booth is tucked into the walnut millwork close to the kitchenThe building’s exposed brickwork is painted cream to match the other walls, while the original historic stone between the large windows is left exposed.
      “The ancient stone walls at the front and rear facades were left intact to showcase the building’s history,” Ivy Studio said.

      Ivy Studio renovates fire-damaged Piatti restaurant in Montreal

      Curved layers across the ceiling, which hide indirect lighting, are designed to evoke the smooth landscapes of the Middle East.
      A fabric installation suspended above the dining tables curves around more strips of lighting, diffusing the light to create a warm glow.
      The bar is made from a dramatic marble variety with streaks of teal, pistachio and cream coloursWalnut, stone and cream walls are also found in the bathrooms, which echo the colour and material scheme throughout the restaurant.
      “The overall intention of the palette was to bring together the worlds of Middle Eastern nature and Old Montreal construction,” the studio said.
      The same material palette continues in the moody bathroomsIvy Studio has completed several interiors across Montreal that include colourful marble.
      These include the Italian restaurant Piatti where the dark green stone contrasts the building’s rough walls and co-working office Spatial where purple surfaces pop against mint green millwork.
      The photography is by Alex Lesage.
      Project credits:
      Architecture and design: Ivy StudioConstruction: Groupe Manovra

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      Eight tranquil interiors where oversized windows frame lush views

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      This week’s lookbook explores eight peaceful residential interiors that feature expansive glazing and floor-to-ceiling windows framing verdant views.

      These eight projects all use oversized or unusually shaped windows in clever ways, creating interiors that embrace nature and forge welcome connections to the outdoors.
      Among this list of projects is an urban home renovation in Sydney offering scenic views over a plant-filled roof terrace, a curvaceous home that wraps around mango trees in a forest near Mumbai, and a mid-century home renovation sat beside a hillside in California.
      This is the latest in our lookbooks series, which provides visual inspiration from Dezeen’s archive. For more inspiration see previous lookbooks featuring interiors that embody the “bookshelf wealth” design trend, living spaces that feature metal furniture and offbeat homes with indoor slides.
      Photo by Fabian MartinezCasa Tres Árboles, Mexico, by Direccion

      Neutral calming tones feature throughout this revamp of a weekend retreat in Valle de Bravo, completed by Mexican studio Direccion.
      Designed to “convey a sense of refuge and retreat”, lush courtyards at either end of the home serve as a backdrop to the calm interiors and are visible through floor-to-ceiling windows and French doors.
      Find out more about Casa Tres Árboles ›
      Photo by Tom FergusonHidden Garden House, Australia, by Sam Crawford Architects
      Located within a conservation zone, this Sydney home was reconfigured by Sam Crawford Architects to transform the space into an urban “sanctuary”.
      A sloped terrace on the upper floor is filled with plants to create an “urban oasis” outside the house and offers a scenic yet private bathing experience for the residents.
      Find out more about Hidden Garden House ›
      Photo by Nils Timm12221 Benmore , US, by Ome Dezin
      This mid-century home renovation in California by US studio Ome Dezin features a tonal colour palette and has oversized openings to maximise views of the lush hillside.
      Originally constructed in 1960 by architects A Quincy Jones and Frederick Emmon, the renovation aimed to revive the home’s original charm and its connection to the outdoors.
      Find out more about 12221 Benmore ›
      Photo by Syam SreesylamNisarga Art Hub, India, by Wallmakers
      Nisarga Art Hub, a family home located in Kerala, doubles as a community arts centre for hosting workshops and events, as well as musical performances that are held on the structure’s innovative roof design.
      A central space features earthy, natural interiors with built-in seating that is fronted by oversized windows looking out over the neighbouring paddy fields.
      Find out more about Nisarga Art Hub ›
      Photo by Jim StephensonPoet’s Corner House, UK, by Oliver Leech Architects
      UK studio Oliver Leech Architects added a four-metre-wide skylight to this extension of a Victorian terrace house in south London.
      Tasked with opening up the home’s dark interiors, the extension offers views of a wildflower meadow roof along with views out to a rear courtyard.
      Find out more about Poet’s Corner House ›
      Photo by Inclined StudioAsmalay, India, by Blurring Boundaries
      This curvaceous home near Mumbai completed by Indian studio Blurring Boundaries was designed to wrap around five of the surrounding forest’s mango trees.
      Large, oval-shaped windows line the home’s interior and draw daylight in as well as provide views out towards the leafy forest.
      Find out more about Asmalay ›
      Photo by EvenbeeldWell House, Belgium, by Memo Architectuur
      Belgian studio Memo Architectuur renovated this dilapidated row house in Mortsel to accommodate a single-family home.
      The home’s bright, leafy interiors are lit by floor-to-ceiling rear openings that provide a picturesque backdrop to an open-plan kitchen and upper-floor balcony.
      Find out more about Well House ›
      Photo by Robin HayesHouse Dokka, Norway, by Snøhetta
      Two stacked timber-clad volumes comprise this home designed to resemble a “floating treehouse” in Kongsberg, Norway, completed by Snøhetta and Tor Helge Dokka.
      Optimising its location perched on a hillside, large windows finished with black frames look out onto the surrounding rocky landscape.
      Find out more about House Dokka ›
      This is the latest in our lookbooks series, which provides visual inspiration from Dezeen’s archive. For more inspiration see previous lookbooks featuring interiors that embody the “bookshelf wealth” design trend, living spaces that feature metal furniture and offbeat homes with indoor slides.

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      Post Company imbues Mollie Aspen hotel interiors with earthy hues

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      New York studio Post Company has designed warm, wood-filled interiors for a boutique hotel in Aspen, Colorado, which offers a pared-back take on the Arts and Crafts style.

      Mollie Aspen occupies a new timber-clad building designed by CCY Architects and developed and operated by HayMax in the mountain city’s downtown area.
      With an open fireplace as a backdrop, the lobby lounge at Mollie Aspen features earth-toned furniture and a gridded wood ceilingPost Company was tasked with creating the interiors for the 68-room hotel, combining contemporary Scandinavian and Japanese design elements for a serene take on Rocky Mountain luxury.
      “Mollie is designed for those with a natural curiosity and appreciation for connection and offers visitors a unique, welcoming respite in the bustling mountain town,” said the hotel’s team.
      An all-day cafe in the lobby serves pastries and beverages from a walnut-wrapped counterAn abundance of wood can be found throughout the different spaces, with numerous varieties creating a layered effect of different colours and grain patterns.

      The timber is crafted into elements like gridded wall and ceiling panels with built-in lighting, which evoke an Arts and Crafts aesthetic, as well as fluted counterfronts and a range of furniture pieces.
      Burl wood counters and displays present goods in the hotel’s retail spaceThe majority of the materials used in Mollie’s construction were sourced from the Western United States to reduce waste, according to the team.
      Meanwhile, other accents like earthen ceramics, hand-dyed textiles and sand-casted brass add to the cosy atmosphere.
      Guest rooms offer an even more pared-back take on the neutral decor palette”These materials are incorporated throughout the hotel to mimic the area’s rough-hewn mountains while large windows frame views of the surrounding landscape and bring an abundance of light into the hotel,” said the team.
      The lobby lounge is designed as a cosy gathering space for guests and the public, with a large open fireplace providing a backdrop.
      Beige plaster walls and textured carpets complement the wood ceilings in the guest roomsChunky leather, velvet and boucle sofas and armchairs in a range of earthy hues form comfy conversation nooks.
      At one end of the room, the black-topped bar spans the full width and is illuminated by a row of globe-shaped pendant lights suspended from thin brass bars.
      Black leather furniture in the larger suites offers a contrast to the other furniture pieces and snowy mountain viewsA repeated geometric pattern across the pale counter front is also found on door panels leading to other hotel areas.
      An all-day cafe at the opposite end of the lobby serves pastries and an assortment of beverages from a walnut-wrapped counter, and the restaurant
      Dark green tiles in the bathrooms match the spruce trees outsideIn the adjacent retail space, burl wood counters and displays with curved edges, some of which are topped with glass vitrines.
      On the third floor is a roof terrace with a bar and a spa pool set to open in Spring 2024, while a fitness facility and flexible meeting space are located at ground level.

      Giampiero Tagliaferri lines Aspen coffee bar with green marble and faux fur

      The guest rooms continue the soft, neutral palette in a more pared-back style.
      Beige plaster walls, textured carpets and green-grey curtains complement the wood ceilings and built-in furniture, while black leather chairs add contrast.
      Mollie Aspen is located within a newly constructed building by CCY ArchitectsDark green stacked tiles that line the bathrooms match the spruce trees outside and freestanding tubs beside the windows allow guests to enjoy the view while soaking.
      “Guests are left with a sense of Aspen’s cultural and recreational history, providing a lens to appreciate its contemporary personality and influence,” the team said.
      The building was constructed largely from materials sourced from the Western USAspen is a renowned destination for winter sports and affluent vacationers, and CCY Architects has designed several private residences in and around the town – among them an extension to a Victorian house, a residence nestled in a grassy valley and a retreat that overlooks the dramatic mountainous scenery.
      Formerly known as Studio Tack, Post Company’s previous hotel projects include the Anvil Hotel in Wyoming, The Sandman in California, and Scribner’s Catskill Lodge in New York.
      The photography is by Nicole Franzen.

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