all

Subterms

    More stories

    • 150 Shares169 Views

      in Rooms

      Neri&Hu creates “urban oasis” for Artyzen New Bund 31 hotel in Shanghai

      by

      Chinese studio Neri&Hu has completed a hotel in Shanghai alongside the New Bund Performing Arts Centre, which was also designed by the studio.

      Located in Pudong District, Artyzen New Bund 31 hotel forms part of a larger development called Qiantan, which includes an office tower and a shopping centre.
      The scalloped details on the entrance facade is to resonate with the arches used in the adjacent performing arts centreThe hotel, which is connected directly to the New Bund Performing Arts Centre, contains a total of 202 guest rooms is a tower above a podium.
      Alongside the entrance of the hotel on the ground floor, Neri&Hu created a scallop-shaped concrete facade to recall the arches of the performing arts centre.
      A large circular opening allows natural light into the ground floor lobbyGuests can go to the hotel reception on the fifth floor either directly from this gound ground floor entrance or via a lounge on the third floor that connects to performing arts centre.

      According to the Shanghai-based Neri&Hu, the hotel was conceived as having been carved from a single monolithic mass.
      The ground floor lobby features a large circular opening punctuating the ceiling, inviting natural light flooding into the otherwise enclosed space.
      The hotel is designed to be an “urban oasis”The firth floor, which is the top of the podium block, contains all the shared amenities including reception, lounges, restaurants, event spaces, and outdoor gardens.
      The facilities were placed in pavilions, which were arranged in a stone landscape that acts as a garden-like experience for guests.

      Neri&Hu captures “spirit of traditional alleyways” at Shanghai arts centre

      “The hotel is envisioned as an urban oasis that takes its guests on a journey of surprise and discovery,” said Neri&Hu.
      “With an abundance of outdoor landscape spaces, Artyzen Qiantan offers a rare experience in an urban hotel, a sense of respite and escape from the bustling city of Shanghai,” it continued.
      A series of pavilions containing facilities are located on the fifth floor. Photo by Branston Partnership IncThe colour palette for the guest rooms was informed by traditional Chinese gardens, mindful of the nature theme that is consistent throughout the hotel.
      Grey stone wraps the entry and bathroom of each room, while wooden bed frames bring a sense of warmth, with bronze metal details adding a touch of luxury. Custom furniture pieces by Neri&Hu create a sense of home and casualness for the guests.
      Guest rooms were designed to create a home-like experienceNeri&Hu was founded by architects Lyndon Neri and Rossana Hu in Shanghai in 2006. Along with the New Bund Performing Arts Centre, the studio recently completed a residential block in Taiwan.
      The photography is by Pedro Pegenaute unless otherwise stated.
      Project credits:
      Partners-in-charge: Lyndon Neri, Rossana HuAssociate-in-charge: Akrawit Yanpaisan, Scott HsuDesign team: Aleksandra Duka, Peng Guo, Danyan Jin, Andy Chen, Qiucheng Li, Elan Tao Tessie Wan, Paz Ma, Echo Li, Dania Angela Flores, Ambesh Suthar, Kathy Hu, Bella Lin, Greg Wu, Becky Zhang, Nicolas Fardet, Yin Sheng, Lili Cheng, Junho Jeon, Luna Hong, Lyuqitiao Wang, Haiou Xin, July Huang, Yuqi ZhongConsultants:Architect: Palmer & Turner ConsultantsCurtain wall consultant: Shanghai Zhulian Construction Engineering Co.Structural consultant: ArupMEP consultant: China Team Engineering Consulting Co., Ltd. Shanghai BranchLandscape consultant: East China Architectural Design & Research InstituteConstruction PM: AECOMLDI: Shanghai Tianhua Architecture Planning & EngineeringAcoustic consultant: SMW (Shanghai) Business Consulting Co.Art consultant: Art Front Gallery (Shanghai) Co.Interior LDI: Shanghai Modern Architectural Decoration Environmental Design Research Institute Co.Interior lighting: Branston Partnership Inc.Kitchen consultant: CKP Kitchen Design Consultant Co.Signage consultant: Shanghai Saichi Logo Design Engineering Co.QS: ArcadisContractors:Contractor (GC): Shanghai Construction No.4(Group) Co.Curtain wall: Wuxi Hengshang Decoration Engineering Co.Hotel public area interior: Shanghai Construction Decoration (Group) Co.Hotel guest room interior: Shanghai Haihua Construction & Decoration Engineering Co.

      Read more: More

    • 150 Shares109 Views

      in Rooms

      Emil Eve Architects uses mid-century colours in homey office for Drama Republic

      by

      Distinct shades of green, orange and blue give character to this workplace, designed by Emil Eve Architects for the production company behind TV shows including the BBC’s Doctor Foster and Netflix’s One Day.

      Drama Republic gave Emil Eve the task of refurbishing its office in London’s Holborn.
      The redesign gives the company a more homey workspace, combining a mid-century-inspired colour palette with textural materials including oak and fluted glass.
      The colour palette includes mid-century-inspired shades of blue, green and orange”This is a working office, but also needs to be pleasant for clients to visit,” said Emma Perkin, Emil Eve co-founder.
      “We had to create a design that was practical but also welcoming and comfy,” she told Dezeen.

      “Often workplaces have a very limited palette; we consciously introduced a mid-century mix of greens, blues and oranges against warm white walls and natural wood. The slightly muted shades mean it’s bright but still calm.”
      Existing glass partitions were moved in line with the new floor planDrama Republic’s brief called for a mix of flexible work areas, including large desks for collaborative working, meeting rooms that support video conferencing, and lounge areas where staff can take calls or read through scripts.
      Emil Eve replanned the office layout to improve the flow between these different spaces.
      A new lobby features partitions crafted from hardwood and fluted glassThe architects were keen to reuse existing materials and furniture where possible, so glass partitions that surrounded the previous meeting rooms were simply moved in line with the new floor plan.
      A lobby was created, with new partitions designed to match the proportions of the existing ones. These were crafted from Sapele, an African hardwood with a warm reddish-brown tone.
      The custom-made desks integrate pinboard screensStorage was also installed, in custom-made wall units that provide bookshelves and hidden cupboards.
      “The office has really good natural light but had never been properly organised, so it felt cramped and ad-hoc,” said Perkin.

      Archmongers uses eco-friendly materials in colourful Bakken & Bæck office

      “Drama Republic didn’t want it to feel corporate, so we used our experience from residential projects to design well-considered joinery which maximised storage,” she explained.
      “There were lots of cables and lights, plus big office equipment like printers; we had to find a way to tidy things away but still have them accessible.”
      Meeting rooms are designed to support video conferencingCustom-made work surfaces include desks with bespoke pinboard screens, as well as meeting and coffee tables.
      All the chairs from before were reused, with the exception of the lobby sofa and the meeting room armchairs.
      Wall units provide both open shelves and concealed storageThe flooring is oak in a herringbone pattern, while lighting is provided by coloured glass ceiling lights and curvy pendants.
      “These are unusual specifications for an office but they work just as well and feel automatically more homey,” added Perkin.
      Poster and photos from Drama Republic productions decorate the wallsThe space is completed by framed photos and posters from Drama Republic productions, including Black Earth Rising, The Honourable Woman, Wanderlust and The Irregulars.
      Perkin and her partner and Emil Eve co-founder, Ross Perkin, established their studio in 2009. Their own office is a retrofit of a brutalist building in Hackney. Last year, one of its projects won London’s Don’t Move, Improve! competition.
      The photography is by Rachael Smith.
      Project credits
      Architect: Emil Eve ArchitectsContractor: Harbour Joinery WorkshopJoinery: Harbour Joinery Workshop, Thomas Collier StudioPaint: Edward Bulmer, Paint and Paper LibraryTiles: Mosaic FactorySofa and armchairs: Loaf

      Read more: More

    • 150 Shares189 Views

      in Rooms

      Raúl Sánchez Architects adds colourful details and “kitchen cube” to Spanish home

      by

      Spanish studio Raúl Sánchez Architects has renovated the PSM21 house outside of Barcelona, adding an interior staircase to turn two separate apartments into one home with colourful details.

      The studio aimed to turn the properties, in the coastal town of Castelldefels, into a single 250-square-metre house that takes advantage of its sea views.
      “The connection with the views, which are striking, are paramount in the project, so the layout tries to connect all the spaces with the exterior, but without simplifying the space, creating, at the same time, a complex indoors living,” Raúl Sánchez Architects founder told Raúl Sánchez told Dezeen.
      The Spanish home was previously two separate apartmentsThe studio initially renovated the upper apartment and will begin working on the lower floor next year. To connect the two floors of the building, which previously had separate entrances, the studio added an internal staircase.
      “The new requirements of the new family did not match the existing layout,” Sánchez said.

      “The two main storeys of the house were split and had no connection, and now the new house will be one only house, with a new connection staircase.”
      A yellow entrance hall welcomes visitorsOn the upper floor, a yellow entrance hall welcomes visitors to the house and leads into an open-plan kitchen and living room.
      Here, a blue-painted volume, which the architect calls the “kitchen cube”, holds the kitchen as well as a small storage room and the internal staircase.
      The kitchen features a blue “cube”On its other side, doors lead to the floor’s three bedrooms, each of which is connected to one of the home’s two bathrooms. The bedrooms are separated from the living spaces by a hallway lined with cabinets.
      To create interest in the space, the architect worked with a number of different textures and bright colours.

      Gold-leaf wall divides renovated Barcelona apartment by Raúl Sánchez Architects

      “Most of the ambience is whitish, but there are different materials giving that whitish, from paint, to white wood, white tiles or white microcement, so the texture is always adding a different character,” Sánchez explained.
      “And then, some colour spots, highlighting, for example, the kitchen cube – which also conceals a wardrobe and the staircase, to be done in the next second stage – that organizes the circulation around it; or in the bedrooms, with a very characteristic tinted wood in unfamiliar colours for the wood, which is something I really enjoy, to use unfamiliar colours with familiar materials.”
      Colourful details decorate the homeDifferent types of metals and stones add more tactile details.
      “There are also metals, as in the doors, mixing brass and stainless steel, or stones, like the red onyx and the granite in the kitchen and island,” Sánchez said.
      “The materiality is rich in textures and colour, so the experience of the house, now from a more tactile approach, is really rich and complex.”
      Architect Raúl Sánchez worked with colourful wood in the bedroomsRaúl Sánchez Architects also aimed for the house to be energy-efficient, using heat pumps to control its tempertaure.
      “All facade walls have been treated to improve their insulation and energy performance, both in solid sections and in the new windows, while a new aerothermal system meets the climatization needs in a highly efficient manner,” Sánchez said.
      “Most of the materials come from local suppliers, reducing the carbon footprint of the construction.”
      A “sauna pavilion” overlooks the gardenWhen complete, the lower floor will contain a study space, additional leisure areas and guest accommodation.
      Outside the home, stone-clad steps lead down to a garden and pool area, while a former warehouse at the bottom of the building was turned into a “sauna pavilion”.
      Each bedroom is connected to a bathroomThe studio was named Emerging interior design studio of the year at Dezeen Awards 2022. Recently completed projects by the studio include the renovation of a Barcelona apartment with a gold-leaf wall and a townhouse with a four-storey spiral staircase.
      The photography is by José Hevia.
      Project credits:
      Architecture: Paolo Burattini, Flavia Thalisa Gütermann, Dimitris LouizosEngineering: Marés ingenierosCarpentry: Vallés carpinteríaMetal works: MetalwareAlluminium and glass works: Jaume Costa

      Read more: More

    • 125 Shares129 Views

      in Rooms

      Bude Architects uncovers historic clay bricks for Kyiv cosmetics showroom

      by

      Ukrainian studio Bude Architects has designed a minimalist showroom and salon for cosmetic company Pleka in Kyiv.

      As the first step in a brand transformation for Pleka, the studio designed the showroom in an early 20th-century building to showcase natural materials with a neutral and inviting colour palette.
      Bude Architects has taken a minimalist approach to the showroom interiorHistoric yellow bricks made from local clay, which are characteristic of architecture in Kyiv during the 19th and early 20th century, were exposed throughout the interior.
      The studio showcased the material as it was keen to create a space that resonated with the architecture of the building, with other materials selected to complement this brickwork.
      Exposed yellow brick has been incorporated as a key feature throughout the interior”The choice of materials was influenced by the space background,” Bude Architects co-founder Julia Shataliuk told Dezeen.

      “We wanted to showcase the historic yellow brick, so we were looking for good companions for it.”
      The multifunctional showroom incorporates a retail space and a beauty salonThe studio combined the brickwork with natural woods, travertine and an earthy shade of decorative plaster, with the aim of creating a warm environment to reflect Pleka’s brand identity.
      “The brand’s core value is a careful and attentive attitude towards its customers,” Julia Shataliuk explained. “They manifest the importance of each person taking care of themselves.”
      “It was important for us to create a space that would convey the brand’s openness, create a special atmosphere, and improve the customer experience,” she continued. “This is reflected in the spatial solutions and materials.”
      Pared back, neutral tones have been used throughout the space to create a calming environmentBude Architects designed the space to encourage customers to interact with staff and test the products as well as utilising the beauty services on offer.
      “Pleka had a request to give customers more attention and an individual approach,” said Julia Shataliuk. “The result of the cooperation is a hybrid space where they comfortably unite a store and an express beauty salon in a small area.”
      Designated seating areas were incorporated into the scheme to create a comfortable customer experienceSet in a sunken ground floor, the showroom’s entrance space has a large reception desk, a client meeting area and a large, feature shelving unit. The studio designed the space to draw people in from the busy street.
      “It was crucial for us to use the shape of the room and its content to attract the attention of passers-by from the street through the windows,” explained co-founder Denys Shataliuk.
      A large dining table adds a homely element to the interiorThe shelving unit on the far wall functions as a focal point within the space to highlight the retail products – made from aluminium and mounted onto a mirrored surface, the unit was intended to contrast with the earthy tones of the interior.
      This section also contains a large meeting table, which acts as a designated area for clients to meet with staff and emphasises Pleka’s aim of building lasting customer relationships.

      Glass bricks divide spaces in Suprematism apartment in Kyiv

      “When we researched the brand to reflect its identity in the interior, we learned that the company establishes warm and long-term relationships with its customers,” said Denys Shataliuk.
      “It was important to express this friendliness through the space by creating an atmosphere of trust and comfort.”
      The large shelving unit acts as a focal point to showcase Pleka’s cosmetic productsAt the rear of the showroom, the second room has a more private atmosphere, with “a functional double-sided island with a built-in-sink” utilised for product testing and Pleka’s beauty salon services.
      Small hearts have also been incorporated throughout the interior scheme to reflect the brand identity, featured on custom clothing hooks and metal inlays in the worktops.
      The double-sided island is used for product testing and beauty salon servicesBude Architects was founded by Ukrainian couple, Denys and Julia Shataliuk. Originally from Kharkiv, the architects were forced to relocate to Kyiv due to the ongoing conflict. Other recently completed projects in Kyiv include a Nastia Mirzoyan’s renovation of a Stalinist-era flat and a colourful industrial-style interior created by design studio Dihome.

      Read more: More

    • 150 Shares169 Views

      in Rooms

      Studio Empathy and Praxes design library at Korean Cultural Center New York

      by

      Traditional Korean architecture influenced the layout and shelving design in the library at the Korean Cultural Center New York, designed by Studio Empathy and Praxes.

      Changhaak Choi of Studio Empathy and Jiyoung Kim from Praxes worked together to complete the 1,600-square-foot (149-square-metre) library, located on the third floor of the Korean Cultural Center New York’s new venue in Midtown Manhattan.
      The library is arranged to from a central courtyard formed by bookshelvesThe space houses a collection of over 10,000 books, periodicals, government publications, and multimedia resources in both Korean and English.
      It acts as a resource for research on Korea, introduces Korean writers to the New York audience, and provides educational materials for young Korean-Americans and those interested in Korean culture.
      The shelves are fabricated from plywood elements and joined to resemble traditional Korean architectural details”This new library aspires to be a cultural hub, promoting information exchange and enhancing mutual understanding of Korea among the Korean-American community and the broader New York population,” said Choi.

      “The design seamlessly blends archaic forms with a minimalistic and contemporary aesthetic, which incites a biophilic space.”
      The central space is populated with cube-shaped stools for visitors to sit and readTo enable easy circulation, the bookshelves were arranged in a rectangular plan with a pathway around the perimeter and a courtyard in the centre, with openings to allow movement between the two.
      The layout is akin to a traditional Korean han-ok house, which is similarly organised in a loop around a central space.
      The shelves sit away from the building’s glass walls so that visitors can circulate around the perimeterHere, the “courtyard” serves as the reading area and includes cube-shaped wooden stools upon which visitors can sit.
      “This design enables visitors to continuously explore the diverse scenery of book stacks and enjoy views of the rooftop garden through glass walls, seamlessly integrating indoor and outdoor elements,” Choi said.
      The library’s children’s section is housed within a lower storage moduleThe bookshelves were also modelled on the typical post-and-lintel assembly and joining techniques found in han-ok homes.
      They were fabricated as modular units using thin plywood panels, slats and metal components to be efficient and cost-effective.

      Studio Hinge creates library spaces beneath tree-like wooden columns

      Along the tops and sides of the storage modules, a wooden lattice is coloured in five bold hues to enliven the design.
      “This design resonates with the vibrant book spines, creating a dynamic visual contrast with the monochromatic, bright wood shelves, and light grey stone floor,” said Choi.
      Wooden latticework is also installed across the ceiling and behind the reception deskThe aim is for the library to become a community hub for Korean-Americans and others New Yorkers, and host events like book launches and other group activities.
      “This project showcases how cultural heritage can be preserved and celebrated through thoughtful and contemporary design, creating a unique and enriching environment for all visitors,” said Choi.
      The tops and sides of the shelves are coloured in five bold huesPlayful shelving solutions have become a hallmark of contemporary library designs around the world.
      At a space in São Paulo, MAB3 and Zénite created forest of books where shelves encircle tree-like columns, while Studio Hinge took an arboreally informed approach to storage at a library in Mumbai.
      The photography is by Michael Moran and Changhaak Choi.

      Read more: More

    • 100 Shares199 Views

      in Rooms

      Seven transparent bathrooms for households who share everything

      by

      In this lookbook we collect bathrooms with see-through walls, best suited to those who take a more relaxed attitude to privacy in the home.

      In most homes the bathroom is designed as a private space. But as the interiors listed below demonstrate, deciding against encasing the washroom in opaque walls can bring in natural light, act as a space-saving device or even create an unusual focal point in the home.
      This is the latest in our lookbooks series, which provides visual inspiration from Dezeen’s archive. For more inspiration, see previous lookbooks featuring bathrooms with sunken baths, subway tiles and double sinks.
      Photo by Yosuke OhtakeHouse in Kyoto, Japan, by 07Beach
      The bathroom inside this house in Kyoto, designed by architecture studio 07Beach, sits alongside a skylit central courtyard-like living space to give the residents the feeling of “open-air bathing”.

      “The house was designed as one big space, placing the double height living room at the centre so they can see who does what,” said the studio. “Although a curtain rail was set up in the bathroom just in case, it seems the family got used to the exposed bathroom, and still use it without a curtain.”
      Find out more about House in Kyoto ›
      Photo by Miguel de GuzmánBathyard Home, Spain, by Husos
      Madrid architecture studio Husos went further than merely making the bathroom visible in this apartment, instead removing partition walls to make it the main communal area of the home.
      “The bathyard is a space whose character can be negotiated and altered by the users by sliding transparent partitions and opening out a folding bench,” the studio said.
      Find out more about Bathyard Home ›
      Photo by Hey! CheeseCats’ Pink House, Taiwan, by KC Design Studio
      This holiday home in Taiwan was designed by KC Design Studio as a place for the owner to have fun with her three cats.
      The bathroom adjoins the cats’ playroom via a wall composed of a terrazzo plinth topped with pink glass, affording a view of what’s going on next door. For moments when additional privacy is desirable, the glass can be dimmed.
      Find out more about Cats’ Pink House ›
      Photo courtesy of Suppose Design Office (also top)House in Nagoya, Japan, by Suppose Design Office
      This house was completed by Japanese architecture studio Suppose Design Office all the way back in 2009 but is too good an example of a transparent bathroom not to be included on our list.
      The main living space looks straight through glass walls to the bathroom via a landscaped area filled with rocks and plants.
      Find out more about House in Nagoya ›
      Photo by Tomooki KengakuThe Life, Japan, by I IN
      Tokyo studio I IN overhauled an apartment for Japanese developer Smarg in an attempt to change perceptions of renovation projects.
      The flat has an open-plan layout and a restful ambience. Reeded glass partition walls allow light to penetrate into the windowless bathroom, as well as distorted view of the other side.
      Find out more about The Life ›
      Photo courtesy of Blueberry NightsBlueberry Nights, Georgia, by Sandro Takaishvili
      Georgian architect Sandro Takaishvili wanted this hotel in Tbilisi to make guests feel like they’re inside a movie.
      In the bedrooms, designed to evoke David Lynch’s visual style, the bathrooms are only separated by a slight change in level and the introduction of white tiles.
      Find out more about Blueberry Nights ›
      Photo by Torben EskerodVibo Tværveh, Denmark, by Valbæk Brørup Architects
      The bathroom at this summer cabin designed by Copenhagen studio Valbæk Brørup Architects takes the form of a tiled wet room that can be opened up to the elements.
      Located at one end of the long building, it opens through glass sliding doors onto an outdoor bathing area – which is fenced to avoid giving any passers-by a nasty shock.
      Find out more about Vibo Tværveh ›
      This is the latest in our lookbooks series, which provides visual inspiration from Dezeen’s archive. For more inspiration, see previous lookbooks featuring bathrooms with sunken baths, subway tiles and double sinks.

      Read more: More

    • 150 Shares99 Views

      in Rooms

      Funamachi Base cafe and sweet shop designed as “extension of the park”

      by

      Timber pillars and PVC pipes were left bare to blur the boundaries between the interior and exterior of cafe and sweet shop in Funamachi, Japan, designed by Schemata Architects.

      Named Funamachi Base, the combined sweet store and cafe is located next to a park in the centre of Funamachi, a riverport town in central Japan.
      The cafe is located close to a riverThis location inspired the design of its three buildings, which house a restaurant, sweetshop and a structurewith an office, kitchen and workshop.
      “We envisioned the facility as an extension of the park, including the courtyard connected via flowerpots, so that the boundary between the inside and outside of the site would disappear and one would be gradually drawn inside,” the studio said.
      Part of the foundation of the building forms a counterSchemata Architects’ founder Jo Nagasaka told Dezeen that the aim was also for people to wander into the space as they walk along the river.

      “The main idea was to incorporate the greenway along the river into the facility,” he said. “The design is based on the expectation that people will find themselves entering into the shop as they walk along.”
      Schemata Architects designed the cafe and sweet shop with large overhanging roofsLarge roofs extend out from the buildings of the 326-square-metre Funamachi Base, creating sheltered spaces where visitors can sit and enjoy the cafe’s bean buns.
      “The distance between each building is taken and a roof is placed between them to create a semi-outdoor space, but to avoid clear boundaries between the inside and outside, the idea was to use the same materials inside and out,” Nagasaka said.
      The same materials were used for the interior and exterior of Funamachi BaseMade from concrete and Douglas fir wood, Funamachi Base also features visible PVC pipes, a design choice that Schemata Architects made to underline the interaction between the interior and the exterior.
      “The same materials were used inside and outside: calcium silicate board and putty coating, PVC pipes generally used for outdoor gutters were sandblasted and placed across the inside and outside of the building, and the eaves extended to create a space where the inside and outside are interchangeable,” the studio said.

      Schemata Architects transforms 145-year-old townhouse into Le Labo flagship

      The foundation of the building was designed to bulge out, forming a counter from which to sell the sweets.
      It was also used to create a bench for visitors to rest on and a well, as water is needed to create Japanese sweets.
      A light-brown pattern decorates the facadesThe facades of the buildings have a light-brown pattern, adding to their industrial feel.
      “White walls would make it look like a stylised Japanese building, so we dared to deviate from that,” Nagasaka explained. “We have chosen this so that the construction process is reduced and the finish is unusual.”
      Schemata Architects recently designed the Komaeyu bathhouse in Tokyo, which was shortlisted for a Dezeen Award 2024 in the interiors category.
      The photography is by Yurika Kono.
      Project credits:
      Architect: Jo Nagasaka / Schemata ArchitectsProject team: Yuko YamashitaConstruction: GikenCollaboration: Monochrome (solar panel integrated roof), Fukushima Galilei (kitchen)

      Read more: More

    • 150 Shares169 Views

      in Rooms

      Studio Collective completes The Hotel at The Moore in Miami Design District

      by

      Design firm Studio Collective has created a boutique hotel inside The Moore building in Miami Design District, completing the landmark’s transformation into a multi-functional hospitality venue.

      Recently opened, The Hotel at The Moore occupies the building’s fourth floor and includes 13 suites designed by Studio Collective to feel like private residences.
      “The hotel suites are a new addition to the fourth floor, but were designed to fit the building’s original footprint within its historic interior,” said the hotel team.
      Each room inside The Hotel at The Moore has a unique design conceptThe rooms range from 700 to 1,000 square feet (65 to 93 square metres) and each is designed differently to create a unique experience for guests.
      One suite is decorated primarily in light neutral tones, where textured plaster walls allow walnut bed frames and furniture to stand out.

      Another features wood-panelled walls and woven textured ceilings, complemented by details like rattan lampshades, while colour is introduced through rugs and throw pillows.
      One suite features wood-panelled walls and a woven ceilingThe rooms include art and custom furnishings by makers such as Dallas-based furniture brand Mous and sustainably-focused Brazilian company Sossego.
      The Moore building’s central atrium features a sculptural installation by architect Zaha Hadid, titled Elastika, which was added in 2005 when the space was used as an events venue.
      Colour is subtly introduced through rugs and other detailsThe artwork has lent its name to a public restaurant that now occupies the space, where diners can enjoy a menu by chef Joe Anthony beneath the sinuous white forms that span across and up the four-level void.
      Interiors for the Elastika restaurant were created collaboratively by operators Woodhouse and design firm Icrave, and include velvet banquette seating and an 18-cover bar.

      Esme Hotel in Miami draws on the “bohemian grandeur” of its past

      Constructed in 1921 to as a showroom for Moore and Sons furniture, the neoclassical-style building now also accommodates a private members club, which has its own restaurant and dining room.
      Members also have access to a karaoke room, hidden cocktail lounges, game rooms, a library, various dining rooms with distinct themed decor, a photo booth, sun room and a late-night speakeasy called The Rabbit Hole.
      The Moore building’s lobby is outfitted with black and white flooring, and contrasting colourful furnitureThe Club spaces are populated with furniture and accessories in muted red, blue and green hues, and many have rounded shapes that echo the architectural details through the building.
      Lower levels have terracotta floor tiles, which are swapped for wooden planks on the upper storeys.
      The building’s Elastika restaurant sits within an atrium housing a Zaha Hadid-designed sculpture of the same nameBolder colours are used in the lobby area, where black and white marble flooring contrasts the bold tones of paintings and furniture.
      A grand black and honey-toned stone staircase connects the ground level with the open balconies that overlook the atrium and Elastika.
      Many of the furniture pieces in the building’s private members club are rounded to echo the architectural featuresMiami Design District continues to add distinctive architecture and retail interiors as it develops, from a sculptural block of buildings planned by Kengo Kuma to a Louis Vuitton store wrapped in a diamond-patterned facade completed by Marcel Wanders.
      Boutiques that have recently opened in the area include a Nodaleto shoe store, a Diesel store, and locations for PatBo and Cult Gaia.
      The photography is by Kris Tamburello.

      Read more: More