all

Subterms

    More stories

    • 125 Shares159 Views

      in Rooms

      Wooden elements “take centre stage” in Japandi-style Studio Frantzén restaurant

      by

      Scandinavian and Japanese influences come together at Studio Frantzén, a restaurant in London’s Harrods department store designed by Joyn Studio.

      Stockholm-based Joyn Studio created the sleek interiors for Studio Frantzén – the latest restaurant opened by chef Björn Frantzén.
      Top: visitors enter via a domed reception area. Above: the bar is characterised by back-lit glass bricksThe two-storey eatery is arranged across a main restaurant and bar on the fifth floor, as well as on an additional mezzanine and rooftop terrace on the sixth floor of Harrods.
      In stark contrast to the department store’s famed Edwardian baroque terracotta facade, Studio Frantzén features a contemporary palette that takes cues from both Scandinavian and Japanese design – a trend known as Japandi.
      Studio Frantzén is located across two levels at HarrodsVisitors enter the restaurant at a domed reception area, which references Scandinavian churches and forest chapels, according to the studio.

      The curved walls were clad with blocky cherry wood while illustrations of Nordic animals by Ragnar Persson decorate the ceiling and a Swedish wooden Dala horse was perched on the welcome desk.
      “Undoubtedly, wood takes centre stage in this restaurant,” Joyn Studio founding partner Ida Wanler told Dezeen.
      The main restaurant is composed of two dining hallsThe reception area gives way to a “glowing” bar composed of stacks of glass bricks bathed in amber light, which is mirrored by a ceiling of gridded copper.
      Informed by traditional Japanese izakaya – a type of casual watering hole serving snacks – the large main restaurant is composed of two dining halls with bespoke geometric terrazzo and marble flooring.
      One features bespoke timber seatingOne hall features an open kitchen and Joyn Studio-designed chunky seating booths and sofas carved out of end-grain wood. This was sourced from a large Hungarian pine tree, cut into cubes and then glued together piece by piece.
      This double-height space is illuminated by a spindly oversized chandelier by Swedish studio Front.
      The other follows the same gridded geometry as the barThe other dining hall, tucked around the corner and connected to a wine cellar, follows the same geometry as the bar.
      Sliding timber doors and a gridded wooden ceiling are interrupted by ultramarine benches in booths and delicate, ribbed paper lampshades.

      Halleroed mixes French and Japandi influences inside L/Uniform’s Paris boutique

      “To create a distinctive Nordic dining experience with Asian influences within a historic London building, we delved into the architectural and design legacy of the early 20th century,” explained Wanler.
      “Inspired by the journeys of our predecessors to the far east, where they assimilated influences and pioneered a style known as Swedish Grace, we embraced the resonances between traditional Japanese and Nordic architecture and craftsmanship,” she continued.
      Mirrored artwork by Caia Leifsdotter was included in the mezzanineOn the upper floor, the mezzanine includes three intimate dining booths accentuated by a burnt orange carpet and a wall-mounted Psychedelic Mirror by designer Caia Leifsdotter.
      Characterised by marble, rattan and wooden accents, the rooftop terrace offers expansive city views.
      The rooftop terrace offers views of London”Aiming to infuse creativity into the traditional luxury context of Harrods, we envisioned a relaxed and comfortable ambiance with sparks of richness created in unexpected ways,” said Wanler.
      In 2022, Joyn Studio was longlisted for the title of emerging interior design studio of the year at the Dezeen Awards.
      Elsewhere at Harrods, fashion house Prada recently opened a green-hued pop-up cafe that referenced one of Milan’s oldest patisseries.
      The photography is by Åsa Liffner.

      Read more: More

    • 100 Shares99 Views

      in Rooms

      Bentley curates Scandinavian architecture and design travel experience

      by

      Promotion: in 2023 Bentley Motors launched an architecture and design-centred travel experience around Scandinavia, with highlights that included a stay at Wingårdhs’ forest hotel in Sweden and a tour of BIG’s studio in Copenhagen.

      The Extraordinary Journey Scandinavia tour was one of a series of curated travel experiences presented by Bentley in 2023, offering the opportunity to explore attractive destinations from behind the wheel of its luxury cars.
      The five-day, four-night tour started in Stockholm, where guests were collected from the airport in a chauffeured Bentley and taken to their first night’s stay in the world-renowned Ett Hem hotel.
      The first night’s stay was at Stockholm’s Ett Hem hotelWith interiors created by designer Ilse Crawford, the hotel is known for merging luxury with a feeling of home, with spaces that encourage guests to relax and mingle as if at a manor house.
      The hotel hosted a welcome reception, dinner in the library and a nightcap for the small party of guests on day one to get to know each other.

      On day two, attendees took the wheel of one of several Bentley models on offer and began the journey south through Sweden’s forests, with Scandinavia’s finest architecture and design destinations guiding the way forward.
      For lunch on day two, attendees stopped at NaturehouseFor lunch, the tour stopped at Naturehouse, a sustainability-focused lakeside spa by Tailor Made Arkitekter that merges the forms of a barn and a greenhouse, before continuing to reach the Trakt Forest Hotel in Småland in the afternoon.
      Designed by Wingårdh architecture studio, the hotel features just five suites that are raised high into the treetops on stilts, giving guests the chance to feel immersed in nature.
      The suites are “a true representation of Bentley’s design values of sustainability, materiality, and innovation” said the brand, and guests had the opportunity to relax in the sauna or hot tub before joining the hotel owners Sandra and Mattias Sälleteg at a drinks reception.
      The evening also included dinner in a forest near the hotel, which was made by Michelin star chef Niklas Ekstedt and celebrated natural ingredients coming together “to create something greater than the sum of its parts”.
      Lunch on day three took place at Wanås Hotel and Sculpture ParkDay three saw the group continue the drive south through Sweden’s forests and stop for lunch at Wanås Hotel and Sculpture Park, built around two converted stone barns with interiors by Kristina Wachtmeister.
      They then drove on through Malmö and across the Öresund Bridge, the longest bridge in Europe, connecting Sweden and Denmark, before switching to chauffeured transport once again for the final stretch of the journey to Copenhagen.
      With accommodation at the Nimb Hotel in Tivoli Gardens, guests had ample opportunity to explore Copenhagen, including dinner at a world-renowned Nordic restaurant and then a city tour hosted by the Danish Architecture Centre.
      Day four included a tour and lunch at Bjarke Ingels Group’s studioThere was also a tour of Bjarke Ingels Group’s studio, hosted by a member of the team who gave insights into their creative practice. Lunch was also held within “the beating heart” of the office.
      Bentley’s Extraordinary Journey continues in the UK in 2024 with a programme where attendees will experience a scenic route starting at Crewe, the home of Bentley Motors, to The Macallan Estate in Speyside, Scotland. The UK programme runs from 19 to 22 August and 2 to 5 September.
      For more information and to register interest, visit the Bentley website.
      Partnership content
      This article was written by Dezeen for Bentley as part of a partnership. Find out more about Dezeen partnership content here.

      Read more: More

    • 113 Shares129 Views

      in Rooms

      Dezeen’s top 10 restaurant and bar interiors of 2023

      by

      For the latest roundup in Dezeen’s 2023 review we’ve selected 10 of this year’s most popular and evocative restaurant and bar interiors, ranging from a space-themed sushi bar in Milan to a beach-style eatery in London.

      Also among this year’s eclectic roundup of restaurant and bar interiors is a renovated 16th-century brewery in Poland lined with a bold interior of red brick and ceramic tiles, as well as a bar and restaurant informed by Japanese psychedelia and cabins in Canada.
      Read on for Dezeen’s top 10 restaurant and bar interiors of 2023:
      Photo by Irina BoersmaIkoyi restaurant, UK, by David Thulstrup 
      Copenhagen-based designer David Thulstrup designed a copper and oak interior for the Ikoyi restaurant, situated within London’s 180 The Strand building.

      Drawing on spice-making processes from sub-Saharan west Africa, the interior features ceilings clad with metal-mesh panels and walls lined with oxidised copper sheets.
      Find out more about Ikoyi restaurant ›
      Photo by Alicia DubuisSando, Switzerland, by Sapid Studio
      Sapid Studio used Japanese patchwork techniques to inform the renovation of a burger restaurant in Geneva.
      Named after the Japanese word for sandwich, Sando features a largely retained interior decorated with a corrugated stainless steel bar, patched up tiled flooring, and translucent tapestries.
      Find out more about Sando ›
      Photo by ONI StudioTenczynek Brewery, Poland, by Projekt Praga
      Red brick, ceramic tiles and oak furniture define the Tenczynek Brewery interior, designed by Polish design studio Projekt Praga.
      Located outside of Krakow, the centuries-old brewery was converted into a bold-coloured restaurant and bar, with a self-service beer fountain occupying the centre of the historic brick-vaulted space.
      Find out more about Tenczynek Brewery ›
      Photo courtesy of PradaPrada Caffè, UK, by Prada
      Located in London’s luxury department store Harrods, fashion house Prada opened a cafe informed by one of Milan’s oldest patisseries.
      Contrasting with Harrods’ baroque facade, Prada Caffè’s mint green latticed storefront references the brand’s signature green hue, which extends to the interior walls, ceilings and furniture.
      Find out more about Prada Caffè ›
      Photo by Charlie McKayMilk Beach Soho, UK, by A-nrd
      London-based design studio A-nrd brought a “beachfront feel” reminiscent of an Australian beach club to this restaurant interior in Soho, London.
      Milk Beach Soho’s minimal interior has a neutral material palette featuring a polished terrazzo floor and art deco-style furniture and lighting.
      Find out more about Milk Beach Soho ›
      Photo by Luis BeltranIchi Station, Italy, by Masquespacio
      Ichi Station, by Valencian design studio Masquespacio, is a dine-in restaurant in Milan that draws on sci-fi and space tourism.
      Designed to resemble a futuristic spaceship, the cylindrical restaurant interior has a material palette of glass and micro-cement along with rounded, custom-made furniture.
      Find out more about Ichi Station ›
      Photo by Erin FeinblattDrift Santa Barbara, US, by Anacapa Architecture
      US studio Anacapa Architecture transformed a formerly closed early-1900s building into a hotel – hosting a ground-floor bar and cafe for both hotel guests and local visitors.
      Located in central California, the rustic interior accentuates the building’s historical character and is complemented by concrete and wooden furniture.
      Find out more about Drift ›
      Photo by Luís Moreira / Matilde CunhaCozinha das Flores, Portugal, by Space Copenhagen
      Located in a 16th-century building in Porto, Cozinha das Flores’ interior is decorated by a ceramic mural created by Portuguese architect Álvaro Siza.
      Designed by Space Copenhagen, the rustic interior is lined with green and burnt orange tiles, along with oak furniture and brass accents.
      Find out more about Cozinha das Flores ›
      Photo by Jack HobhouseCorner, UK, by Holland Harvey
      London-based architecture studio Holland Harvey revamped Tate Modern’s ground-floor cafe to be less “Herzog & de Meuron-y”.
      Doubling as the gallery’s first late-night spot, the interior is organised around a grey stone bar, while salvaged chairs and bespoke tables are used throughout the space.
      Find out more about Corner ›
      Photo by Chris AmatHello Sunshine, Canada, by Frank Architecture 
      Situated within the mountains of Alberta, Hello Sunshine is a bar and restaurant informed by Japanese psychedelia and cabins in collaboration with Little Giant.
      Designed by Canadian studio Frank Architecture, the wooden interior features two raised fire pits accompanied by large flues clad with glazed ceramic tiles, along with paper lanterns and textile artworks.
      Find out more about Hello Sunshine ›

      Read more: More

    • 138 Shares119 Views

      in Rooms

      Get listed in Dezeen’s digital guide for Stockholm Design Week 2024

      by

      If you’re hosting an event during Stockholm Design Week, you can get listed in Dezeen Events Guide’s digital guide, which highlights the key events taking place during the week.

      Stockholm Design Week runs from 5 to 11 February 2024 and includes exhibitions, installations, talks, fairs and open showrooms.
      One of the largest events taking place during the week is Stockholm Furniture Fair, which takes place from 6 to 10 February 2024, showcasing furniture, lighting, technology and textiles from over 150 brands.
      The event welcomes designers, architects, journalists and purchasers, as well as design enthusiasts.
      This year, Dezeen published digital guides to Stockholm Design Week, Milan design week, Salone del Mobile, NYCxDesign, 3 Days of Design, London Design Festival and Miami art week, contributing to Dezeen Events Guide’s success in generating 800,000 page views for the section.

      Get listed in Dezeen’s digital Stockholm guide
      Dezeen offers standard and enhanced listings in its Stockholm guide.
      Standard listings cost £100 and include the event name, date and location details plus a website link. These listings will also feature up to 50 words of text about the event.
      Enhanced listings cost £175 and include all of the above plus an image at the top of the listing’s page and an image in the listing preview on the Dezeen Events Guide homepage. These listings will also feature up to 100 words of text about the event.
      For more information about partnering with us to help amplify your event, contact the team at [email protected].
      About Dezeen Events Guide
      Dezeen Events Guide is our guide to the best architecture and design events taking place across the world each year.
      The guide is updated weekly and includes virtual events, conferences, trade fairs, major exhibitions and design weeks.
      For more details on inclusion in the Dezeen Events Guide, including in our guide to Stockholm Design Week, email [email protected].
      The illustration is by Rima Sabina Aouf.

      Read more: More

    • 100 Shares149 Views

      in Rooms

      Australia bans engineered stone due to silicosis risk

      by

      Australia has become the first country in the world to ban engineered stone, following rising cases of silicosis among workers who handle the material.

      The ban was agreed at a meeting of Australian federal and state workplace ministers on Wednesday, and will come into place across the country from 1 July 2024.
      The ban targets engineered stone, also known as agglomerated stone – a type of material made by mixing crushed stone with a resin binder.
      “This is a dangerous product”
      While it is valued as a durable and affordable alternative to natural stone for kitchen benchtops, the material can be dangerous while being cut because it releases a fine silica dust into the air.

      Australia has recorded rising cases of the lung disease silicosis in stonemasons who have handled the product, leading it to be dubbed “the asbestos of the 2020s” by union leader Zach Smith.
      “This is a dangerous product that’s known to cause the potentially fatal disease silicosis, and it has no place in our workplaces,” said Queensland industrial relations minister Grace Grace in a statement following the meeting.
      “The rate of silicosis illness in Australia for those working with engineered stone is unacceptable,” said her Western Australian counterpart Simone McGurk. “This prohibition will ensure future generations of workers are protected from silicosis associated with working with engineered stone.”
      Ban follows report finding no safe level of silica in engineered stone
      The move comes nine months after an investigation by three Australian news outlets accused supplier Caesarstone of not doing enough to warn people of the dangers of working with the material and the country’s construction union launched a campaign calling for the ban.
      A subsequent report by the national policy body Safe Work Australia found that engineered stone workers were significantly over-represented in silicosis cases and were being diagnosed with the disease at much younger ages than workers from other industries, with most being under the age of 35.

      Australia moves to ban engineered stone due to silicosis danger

      It also found that the risk from engineered stone was distinct from that of natural stone due to the material’s physical and chemical composition, and that this was likely contributing to more rapid and severe disease.
      The report concluded that no level of silica was safe in engineered stone and that the material should be prohibited in its entirety.
      Silicosis is caused by tiny particles of silica becoming embedded in the lining of the lungs and manifests in symptoms such as shortness of breath, cough, weakness and fatigue.
      The condition is life-altering and potentially fatal, with many formerly healthy young sufferers describing being unable to work or play with their kids.
      Caesarstone commits to supplying Australia with “alternative products”
      In response to news of the ban, Caesarstone commented that while it disagreed with the decision, it is taking the necessary steps to ensure supply of alternative materials to Australian consumers.
      “The Caesarstone brand is well known in Australia and its products have earned tremendous success over the years,” said Caesarstone CEO Yos Shiran. “We are already taking steps to supply our Australian market with alternative products while maintaining our strong market presence.”
      It has previously argued that its material is safe if handled correctly and that the silicosis danger was the fault of employers and work safety bodies.
      Other companies including Ikea and Bunnings had already committed to phasing out the material in the Australian market.
      The ban will apply to the manufacturing, supplying, processing and installing of engineered stone but not its removal, repair, disposal or minor modifications.
      Australia’s workplace ministers will meet again in March 2024 to finalise details of the ban, including the transition period for contracts that have already been implemented and the precise definition of engineered stone.
      The country’s Model Work Health and Safety Regulations currently exclude concrete and cement products, bricks and pavers, porcelain, ceramic tiles, roof tiles, grout, mortar and render, and plasterboard from the definition of engineered stone, but ministers have indicated that additional products would be added to the exemptions.
      This may allow future engineered stone products to be exempted from the ban if there is “compelling evidence” that they can be used safely.

      Read more: More

    • 163 Shares169 Views

      in Rooms

      JEB acoustic partitions and furniture create modern campus for UOW College Hong Kong

      by

      Promotion: acoustic partitions and furniture brand JEB have provided interior solutions for the University of Wollongong’s new Tai Wai campus in Hong Kong, which aims to create an adaptable learning environment.

      The University of Wollongong (UOW) College Hong Kong campus in Tai Wai covers 15,000 square metres and supports 3,300 students with modern facilities including an auditorium, library and maritime laboratory.
      Hong Kong-based brand JEB was engaged to provide acoustic partitions and furniture solutions that could be adapted to support different styles of learning and encourage student interaction.
      The UOW College Hong Kong campus in Tai Wai is designed to be flexible and adaptableAt the same time, the team had to meet a design brief that sought to bring a taste of Australia to Hong Kong, with each floor of the building bringing to life a different element of the Wollongong landscape: the Pacific Ocean on the first floor, the urban environment on the second, and the mountains on the third.
      JEB’s Integra Operable Wall system is critical to the functional aspect of the design says the company, as it empowers educators to swiftly alter room sizes and layouts by unlocking the wall panels and moving them.

      The system operates on a door track and roller that allow panels to be turned around corners and stored out of sight, keeping the environment clutter-free and maximising available space.
      The space supports different styles of teaching and learningThe product “is a testament to JEB’s commitment to revolutionising the educational landscape and providing cutting-edge solutions that meet the evolving needs of modern learning environments,” said the brand.
      JEB made ample use of glass in its choice of partitions, to avoid closing off areas when there is limited natural light and to create an open-feeling atmosphere.
      For furnishings, JEB mixed custom solutions with a range of office products from leading local and international brands such as Vitra, Humanscale and Andreu World.
      JEB provided acoustic and furniture solutions for the University of Wollongong’s new Tai Wai campus in Hong KongWorkstations, cabinets and lecture tables were custom-made for the UOW College Hong Kong campus in Tai Wai. Movable desks were placed in tutorial rooms so that they could be easily reconfigured for group or individual work.
      In lounge areas, JEB sourced chairs suited to relaxation, while areas of open staircase seating were created to encourage casual interaction between students.
      “The deliberate use of partitions and furniture in the UOW College campus project in Tai Wai not only addressed the practical aspects of spatial flexibility and lighting challenges but also contributed to the creation of a modern, adaptable and student-centred learning environment,” said JEB.
      “The thoughtful integration of these elements has positively impacted the educational experience and reflects the commitment to innovative pedagogical approaches in higher education.”
      Partitions and furniture are key to the interior designJEB aims to deliver one-stop solutions to interior design, offering acoustic partitions, office furniture, bespoke facades and circular hygiene products.
      It also endeavours to act sustainably, operating a takeback programme that finds new homes for unwanted furniture.
      To find out more about JEB, visit the company’s website.
      Photography courtesy of JEB Group.
      Partnership content
      This article was written by Dezeen for JEB as part of a partnership. Find out more about Dezeen partnership content here.

      Read more: More

    • 150 Shares169 Views

      in Rooms

      Rafael Prieto creates “secret garden” for Gohar World store in New York

      by

      Designer Rafael Prieto has lined tableware store in New York City with wallpaper made from photos taken in the south of France and antique furniture.

      Located at 181 Lafayette Street in SoHo, the Gohar World store showcases tableware products designed by sisters Laila and Nadia Gohar.
      The Gohar World store is lined with wallpaper created using designer Rafael Prieto’s photos”Gohar World is a tableware universe that embraces tradition, time, craft, and humour,” said the duo, who founded their brand in 2020.
      The space was designed by Rafael Prieto, founder and creative director of Savvy Studio, to capture the varied cultures and crafts involved in making the tableware.
      The wallpaper features peel-away elements that represent the “secret world” that Laila and Nadia Gohar have created”Because Laila and Nadia work with ateliers all over the world, from Egypt to Italy, Gohar World is inherently a brand that transports you to different places,” said Prieto. “Sometimes, even to your grandmother’s living room.”

      “So my idea when designing the store was to transport visitors to another world,” he added.
      An eclectic mix of antique domestic furniture and objects decorate the storeUsing photos he took in the south of France, the designer created a custom layered wallpaper with Wallpaper Projects to cover the walls.
      The imagery of crumbling and weathered stonework mixed with scenes from fields and woodland lends an otherworldly atmosphere to the store.
      Gohar World products are displayed in a variety of ways throughout the store”The outer layer shows monumental stone archways which are torn away to reveal a secret garden, representing Laila and Nadia’s secret Gohar World, which everyone is now invited to step into,” said the brand.
      An eclectic mix of antique domestic furniture pieces adds to the surreality of the space, with fabric ruffles surrounding table bases, and sections of Grecian-style columns supporting surfaces and acting as pedestals.

      “My work is a universe that I’ve created for myself” says Laila Gohar

      Some of the Gohar World tableware is presented in open cabinets or glass vitrines, while other pieces are laid out as table settings as if ready for dinner.
      The storefront is painted a warm cream colour, and white fabric is hung in the lower halves of the windows and glass doors.
      Laila and Nadia Gohar founded their brand to collaborate with global artisans and help preserve “dying and disappearing” craftsLaila is known for her creative food installations and projects that blend design, food and art, which she catalogues via her Instagram account Lailacooks.
      Partnering with Nadia to move into homeware design, the aim is to work with global artisans to help preserve “dying and disappearing” crafts, she told Dezeen in a recent interview.
      The store is located on Lafayette Street in New York’s SoHo neighbourhoodRecently, several brands have opted for a more surreal, eclectic aesthetic for their stores compared to the cohesive, monochrome approach that’s pervaded retail design over the past few years.
      The Awake NY store by Rafael de Cárdenas, the Boyy flagship in Milan by Thomas Poulsen and the Tons boutique in Pittsburgh by NWDS are all examples of this.
      The photography is by Clement Pascal.

      Read more: More

    • 125 Shares139 Views

      in Rooms

      Tara Bernerd fills Maroma hotel in Mexico with artisanal elements

      by

      Interior designer Tara Bernerd worked with local artisans when dressing the cavernous rooms at the Maroma hotel in Riviera Maya, Mexico, which were renovated to reflect hacienda-style living.

      Housed within white stucco volumes arranged on a coastal plot between lush jungle and the Caribbean sea, the longstanding Belmond hotel was renovated earlier this year but retained much of its traditional-style architecture.
      The Maroma hotel is housed within rounded stucco, palapa-topped volumesBernerd and a team of local artisans conceived the eclectic interiors to reflect the palapa-topped structures, creating a range of bespoke curved furniture and ornaments.
      “The buildings themselves are organic in shape and form and were originally positioned in response to the sacred Mayan geometry,” she told Dezeen.
      “We sought to retain and enhance the beauty of the hotel’s original character.”

      Tara Bernerd sought to reflect this “Mayan geometry” in the interior designAmong the custom pieces are over 700,000 tiles hand-painted and crafted by ceramicist José Noé Suro using clay from Mexico’s Jalisco region.
      The tiles cover the floors in all of the 72 guest rooms, which are characterised by rattan wardrobes and amorphous timber furniture pieces – 80 per cent of which were hand-carved.
      The guest rooms are characterised by rattan accents and blown glassArtisan Max Kublailan blew bulbous glass sconce lights, which feature throughout the rooms and are reminiscent of glowing gemstones.
      “We built up the layers of design within the spaces, with rich pops of colour being brought in through the tiled or mosaic floors, the use of decorative tiles in the walls and dado rail as well as cushions and fabrics,” explained Bernerd.
      An open kitchen clad in glazed ceramic tiles features in one restaurantMaroma’s two restaurants follow a similar design, with accents such as rattan pendant lights and tables featuring textured legs that give the appearance of tree trunks.
      An open kitchen clad entirely in caramel-hued glazed ceramic tiles was tucked into a corner of the Woodend eatery while Casa Mayor includes clusters of hand-painted plant pots.
      The other restaurant includes painted potted plants and oversized rattan lampshadesThroughout the hotel, cavernous alcoves were also dressed with custom interiors made up of stone, clay, wood and natural fibres.
      “Location and layout were key and I am especially proud of how we have managed to reimagine previously under-utilised areas and have created a balance between unique, dramatic spaces and cosier, slightly hidden areas,” said Bernerd.

      Estudio Macías Peredo stylises Mayan architecture for Punta Caliza boutique hotel

      Traditional Yucatán doors with dense timber frames and chandeliers made from clusters of seashells were chosen to respond to Maroma’s setting.
      The hotel’s central swimming pool was renovated with Sukabumi turquoise tiles handmade from volcanic stone to emulate the cenotes – water-filled sinkholes formed by the collapse of limestone – found in the Yucatán Peninsula.
      Cavernous corridors reflect the hotel’s architecture”In essence, we wanted to create something that was effortlessly serene and had the feeling of a chic home,” said the designer.
      “So we also drew inspiration from traditional hacienda-style living to create a relaxed, almost residential vibe throughout the resort and evoke a sense of connection, unity and flow between all of the public area buildings,” she concluded.
      The central swimming pool was informed by cenotesThe British designer is the founder of the London-based architecture and interiors office Tara Bernerd & Partners.
      Elsewhere in Mexico, local firms Productora and Esrawe Studio designed a San Miguel de Allende hotel with planes of green tile. Architect Alberto Kalach added a series of vaulted, brick arches to a resort in Oaxaca.
      The photography is courtesy of Belmond. 

      Read more: More