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      Lim + Lu brings the outdoors into this family apartment in Hong Kong

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      Multidisciplinary design practice Lim + Lu has refurbished the interior of this 167-square-metre apartment in metropolitan Hong Kong to make it feel like an “elegant yet quaint summer home”.Designed for a nature-loving Japanese and British couple with two children, the interior has subtle, neutral colours and finishes that are intended to place focus on the greenery that fills the space.

      Top image: the apartment was outfitted with a home office. Above: Calacatta marble features on the kitchen island and work surfaces
      Located on the first floor of a 1950s building, the apartment’s windows are perfectly in line with the palm trees that surround it. To enhance this connection to the outdoors, Lim + Lu replaced all of the existing, small windows with larger aged-steel windows that bring in more natural light and make the space feel larger.

      Lim + Lu uses brightly coloured walls and furnishings for fashion designer’s Hong Kong home

      “The black wooden blinds and delicate brass details accentuate the feeling of an elegant yet quaint summer home,” said the Hong Kong-based studio, which is headed by Vincent Lim and Elaine Lu.
      “Altogether, these elements work in tandem, ensuring the family residing within can live not only in understated luxury but at one with nature as well.”

      The living room opens up onto the balcony via an aged-steel doorway

      The designers wanted to create an open-plan layout in the apartment’s social areas, so that movement between the kitchen, dining, living room, study and balcony flowed easily.
      In order to do this, the original enclosed kitchen was opened up and combined with the living room, creating a large open area for family gatherings. A large balcony doorway frames the view across the surrounding greenery.

      Shelving is built into the oak wall panelling in the home office
      Oak slats are used to line walls and rattan screens feature on built-in storage to add texture and warmth to the otherwise white interior.
      The apartment includes a home office with a long, L-shaped Calacatta marble desk, which sits below built-in timber shelving with brass accents. Conceived as a tranquil retreat, the workspace is located in the brightest corner of the apartment with tall windows across two walls.

      The workspace is anchored by a Calacatta marble desk
      The studio designed the space to have plenty of light and added an abundance of potted plants to create a productive working environment.
      “A challenge that is becoming more prominent in today’s society is that of the home office and how to integrate it into a living space to make it both comfortable yet productive. The clients often work from home, therefore an effective design for this space was crucial,” said Lim +Lu.
      “The tall windows and brass accents do away with the modern interpretation of a study and instead provide an atmosphere that encourages creativity and a positive work mentality,” the studio continued.
      “An abundance of daylight, neutral colours and wood adorn the room and balance the visual elements together, just as one needs to do between work and relaxation.”

      In the children’s bedroom, shelving is built into green cabin beds
      The children’s room features a set of green cabin beds with built-in shelving and storage.
      “The idea was to incorporate a sense of privacy in an open space without the isolation of separate spaces to foster a sense of togetherness,” said the design team.

      The bathroom features a granite soaking tub
      The children’s room also has its own ensuite bathroom that recalls the layout of a traditional Japanese wet room. Lined in acid-washed granite, the room features a deep soaking tub and a separate shower space that can be used for relaxation and cleansing.
      Following the pandemic, the home office is increasingly becoming an area of focus in the home. Dezeen has highlighted eight inspiring home office designs, including one that’s lined entirely with plywood and another that’s hidden inside an artichoke-shaped room.
      Photography is by Lit Ma.

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      Mid-century Melbourne apartment modernised with pistachio green kitchen

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      Architect Murray Barker and artist Esther Stewart worked together to retrofit this two-bedroom 1960s apartment in Melbourne’s Brunswick neighbourhood using colours and materials that pay homage to the original mid-century interior.When the current owners bought the walk-up apartment, it had been empty for 20 years and had its original decor including linoleum and carpet floors and salmon pink walls. The owners wanted to retain its character while updating the living spaces to suit modern life.
      Built in 1961, the 65-square-metre apartment is split into two zones with a living space and kitchen at the front on either side of the entrance and two bedrooms on either side of a bathroom at the rear.

      A skylight lets light into the kitchen

      “The apartment’s layout was typical of many apartments of this typology, with a clear division between living and private spaces and with frontage on two sides,” Barker told Dezeen.
      “We wanted to retain room divisions, but at the same time improve connections, extend sightlines and bring more natural light into the kitchen.”

      Austin Maynard Architects adds steel-and-glass extension to brick cottage in Melbourne

      The apartment’s original large windows provided ample natural light and effective cross ventilation. The owners felt that the existing kitchen, however, felt disconnected from the living room as the space was too confined to accommodate a dining table and lacked adequate natural light.
      To remedy this, Barker and Stewart reconfigured the plan to improve the connection between the living room and the kitchen.

      The Pistacho-coloured kitchen has a terrazzo floor
      The dividing walls between the two rooms were partially demolished and joinery elements were inserted to reorder circulation paths between the home’s central entrance, the reoriented kitchen and the living room.
      “We expanded the use of integrated joinery, considered existing proportions and details, and the use of high quality, robust but interesting materials,” said Murray.

      The interior of the cabinets is a rich terracotta colour
      The new kitchen layout has an L-shaped plan that is open to the living area and anchored by a custom-made steel frame table with a Rosa Alicante marble top and fixed banquette seating.
      Visible from the living room, a long kitchen countertop made from the same red marble as the table completes the L-shaped kitchen plan and incorporates a stove, oven and sink.

      Red marble was used across the work- and tabletops
      A skylight above the kitchen table lets sunlight into the space through thick glass roof tiles. The ceiling is insulated and the roof window is double-glazed to minimise additional heat gain and to retain winter warmth.
      Murray and Stewart selected the pistachio green colour for the joinery in a nod to the original 1960s-era kitchen that it replaced. Details include visible framing around doors and drawers and custom finger pulls. Sliding-pocket doors reveal a hidden appliance area in the pantry to hold a toaster, kettle and coffee machine.

      Barker and Stewart retained the apartment’s original 1960s bathroom
      The apartment’s bathroom is the 1960s original and features speckled flooring, dusty pink tiles and baby blue sanitaryware.
      “Each apartment in the block has a unique toilet, bath and sink set in contrasting colour palettes, in combination with unique terrazzo flooring in the bathroom,” Murray explained. “The interior materiality was specific and robust but enthusiastic and this was something we wished to explore and elaborate upon.”
      The terrazzo floor tiles that are used across the rest of the apartment were salvaged excess stock from a larger project and were chosen to complement the original floors.

      The apartment is housed in a typical red brick complex
      “These buildings are visually robust, but there is beauty in the material nuance of the brown brick and subtle ornamentation through the considered design of ordinary things,” he continued. “The original interior aesthetic was far from white walls and plain tiles.”
      Last year, London studio Archmongers renovated a duplex mid-century flat in one of the city’s most well-known housing estates, using shades of red, yellow and blue to complement the modernist material palette. Meanwhile in Rome, Italian architecture office La Macchina Studio renovated a 1950s apartment, revealing original terrazzo floors and adding bold colours.
      Photography is by Benjamin Hosking.

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      Casa ai Bailucchi is a two-level apartment overlooking Genoa port

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      Italian studio Llabb has combined two apartments in Genoa, creating a quirky home that combines nautical references with contemporary art.Casa ai Bailucchi is the home of a young creative couple – one is a gallery owner and music lover, the other is a freelance graphic designer.

      The L-shaped upper level contains the kitchen and living spaces
      The two-level, 135-square-metre apartment is located on the upper levels of a building overlooking the port, so the design was heavily influenced by the huge machinery that can be seen occupying the waterside.
      Locally based Llabb, led by designers Federico Robbiano and Luca Scardulla, planned the layout to take full advantage of the views and also peppered the interior with very subtle maritime references.

      Nautical details are combined with vintage furniture and contemporary artworks

      These references include a staircase with a rope handrail, a porthole window, and a colour palette featuring shades of blue and yellow.
      Other details include a mix of custom-made and vintage furniture, decorative tiles, large plants and a variety of artworks from the clients’ personal collection.

      The upper floor leads out to a 100-square-metre roof terrace
      The starting point for the design was the addition of a staircase, connecting the two previously separate apartments. With four metres of height between the two floors, it was a challenge to fit this in.

      Studio Venturoni warms up Rome apartment with earthy hues

      Robbiano and Scardulla’s solution was to create a staircase that winds up in several different sections. As well as the blue rope handrail, it features oak treads and a steel frame with open risers.

      The nautical-inspired staircase features a rope handrail and a porthole window
      “The result is pretty dynamic and allows the visitors to see the apartment from different views,” Scardulla told Dezeen.
      “It guides you, almost like the stepping stones in Japanese gardens.”

      The bedroom features plaster walls and terrazzo flooring
      Both levels have their own character. The lower level is more compartmentalised, with two bedrooms, a study room, and a bathroom.
      Original terrazzo floors have been preserved in these rooms. There are other nods to the building’s history too, for instance, the master bedroom features an arched window and exposed plaster walls.

      Patterned tiles feature in both the bathroom and the kitchen
      The upper level is mostly open-plan. The L-shaped floor plan naturally separates the lounge area from the dining space and kitchen, with the space further subdivided by cutaway walls.
      “It was a big challenge to manage the long and narrow living space on the upper floor; the risk was to have a ‘corridor effect’,” said Robbiano.
      “We used different layers of perceiving and living the space, making it more interesting to explore.”

      Studio workspaces can be found on both floors
      The apartment contains two work-from-home spaces. As well as the study room on the lower level, there is a “studiolo” on the upper floor, which the designers liken to the cockpit of a crane.
      The living space also opens out to a 100-square-metre roof terrace, which the owners have filled with even more plants.
      Photography is by Studio Campo.
      Project credits
      Design: LlabbDesign team: Luca Scardulla, Federico Robbiano, Linda Consiglieri, Laura Davite, Riccardo Gelmini, Martina Pisano, Floria BruzzoneConstruction: Zena CostruzioniCarpentry: Carlino SantoMetalwork: Metal ProjectTiles and sanitary ware: NobiliFlooring: Effebi parquet

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      Merooficina carves up former fisherman's house into two bright apartments

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      Porto architecture practice Merooficina has converted a former fisherman’s house in Aveiro, Portugal, into two apartments that blend original features with new interventions.Casa da Beiramar is located in the historic neighbourhood of Beira-Mar with its colourful terraced houses. These have long, narrow floor plans and an adobe structure, meaning they are built from bricks made of earth and other organic materials.

      Above: Casa da Beiramar is situated in Aveiro’s Beira-Mar neighbourhood. Top image: the ground-floor flat now opens up onto a patio
      Clad in traditional azulejos tiles and decorated with green ceramic flowerpots, the houses were originally built for the local fishing community.
      “This part of the city has been witnessing an interesting fusion between the old dwellers and more recent inhabitants,” explained Merooficina founders Catarina Ribeiro and Vitório Leite.

      The downstairs kitchen features yellow tiles and marble countertops

      The studio was commissioned by one of these new residents to restore a two-storey, 150-square-metre adobe house, which sits on a corner plot with two street-facing facades.
      The client asked Merooficina to create a flexible design that would allow the building to be used in multiple different ways – initially as two apartments but with a longterm view of converting it back into a single house or an office for the owner’s new psychology practice.

      The stairwell leading up to the first-floor apartment is painted blue
      “We understand flexibility as a way to enrich ageing buildings,” said the studio. “It’s a matter of adding and layering possibilities on a specific place, so the new occupation can be multiple and transformative.”
      Using the house’s two existing entrances, the studio was able to create two separate apartments – one on each floor of the building. The first-floor apartment can be reached via a bright blue stairwell, while the ground-floor apartment is accessed directly from the street.

      Palma Hideaway in Mallorca is obscured from the street by a tiny tiled garden

      A door that connects the two apartments at the bottom of the stairwell has been temporarily closed off but yellow panes of glass help to funnel light into the stairwell.
      The studio restored and reinforced the existing adobe walls and floors to improve the apartments’ thermal and acoustic insulation. Original windows, doors and other structural and ornamental elements were retained as much as possible.

      A new balcony juts out over the patio
      The biggest intervention was the addition of a new steel structure, which allowed the back of the building to be opened up. Here, the previous owners had added a haphazard extension using ceramic bricks and steel sheets, covering what used to be a patio.
      This structure was demolished to return the space to its former use, while pivot windows were added to open up the ground floor apartment to the outdoor space.
      The patio walls are clad in a gradient of yellow tiles that were painted by a local artist, in a homage to Aveiro’s long history of tile production.

      The yellow tiles from the kitchen are matched on the patio
      The patio connects to an open-plan living and dining area and a kitchen, which features matching yellow tiles, marble countertops and birch plywood cupboards.
      From the kitchen, a mirrored door leads to the bathroom, bedroom and kitchen.
      A glazed balcony was added above the new patio on the first floor, which houses a bathroom and a bathtub enrobed in a white curtain to create a barrier between the bather and the busy street.

      The bathtub is hidden from view through a white curtain
      “We wanted to mix and match the ambiences of both apartments using the tiles and other details, but they are quite different,” Ribeiro told Dezeen.
      “In the upstairs apartment, we tried to retain all of the existing features, such as the windows and wood detailing – adding only the glazed balcony in the bathroom and a new kitchen. Downstairs, however, was in a very bad state when we began the project. So here we used a cleaner, more minimal design language and organisation.”

      Pinewood flooring runs through the first-floor apartment
      In the upstairs kitchen, the architects restored the original tiles, brown rose plaster and marble as well as replacing the pinewood flooring.
      Whenever the owners want to convert the property back into a single dwelling, the apartments can easily be connected via the door at the bottom of the stairwell while the kitchen on the first floor could be converted into an additional bedroom.

      Yellow glass panes separate the two apartments
      Alternatively, the downstairs entrance, bathroom and bedroom could be closed off from the kitchen and living room and turned into an office for the owner’s work as a psychologist.
      “The mixture between the new interventions and the existing, recovered features is a liquid blend between two ways of building,” explained the architects. “One more universal – related to the new habits and comfort demands of the new inhabitants – and the other more vernacular, related to the place, the existing building and the local culture.”
      In Spain, Iterare Arquitectos used traditional construction techniques and local materials to update a 100-year-old home in a former fisherman’s neighbourhood in Valencia. The minimalist interior is designed to blend in with its historical surroundings.
      Photography is by Tiago Casanova.

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      Minimalist micro-apartments in Seoul form “blank canvas for tenants”

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      Interior designer Ian Lee has lined the walls of the LIFE micro-apartments in South Korea with birch wood to offer tenants pared-back spaces that they can personalise.Located in Seoul’s Gangnam District, the apartments form part of a 16-storey co-living building for young adults, developed by co-working-space provider Fastfive.
      The block contains a total of 140 rooms, which vary between 16 and 23 square metres in size, alongside shared living areas that Vancouver-based Lee also designed.

      LIFE micro-apartments are lined with birch joinery

      Lee’s goal for the LIFE apartments was to create deliberately simple, timeless interiors that were visually uncluttered.
      While helping to distract from the small size of the rooms, this offers tenants the opportunity to create homely, private spaces with their own furniture and belongings.

      The birch is intended to offer a minimalist finish
      “Like in many densely populated cities, most young adults in Seoul struggle to find homes as housing prices climb,” explained Lee.
      “I wanted this co-living space and the community it would build to be an accessible alternative to traditional housing options that can eventually give its residents a sense of belonging.”

      Built-in window seats and reading nooks feature in some rooms
      “One of my aims in designing these rental units was to find that balance, where the space feels timeless and comfortable as it is, but also like a blank canvas for tenants to personalise,” Lee continued.
      “The overarching goal was to evoke a sense of home.”

      Playful arched cut-outs are the only decorative elements
      Each apartment is fully equipped with a private kitchen and bathroom, with storage and appliances built-in or hidden within the birch-lined walls to maximise useable space.
      Some units are fitted with sliding glass partitions that can be used to divide the flats offering tenants flexibility while ensuring natural light can still filter through.

      Some apartments feature sliding partitions
      Lee chose birch as the main material for the micro-apartments to create a cosy finish, but also because the material forms a neutral backdrop for furnishings.
      The only decorative elements he has included are playful arched cut-outs, reading nooks and window seats, which he hopes contribute to the cosy aesthetic.

      A Little Design maximises space in tiny 22-metre-square Taiwan apartment

      “Rental homes can feel generic, cold and utilitarian,” Lee explained. “The soft spatial elements like arches and curves were used to infuse warmth and emotions into the rooms.”

      Storage is built-in to maximise useable space
      The shared living spaces, which were not photographed, include a communal kitchen, workspace, lounge, gym and rooftop garden.
      Finished with an equally minimalist design, these are hoped to help foster community amongst tenants.

      Each apartment is fully equipped with a kitchen
      Other micro-apartments on Dezeen that feature wood-lined interiors include A Little Design’s 17.6-square-metre residence in Taiwan, which features built-in, space-saving furniture.
      Elsewhere in Taiwan, the studio also designed a 22-metre-square apartment with storage spanning one entire wall, covering the 3.3 metres from floor to ceiling.
      Photography is by Texture on Texture.

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      Ben Allen completes overhaul of his own home in east London

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      Artworks by Olafur Eliasson informed architect Ben Allen’s revamp of his two-storey maisonette in London’s Bethnal Green, which features mirrored furniture elements.The maisonette is set inside Keeling House, a 16-storey residential block that was designed by English architect Denys Lasdun in 1957.

      Reflective artworks by Olafur Eliasson are presented in the home’s stairwell
      The founder of Studio Ben Allen and his wife decorated their home’s interior with an array of personal possessions so that it looks like a cabinet of curiosities.
      Amongst these possessions are a number of optical artworks gifted by Danish-Icelandic artist Olafur Eliasson, whom Allen worked for over a 10-year period.

      Oval mirrored side tables have been placed beside the bed

      Several of the artworks are crafted from glass or mirror, and this prompted Allen to incorporate reflective elements in other spaces throughout the home.
      The architect was also inspired by the round convex mirrors that appear in London’s Sir John Soane Museum, which playfully skew how visitors perceive the exhibition rooms.

      The bedroom’s vanity table is also mirrored
      A pair of oval mirrored side tables feature in the bedroom that’s located on the maisonette’s upper floor.
      Another mirrored panel has been mounted on the wall to form the backing of a vanity table, which boasts a semi-circular brass ledge where jewellery, perfume bottles and other trinkets can be displayed.
      The bedroom has otherwise been simply finished with white-painted walls, larch wardrobes and exposed-wired lighting fixtures.

      More mirrors have been affixed to the bathroom’s cabinet and walls
      In the bathroom, half-moon-shaped mirrors have been affixed to the doors of a storage cabinet, which sits directly above a bespoke green-concrete sink.
      The image of the sink is repeated in an arched mirror on an adjacent wall.

      The bathroom’s hardware is made from gold-hued brass
      Surfaces are clad with jade-green tiles, while taps, spouts and the tubular shower head are made from brass. Perforated shutters have also been installed in front of the windows to allow just a little amount of natural light to seep through from the outdoors.
      “We wanted the bathroom to be purposefully darker to contrast with the brightness of the rest of the flat and to imbue it with a sense of refuge,” Allen explained.

      Studio Ben Allen makes Room for One More inside Barbican flat

      At this level of the house, there’s additionally a study that has a green cushioned daybed and a larch work table.

      A study with larch-wood joinery is on the home’s upper floor
      Most of Eliasson’s art pieces can be seen in the maisonette’s stairwell, displayed alongside arched mirror shelves that hold candles or tiny architectural models.
      Steps lead down to the lower floor, where Allen has exclusively applied a selection of “robust” materials which are meant to age well over time.
      “[Materials] have also been chosen to give a sense of tactile warmth both when the flat is flooded with daylight, as well as on overcast days and at night,” added Allen.

      Downstairs is the kitchen, which features a green-concrete counter
      The kitchen, for example, has oak cupboards and a green-concrete countertop. A grey-tile splashback is dotted with brass pegs where crockery or cooking utensils can be hung.
      Just opposite there’s a book-lined sitting room complete with a black leather sofa and a cosy oak seating nook that doubles-up as a storage box.

      A tall shelving unit separates the kitchen from the sitting room
      To loosely divide these two spaces, Allen and his team have erected a trellis-style shelving unit that stretches from floor to ceiling. A small work desk can be pulled out from the blue fibreboard drawers that sit at the unit’s base.
      The presence of the unit acts as a small homage to architect Lasdun, who had originally designed the flats inside Keeling House with galley kitchens that were separate from the sitting rooms.
      This was changed in the 1990s when, at risk of demolition, the building was completely revamped to feature minimal, open-plan living areas.

      The sitting room includes a cosy window nook
      Expansive panels of glazing look through to the maisonette’s balcony, where Allen has added a planter filled with wild grass and a Rhus Typhina tree. Beyond lies views of Hampstead Heath park and the city of London.
      Allen established his self-titled studio in 2014 and has since gone on to complete a number of projects. Just last year, the studio created an artichoke-shaped garden room for a home in southwest London, and renovated a Barbican flat to include colourful fold-out furniture.
      Photography is by French + Tye.
      Project credits:
      Architects: Studio Ben Allen (Team: Ben Allen and Marco Nicastro)Main contractor: Sullivan and CompanyBalcony and window planting scheme design: Todd Longstaffe-Gowan

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      Freadman White completes Napier Street apartments in Melbourne

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      Architecture practice Freadman White has created an apartment block in Melbourne’s Fitzroy neighbourhood, finishing its interiors with gleaming brass accents.The Napier Street apartments were designed by Freadman White for property developers Milieu. It is situated directly beside Whitlam Place, another residential block designed by the practice.

      The Napier Street apartment block has a simple off-white facade
      Whilst Whitlam Place has a green-hued exterior clad with corrugated panels of oxidised copper, Napier Street features a plain off-white facade punctuated by wide windows.

      Freadman White creates new layout for extended 1930s house in Melbourne

      Freadman White says the building’s pared-back aesthetic draws inspiration from Heide II – a modernist Melbourne home designed in 1963 by Australian architects David McGlashan and Neil Everist, which has masonry walls and expansive panels of glazing.

      Rooms feature concrete ceilings and oak floors

      An equally refined material palette has been applied throughout the interiors of Napier Street’s 14 apartment units. Each home boasts oak flooring and exposed concrete ceilings, which rise up to 2.9 metres in height.
      Kitchens have been finished with wooden cabinetry, white-tile splashbacks and countertops crafted from pale Elba stone.

      Brass shelving and door handles have been incorporated throughout
      There are some decadent touches in the apartments – for example, some of the bedrooms are closed off by glossy, full-height black doors.
      Golden-hued brass has also been used to create door handles, shelves and vanity units inside the bathrooms, which are otherwise lined with grey terrazzo tiles.

      Glossy black doors conceal the apartments’ bedrooms
      Elements in the apartment block’s communal areas such as the front gate and mailboxes are also made out of brass.
      “Napier Street is a symphony of robust materiality displaying organic, muted beauty carried from the exterior through to the interior experience,” concluded the practice, which is led by Ilana Freadman and Michael White.

      More brass detailing appears in the terrazzo-lined bathrooms
      Freadman White’s Napier Street and Whitlam Place projects both made it to the longlist of this year’s Dezeen Awards. The practice has previously renovated a 1930s home in Melbourne’s Elsternwick neighbourhood to include an angular grey-brick extension.
      Photography is by Gavin Green.
      Project credits:
      Client: Milieu PropertyBuilder: Atelier ProjectsStyling: Hub Furniture

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      Archmongers uses primary colours to revive a home in the modernist Golden Lane Estate

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      London studio Archmongers has renovated a duplex flat in one of the city’s most influential housing estates, using shades of red, yellow and blue to complement the modernist materials palette.The three-bedroom home is located within Hatfield House on the Golden Lane Estate, a complex designed and built in the 1950s by Chamberlin, Powell and Bon, the same architects responsible for the Barbican.

      The renovation celebrates the original design of the Golden Lane flat
      Archmongers’ refurbishment is designed to celebrate the flat’s key features – the bright and open living spaces, the efficient organisation of spaces, and material details like the terrazzo stairs and tiled surfaces.
      Referencing historic photos of original Golden Lane flats, architects Margaret Bursa and Johan Hybschmann sought to reinstate details that had been removed or covered over in an earlier remodelling, which they described as “mundanely neutral”.

      Wooden frames create subtle separation between kitchen and living spaces

      The architects added chunky wooden frames to recreate separation between the kitchen and lounge space, without losing the visual connection.
      Bespoke steel storage cabinets were installed, while original hardwood window frames and parquet flooring were uncovered.

      Details are picked out in primary colours
      “The biggest change was, in many ways, bringing it back to what it once was,” Hybschmann told Dezeen. “Not because we had to, but because it made a lot of sense.”
      “The original palette of materials felt very modern and we wanted any new element or surface to be as relevant for many years to come.”

      These bright colours also feature in the bedrooms
      Bursa and Hybschmann chose to apply primary colours to various details in the renovated flat, referencing some of the historic exterior details on the Golden Lane Estate.
      Shades of red and yellow highlight the front door and entrance area. The same hues feature in the first floor bedrooms and bathroom, along with blue tones – the idea was to give every room its own colour, in a high-gloss finish.

      Each bedroom has its own colour
      “We’ve tried as best as possible to colour match the red, yellow, blue and dark blue exterior panels of each of the blocks making up the estate,” explained Hybschmann.
      “They work very well together and it’s a nice reference to bring into the interiors of the building.”

      The colours reference details on the building’s exterior
      Other material details also help to tie spaces together. The granite surfaces in the kitchen echo the terrazzo of the staircase, while the new black quarry tiles in the kitchen match up with those in the external hallways.

      Studio Ben Allen makes Room for One More inside Barbican flat

      The bathroom was given an upgrade too, to make it more suitable for modern living. It now includes a Japanese-style bath and a walk-in shower, with a new internal window that allows more daylight in.
      The home is brought to life by the addition of the clients’ midcentury furniture and large book collection.

      The bathroom was updated with a Japanese-style bath and walk-in shower
      Archmongers has previously worked on other modernist refurbishments, in the Barbican and The Ryde in Hertfordshire, along with various council houses in London. The architects’ ongoing aim is to show the inherent potential in these midcentury buildings.
      “Being able to work on another of London’s iconic modernist estates was a privilege,” added Bursa.
      “Our experience helped us to deliver spaces sympathetic to the original vision while also creating a home that will intrigue, invite exploration, and provide opportunities for people to discover, enjoy, and deepen their engagement with modernist architecture.”
      Photography is by French + Tye.

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