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    Merooficina carves up former fisherman's house into two bright apartments

    Porto architecture practice Merooficina has converted a former fisherman’s house in Aveiro, Portugal, into two apartments that blend original features with new interventions.Casa da Beiramar is located in the historic neighbourhood of Beira-Mar with its colourful terraced houses. These have long, narrow floor plans and an adobe structure, meaning they are built from bricks made of earth and other organic materials.

    Above: Casa da Beiramar is situated in Aveiro’s Beira-Mar neighbourhood. Top image: the ground-floor flat now opens up onto a patio
    Clad in traditional azulejos tiles and decorated with green ceramic flowerpots, the houses were originally built for the local fishing community.
    “This part of the city has been witnessing an interesting fusion between the old dwellers and more recent inhabitants,” explained Merooficina founders Catarina Ribeiro and Vitório Leite.

    The downstairs kitchen features yellow tiles and marble countertops

    The studio was commissioned by one of these new residents to restore a two-storey, 150-square-metre adobe house, which sits on a corner plot with two street-facing facades.
    The client asked Merooficina to create a flexible design that would allow the building to be used in multiple different ways – initially as two apartments but with a longterm view of converting it back into a single house or an office for the owner’s new psychology practice.

    The stairwell leading up to the first-floor apartment is painted blue
    “We understand flexibility as a way to enrich ageing buildings,” said the studio. “It’s a matter of adding and layering possibilities on a specific place, so the new occupation can be multiple and transformative.”
    Using the house’s two existing entrances, the studio was able to create two separate apartments – one on each floor of the building. The first-floor apartment can be reached via a bright blue stairwell, while the ground-floor apartment is accessed directly from the street.

    Palma Hideaway in Mallorca is obscured from the street by a tiny tiled garden

    A door that connects the two apartments at the bottom of the stairwell has been temporarily closed off but yellow panes of glass help to funnel light into the stairwell.
    The studio restored and reinforced the existing adobe walls and floors to improve the apartments’ thermal and acoustic insulation. Original windows, doors and other structural and ornamental elements were retained as much as possible.

    A new balcony juts out over the patio
    The biggest intervention was the addition of a new steel structure, which allowed the back of the building to be opened up. Here, the previous owners had added a haphazard extension using ceramic bricks and steel sheets, covering what used to be a patio.
    This structure was demolished to return the space to its former use, while pivot windows were added to open up the ground floor apartment to the outdoor space.
    The patio walls are clad in a gradient of yellow tiles that were painted by a local artist, in a homage to Aveiro’s long history of tile production.

    The yellow tiles from the kitchen are matched on the patio
    The patio connects to an open-plan living and dining area and a kitchen, which features matching yellow tiles, marble countertops and birch plywood cupboards.
    From the kitchen, a mirrored door leads to the bathroom, bedroom and kitchen.
    A glazed balcony was added above the new patio on the first floor, which houses a bathroom and a bathtub enrobed in a white curtain to create a barrier between the bather and the busy street.

    The bathtub is hidden from view through a white curtain
    “We wanted to mix and match the ambiences of both apartments using the tiles and other details, but they are quite different,” Ribeiro told Dezeen.
    “In the upstairs apartment, we tried to retain all of the existing features, such as the windows and wood detailing – adding only the glazed balcony in the bathroom and a new kitchen. Downstairs, however, was in a very bad state when we began the project. So here we used a cleaner, more minimal design language and organisation.”

    Pinewood flooring runs through the first-floor apartment
    In the upstairs kitchen, the architects restored the original tiles, brown rose plaster and marble as well as replacing the pinewood flooring.
    Whenever the owners want to convert the property back into a single dwelling, the apartments can easily be connected via the door at the bottom of the stairwell while the kitchen on the first floor could be converted into an additional bedroom.

    Yellow glass panes separate the two apartments
    Alternatively, the downstairs entrance, bathroom and bedroom could be closed off from the kitchen and living room and turned into an office for the owner’s work as a psychologist.
    “The mixture between the new interventions and the existing, recovered features is a liquid blend between two ways of building,” explained the architects. “One more universal – related to the new habits and comfort demands of the new inhabitants – and the other more vernacular, related to the place, the existing building and the local culture.”
    In Spain, Iterare Arquitectos used traditional construction techniques and local materials to update a 100-year-old home in a former fisherman’s neighbourhood in Valencia. The minimalist interior is designed to blend in with its historical surroundings.
    Photography is by Tiago Casanova.

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    Minimalist micro-apartments in Seoul form “blank canvas for tenants”

    Interior designer Ian Lee has lined the walls of the LIFE micro-apartments in South Korea with birch wood to offer tenants pared-back spaces that they can personalise.Located in Seoul’s Gangnam District, the apartments form part of a 16-storey co-living building for young adults, developed by co-working-space provider Fastfive.
    The block contains a total of 140 rooms, which vary between 16 and 23 square metres in size, alongside shared living areas that Vancouver-based Lee also designed.

    LIFE micro-apartments are lined with birch joinery

    Lee’s goal for the LIFE apartments was to create deliberately simple, timeless interiors that were visually uncluttered.
    While helping to distract from the small size of the rooms, this offers tenants the opportunity to create homely, private spaces with their own furniture and belongings.

    The birch is intended to offer a minimalist finish
    “Like in many densely populated cities, most young adults in Seoul struggle to find homes as housing prices climb,” explained Lee.
    “I wanted this co-living space and the community it would build to be an accessible alternative to traditional housing options that can eventually give its residents a sense of belonging.”

    Built-in window seats and reading nooks feature in some rooms
    “One of my aims in designing these rental units was to find that balance, where the space feels timeless and comfortable as it is, but also like a blank canvas for tenants to personalise,” Lee continued.
    “The overarching goal was to evoke a sense of home.”

    Playful arched cut-outs are the only decorative elements
    Each apartment is fully equipped with a private kitchen and bathroom, with storage and appliances built-in or hidden within the birch-lined walls to maximise useable space.
    Some units are fitted with sliding glass partitions that can be used to divide the flats offering tenants flexibility while ensuring natural light can still filter through.

    Some apartments feature sliding partitions
    Lee chose birch as the main material for the micro-apartments to create a cosy finish, but also because the material forms a neutral backdrop for furnishings.
    The only decorative elements he has included are playful arched cut-outs, reading nooks and window seats, which he hopes contribute to the cosy aesthetic.

    A Little Design maximises space in tiny 22-metre-square Taiwan apartment

    “Rental homes can feel generic, cold and utilitarian,” Lee explained. “The soft spatial elements like arches and curves were used to infuse warmth and emotions into the rooms.”

    Storage is built-in to maximise useable space
    The shared living spaces, which were not photographed, include a communal kitchen, workspace, lounge, gym and rooftop garden.
    Finished with an equally minimalist design, these are hoped to help foster community amongst tenants.

    Each apartment is fully equipped with a kitchen
    Other micro-apartments on Dezeen that feature wood-lined interiors include A Little Design’s 17.6-square-metre residence in Taiwan, which features built-in, space-saving furniture.
    Elsewhere in Taiwan, the studio also designed a 22-metre-square apartment with storage spanning one entire wall, covering the 3.3 metres from floor to ceiling.
    Photography is by Texture on Texture.

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    Ben Allen completes overhaul of his own home in east London

    Artworks by Olafur Eliasson informed architect Ben Allen’s revamp of his two-storey maisonette in London’s Bethnal Green, which features mirrored furniture elements.The maisonette is set inside Keeling House, a 16-storey residential block that was designed by English architect Denys Lasdun in 1957.

    Reflective artworks by Olafur Eliasson are presented in the home’s stairwell
    The founder of Studio Ben Allen and his wife decorated their home’s interior with an array of personal possessions so that it looks like a cabinet of curiosities.
    Amongst these possessions are a number of optical artworks gifted by Danish-Icelandic artist Olafur Eliasson, whom Allen worked for over a 10-year period.

    Oval mirrored side tables have been placed beside the bed

    Several of the artworks are crafted from glass or mirror, and this prompted Allen to incorporate reflective elements in other spaces throughout the home.
    The architect was also inspired by the round convex mirrors that appear in London’s Sir John Soane Museum, which playfully skew how visitors perceive the exhibition rooms.

    The bedroom’s vanity table is also mirrored
    A pair of oval mirrored side tables feature in the bedroom that’s located on the maisonette’s upper floor.
    Another mirrored panel has been mounted on the wall to form the backing of a vanity table, which boasts a semi-circular brass ledge where jewellery, perfume bottles and other trinkets can be displayed.
    The bedroom has otherwise been simply finished with white-painted walls, larch wardrobes and exposed-wired lighting fixtures.

    More mirrors have been affixed to the bathroom’s cabinet and walls
    In the bathroom, half-moon-shaped mirrors have been affixed to the doors of a storage cabinet, which sits directly above a bespoke green-concrete sink.
    The image of the sink is repeated in an arched mirror on an adjacent wall.

    The bathroom’s hardware is made from gold-hued brass
    Surfaces are clad with jade-green tiles, while taps, spouts and the tubular shower head are made from brass. Perforated shutters have also been installed in front of the windows to allow just a little amount of natural light to seep through from the outdoors.
    “We wanted the bathroom to be purposefully darker to contrast with the brightness of the rest of the flat and to imbue it with a sense of refuge,” Allen explained.

    Studio Ben Allen makes Room for One More inside Barbican flat

    At this level of the house, there’s additionally a study that has a green cushioned daybed and a larch work table.

    A study with larch-wood joinery is on the home’s upper floor
    Most of Eliasson’s art pieces can be seen in the maisonette’s stairwell, displayed alongside arched mirror shelves that hold candles or tiny architectural models.
    Steps lead down to the lower floor, where Allen has exclusively applied a selection of “robust” materials which are meant to age well over time.
    “[Materials] have also been chosen to give a sense of tactile warmth both when the flat is flooded with daylight, as well as on overcast days and at night,” added Allen.

    Downstairs is the kitchen, which features a green-concrete counter
    The kitchen, for example, has oak cupboards and a green-concrete countertop. A grey-tile splashback is dotted with brass pegs where crockery or cooking utensils can be hung.
    Just opposite there’s a book-lined sitting room complete with a black leather sofa and a cosy oak seating nook that doubles-up as a storage box.

    A tall shelving unit separates the kitchen from the sitting room
    To loosely divide these two spaces, Allen and his team have erected a trellis-style shelving unit that stretches from floor to ceiling. A small work desk can be pulled out from the blue fibreboard drawers that sit at the unit’s base.
    The presence of the unit acts as a small homage to architect Lasdun, who had originally designed the flats inside Keeling House with galley kitchens that were separate from the sitting rooms.
    This was changed in the 1990s when, at risk of demolition, the building was completely revamped to feature minimal, open-plan living areas.

    The sitting room includes a cosy window nook
    Expansive panels of glazing look through to the maisonette’s balcony, where Allen has added a planter filled with wild grass and a Rhus Typhina tree. Beyond lies views of Hampstead Heath park and the city of London.
    Allen established his self-titled studio in 2014 and has since gone on to complete a number of projects. Just last year, the studio created an artichoke-shaped garden room for a home in southwest London, and renovated a Barbican flat to include colourful fold-out furniture.
    Photography is by French + Tye.
    Project credits:
    Architects: Studio Ben Allen (Team: Ben Allen and Marco Nicastro)Main contractor: Sullivan and CompanyBalcony and window planting scheme design: Todd Longstaffe-Gowan

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    Freadman White completes Napier Street apartments in Melbourne

    Architecture practice Freadman White has created an apartment block in Melbourne’s Fitzroy neighbourhood, finishing its interiors with gleaming brass accents.The Napier Street apartments were designed by Freadman White for property developers Milieu. It is situated directly beside Whitlam Place, another residential block designed by the practice.

    The Napier Street apartment block has a simple off-white facade
    Whilst Whitlam Place has a green-hued exterior clad with corrugated panels of oxidised copper, Napier Street features a plain off-white facade punctuated by wide windows.

    Freadman White creates new layout for extended 1930s house in Melbourne

    Freadman White says the building’s pared-back aesthetic draws inspiration from Heide II – a modernist Melbourne home designed in 1963 by Australian architects David McGlashan and Neil Everist, which has masonry walls and expansive panels of glazing.

    Rooms feature concrete ceilings and oak floors

    An equally refined material palette has been applied throughout the interiors of Napier Street’s 14 apartment units. Each home boasts oak flooring and exposed concrete ceilings, which rise up to 2.9 metres in height.
    Kitchens have been finished with wooden cabinetry, white-tile splashbacks and countertops crafted from pale Elba stone.

    Brass shelving and door handles have been incorporated throughout
    There are some decadent touches in the apartments – for example, some of the bedrooms are closed off by glossy, full-height black doors.
    Golden-hued brass has also been used to create door handles, shelves and vanity units inside the bathrooms, which are otherwise lined with grey terrazzo tiles.

    Glossy black doors conceal the apartments’ bedrooms
    Elements in the apartment block’s communal areas such as the front gate and mailboxes are also made out of brass.
    “Napier Street is a symphony of robust materiality displaying organic, muted beauty carried from the exterior through to the interior experience,” concluded the practice, which is led by Ilana Freadman and Michael White.

    More brass detailing appears in the terrazzo-lined bathrooms
    Freadman White’s Napier Street and Whitlam Place projects both made it to the longlist of this year’s Dezeen Awards. The practice has previously renovated a 1930s home in Melbourne’s Elsternwick neighbourhood to include an angular grey-brick extension.
    Photography is by Gavin Green.
    Project credits:
    Client: Milieu PropertyBuilder: Atelier ProjectsStyling: Hub Furniture

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    Archmongers uses primary colours to revive a home in the modernist Golden Lane Estate

    London studio Archmongers has renovated a duplex flat in one of the city’s most influential housing estates, using shades of red, yellow and blue to complement the modernist materials palette.The three-bedroom home is located within Hatfield House on the Golden Lane Estate, a complex designed and built in the 1950s by Chamberlin, Powell and Bon, the same architects responsible for the Barbican.

    The renovation celebrates the original design of the Golden Lane flat
    Archmongers’ refurbishment is designed to celebrate the flat’s key features – the bright and open living spaces, the efficient organisation of spaces, and material details like the terrazzo stairs and tiled surfaces.
    Referencing historic photos of original Golden Lane flats, architects Margaret Bursa and Johan Hybschmann sought to reinstate details that had been removed or covered over in an earlier remodelling, which they described as “mundanely neutral”.

    Wooden frames create subtle separation between kitchen and living spaces

    The architects added chunky wooden frames to recreate separation between the kitchen and lounge space, without losing the visual connection.
    Bespoke steel storage cabinets were installed, while original hardwood window frames and parquet flooring were uncovered.

    Details are picked out in primary colours
    “The biggest change was, in many ways, bringing it back to what it once was,” Hybschmann told Dezeen. “Not because we had to, but because it made a lot of sense.”
    “The original palette of materials felt very modern and we wanted any new element or surface to be as relevant for many years to come.”

    These bright colours also feature in the bedrooms
    Bursa and Hybschmann chose to apply primary colours to various details in the renovated flat, referencing some of the historic exterior details on the Golden Lane Estate.
    Shades of red and yellow highlight the front door and entrance area. The same hues feature in the first floor bedrooms and bathroom, along with blue tones – the idea was to give every room its own colour, in a high-gloss finish.

    Each bedroom has its own colour
    “We’ve tried as best as possible to colour match the red, yellow, blue and dark blue exterior panels of each of the blocks making up the estate,” explained Hybschmann.
    “They work very well together and it’s a nice reference to bring into the interiors of the building.”

    The colours reference details on the building’s exterior
    Other material details also help to tie spaces together. The granite surfaces in the kitchen echo the terrazzo of the staircase, while the new black quarry tiles in the kitchen match up with those in the external hallways.

    Studio Ben Allen makes Room for One More inside Barbican flat

    The bathroom was given an upgrade too, to make it more suitable for modern living. It now includes a Japanese-style bath and a walk-in shower, with a new internal window that allows more daylight in.
    The home is brought to life by the addition of the clients’ midcentury furniture and large book collection.

    The bathroom was updated with a Japanese-style bath and walk-in shower
    Archmongers has previously worked on other modernist refurbishments, in the Barbican and The Ryde in Hertfordshire, along with various council houses in London. The architects’ ongoing aim is to show the inherent potential in these midcentury buildings.
    “Being able to work on another of London’s iconic modernist estates was a privilege,” added Bursa.
    “Our experience helped us to deliver spaces sympathetic to the original vision while also creating a home that will intrigue, invite exploration, and provide opportunities for people to discover, enjoy, and deepen their engagement with modernist architecture.”
    Photography is by French + Tye.

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    Project #13 is an office for Studio Wills + Architects that doubles up as a home

    Studio Wills + Architects has reconfigured an apartment in Serangoon, Singapore so that it accommodates the studio’s own office and a snug home for its founder.The home and office, which Studio Wills + Architects has named Project #13, is shortlisted in the small interior category of this year’s Dezeen Awards. It measures 64 square metres and takes over a 30-year-old apartment inside one of Singapore’s public housing blocks.
    Throughout the day it functions as a workspace, while in the evenings it serves as a home to the studio’s founder, William Ng.

    The office is on the left-hand side of the apartment

    “The design really started just as two distinct and autonomous spaces under one roof that can be used independently and/or interchangeably,” Ng told Dezeen.
    “One part eventually evolved as a home for me, as it minimises time spent commuting between work.”

    At the rear of the office is a tiled bathroom
    Although there wasn’t an abundance of space in the apartment, Ng and his studio first decided to section off part of the floor plan and turn it into a foyer.
    “It creates a ‘buffer zone’ between the public and private domains, and at the same time enables two separate entry points, allowing the spaces within to operate independently,” explained the studio.

    The foyer leads through into the right-hand side of the apartment, which includes a relaxed break-out area
    A door to the left of the foyer leads through the studio’s office, at the centre of which are two long work desks for staff.
    Set to the side of the room is a tall wooden volume that is integrated with storage and a tea-making station. There’s additionally a couple of shelving units for presenting architectural models.
    Towards the rear of the office is a kitchenette and a bathroom – complete with a shower – that is entirely clad with square blue-grey tiles.

    A wooden volume with in-built stairs leads to a mezzanine level
    During office hours, staff can spill over into the right-hand side of the apartment to work.
    It plays host to a relaxing lounge dressed with a plush, cream-coloured chaise longue and a lantern-style lamp that emits a warm glow.

    Up on the mezzanine, there is a contemplative tea room
    There’s another tall wooden volume, inbuilt with stairs that lead up to a mezzanine-level tea room where staff can escape for “quiet and contemplation”.
    They can also get a bird’s-eye-view of the office through an opening that has been inserted in the wall up here.
    Beyond the volume, there is an additional table and set of chairs which are used for meetings and another toilet.

    A wall opening by the tea room provides elevated views over the office
    These turn into domestic spaces for Ng after staff leave. Dinner can be enjoyed at the meeting table, the break-out area becomes a living room and the tea room serves as sleeping quarters once the seat cushions are replaced with a roll-out bed.
    Directly beneath the mezzanine there is also built-in storage for Ng’s clothes and dressing room.

    On the other side of the wooden volume is a meeting room, which can also serve as a dining area
    Ng told Dezeen that having work and home so closely interlinked has been particularly useful during the coronavirus pandemic when there have been national lockdowns, more commonly referred to as “circuit breakers” in Singapore.

    KCC Design creates monochrome office for own studio in former factory space

    “Before the circuit breaker, home was felt to be more within an office, but during the circuit breaker, it felt more like an office in the home; this was probably because the boundaries between the two shift and change with use,” he explained.
    “The dining/meeting room was a space for zoom meetings without interference from adjacent spaces; also, the foyer became a space where food deliveries and material samples could be left with no physical contact.”

    At night, the tea room transforms into a bedroom
    Studio Wills + Architects’ Project #13 is one of five small interiors shortlisted in the 2020 Dezeen Awards. Others include Single Person, a design gallery in Shanghai that’s designed to resemble a cave, and Smart Zendo, a family home in Hong Kong that’s fitted with voice-activated technology and space-saving furniture.
    Photography is by Khoo Guo Jie and Finbarr Fallon.
    Project credits:
    Architect: Studio Wills + ArchitectDesign team: Ng William, Kho KeguangC&S engineer: CAGA Consultants PteFitting-out contractor: Sin Hiap Chuan Wood WorksGeneral contractor: Wah Sheng Construction Pte

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    Home Studios fills 20 Bond apartment in New York with one-off decor details

    Design firm Home Studios used a medley of bespoke furniture and vintage finds to revamp this family apartment in New York’s NoHo neighbourhood.The 20 Bond apartment measures 2000 square feet (186 square metres) and is set within a building that dates back to 1925. Since the 1980s, it hasn’t undergone any significant renovations.

    Above: custom lights hang above the dining area. Top image: the apartment’s living room
    Brooklyn-based Home Studios was asked to carry out the much-needed overhaul of the dated apartment.
    Its owners – a couple with young kids – had grown to be a fan of the studio’s aesthetic after frequenting two New York restaurants it had designed, Elsa and Goat Town.
    This is, to date, only the second residential project that the studio has worked on, but founder Oliver Haslegrave says the creative process was much like developing a restaurant.

    A copper hood contrasts the kitchen’s blue-grey cabinetry

    “Like our hospitality projects, we envisioned an updated and modern space that defies the conformity of a typical residence,” Haslegrave told Dezeen.
    “20 Bond is a direct reflection of our practice in that the end product is both expressive and finely detailed, and marries contemporary and vintage influences.”

    Copper frames the apartment’s curved internal windows
    In the open-plan kitchen, a trio of ring-shaped pendant lamps made bespoke by Home Studios dangle above a walnut dining table. The nickel and brass spotlights that illuminate the central breakfast island were also crafted by the studio.
    Opposite the island is a series of cupboards painted a blue-grey hue called Pigeon by Farrow & Ball, accompanied by a custom extractor hood that’s clad in gleaming copper.

    Home Studios designs cinematic cocktail bar in West Hollywood

    Copper goes on to border the apartment’s rounded door frames and skirting boards. The metal also frames the guest bathroom’s internal window, which bows outwards to form a curved wall.

    Curved forms continue into the guest bathroom
    Curves continue throughout the rest of the bathroom, where a mosaic of tan-coloured tiles sinuously winds around the shower, tub and a seating nook which is inbuilt with a storage box for towels.
    Haslegrave says that these features are meant to act as a small homage to the shapely form of buildings created by Finnish architect Alvar Aalto.

    Tan-coloured tiles serve as a backdrop to the shower and bathtub
    “The freeform curves found in [Aalto’s] work represent both a fluid motif and an engaging playfulness that we aim to incorporate in all Home Studios projects,” he explained.
    “We included images of Aalto’s Screen 100 and the Maison Louis Carré – the residential building in Bazoches-Sur-Guyonne, France designed by him and his wife, Elissa – in our initial project mood board.”

    The doorways and skirting in the apartment are also edged with copper
    More bespoke and vintage pieces can be found in the master bedroom, for which Home Studios has made a walnut and travertine headboard.
    A French floor lamp from the 1940s stands in the corner of the room, beside a boucle-upholstered armchair by LA brand Atelier de Troupe.

    A bespoke headboard and vintage French lamp feature in the master bedroom
    In the living room, two antique Danish chairs with woven leather seats have been contrastingly paired with a blocky side table by Sabine Marcelis, which is cast from candy-pink resin.
    An oak and brass shelving unit made by Home Studios dominates a peripheral wall.
    “The final product is a near-ideal extension of our process and values – a tailored place that offers its residents something special,” Haslegrave concluded.

    The nearby living area is dominated by a shelving unit made by the studio
    Home Studios was established by Haslegrave in 2009. Previous projects by the studio include the revamp of Bibo Ergo Sum, an eclectic bar in West Hollywood which takes visual cues from the early 20th-century Viennese architecture, French film posters and the 1967 film The Graduate.
    Photography is by Brian Ferry.
    Project credits:
    Architecture, interior design, furniture and lighting, styling: Home StudiosFabrication: Works Manufacturing, Shelton Studios, Zalla Studios, Anthony Hart, Anders RydstedtConstruction: Vertical Space

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    Retroscena is a colourful apartment renovation by La Macchina Studio

    Italian architecture office La Macchina Studio has renovated a 1950s apartment in Rome, revealing original terrazzo floors and adding bold colours.Set in the Italian capital’s Appio Latino quarter, the mid-century one-bedroom apartment already had Venetian stone floors.

    The original terrazzo floors have been restored
    La Macchina Studio uncovered them and enlisted local craftsmen to restore the terrazzo, while the apartment was transformed into a “surreal set where reality and fiction coexist in a quasi-theatrical scene”.
    “With Retroscena, we wanted to enhance the irreverent and surreal nature of the architectural story,” said studio founders Gianni Puri and Enrica Siracusa.
    “It is inextricably linked to its photographic alter-ego by playing with colour contrasts, graphic motifs and unexpected incursions.”

    Pops of primary colour stand out against white walls

    Walls and certain elements have been painted bright white, to create a neutral backdrop for the graphic pops of colour.
    An arched doorway and a low, midcentury-style cabinet in the living area are painted a matching bright blue.

    A blue-painted wooden doorway leads to the bedroom
    A pair of zesty lemon-yellow fabric curtains can be pulled across to separate the living area from the kitchen diner and screen off the door to the balcony.
    The arching doorway juts out almost a metre from the wall, screening the kitchen furniture from the view of the hallway. The blue-lacquered wood marks the entrance to the bedroom.

    Yellow curtains can screen the living room off
    A red wall-hanging placed above the sofa marks another splash of primary colour.
    Another doorway set flush to the wall opens to reveal the two-room bathroom. In the first room, a bath and shower are all surrounded by square ceramic white tiles, set in dark grouting to create a graphic check mosaic.

    White square tiles form a check mosaic in the bathroom
    A pointy arched doorway leads to the second half of the bathroom, where a toilet and a bidet face each other across a sink, which is framed by the arch.

    Studio Strato creates cosy reading den in renovated Rome apartment

    Peacock-blue enamelled walls and a dimmable ring light mirror above the sink add to the theatrical styling of the bathroom.

    An arched doorway frames the sink
    In the bedroom, the floor has a ruddy hue, the result of a brick-red micro cement treatment applied by La Macchina Studio. A low-hanging orb-style pendant light and peach velvet curtains create a softer aesthetic.
    Pinkish cement flooring also differentiates the entryway. Built-in white wardrobes in the hallway conceal a hidden room that is used as a study.

    The bedroom has a micro cement floor
    La Macchina Studio was founded by Puri and Siracusa in 2013 and is based in Rome.
    More exciting Roman apartment renovations include a flat with terracotta-coloured walls and an apartment with a reading den visible through a porthole-style cutout.
    Photography is by Paolo Fusco.

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