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    Yabu Pushelberg references multi-faceted LA culture in conjoined hotels

    Canadian design studio Yabu Pushelberg has created the Moxy and AC Hotel in Downtown Los Angeles to encapsulate a variety of references to the surrounding city.

    The two hotels were placed side by side within a Gensler-designed building in central Los Angeles, with Yabu Pushelberg carrying out the design for both hotels.
    The designers used a variety of LA-oriented references across both hotels, referencing local artist culture, streetlife, the desert, as well as the imagery of movies from Hollywood.
    The Moxy Hotel in Downtown Los Angeles was designed based on deserts and cinema”Moving making and the California Dream are all mashed up together to create this atmosphere,” studio co-founder George Yabu told Dezeen.
    “We also captured the grittiness,” added co-founder Glenn Pushelberg. 

    The hotels were designed to complement each other, providing various experiences for guests, who the team hopes can be staying in one while visiting the bars and restaurants of the others.
    Yabu Pushelberg wanted to challenge guests with a sense of “grittiness”According to the duo, the hotels are meant to be the day and nighttime versions of the same person or “like the same person in different movies”.
    AC Hotel provides a more work-oriented vision and the Moxy representing a more dimly lit atmosphere.
    The Moxy includes lounge areas with plush furnitureUsing desert themes and references to the 1969 film Easy Rider starring Peter Fonda, the Moxy has rammed earth walls, woven wall hangings and homages to motorcycle culture with a custom pouf designed with Harley Davidson in mind. It even has a motorcycle in the lobby lounge.
    “If you look at the materialities and colors and textures, it is kind of off-off, which makes it on,” said Pushelberg. 
    AC Hotel is more restrainedAlso in the Moxy’s lobby is a snakeskin-like carpet with a graphic of a snake.
    The hotel includes studio spaces above the lobby with neon lights and plush furniture; minimal rooms with tile and stone walls; and a bar inspired by the “roadside gas station” with mottled stone countertops, metal mesh liquor cabinets and “cocoon-like” chairs.
    The AC Hotel is meant to evoke the artist’s loftThe AC Hotel is more restrained. The lobby is on the 34th floor and was designed to evoke the “artist’s loft” with views of the city below. Materials were inspired by Spanish architecture – such as textured plaster and stucco.
    These details continue throughout the bars, guestrooms and library lounge, with the addition of wooden sculptures and dark black tile.
    Yabu Pushelberg designed the carpets in the guest rooms to “reflect the geometric pattern and color story found throughout the hotel” and contrast the birch wood flooring.

    Ibiza’s first hotel gets bohemian refresh from Dorothée Meilichzon

    According to the team, the hotels together are meant to bring together a variety of local influences to attract people to the downtown core.
    “It’s a ​​perfect time for the hotels to be there because all these different types of people have never ever had a reason to go downtown,” said Pushelberg, who referenced the growing gallery scene in the area as an additional inspiration.
    The AC’s lobby is on the 34th floor of the buildingThe design follows a slew of other hotels designed for LA’s downtown, including Hotel Per La designed by Jaqui Seerman, which occupies a 1920s bank building.
    A division of Marriot, Moxy has dozens of hotels around the world, including a recent addition in New York’s Lower East Side designed by Michaelis Boyd and Rockwell Group.

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    Five key projects by architect and Dezeen Awards judge David Rockwell

    New York architect David Rockwell has joined Dezeen Awards 2023 as a judge. Here, he selects five projects that best reflect his studio’s work.

    Architect and designer Rockwell is the founder of US practice Rockwell Group. He aims for his work to “help facilitate storytelling, community-building and memory-making”.
    “The core value I try to bring to all my work is empathy,” Rockwell told Dezeen.”I approach each decision from the perspective of those who will inhabit the spaces.”
    Projects spanning “theatre, hospitality and the public realm”
    “Working in the theatre has been an incredible training ground for strengthening my own capacity for empathy,” said Rockwell.

    “Our work falls into three main categories: theatre, hospitality and the public realm,” he continued. “Rockwell Group has been fortunate to work across a diverse range of project types, from restaurants, hotels, schools and offices to museum installations, Broadway sets and theatres.”
    The New York-based office is currently working alongside architectural firms Ennead Architects and SmithGroup to convert a museum at 555 Pennsylvania Avenue in Washington DC into an academic building for Johns Hopkins University,.
    Rockwell Group is also designing several restaurants in New York City, including collaborations with Ethiopian-born Swedish-American chef Marcus Samuelsson and French restauranteur Daniel Boulud, as well as an outpost for the international Taiwanese restaurant group Din Tai Fung.
    Rockwell among Dezeen Awards 2023 judges
    Dezeen Awards 2023 launched last month in partnership with Bentley Motors. On Tuesday we announced five more Dezeen Awards judges, including interior designers Kelly Behun and Martin Brudnizki and architects Lara Lesmes, Jayden Ali and Rooshad Shroff.
    Submit your entry before the standard entry deadline on Thursday 1 June. Click here for more entry information.
    Read on to find Rockwell’s views on the five projects that best represent the work of his studio.
    Nobu Hotel in Barcelona, SpainNobu
    “Our work with Chef Nobu Matsuhisa started 29 years ago when we designed his now iconic restaurant in Tribeca.
    “Chef Nobu’s innovative cooking, as well as his origins in the Japanese countryside, inspired an irresistible narrative we got to weave into our design.
    “All these years later, we are still reinventing Nobu – as both a restaurant and hotel brand – in cities worldwide. It is, without question, one of the most significant collaborations of my career. ”

    DineOut NYC, New York City, USA
    “We conceived our pro-bono project DineOut NYC at the height of the pandemic. Covid-19 had completely devastated our restaurant industry.
    “In addition to providing over 300 thousand jobs for New Yorkers, I have always had a strong personal attachment to this sector.
    “Designed in collaboration with the NYC Hospitality Alliance, DineOut is an adaptable, modular outdoor dining system. The project helped end our era of isolation by bringing people together again and getting restaurants back on their feet.
    “Design is most meaningful to me when it fosters community and I feel like we made a real impact doing just that with DineOut NYC.”
    Read more about DineOut NYC ›
    Photo by Paul WarcholHayes Theater and Take Me Out, New York City, USA
    “In 2018 we renovated the 100-year-old Hayes Theater, Broadway’s most intimate venue with only 600 seats.
    “In addition to instilling the historic space with a modern, approachable design vocabulary, we also needed to accommodate the staggering technical demands of modern productions.
    “Last year we had the chance to put our work to the test when we designed the sets for the revival of Take Me Out at the Hayes. Had the theatre been unable to meet our technical needs, I’d have had no one to blame but myself. Thankfully, I was a very satisfied customer.”

    NeueHouse Madison Square, New York City, USA
    “When it opened 10 years ago, NeueHouse Madison Square was a groundbreaking workspace collective that helped usher in a new typology in which art, life, culture, food, and work converge seamlessly.
    “This kind of convergence has taken on profound new meaning in our late-stage pandemic era, in which people are craving bespoke, communal experiences.”
    Read more about NeueHouse Madison Square ›

    TED Theater
    “Our portable TED Theater [for nonprofit foundation TED Talks] is approaching its 10th anniversary this year and it remains a great experiment in the power of ephemeral, shared experiences.
    “The attention to detail recalls permanent works of architecture but its flexibility allows it to adapt and evolve as TED does.”
    All images courtesy of Rockwell Group unless stated otherwise.
    Dezeen Awards 2023
    Dezeen Awards celebrates the world’s best architecture, interiors and design. Now in its sixth year, it has become the ultimate accolade for architects and designers across the globe. The annual awards are in partnership with Bentley Motors, as part of a wider collaboration that will see the brand work with Dezeen to support and inspire the next generation of design talent. More

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    Five key projects by Italian architect and Dezeen Awards judge Paola Navone

    Italian architect Paola Navone has joined Dezeen Awards 2023 as a judge. Here she selects five projects that best reflect her studio’s work.

    Navone says she has “a free and nomadic nature”, which informs her practice, ranging from interior, furniture, graphic and accessory design to creative direction.
    “I’m a dreamer, instinctive and always curious about the world,” she told Dezeen. “Somehow all of these things spontaneously flow in my way of being a designer.”
    Navone is founder of Milan-based multi-disciplinary design office OTTO Studio, which is currently working on a project for Como Hotels in Burgundy as well as an interiors project in Athens, amongst others.
    Paola Navone among Dezeen Awards 2023 judges

    Dezeen Awards 2023 launched on 15 February in partnership with Bentley Motors. On Tuesday we announced five more Dezeen Awards judges including interiors stylist Colin King and design gallerist Rossana Orlandi, who will be joining architect Navone on the judging panel.
    Submit your entry before Wednesday 29 March to save 20 per cent on entry fees. Click here to log in or create an account.
    Read on to find Navone’s views on the five projects that best represent the work of her studio.
    Photo by Dario GarofaloHotel 25hours Piazza San Paolino, Florence, Italy
    “We enjoy interiors projects because it’s a bit like writing a new movie script – we are always the same authors but each new movie is unique.
    “25hours Hotel Piazza San Paolino in Florence takes cues from Dante’s symbolism of hell and paradise.
    “The theme has allowed us to set a sequence of amazing scenography that involves the guests in an immersive and imaginative experience.”
    Photo by Delfino Sisto LegnaniBiMstrò, Milan, Italy
    “BiMstrò communicates our passion for ephemeral design, upcycling and reuse.
    “The concept behind this temporary bar in Milan is upcycling. We used existing, raw and poor materials, hand-made finishes as well as recycled objects and furniture in an unexpected way.”

    Azul Sofa by Turri
    “All our projects are born from unexpected alchemies that always make them a little special.
    “Azul Sofa by Turri is a blue velvet sofa characterised by macro weaving. The fabric allows you to discover a unique handmade weaving technique which gives the sofa a special softness.”

    Baxter
    “At OTTO Studio we enjoy mixing the perfection of the industrial process with something imperfect like craft.
    “The singular Baxter leather furniture works the leather as a fabric. The extensive research on colours and touch makes these sofas particularly comfortable and cocooning.”

    Hybrid
    “Hybrid is an eclectic collection of indoor and outdoor fabrics with strong graphics and patterns.
    “The collection was designed for the extraordinary manufacturing excellence of the brand Mariaflora.”
    All images courtesy of Paola Navone.
    Dezeen Awards 2023
    Dezeen Awards celebrates the world’s best architecture, interiors and design. Now in its sixth year, it has become the ultimate accolade for architects and designers across the globe. The annual awards are in partnership with Bentley Motors, as part of a wider collaboration that will see the brand work with Dezeen to support and inspire the next generation of design talent. More

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    Ma Yansong picks six highlights from his Blueprint Beijing exhibition

    Architect Ma Yansong, the curator of Blueprint Beijing, a feature exhibition exploring the future of the Chinese capital at the 2022 Beijing Biennial, shares six of his highlight installations from the show.

    Ma, the founding partner of Chinese architecture studio MAD, invited 20 architects and artists of different generations from around the world to present their visions for the future of the city of Beijing in a variety of mediums including architectural models, installations, photography and videos.
    Blueprint Beijing is the feature exhibition at the inaugural 2022 Beijing Biennial curated by MAD’s founding partner Ma Yansong”Blueprint Beijing is a comparative study of history and the future of Beijing and the world,” Ma told Dezeen.
    “We compiled a compendium of seminal events, people and ideologies from around the world that have vividly explored the theme of ‘the future’, such as Archigram, Oscar Niemeyer and many more, that have had a significant impact on current architects, and have influenced changes in Beijing’s urban planning in relation to major events.”
    “The works of several creators selected here traverse the dimensions of time, space and geography, and their personal creative imagination has brought distinct significance to the exhibition,” he added.

    Twenty architects and artists from around the world are invited to re-imagine the future of the cityThe exhibition also presents material taken from historic archives about eight architects and collectives that have showcased visionary ideas, as well as four Chinese science fiction films with historic significance.
    Here, Ma has selected six of his highlights from Blueprint Beijing for Dezeen:

    Restaurant Inside the Wall, by Drawing Architecture Studio, 2023
    “The Restaurant Inside the Wall installation is presented as a graphic novel, with a restaurant hidden inside the wall as the protagonist. Drawing Architecture Studio (DAS) transformed the graphic novel into a spatial experience in order to strengthen the absurd and suspenseful atmosphere of the story, by collaging and connecting the real elements of various street stalls.
    “Drawing from the observation of urban spaces in China, DAS has discovered a lot of unexpected pockets of wisdom embedded in everyday urban scenes, and roadside ‘holes in the wall’ are an example of this. This installation adds a microscopic daily footnote to the grand avant-garde urban blueprint for the future.”

    Filter City & City as a Room, by Peter Cook from Cook Haffner Architecture Platform, 2020-2022
    “In this installation, Peter Cook dissects two of his drawings – Filter City (2020) and City as a Room (2022) – into elements that concentrate on sequences.
    “Cook utilizes his signature strategy of creating concept drawings that remain connected to the built environment, while also moving towards a new future-looking ‘hybrid’, particularly interiors, that can be created from fragments of drawing and images.
    “As a result, viewers can transcend from distant observers into participants.”

    Liminal Beijing, by He Zhe, James Shen and Zang Feng from People’s Architecture Office, 2022
    “The installation of Liminal Beijing, created by People’s Architecture Office, connects the city of Beijing in different time and space. It features a knot of radiant, winding, and rotating tubes that can be interpreted as pneumatic tubes transporting documents in the 19th century or the hyperloops developed today, representing the link between the future and the past.
    “Modern life would not be possible without the hidden system of ducts that deliver heating, cooling, and clean air. Air ducts in Liminal Beijing are made visible so they can be explored and occupied, and are presented as missing fragments of space and time.”
    Photo is by Jerry ChenAstro Balloon 1969 Revisited x Feedback Space, 2008, by Wolf D Prix from Coop Himmelb(l)au, 2022 edition
    “This installation was realized by combining two of Coop Himmelb(l)au’s previous works: Heart Space – Astro Balloon in 1969 and Feedback Vibration City in 1971, which were first shown in this form at the Venice Architecture Biennale in 2008.
    “The resulting installation is a cloud-like, semi-transparent and reflective floating space that translates visitors’ heartbeats into a lighting installation.
    “Throughout its practice, Coop Himmelb(l)au has presented numerous futuristic ‘architectural’ prototypes of dwellings which are responsive to the sensibilities and activities of their inhabitants.”

    Beijing In Imagination, by Wang Zigeng, 2023
    “Chinese architect Wang Zigeng illustrates two city models that were informed by visual imagery of mandalas on the floor and ceiling of the exhibition space, expressing the tension between the ideal city and the chaos of the real world — a parallel reality of both the present and the future.
    “He believes Beijing is the embodiment of ancient cosmologies and an ideal city prototype through the ritualization of urban space – the establishment of political and moral order as a highly metaphorical correspondence between human behavior and nature.”

    Pao: A Dwelling for Tokyo Nomad Women II, by Toyo Ito, 2022 Beijing edition
    “This installation explores what living means for city dwellers in a consumerist society. Even today, half of the population living in Tokyo are living alone, and having a place to sleep is all one needs. Pao is a light and temporary structure that can be dissolved in the buzz of the metropolis.
    “This is a new edition of Toyo Ito’s previous work Pao: A Dwelling for Tokyo Nomad Women. By recreating the installation in Beijing while coming out of a global pandemic, Ito hopes to provide a space for visitors to reflect on the excessive consumerism that has continued to dominate the present.”
    The Photography is by Zhu Yumeng unless otherwise stated.
    Blueprint Beijing is on show at the 2022 Beijing Biennial Architecture Section at M WOODS Hutong in Beijing until 12 March 2023. See Dezeen Events Guide for an up-to-date list of architecture and design events taking place around the world.

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    Recompose human composting facility “transforms your loved one's body into soil”

    American startup Recompose has opened a funeral home in Seattle designed by architecture firm Olson Kundig, where human remains are composted and turned into a nutrient-rich soil that can nurture new plant life.

    Set in a converted warehouse in the city’s SoDo district, the facility is one of the first to make use of a burgeoning practice known as natural organic reduction  – or human composting, which was legalised in the state of Washington in 2019.
    This sees the body of the deceased placed on a bed of plant materials inside a stainless steel vessel, purpose-built to accelerate the natural process of decomposition.
    Recompose has opened a human composting facility in Seattle. Above photo by Austin WilsonOver the course of 60 days, their remains are converted into one cubic yard of fertile soil – enough to fill the bed of a pickup truck. Loved ones can then take this compost home and use it to nourish their garden, plant trees in memory of the deceased or donate it to a local conservation area.
    The aim is to offer a less polluting alternative to cremation or burial, which are hugely emissions and resource intensive, and instead create a meaningful funeral practice that allows people to give back to nature.

    “Clients have shared with us that the idea of their person becoming soil is comforting,” Recompose founder Katrina Spade told Dezeen.
    “Growing new life out of that soil is profound and the small ritual of planting, using soil created from a loved one’s body, is so tangible.”
    Remains are left to decompose in cylindrical stainless steel vesselsRecompose’s 19,500-square-foot flagship facility in Seattle accommodates an array of 31 cylindrical composting vessels, stacked inside a hexagonal steel framework.
    This vertical construction helps to conserve space in a bid to overcome the land-use issue associated with traditional burial and make human composting feasible even in dense urban areas.
    “Recompose can be thought of as the urban equivalent to natural burial – returning us to the earth without requiring lots of land,” said Spade, a trained architect who developed the vessels as part of a residency at Olson Kundig’s Seattle studio.
    The building’s lobby brings in elements of nature including plants and woodThe building itself was designed in collaboration with the architecture studio to reimagine the experience of being in a funeral home, making the process more transparent and bringing in elements of nature instead of overt religious iconography.
    In the spirit of regeneration, much of the warehouse’s original shell was preserved. Warm wooden flooring and a planted wall enliven the central lobby, while strips of green glass are inset into the walls to provide glimpses of the intimate ceremony space beyond.
    Here, loved ones can participate in a “laying-in ceremony”, similar to a traditional funeral service.
    Green glazing provides glimpses into the main ceremony room”The Gathering Space has floor-to-ceiling coloured glass windows that let light in, similar to the way light filters between trees in a forest,” said Olson Kundig design principal Alan Maskin.
    “In a way, Recompose is a funeral home turned inside-out. There’s a suggestion of transparency and openness about death – including the ability to see and understand the entire process – that’s very different from a traditional funeral home experience.”
    At the end of the funeral service, the body is moved through a transitional vessel. Photo by Austin WilsonDuring the ceremony, a simple wooden lectern allows the bereaved to share words about their loved ones while the body of the deceased is draped in a cotton shroud and presented on a dark green bed called a cradle.
    Mimicking the ritual of throwing dirt on a casket, guests can place flowers and plant materials on their person, which will help their transformation into soil.
    The funeral home also has dedicated rooms for those who want to perform more hands-on care for their deceased ahead of the ceremony by bathing the body or reciting prayers and songs.

    Bob Hendrikx designs “living coffin” from mushroom mycelium

    At the end of the service, the cradle is moved through a so-called threshold vessel embedded into the wall and into the Greenhouse, where it will join the other vessels in the array.
    “A tremendous amount of care was taken to consider the experience of the body,” Maskin said. “There’s even a bit of poetry inscribed along the inside of the transitional vessel used during ceremonies.”
    “That poem isn’t for the living; it’s only visible inside the vessel.”
    On the other side is the Greenhouse – home to an array of 31 vesselsEach vessel in the array contains a mix of plant materials developed by Recompose that includes wood chips, straw and a cloverlike plant called alfalfa, with ratios adapted based on the person’s body and weight.
    Over the course of 30 days, the natural microbes found in the plants and the body will break down the remains, with any unpleasant odours filtered out and fresh air – and sometimes moisture – pumped into the vessel, which is intermittently rotated to speed up decomposition.
    At the end of this process, any remaining bone fragments are ground down using a cremulator and any medical implants are removed for recycling.
    The remaining soil is placed in a curing bin to dry out for another two to six weeks before it can be collected by friends or family.
    The body is deposited inside one of these vessels along with different plant materialsUnlike cremation, this process does not require huge amounts of energy and fossil fuels, Recompose says, while the carbon contained in the human body is sequestered in the soil rather than released into the atmosphere.
    The process also forgoes the vast amounts of embalming chemicals and emissions-intensive materials like steel and concrete that are needed for burials.
    In total, the process to “transform your loved one’s body into soil” saves around one metric ton of CO2 emissions per person compared to burial or cremation, Recompose claims.
    Friends and family can collect the soil and use it as they wish. Photo by Austin WilsonSince 2019, a number of US states have followed in Washington’s footsteps and legalised natural organic reduction, with New York joining Colorado, Oregon, Vermont and California in the last month.
    This comes as people are increasingly becoming aware of the hidden environmental impact of the deathcare industry and moving towards alternative funeral practices from liquid cremation to burial pods that grow into trees.
    “Members of the baby boomer generation have started experiencing the deaths of their parents and I think many are asking: was that the best we can do,” Spade said.
    The facility is housed inside a converted warehouse in SoDo. Photo by Austin Wilson”But what’s interesting is that it’s not only older folks,” she added.
    “Over 25 per cent of our Precompose [prepayment plan] members are under 49. I think this is because the climate crisis has played a role, too. People are wondering why our funeral practices haven’t been considered when it comes to our carbon footprint.”
    Recompose plans to expand into Colorado in 2023 and California in 2027, while rival company Earth Funeral has set its sights on Oregon.
    The photography is by Mat Hayward unless otherwise stated.

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    Wood and stone surfaces bring “rich texture” to Primrose Hill House interior

    Architecture for London has updated a 1960s house in London, creating an open-plan interior filled with natural materials and an improved connection to the rear courtyard garden.

    The house is one of two detached properties set in a modernist estate in Primrose Hill that primarily consists of painted brick courtyard houses and small terraces.
    Primrose Hill House was designed by Architecture for LondonThe new owner asked Architecture for London to transform the interior into a modern layout that is better suited to their lifestyle.
    “The house had a very broken plan consisting of lots of small rooms,” the studio’s director Ben Ridley told Dezeen. “The client wanted to create a family house that was more open plan with better views of the garden.”
    The studio added a rooftop extension clad in white bricksThe remodelled interior improves the connection with the garden by incorporating a large picture window in the kitchen, along with sliding wood-framed doors in the living area.

    The ground floor also contains a smaller reception area next to the entrance hall, with folding doors allowing this space to be separated from the kitchen and dining area.
    Sliding wood-framed doors open the living room up to the gardenA bespoke blackened-steel staircase provides access to four bedrooms on the first floor, including a main suite with a juliet balcony overlooking the garden.
    Following a detailed cost and sustainability review, a decision was made to demolish all of the property’s interior walls and rebuild them in order to achieve the required spaces.
    The interior was finished in a rich material paletteThis solution also offered the best energy-efficiency potential, according to Ridley, with a layer of wall insulation added alongside a heat recovery ventilation system (MVHR).
    The home’s first-floor plate was replaced using steel beams and timber joists to enable the demolition of the ground-floor walls and the opening up of the interior.
    Flooring was used to define different zonesspThe project also involved the addition of a timber-framed rooftop extension, clad with white-painted brick to tie in with the rest of the house and set back so it’s largely hidden from view.
    The extension contains a flexible mezzanine space for yoga and meditation that is accessed from the main bedroom suite.

    Architecture for London uses natural materials to renovate studio founder’s home

    Throughout the home, Architecture for London applied a pared-back palette of natural materials that is intended to create a sense of calmness and connection with the garden.
    Internal walls treated with breathable lime plaster provide a neutral backdrop for furniture including a dining table made from locally sourced London plane trees.
    Doors and windows are framed with wood”We intentionally didn’t use a lot of colour so there’s a strong feeling of consistency,” Ridley said. “The choice of stone and timber brings a rich texture to the palette.”
    A reference image of a Portuguese manor house, featuring a tiled trompe l’oeil frieze around a doorway, informed the use of materials to define space within the interior.
    The shared living areas have an open-plan layoutIn the living room, stone floor tiles in different shades create a border around the room, as if an area rug has been placed on the floor to demarcate where furniture could be placed.
    Ben Ridley founded Architecture for London in 2009 following his studies at London’s Barlett School of Architecture. The studio aims to create places that improve how people live and work, with a focus on reducing their operational emissions.
    Wood lines the interior walls of the homeRidley’s own London house recently featured in our round-up of five UK house renovations designed to improve energy efficiency.
    “Ultimately we are going to have to accept some changes in the appearance of our traditional homes,” he said, speaking to Dezeen as part of a feature on architects who have retrofitted their own homes.
    The photography is by Christian Brailey.

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    Luca Nichetto transforms Swedish villa into his own studio and showroom

    Luca Nichetto has converted a 1940s villa in Stockholm into a studio to display his designs in a domestic setting and provide a comfortable working environment for his team.

    The Italian designer’s studio was previously based out of an apartment in the city’s Midsommarkransen neighbourhood. But when the landlord wanted to raise the rent, Nichetto decided to relocate to a larger property in a nearby suburb.
    Luca Nichetto has turned a 1940s villa into his own studio”I didn’t really need to look for another space in the city centre because it’s not that important for us as we work globally,” Nichetto explained.
    “A week after beginning to search, I saw on the real estate market what is now the Pink Villa. It was simply perfect and I made the offer.”
    A blush-pink staircase leads up to the first floorThe Pink Villa is a typical 1940s wooden house with a gabled roof and a large garden. Nichetto bought the property in 2021 and began adapting the interior to make it suitable for use as a studio.

    “I didn’t want a conventional studio space but rather a space that could be a studio, a showroom and a domestic property to be used on the weekends by my family and during the week by my team,” the designer told Dezeen.
    Nichetto’s Banah sofa for Arflex sits in the living areaThe villa takes its name from its distinctive pink exterior, which was given a fresh coat of bubblegum-pink paint to maintain its characterful presence on the street.
    The property’s existing three bedrooms were transformed into a private office for Nichetto on the first floor and a meeting room and tailor’s workshop on the ground floor, which his wife uses on the weekends.
    La Manufacture’s Soufflé mirror helps to bring character to the spaceA corridor leads from the entrance to a bright living room that looks onto the garden. An opening beyond the stairs up to the first floor connects with the simple custom-built kitchen.
    Along with Nichetto’s office, the upper floor contains a second bathroom and a large open workspace that facilitates flexible use rather than incorporating dedicated workstations.
    Bright and bold colours were used throughout the interiorThe interior features a pared-back palette of materials and colours that provide a neutral backdrop for a selection of products and furniture designed by Nichetto for brands including Offecct, Cassina, Arflex and Bernhardt Design.
    “I wanted to give a touch of warmth and I did that using colour and volumes,” the designer said. “I particularly chose materials culturally connected with the south of Europe and very deliberately mixed them with Scandinavian features.”

    Watch our talk with Ginori 1735 and Luca Nichetto about their new collection of home fragrances

    In the living area, pale-pink walls and white-painted floors contribute to the light and airy feel. Nichetto’s Banah sofa for Arflex and Soufflé mirror for La Manufacture are among the playful designs that bring character to this space.
    Upstairs, the main office spaces feature furniture such as Nichetto’s Torei low table for Cassina and Nico armchair for Bernhardt Design. His office contains the Railway table for De Padova and Robo chairs by Offecct.
    Walls in the living area were painted a light pinkOne of the key qualities that attracted Nichetto to the property is the spacious garden, which includes a terrace furnished with his Esedra table and Pluvia chairs for Ethimo.
    The basement garage was converted into a self-contained guest suite called the Chalet, which includes a living room, bedroom and bathroom with a Swedish sauna.
    The house also has a self-contained guest suiteSince the renovation was completed in April 2022, the Chalet has hosted international visitors including art directors, photographers and designers.
    The property’s location close to a park and to the water was another reason it appealed to Nichetto, who said he enjoys the proximity to nature and the good relationship he has established with his neighbours.
    Ceramic tiles provide a pop of colourA housekeeper was hired to look after the studio and to prepare meals for the team, adding to the sense of it hybrid space that is both domestic and designed for work.
    “It’s like being in a family: we all have lunch together and there are no fixed workstations to work,” he explained. “Moreover, whoever comes to visit us, if he wants, can stay and sleep. The idea is to create a sense of community.”
    Ethimo’s Esedra table and Pluvia chairs decorate the terraceLuca Nichetto established his multidisciplinary practice in Venice, Italy, in 2006 and continues to run a studio there alongside his main office in Stockholm. Nichetto Studio specialises in industrial and product design as well as art direction for design brands.
    Nichetto’s recent work includes a series of home fragrances for Ginori 1735 and his first foray into fashion accessories in the form of the apple-leather Malala handbag.
    The photography is by Max Rommel.

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    Keiji Ashizawa draws on “whiteness of tofu” for tactile Saga Hirakawaya restaurant

    Japanese designer Keiji Ashizawa paid homage to the food on offer when designing the Saga Hirakawaya tofu restaurant, which hopes to revitalise a depopulated community in Japan.

    Located in the hot spring resort Takeo Onsen in Japan’s Saga prefecture, the curved restaurant was designed to blend in with the surrounding environment, including a historical tower gate.
    The Saga Hirakawaya restaurant is located next to a historical tower gate”Tofu, a food culture rooted in the region of Saga prefecture, is the main ingredient of this restaurant,” Ashizawa told Dezeen. “Since tofu is a simple food, we chose materials with a sense of simplicity such as wood, concrete and walls finished in plaster to bring out the texture in the materials.”
    “With a background of wishing to use local materials, wood was used for the entrance, windows and undersurface of eaves to match the wood from Ariake, a furniture brand based in Saga.”
    Volcanic ash was used for the plasterThe studio also used shirasu – a type of volcanic ash from Mount Sakurajima in Kyushu – as a plastering material for the building’s exterior walls.

    Saga Hirakawaya has a curved design forming a semi-open interior courtyard, which holds a foot bath with hot spring water that aims to encourage the restaurant’s customers to eat and stay outside the establishment for longer.
    Wooden furniture matches the pared-down interiorInside the 435-square-metre restaurant, the interior matches the exterior with pale grey walls that nod to the food on the menu.
    “As the ceiling and walls are curved, pale colours are used to extend the light beautifully in the restaurant, complemented by the use of grey colours on the walls and floors,” Ashizawa said. “It also signifies the whiteness of the tofu.”

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    The restaurant’s ground floor houses a shop selling tofu-based products and sweets, while the first floor is home to a restaurant serving onsen yudofu – a type of tofu made using hot spring water.
    An open atrium connects the shop and restaurant, which both feature large windows.
    The ground floor houses a shopCircular lamps made by local paper manufacturer Nao Washi hang over the tables while the wooden furniture was made by furniture brand Ariake, which manufactures in Saga prefecture.
    The decision to open the Saga Hirakawaya restaurant in Takeo Onsen was made by its owner, who was born and raised in the area and wanted to help revitalise the community, which has suffered from a population decline.
    Paper lamps hang over tables”Depopulation is inevitable in rural areas of Japan,” Ashizawa said. “But in order to revitalise a region, it is important to attract people to the area through tourism.”
    “The client decided to create a restaurant serving onsen yudofu, believing that the region’s unique culinary culture could be an incentive to visit the area for sightseeing.”
    A restaurant space is located on the first floor”We deeply sympathise with the client’s hope to make the most of the wonderful location in front of the historical tower gate of Takeo Onsen, an important cultural asset, and to combine it with the region’s unique food culture to attract tourists from both inside and outside of Japan, contributing to the revitalisation of the area,” he added.
    Other recent projects by Ashizawa include a Blue Bottle Coffee shop in Kobe and a mid-century-modern-informed residence in Tokyo.
    The photography is by Ben Richards.
    Project credits:
    Architect: Keiji Ashizawa DesignProject architect: Keiji Ashizawa, Kentaro Yamaguchi, Tsubasa FuruichiConstruction: Yamakami IncFurniture: Hirata Chair/LegnatecLighting: Saito Shomei/Nao Washi

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