More stories

  • Tsubo House in Hackney features tiny Japanese-style courtyard

    Architecture practice Fraher & Findlay has renovated and extended a home in east London, adding a small courtyard that offers glimpses of old and new parts of the property.Tsubo House was originally built in Hackney during the Victorian era and over the years had come to look shabby and unloved.
    The house’s current owners – the founders of Studio XAG – brought architecture practice Fraher & Findlay on board to carry out a complete overhaul.

    As part of the works, the Brockley-based practice constructed a spacious back-garden extension.

    It was key for this new living space to feel closely connected to existing rooms in the home and not too distanced from the basement level, which is often utilised by visiting friends and family.

    Fraher & Findlay decided to insert a small courtyard at ground level that would visually link together the new and existing parts of the home.

    Fraher & Findlay adds wildflower-topped extension to London house

    It draws upon tsubo-niwas – tiny interior courtyards that are incorporated into Japanese buildings to provide natural views and bring in additional sunlight.
    The courtyards are traditionally the same size as a tsubo, a Japanese measuring unit of 3.3 square metres that’s roughly equivalent to the area of two tatami mats.

    “We wanted an external environment to act as a pivot point between the spaces, whilst acting as an environmental tool to bring in lots of natural light and to aid natural ventilation,” said the practice.
    “It feels like a quiet force, providing life energy to the house.  it is visible from all the rooms in the house with the exception of two bedrooms and one bathroom.”

    The pebbled courtyard is centred by a tree and has an array of potted plants running around its periphery. Leafy climbing plants also wind up its rear wall.
    One window of the courtyard looks through to the older front section of Tsubo House, while the another has views of the new rear extension that accommodates a kitchen and dining area.

    Designed to feel “textured, calm and lived in”, the kitchen has been finished with pink raw-plaster walls and timber joinery. Some of the brass light fixtures were also sourced second-hand from eBay, complementing the curved brass handles on the cupboards.
    The extension has a slatted black-timber facade and a green roof, which the studio introduced so that, when viewed from the baby’s nursery upstairs, this part of the home would look as if it’s wearing a “hairy hat”.
    Flooring of the extension was also made lower than the rest of the home, as a mid-way between the ground and basement levels.

    Plaster surfaces continue through into the home’s living room, which the practice has updated to match the owners’ creative personalities. It’s dressed with velvet furnishings, shaggy rugs and a bubblegum-pink edition of Faye Toogood’s Roly-Poly chair.
    Decades-old paintwork has also been stripped back from the ornate cornices, ceiling roses and skirting boards.

    More quirky features appear upstairs – the nursery, for example, has a midnight blue ceiling speckled with stars, and all of the bathrooms feature graphic monochromatic tiled floors. One even includes its own fireplace and a freestanding jet-black tub.
    The project also saw Fraher & Findlay create a loft extension for Tsubo House that accommodates an additional bedroom and wash facilities.

    Fraher & Finlay was established in 2009. The practice has previously created a wildflower-topped extension and renovated a home to feature traces of its original architecture.
    Photography is by Adam Scott.
    Project credits:
    Architect: Fraher & FindlayInterior design: Studio XAGEngineer: PD DesignContractor: Steflay DevelopmentsGarden and planting design: Miria Harris

    Read more: More

  • Ruxton Rise Residence in Melbourne is arranged around a planted courtyard

    A courtyard dotted with olive trees sits at the heart of this grey-brick home in Melbourne that Studio Four has created for its own co-director.Ruxton Rise Residence has been built for Studio Four’s co-director, Sarah Henry, and sits on a greenfield site in Beaumaris – an affluent suburb of Melbourne that’s host to a number of mid-century properties.
    While keeping in mind the mid-century typology, Henry was keen to create a tranquil home where she could spend quality time with her two daughters.

    “Designing for my own family was an opportunity to pare back a home to the bare essentials, and explore what is required for a young family to live minimally and mindfully,” Henry told Dezeen.

    “The house exemplifies the absence of what is not necessary, in both building form and detail,” she continued.
    “If I could summarise the objective for our new house in one sentence, it would be to create a little bit of something precious rather than a lot of something mediocre.”

    All the communal spaces of Ruxton Rise Residence face onto a central open-air courtyard planted with olive trees.
    It’s designed to act as an additional room in the house where inhabitants can gather together to enjoy the sun, or relax alone with a book.

    “Physically the house envelopes the central garden,” explained the studio’s other co-director, Annabelle Berryman.
    “It connects all internal living spaces and the design enables everyone to enjoy the house together, while providing subtle layers of separation and privacy,” she continued.
    “The landscape, and its movement and shadows, provide a calming effect that permeates the whole house.”

    The courtyard is bordered by a series of expansive glazed panels. These can be slid back to access the home’s interior, where the studio has forgone “trends and illusions” and instead applied a palette of simple and natural materials.
    “Our challenge was to design an interior that reflects the integrity of the built fabric and possesses a high level of humility,” said Henry.
    “All materials and building techniques were selected for their honesty, as well as their ability to patina over time, as it is important a house gets more beautiful as it ages.”

    A chunky grey-brick column loosely divides the living area – on one side lies a formal sitting room dressed with a woven rug and a couple of sloping wooden armchairs.
    On the other side is a cosier snug that has a plump navy sofa and a coffee table carved from a solid block of Oregon wood.

    The warmth and tactility of this table encouraged the studio to introduce a wooden dining set in the kitchen – the chairs are by Danish designer Hans J Wegner. Surrounding walls are clad in concrete-bricks, while the cabinetry is pale grey.

    All-white house by Studio Four blends indoor and outdoor spaces

    This austere palette continues through into the sleeping quarters, which are also painted grey. The same concrete bricks have also been used to form the headboard in the master bedroom.

    In the bathrooms, surfaces have been covered with tadelakt – a type of lime-based waterproof plaster often used in Moroccan architecture to make sinks and baths.
    Even the facade of the home, which is slightly set back from the street, has been washed with grey plaster.

    Ruxton Rise Residence is one of several homes that Studio Four has completed in Melbourne.
    Others include Central Park Road Residence, which has cosy interiors inspired by the Danish concept of hygge, and Bourne Road Residence, which has a stark all-white facade.
    Photography is by Shannon Mcgrath.

    Read more: More

  • “The desire for escapism is at an all-time high” say visualisers creating fantasy renderings

    With coronavirus confining people to their homes and rising fears over environmental destruction, a new breed of visual artists is creating utopian landscapes, buildings and interiors for armchair escapists. Here are nine of the best practitioners. Renderings depicting ethereal seaside homes to surreal, pastel-hued dreamscapes have become popular in recent months as people in lockdown
    The post “The desire for escapism is at an all-time high” say visualisers creating fantasy renderings appeared first on Dezeen. More

  • Shanghai studio Arizon's interiors facilitate “surprising spatial experiences”

    VDF studio profiles: Shanghai design studio Arizon specialises in the planning and interior design of retail spaces, from boutique department stores to shopping malls.The studio was founded in 2008 by Junwei Shen. Over the course of his career, the designer witnessed the rapid evolution of Chinese commerce from standalone shops to giant malls, which is why he prides himself in creating interiors that are able to adapt to the evolving needs of different businesses.
    “We exploit the aesthetic and business potential of architecture to the full,” he explained.
    “Through avant-garde artistic approaches and an awareness of ecology, we hope to create ineffably inspiring and surprising spatial experiences that help our clients to grow their businesses.”

    The Fortune Bridge features arched recesses to create functional spaces within a walkway
    The studio often makes use of natural lighting and geometric lines in its projects, and uses blank spaces strategically.

    This can be seen in its design for the Fortune Bridge – a pedestrian walkway leading to the Vita Rive Gauche shopping boulevard in the town of Zhengzhou.
    By adding arched recesses to either side of a central footpath, Arizon was able to turn this simple thoroughfare into a multi-functional space that can play host to cultural and culinary events, and house further retail units.

    Stain glass windows feature in the Vita Green community mall
    Elsewhere in Zhengzhou, the studio was also responsible for Block B of the Vita Green community mall, which Shen describes as a “feast of light and shade”.
    “The facade is clad in wire mesh and sunlight enters the interior from different directions through stained glass windows,” he added. “This creates an amazing play of shadows that breathes life into the whole mall.”
    Another of Arizon’s retail projects is situated in Dezhou and celebrates the city’s rich history as a trading port – a virtue of its proximity to the Wei River.
    This legacy is visualised in the Inzone mall through a system of ceiling baffles, which jut out to create the impression of being underwater and looking up at the hull of a boat as it cuts through the surface.

    The ceiling fins of Inzone mall are shaped like the hull of a boat
    Similarly, the studio clad the entryway of the Kids World in Shanghai’s Joy City mall with a gradient of rainbow-coloured tubes, designed to resemble the stems of fantastical flowers breaking through soil.
    Faced with the challenge of consolidating three different, staggered ceiling heights, Arizon introduced a system of undulating shapes throughout the space, replicating the silhouette of gently rolling hills.
    The project earned Arizon a German iF Design Award for interior architecture this year.

    Multicoloured tubes cover the walls and ceiling of Joy City’s Kids World
    Studio: ArizonWebsite: arizon.com.cnContact address: info@arizon.com.cn
    About Virtual Design Festival
    Virtual Design Festival is the world’s first online design festival, taking place from 15 April to 30 June. For more information, or to be added to the mailing list, contact us at vdf@dezeen.com.
    A studio profile on Virtual Design Festival could expose your work to Dezeen’s three million monthly website visitors. Each studio profile will be featured on the VDF homepage and included in Dezeen’s daily newsletter, which has 170,000 subscribers.

    Read more: More

  • London's Transit Studio refuses house style to “bring something different to every project”

    VDF studio profiles: Transit Studio is a multidisciplinary design practice that has avoided developing a house style in order to build a portfolio of varied and engaging spaces. The London-based studio was founded in 2017 by Ben Masterton-Smith – the winner of the inaugural RIBA Norman Foster Travelling Scholarship – and specialises in both architecture […] More

  • Yellow Cloud Studio punctuates Glyn House extension with arched window

    A half-arch window in this east London home extension by Yellow Cloud Studio offers glimpses of the older parts of the property. Glyn House is situated in the neighbourhood of Clapton and is occupied by a young couple who are hoping to grow their family. Previously, the poky proportions of the house – which dates […] More

  • Five houses where the courtyard is the heart of the home

    Charmaine Chan has highlighted 25 recently completed courtyard houses for her book Courtyard living: Contemporary houses of the Asia-Pacific. Here she picks five of the most interesting. As the book’s title suggests, Courtyard living: Contemporary houses of the Asia-Pacific is a compilation of houses completed in the past 10 years across Asia and Oceania that are focused […] More