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      Studio Lotus wraps stone lattices around museum-cum-jewellery store in Jaipur

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      New Delhi practice Studio Lotus has used stone lattices and frescoes depicting regional architecture to embellish the Museum of Meenakari Heritage and Sunita Shekhawat jewellery store in India.

      Designed as the flagship store for Sunita Shekhawat’s eponymous jewellery brand in Jaipur, the building contains a museum focused on the craft of Meenakari on its ground floor.
      Studio Lotus designed the museum-cum-store for the brandAccording to Studio Lotus, it aimed to “foster an environment where the act of purchasing jewellery is not the primary goal”, but instead becomes a “natural conclusion of a transformative experience”.
      “The underlying emotion behind the Meenakari museum – the first of its kind – becomes the client’s way of paying homage to the city that has given her so much, while also establishing a novel paradigm in luxury retail design,” the team explained.
      Multiple historic influences shape the design language of the buildingWorking within the structure of a partially complete building on the site, Studio Lotus created bevelled balconies to produce a form that “intricately layers patterns and details and draw from different periods, woven together into one cohesive image”.

      The details and lattices take cues from historic influences such as Rajputana, Mughal, and Art Deco – as a nod to the city’s architecture and Shekhawat’s approach to jewellery design.
      The store was place in on the lower ground floorShekhawat uses Meenakari, or the art of enamelling metal, as the foundation of her jewellery work.
      To reflect this, Studio Lotus convinced Shekhawat to create a museum or “storytelling space” that presents the history of Meenakari craftsmanship on the ground floor, in a space that was originally earmarked for the store.

      Studio Saar looks to Indian architecture for cultural centre in Rajasthan

      “We seized this challenge as an opportunity to create a narrative gallery,” Studio Lotus founder Ambrish Arora told Dezeen.
      “In collaboration with Usha Balakrishnan and Siddhartha Das Studio, we were able to create or, rather, open up the world of enamelling from different perspectives for the visitor.”
      The semi-vaulted ceilings feature frescoesThe store was placed below, on the lower ground floor, with a gallery space clad in an off-white araish lime stucco surrounded by private pods designed for one-on-one client interactions.
      Arora explained that the wide floorplate and tall ceilings of the lower ground floor “lends itself well to the exclusive, by-appointment-only, bespoke nature of the business, and of the product too — the lack of natural light being conducive to the controlled lighting necessary for jewellery display”.
      A curved staircase leads to the storeThe semi-vaulted ceilings of the pods are adorned with frescoes by artists specialising in miniature paintings, which depict the region’s architecture, flora and fauna.
      The practice commissioned CraftCanvas, a collective of artisan communities in India, to develop the frescoes. The scale and curved profile of the ceilings proved to be a challenge for the artists.
      “It took repeated trial and error and a commitment, collaboratively, to reach a certain benchmark,” said Arora..
      Individual rooms were designed for client meetingsAll of the floors within the building are connected by sculptural staircase at the centre of the building.
      Shekhawat’s office and design studio are located on the first floor, while a restaurant and bar is planned for the top floor, which has views across the city.
      This floor was wrapped in glazing and shaded by stone lattices, which was designed to “respond to the inward-looking program on the lower floors”.

      Folded stone lattices filter sunlight into the upper space that is planned as a restaurantThe exterior of the building was clad in Jodhpur red sandstone, paying homage to Shekhawat’s hometown and in line with the colour scheme of Jaipur’s – or the Pink City’s – buildings.
      According to the practice, it aimed to engage with local craftspeople throughout the construction process – from crafting the furniture inside the space to cladding the facade.
      Jodhpur red sandstone hand-carved by indigenous craftspeople features on the facadeStudio Lotus was founded in 2002 by Arora, Ankur Choksi and Sidhartha Talwar. The studio works on a wide range of cultural, residential, commercial and mixed-use projects – including a government building in India clad in intricate brickwork.
      Other Indian architecture projects recently published on Dezeen include a home in Hyderabad topped with a lantern-like roof and a set of six holiday homes in Goa defined by peach-toned walls and arched openings.
      The photography is by Ishita Sitwala

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      Dezeen Awards 2024 entries close tonight at 23:59 London time

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      Today is the last day you can enter Dezeen Awards 2024 before the entry deadline tonight 30 May at 23:59 London time!

      Our online entry form is simple and we’ve even made you a simple five-step guide to make sure you get your project in on time.
      1. You can enter Dezeen Awards 2024 by going to the start your entry page, logging in and creating an entry.
      2. Answer four questions about your project in 300 words or less. Keep it short and stick to the facts! We advise doing this on a Word Document to have your work backed up.
      3. Upload a main image and up to 10 gallery images. These must be JPEG and under 10 megabytes (MB) each, with a maximum resolution of 100 Dots per Inch (DPI) and a maximum size of 3,000 pixels on the longest side.

      4. Make sure you have completely filled in your account details and entry form. Please note VAT will be charged to EU companies at checkout if a valid VAT number is not entered.
      5. Press submit and then pay by card or PayPal.
      Do you still need help?
      All the information you need to enter can be found here. However, if you have more questions send an email to [email protected] and someone from the team will get back to you.
      Remember to subscribe to our newsletter to be the first to hear about the latest awards news!
      Dezeen Awards 2024 in partnership with Bentley
      Dezeen Awards is the ultimate accolade for architects and designers across the globe. The seventh edition of the annual awards programme is in partnership with Bentley as part of a wider collaboration to inspire, support and champion design excellence and showcase innovation that creates a better and more sustainable world. This ambition complements Bentley’s architecture and design business initiatives, including the Bentley Home range of furnishings and real estate projects around the world. More

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      Shovk completes Japanese-infused renovation of Dzen House near Kyiv

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      Elements of Ukrainian and Japanese architecture combine at this pared-back residence on the outskirts of Kyiv, which local architecture studio Shovk created for a client with a passion for Japanese culture.

      The project involved the transformation of a basic bungalow built in 2010 into a two-storey dwelling that makes the most of its picturesque setting in a garden lined by conifer trees.
      Charred wood was used to clad the exterior of Dzen HouseShovk lead architect and partner Anton Verhun oversaw the design, which was informed by the owner’s travels to Japan and his respect for the aesthetic simplicity and practicality of traditional Japanese interiors.
      “Dzen House was conceived as a place where the client and his family could feel in harmony with themselves and the world,” Verhun told Dezeen.
      The two-storey home was originally a bungalow”They wanted somewhere they could simply watch the rain outside the window, warm themselves by the fireplace and practice yoga on the tatami mat near the round window,” he added.

      Shovk implemented several references to Japanese architecture in the project, including a large roof with overhanging eaves and an exposed wooden structure.
      A wood-fired oven features in the living roomThe exterior of the first floor is clad with Japanese-style yakisugi charred wood that provides natural weatherproofing. The blackened timber contrasts with the traditional Ukrainian mazanka plaster finish applied to the ground floor’s internal and external surfaces.
      The house’s entrance leads directly into a kitchen and dining space at one end of the largely open ground floor. A functional core at the centre of the plan separates this space from a lounge at the opposite end.
      Shovk’s interior scheme was informed by traditional Japanese designThe volume containing the staircase, utility room and shower room delineates the communal areas while allowing free-flowing circulation that helps to create a feeling of spaciousness.
      Throughout the building, large openings including frameless floor-to-ceiling windows on either side of the living room provide a strong connection to the gardens.

      Modektura adds sand terrazzo flooring to Kyiv apartment

      A fireplace located near the centre of the living area creates a focal point within this room. Its stainless steel chimney passes through the bedroom above, helping to warm the spaces on both floors.
      The new first floor was constructed from timber to minimise loading on the existing walls and foundations. Its interior is lined with birch plywood that has a similar thermal expansion coefficient to the pine frame, thus helping to prevent any cracks caused by movement.
      One room was dedicated to meditation and tea ceremoniesA simple plywood staircase ascends to a sequence of low, attic-like spaces including two bedrooms, a study, bathroom, utility room and a Japanese-style room with tatami mat flooring.
      Verhun added a circular window as an expressive element that “brings softness and naturalness” to the space, used for tea ceremonies, yoga and meditation.
      The compact main bedroom features a podium bed set next to a large frameless window that looks out onto the nearby trees. Built-in wardrobes provide discreet storage, while the exposed chimney adds a distinctive feature.
      A plywood staircase leads up to the second floorAccording to Verhun, the house’s owner has temporarily moved to another Ukrainian city for his own safety due to Russia’s invasion of the country.
      The project was completed despite long power cuts, air raids and missile attacks that forced the builders to spend hours in shelters.
      Birch plywood lines the upper-floor interiorVerhun also said that Shovk has begun taking on more projects abroad due to a decline in its Ukrainian work resulting from the ongoing war.
      Other recently completed projects in Kyiv include an apartment renovation by Modektura and a dance studio that was furnished using materials sourced from around the city in the face of wartime shortages.
      The photography is by Yevhenii Avramenko.

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      Tabitha Isobel gives London townhouse a “surprising and bold” makeover

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      Designer Tabitha Organ combined natural materials with metal details to transform this London townhouse into a home with a “slightly futuristic” feel for a client who loves entertaining.

      The five-storey property on St Pauls Road had recently been renovated by a developer using poor-quality finishes, so the client – a young tech entrepreneur and first-time homeowner – asked Organ’s studio Tabitha Isobel to create a more bespoke interior.
      The brief called for a scheme that retains the Victorian house’s original features, whilst layering vintage pieces and contemporary design to create spaces with a distinct character.
      Tabitha Isobel transformed the Victorian north London townhouse”The client wanted a home that would be surprising and bold but also timeless,” Organ told Dezeen. “Amongst his peers, he is a frequent host of parties so he wanted an interior that would be a backdrop to these and bring a certain entertaining ‘vibe’.”
      Some of the original details that survived the previous renovation included detailed mouldings and the wooden window shutters in the living areas.

      Organ sought to emphasise these elements by introducing a carefully chosen palette of complementary colours and materials. Other spaces received a more expressive treatment, including the golden-toned cinema and DJ room in the basement.
      The five-storey property’s renovation adopts a “slightly futuristic” feelThe main architectural interventions occurred on the first floor, where previously disjointed spaces were reorganised to create a large bedroom with an adjoining bathroom and dressing area.
      The bedroom, which has windows on two sides due to the property’s end-of-terrace location, is connected to the bathroom by a walk-through wardrobe containing bespoke cabinetry built from naturally patterned burr walnut.
      New bespoke features include an adjoining walk-through wardrobeThe house’s main living areas are unified by the consistent application of green hues and metal details, which featured in an image of a kitchen given to Organ by the client as inspiration at the beginning of the project.
      “As the living and dining area is open plan with the kitchen, we introduced a Verde Guaco Green fireplace surround that sits on the same elevation as the kitchen so the tones speak to each other,” Organ explained.
      “We also chose a green velvet sofa from Maison Dara that is positioned in line with the kitchen, helping the spaces to feel connected.”
      Green hues and metal details inform the house’s living areasThe designer added that the combination of natural materials and metal surfaces contributes to the scheme’s sense of timelessness while creating a juxtaposition of textures and finishes that adds visual interest to the design.
      “As part of the concept, we wanted the spaces to have a slightly futuristic feel to them,” she pointed out. “Metals are timeless materials and I find they lift palettes, bringing them to life and creating a richness through reflection and depth.”

      Unknown Works brightens Victorian townhouse with dusty pink extension

      Metal and wood combine in a bespoke solution designed to conceal the television above the fireplace. Eight hand-carved wooden panels are set within a brushed aluminium frame that incorporates bi-fold doors that open to reveal the TV.
      Throughout the home, textiles provide a further textural contrast to the hard metal surfaces. This approach is encapsulated by a vintage metal-framed armchair in the living room that was reupholstered in a boldly patterned fabric by UK brand Schumacher.
      A reupholstered metal-framed armchair provides textural contrastWhile the living area and bedroom are predominantly monochrome, there are moments of bright colour elsewhere in the home – particularly in the en-suite shower room.
      Organ chose terracotta tiles with different scales to bring a sense of richness and warmth to the space. The walk-in shower is lined with cobalt blue tiles intended to introduce a surprising element.
      Terracotta tiles in the en suite shower room provide a sense of richness and warmthA cinema room located on the basement level was designed to resemble a moodily lit members’ club, with a cotton moire wall covering matched to a high-gloss painted ceiling and mid-gloss cabinetry.
      The room is used for hosting parties and includes a concealed home bar with stainless steel shelves set in front of a bronze-tinted mirror.
      Marble and metal wall lights illuminate the textured walls as well as a velvet sofa with oversized cushions, a vintage coffee table and a bespoke walnut DJ console crafted by furniture maker Spinback.
      The cinema room conceals a stainless steel home bar in front of a bronze-tinted mirrorOrgan founded Tabitha Isobel in 2023 after working for a decade as an interior designer for London-based studios Conran + Partners and Sella Concept.
      The designer’s approach focuses on combining historical and contemporary elements to create timeless spaces driven by authenticity rather than trends.
      Other creative townhouse transformations include a Brussels home with a skylit atrium and a London home that was given a 1970s-style makeover.
      The photography is by Genevieve Lutkin.

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      Dubrovska Studio uses “leftovers” in Kyiv to furnish local dance studio

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      Local architecture practice Dubrovska Studio has created a fitness studio lined with curtains and outfitted with custom furniture made from materials sourced from around Kyiv in the face of wartime shortages.

      Located in Kyiv, Stan will host barre and yoga classes for up to 15 people in its main space and includes a reception area and locker area across 1,290 square feet (120 square metres).
      Dubrovska Studio has created a barre and yoga studio in Kyiv”In our situation, when we initiated the project, there was virtually nothing available. We literally pieced the project together from leftovers we found around Kyiv,”  said Dubrovska Studio founder Natalie Dubrovska. 
      Visitors first walk into a curtain-lined reception and welcome area, which contains a custom, semi-circle sofa, reception desk and “little tables” made of stone.
      The studio is lined with curtains to soften the spaceThe curtains lining the space follow a curved track at the corners in order to soften the space and “smooth” out the interior.

      Many furniture pieces were custom-made from locally sourced or reused materials, which the studio says was a “primary concept” for the studio’s design – in part due to difficulties faced when ordering abroad during the ongoing Ukraine war.
      Furniture was made from locally sourced or reused materialsThe tables were crafted from scraps found at a warehouse, while the sofa was upholstered in a neutral, multicoloured fabric from the 1970s.
      “The quest for the right fabric turned into a humorous journey, with many Gobelins featuring unappealing cat face illusions,” said Dubrovska. “Almost giving up, we lucked out, discovering a fabric from the 1970s that closely mirrored our initial design.”
      The curtains follow a curved trackA reception desk sits to one corner, and was made from cast concrete. Rough edges line the top to contrast with the softness of the surrounding curtains, while its smooth base runs into the concrete floor.
      A standing mirror sits across from the desk, mounted into a stone to create “magic and special charm” and next to it, a sink and countertop are concealed behind a curtain.
      White drapes and mirrors line the studioThe same white drapes cover large windows along the studio, which sits in front of the welcome area. Ballet barres and mirrors also line the space.
      A locker and changing room sits to the other side of the welcome area, with wooden storage created by Dubrovska Studio “in the absence of a minimalistic and soft solution” in contrast to standard metal lockers. 

      Anastasiia Tempynska designs futuristic interior for laser clinic in Kyiv

      A bench made of the same light-coloured wood sits in the centre of the space, while a line of showers was clad in small white mosaic tiles as a nod to public restrooms.
      According to the studio, there were frequent electricity black outs during construction, but despite the challenges, Stan is a “sanctuary”.
      Wooden lockers were created as a “soft solution” for storage”Stan encapsulates the spirit of feminine strength, elegance, and individuality, inviting to embark on a transformative journey within its carefully curated space,” said the studio. “It is not just a studio; it is a sanctuary for self-expression and holistic well-being.”
      Stan studio was founded by professional dancer Mariia Dreihaupt. The word “stan” is the Latin translation of the Ukrainian word “ctah”, meaning “physical posture”. 
      Small, white mosaic tiles line a shower area as a nod to public restroomsDubrovska Studio is based in Kyiv and was founded in 2018 by designer Natalie Dubrovska. It focuses on bringing “calmness, harmony and self-connection” to projects. 
      Another project recently completed in Ukraine includes a holiday cabin in the Carpathian mountains. Recently architecture and design studios shared how they are coping at the two-year mark of Russia’s invasion.
      The photography is by Yevhenii Avramenko.
      Project credits:
      Team:  Natalie Dubrovska, Katerina Bandura, Daria Shmyrko

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      Partisans sculpts limestone facade for Rolex boutique in Toronto

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      Toronto architecture studio Partisans has used parametric modelling to create an undulating stone storefront for luxury watch brand Rolex.

      Partisans’ latest application of its digital modelling and fabrication technique resulted in a sculptural facade that wraps the ground floor of a high-rise on Bloor Street in Downtown Toronto.
      The flowing lines of the Rolex store’s limestone facade emanate from the building’s existing architectural featuresThe studio worked with Italian architect Arturo Tedeschi on the project, which is intended to give the store presence and allow it to stand out from others in the busy shopping district, as well as reflect the high-precision of Rolex timepieces.
      Limestone panels affixed to the building’s exterior are shaped to echo the forms and textures of the brand’s watches.
      The stone panels are shaped to curve around windows and emulate the brand’s watch designsThe material was chosen for its luxurious appearance and longevity, according to Partisans founder Josephson, who said: “Stone is future heritage, it’s having a renaissance.”

      The panels continue the geometry of the existing building features, such as the rigid vertical mullions, but flow into softer shapes that curve around large windows and over the entrance awning.
      More stone appears in the boutique’s interior. Photo by Robert Lowdon Photography”Each stone bay was cut according to measurements found through 3D scans of the existing building,” said Partisans designer Ian Pica-Limbaseanu.
      Niches are integrated into the stonework to house cove lighting that washes over the curvaceous forms at night, yet the junctions between the stone and the glass were trickiest to detail, according to Pica-Limbaseanu.
      Dark green seating matches a glass artwork, while walnut panelling and furniture contrast the paler stone. Photo by Robert Lowdon Photography”The window detailing, specifically, had a tall order of requirements to satisfy,” he said.
      “Not only did it need to meet the exterior stonework at exact locations accurate to within a quarter of an inch, but it also needed to allow for easy maintenance and proper energy performance for what was otherwise an utterly unprecedented look to glazing on Bloor Street.”

      Partisans creates pixelated brick facade for Toronto house

      Tedeschi applied his computational design skills to create an algorithm for the parametric compositions etched into the limestone across the east facade.
      These forms follow the geometries of engravings seen on watch-face dials while also responding to the unique qualities of the structure’s elevation.
      Niches in the limestone facade house cove lights that wash over the facade at nightThe store interiors feature plenty more stone, whose creamy tone is contrasted with dark walnut panelling and furniture.
      Dark green seating matches a glass wall artwork that bears the Rolex logo, which separates the main shop floor with a more intimate lounge area tucked behind.
      The facade was designed to reflect the high-precision of Rolex timepieces and to stand out on Toronto’s high-end Bloor StreetPartisans has previously used parametric design tools to create a rolling, pixellated brick facade for a single-family home, and a high-rise informed by architectural “revision clouds” – both in Toronto.
      The firm was founded by Josephson in 2012, and has since completed a pool house in Ontario with an undulating timber roof and a lakeside sauna designed as a cavernous wooden grotto.
      The photography is by Doublespace Photography, unless stated otherwise.

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      “Less is more is back” says panel during Gaggenau talk at Milan design week

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      Dezeen teamed up with kitchen appliances brand Gaggenau to host and film a talk about reduction in design with representatives from Zaha Hadid Architects, SOM and Industrial Facility during Milan design week 2024.

      Moderated by Dezeen’s editorial director Max Fraser, the talk explored how principles of reduction and essentialism in architecture and design can be employed to improve our lives.
      Titled Design by Reduction, the panel gathered contributors from different industries, with Zaha Hadid Architects associate director Johannes Schafelner representing architecture, Industrial Facility founder Kim Colin discussing industrial and product design, and SOM interiors lead Francesca Portesine representing interior design.
      Dezeen teamed up with Gaggenau to host a talk about reduction in design during Milan design week 2024Amongst the topics discussed by the panel was how the process and aesthetics of reduction in design can improve well-being through fostering simplicity in people’s day-to-day lives.
      Explaining the role of reduction in interior design, Portesine stated: “Generally, it is a very good thing that there is less rather than more to look at, to feel, to concentrate, to give importance to one element at a time.”

      “The balance of a space is created by simplicity, by reduction of materials,” she continued.

      Gaggenau launches nearly invisible cooktop that “allows the architecture to breathe”

      These comments were mirrored by Colin, who suggested that the role of the designer is to counter the complexity of the world by making a complicated world simple.
      “I don’t think we need to build in complexity – complexity is there in everything,” she said. “We really try hard to simplify things and make things easier. We deserve for things to be made more easily and more easily accessible.”
      She went on to describe how, in the field of industrial design, reduction can be used as a means to create products that fit holistically into the lives of users.
      “Often we try to quiet the noise. You can imagine a room full of products that are in the marketplace, shouting for your attention for you to buy them,” she explained.
      “They want you to buy them,” she continued. “But then what happens when you live with them? You’re living with a bunch of things that are shouting at you.”
      The talk coincided with the launch of Gaggenau’s new Essential Induction cooktopSchafelner described how reduction in architecture allows architects to design and build more efficiently, mitigating both the cost and environmental impact of buildings.
      “When we talk about reduction, it’s all about efficiency,” he said. “It’s really minimising the design, minimising the structure to have a better product.”
      He went on to describe how artificial intelligence (AI) can assist the architect in working more efficiently.
      “AI will also help us,” he stated. “There are now new tools which automatically give you realistic images in one second.”
      “It’s a much more intuitive workflow. And in the future, this will definitely help us to be more efficient.”
      Gaggenau exhibited new products in an installation at Milan’s historic Villa Necchi CampiglioAddressing the question of how principles of reduction can help to build a more sustainable future, Colin posited the return of the principle of “less is more.”
      “Using less material, less time, less effort, less shipping – less is more is back,” she claimed.
      “It should be easy to make as well as easy to live with. They should go hand in hand.”
      The talk took place in the conservatory of Milan’s historic Villa Necchi Campiglio, where the brand created an immersive installation called Elevation of Gravity to showcase its appliances.
      The panel featured representatives from Zaha Hadid Architects, SOM and Industrial FacilityAmongst the brand’s new launches was the Essential Induction cooktop, which has been designed to integrate into a kitchen worktop seamlessly.
      Covertly integrated induction hobs are integrated into a conductive Dekton stone countertop, indicated by a small LED light. The only other visible element of the cooktop is a performance dial located on the side of the countertop.
      The Essential Induction cooktop was designed to break down barriers between spaces used for cooking and living in the kitchen, and the principle of reduction at play in its design informed the topic of Dezeen’s talk.
      The photography is by Giovanni Franchellucci.
      Partnership content
      This video was produced by Dezeen as part of a partnership with Bentley. Find out more about Dezeen partnership content here.

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      Dezeen Events Guide launches digital guide to NYCxDesign 2024

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      Dezeen Events Guide has launched its guide to NYCxDesign 2024, highlighting the key events in New York City from 16 to 23 May.

      The festival celebrates its 12th anniversary with a programme of exhibitions, open showrooms, tours, talks, design fairs and product launches.
      Located across neighbourhoods in Manhattan, Brooklyn and Queens, around 200 events are taking place across eight days, spanning architecture, design, art, fashion and technology.
      Use our interactive map
      This year’s guide also features a curated map with the key events of the festival, helping you navigate your way around the city.

      Click to use Dezeen’s map for NYCxDesign 2024There is still the opportunity to feature in the guide
      There are three types of listings still available:
      Standard listings cost £125 ($160) and include the event name, date and location details plus a website link. These listings will feature up to 50 words of text about the event.
      Enhanced listings cost £175 ($225) and include all of the above, plus an image at the top of the listing’s page and a preview image on the Dezeen Events Guide homepage. These listings will also feature up to 100 words of text about the event.
      Featured listings cost £350 ($450) and include the elements of an enhanced listing plus a post on Dezeen’s Threads channel, inclusion in the featured events carousel on the right hand of the homepage for up to two weeks and 150 words of text about the event. This text can include commercial information such as ticket prices and offers and can feature additional links to website pages such as ticket sales and newsletter signups.
      For more details about partnering with us to help amplify your event, contact the team at [email protected].
      About Dezeen Events Guide
      Dezeen Events Guide is our guide to the best architecture and design events taking place across the world each year.
      The guide is updated weekly and includes events, conferences, trade fairs, major exhibitions and design weeks.
      The illustration is by Justyna Green.

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