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    Dezeen Awards 2023 party tickets on sale!

    Tickets for the Dezeen Awards 2023 party to celebrate this year’s winners are now on sale. Book now to secure your place at our reduced early-bird rate!

    Taking place at Shoreditch Electric Light Station in London on 28 November, we will celebrate the winners of Dezeen Awards 2023 with food, drink, live entertainment and music throughout the night.
    The winners of all 39 Dezeen Awards project categories will be revealed, as well the overall architecture, interiors, design and sustainability projects of the year.
    We will also be announcing the six Designers of the Year and revealing the winner of the inaugural Bentley Lighthouse Award.

    World’s 85 best buildings shortlisted for Dezeen Awards 2023

    The party will be a chance for everyone to come together to celebrate their achievements with fellow nominees and winners, as well as our illustrious Dezeen Awards 2023 judges.

    Judges this year include Guilio Cappellini, Patrizia Moroso, Sabine Marcelis, Yves Béhar and Thom Mayne. See who they crowned as winners when they collect their trophies, and join in the celebrations.
    Tickets for the event cost £175 + VAT. However, you can save 20 per cent and book your ticket for the special early-bird price of £145 + VAT if you order before 31 October 2023. You can also save a further 10 per cent if you book a package of 10 tickets or more.
    Book your ticket now via Eventbrite: dezeenawards2023.eventbrite.co.uk
    Email [email protected] if you have any questions. Sign up to our Dezeen Awards newsletter to get updates on the winners party and future editions of Dezeen Awards. More

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    Shaw Contract reveals the winners of its 2023 Design Awards

    A hotel overlooking a Japanese castle and a neurodiversity-friendly office building are among the winners of Shaw Contract’s 2023 Design Awards, revealed in this video produced for the brand by Dezeen.

    Global flooring company Shaw Contract recognised five winners in the 18th edition of its Design Awards, which celebrate impactful living, working, learning and healing interior spaces around the world.

    In total, five Best of Globe winners were chosen by a panel of design professionals from 39 regional winners, which had been narrowed down from over 650 project submissions from 40 countries.
    The winners include architecture studio Tatsuro Sasaki, which won an award for its OMO5 Kumamoto by Hoshino Resorts hotel built on Mount Chausu in Kumamoto City, Japan.
    The hotel is located in the city centre overlooking Kumamoto Castle and is nestled in amongst the landscape to blend in with its surroundings.
    Shaw Contract reveals Naelofar Office by Swot Design Group as one of the winners of its 2023 Design Awards.Four workplace designs were also recognised, including Boston Consulting Group’s headquarters in Toronto designed by HOK.
    The office features ample open spaces to flood it with natural light and is equipped with circadian lighting to follow people’s natural rhythms and improve productivity.
    Another winner was the 345 North Morgan office design by Eckenhoff Saunders, which is located adjacent to Chicago’s metro tracks. The design of the office was informed by classic railway stations and draws from the neighbourhood’s rich industrial history.
    Shaw Contract reveals Boston Consulting Group Canadian Headquarter by HOK as one of the winners of its 2023 Design Awards.Other winners include Swot Design Group’s Naelofar Office in Petaling Jaya, Malaysia, which was designed to foster relationships and collaboration in the workplace.
    It features meeting rooms with operable glass panels that can be rearranged to open up spaces for functions such as training sessions or events.
    Rezen Studio’s Newmont office in Subiaco, Australia also received an award, which Shaw Contract described as an example of “the rapidly evolving office typology which responds to the changes in which businesses are operating”.
    Shaw Contract reveals Newmont by Rezen Studio as one of the winners of its 2023 Design Awards.”We believe that design has the power to shape the world around us and create a better future for both people and the planet,” said Shaw Contract.
    “That’s why the Shaw Contract Design Awards programme is so important to us. It allows celebration of the designers who share our commitment to creating a positive impact in all interior spaces.”
    Each winner was awarded a £2,000 USD charitable donation in the name of their studio to an organisation of their choice. They also received a trophy designed by Singapore-based artist Kelly Limerick using recyclable Shaw Contract’s recycled yarn.
    Find out more about all of the winners on the Shaw Contract Design Awards website.
    Partnership content
    This video was produced by Dezeen for Shaw Contract as part of a partnership. Find out more about Dezeen partnership content here.

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    Australian hardwood lines Melbourne cottage extension by Prior Barraclough

    Architecture practice Prior Barraclough has expanded a modest workers’ cottage in Melbourne to include an extension panelled entirely in Australian hardwood.

    Located in the neighbourhood of Northcote, Union Street House is a single-fronted workers’ cottage owned by a recently retired couple who wanted their home to have more functional living space.
    Local practice Prior Barraclough was tasked with extending the site but had to find ways to work around its strict planning regulations with “sensitivity to the heritage streetscape”.
    Union Street House is lined with Australian hardwoodThe extension was designed to sit neatly between two houses that lie on either side of the original cottage and features a dramatic slanting roof complete with solar tiles.
    The peak of the roof aligns with those of the two flanking properties, minimising the extension’s visual bulk and overshadowing.

    Its sloping form also allows for rainwater to trickle down and be collected in an underground tank, which is then recycled and used to service the home’s bathrooms or irrigate its outdoor spaces.
    A kitchen sits beneath the highest point of the extension’s slanted roofInside, the extension was clad all over with boards of Australian hardwood to both evoke a sense of warmth and soften the “folded geometry” of its interior architecture.
    “The entire extension is arranged on a 75 milimetre grid that governs joinery openings, door positions, room dimensions and material alignments,” explained the practice.
    “To align timber boards with this grid across surfaces pitched at different angles, each board had to be milled to precise and often varying dimensions.”
    Stainless steel-lined cupboards contrast surrounding wooden surfacesA comfy lounge was created beneath the lowest point of the roof, giving the space a more enclosed, intimate ambience. Light floods in from the expansive glazed panel that fronts the extension, granting views of the cottage’s leafy back garden.
    This is followed by a dining area, anchored by a large table crafted from hardwood boards that were left over from the construction works.
    Gridded white tiles feature on the bathroom wallsUnder the highest point of the extension’s roof is a minimalist kitchen. Hardwood boards overlay its central breakfast island and rear wall, concealing a series of storage cupboards.
    The inside of the cupboards was contrastingly lined with stainless steel, specifically chosen by Prior Barraclough to “emphasise the singularity” of the rest of the extension’s material palette.
    Narrow rectangular tiles that “maintain the precision of the project grid” were also applied in the bathroom suite that hides behind the kitchen.
    The extension’s mezzanine level provides additional living spaceA small mezzanine was built above the kitchen, which can serve as a study, guest bedroom or secondary sitting area.
    Slatted wooden screens were installed in front of the glazed opening here to provide privacy when needed.
    Inhabitants can go back to the cottage proper via a faceted wood-lined corridor, angled in such a way as to conceal the flight of stairs that leads up to the extension’s mezzanine level.
    A faceted corridor leads back to the original cottageUnion Street House has been shortlisted in the home interior category of this year’s Dezeen Awards.
    Other nominees include a residence in Tokyo filled with wooden furniture and artwork, a Madrid apartment divvied up by vibrant glazed tiles and Another Seedbed in Brooklyn, which doubles as a performance space.
    The photography is by Benjamin Hosking.
    Project credits:
    Architect: Prior BarracloughBuilder: Ben Monagle/Camson HomesEngineer: Adams Consulting Engineers

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    This week we unveiled the Dezeen Awards 2023 shortlists

    This week on Dezeen, we announced the architecture, interiors, design and sustainability shortlists along with the designers of the year for the 2023 Dezeen Awards.

    We revealed the 85 buildings shortlisted in the architecture categories, which included Studio House by William Samuels Architects (above) along with buildings by Zaha Hadid Architects, Olson Kundig and Open Architecture.
    The interiors shortlist featured 47 designs by studios including Omar Gandhi Architects and Universal Design Studio, while the 47-strong design shortlist included creations by Muoto, Luceplan, Fuseproject and Tom Dixon.
    Alexander Burton designed an affordable electric car conversion kitIn design news, Australian student Alexander Burton unveiled an affordable electric car conversion kit.
    Named REVR (Rapid Electric Vehicle Retrofits), the kit, which won the country’s national James Dyson Award, was designed to provide a cheaper way to convert petrol cars into electric cars.

    Thomas Heatherwick said Le Corbusier was to blame for a “global blandemic”Speaking on a BBC radio series this week, British designer Thomas Heatherwick said that 20th-century architect Le Corbusier was responsible for architecture’s current “global blandemic”.
    “I think we’re living through a global ‘blandemic’ in building design,” said Heatherwick. “This age of boring has resulted in soulless, inhuman urban environments.”
    Prada is designing a space suit for NASAAlso this week, fashion house Prada revealed that it was creating lunar spacesuits for NASA’s Artemis III mission – the first crewed moon landing since 1972.
    Developed with commercial space company Axiom Space, the suits are called Axiom Extravehicular Mobility Unit (AxEMU) and will give astronauts “advanced capabilities for space exploration”, according to the brand.
    Carl Philip Bernadotte and Oscar Kylberg launched their brand this weekWe also spoke to design duo Carl Philip Bernadotte – who is Prince Carl Philip of Sweden – and Oscar Kylberg, who launched a brand this week.
    Speaking in an interview, the duo told Dezeen how public scrutiny had kept them on their toes.
    A thatched extension was one of the most popular projects this weekPopular projects this week included a thatched extension to a house in Flanders, an aluminium-clad micro home in Germany and a renovated Ibizan finca.
    Our latest lookbooks featured living rooms with low-slung furniture and restful bedrooms decorated in the colours of autumn leaves.
    This week on Dezeen
    This week on Dezeen is our regular roundup of the week’s top news stories. Subscribe to our newsletters to be sure you don’t miss anything.

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    RooMoo integrates local materials and traditions into Som Land Hostel near Shanghai

    Thatched roofs, recycled bricks and bundles of sticks were used to construct this hostel on Shanghai’s Chongming Island, which Chinese studio RooMoo has organised around two existing buildings.

    The site is surrounded by water and forests, creating a secluded rural environment on the island that’s located across the Yangtze River estuary from the vast metropolitan area.
    RooMoo completely transformed two existing buildings using materials found on-siteThe Som Land hostel was designed to integrate with this natural landscape and respect the local customs and traditions.
    “The resort’s name Som Land comes from the traditional Chinese colour, the warm green between the mottled gaps in the tree shadows, representing a state of relaxation and slow-paced life,” said Shanghai-based RooMoo.
    “In terms of overall space arrangement and planning, Som Land focuses on nature and humanistic traditions.”

    The buildings are clad using recycled bricks in a pattern based on a local clothThe architects revived two old houses on the site, manipulating their existing forms and layouts to meet the new requirements while adhering to planning restrictions.
    The larger two-storey structure that acts as the accommodation block was overhauled and extended to include an additional floor – now totalling 552 square metres.
    In the larger of the two buildings, the staircase was moved to the north side”Because the original building has problems, it is necessary to adjust the old and inappropriate space layout and add new design strategies to provide reconstruction to match the new requirements,” said RooMoo.
    While its perimeter footprint remained the same, the building was transformed both internally and externally.
    The rooms are decorated with neutral tones and natural materialsPlanning codes limited the height of the eaves. So to provide extra space, RooMoo steepened the pitch of the roof so that the extra storey could tuck inside.
    Large dormer windows create even more space on this upper floor, while balconies were added to the lower levels to extend these, too.
    Wood furniture and woven textiles connect the interiors to the rural settingThe staircase was also relocated to the north of the building, allowing three guest rooms per floor to fan around the glass-topped circulation core.
    Each room has its own bathroom facilities, and some suites include a bathtub that overlooks the balcony and the forest beyond.

    He Wei adds portable plastic rooms to youth hostel in a converted Chinese house

    Neutral tones and natural materials decorate the interiors, which feature wooden bed frames, tables and chairs, plus woven textiles and lighting.
    Tree branches gathered from the site are framed into panels that cover parts of the ceilings in both the rooms and corridors, while bamboo poles partition the staircase flights.
    The second building was extended on the west side with a glazed addition”The guests staying can feel the space environment of non-machine standardised production, so most of our material selection is from nature and the local site,” said RooMoo.
    The second single-storey building that was originally a tool shed was also completely rethought, becoming a reception and communal space where crumbling walls and a tiled roof once stood.
    This building is used as the reception and a communal space for guestsAs with the larger structure, the roof pitch was increased to its maximum allowed height and its boundary was also pushed outward.
    The top of its gabled form was cut off and the flat plane turned into a window to allow plenty of natural light into the interior.
    A central brick fireplace divides the open spaceOn the west side, a wood-framed glass addition is extruded from the building’s profile to face the water.
    Inside, thin strips of wood swoop down and curve outward from the skylight, helping to distribute the light.
    A variety of local products are displayed in the reception buildingA curvaceous brick fireplace and chimney stack are positioned in the centre of the open room to separate the reception area from a lounge and dining space.
    Both buildings were re-clad in bricks recycled from the original structures, in a pattern based on local cloth that casts shadows across the facades.
    Strips of wood curve from the ceiling to funnel in sun from the skylightThatched roofs were also added as a nod to the region’s historic building traditions. “In our practice, we tried to recall the traditional way of manual binding to build a roof of reed poles,” said RooMoo.
    “Therefore, we hope to bring out the first impression of the sustainable concept and practice of earth materials returning to nature,” the studio added.
    “The design treatment is to provide hotel guests with a warm and relaxing vacation with a deeper understanding of the local style of the environment.”
    The top of the gabled roof is cut off and covered in glassSom Land is longlisted in the hotel and short-stay interior category for the 2023 Dezeen Awards, becoming the latest hostel in China to receive recognition from the program.
    Previously, the Capsule hostel and bookstore by Atelier Tao+C in a small rural village was named interiors project of the year at the 2020 Dezeen Awards.
    The photography is by Wen Studio.
    Project credits:
    Design team: RooMooConstruction: Shanghai Guixiang Decoration EngineeringLighting consultant: Shanghai Yiqu Laite Lighting Industry

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    Estudio Estudio unveils “hidden architectural treasures” in Mexico City house

    Arched doorways and a rooftop studio feature in the Y.27 House, which has been overhauled by architecture firm Estudio Estudio in a way that honours the historic building’s original character.

    Located on a 195-square-metre site in Mexico City’s Hipódromo Condesa neighbourhood, the project serves as a full-time residence for a client who is a social entrepreneur and collector of Mexican craftwork.
    The house been overhauled to honour the historic building’s original characterOriginally built in the 1930s, the stucco-clad dwelling had endured years of neglect, said local firm Estudio Estudio.
    The design team set out to revamp the home’s interior, aiming to restore its original charm while enhancing its functionality.
    Estudio Estudio set out to revamp the home’s interiorThe project involved removing walls, reconfiguring the layout and making structural improvements, in addition to adding new finishes. Moreover, a small storage room on the roof was replaced with a 43-square-metre studio building.

    “The main goal was to unveil the hidden architectural treasures beneath layers of past modifications, meticulously restoring them to their original state to reveal the essence of the time,” the team said.
    In the rear, one finds a kitchen”Architectural interventions aimed to preserve the authentic character of the house, rejuvenating ornamental elements while avoiding unnecessary embellishments.”
    Rectangular in plan, the home has a mix of communal and private spaces spread across three levels. Curves and arches – many of them original – create a “harmonious flow”.
    Curves and arches create a “harmonious flow”On the ground level, the layout “seamlessly integrates daily living requirements”. The front portion holds an entry hall, garage and office, while in the rear, one finds a kitchen, dining area, service rooms and a patio.
    At the heart of the ground floor is an airy living room with a 5.9-metre-high ceiling. A tall shelving system with a metal-and-wood ladder acts as a focal point.
    A tall shelving system acts as a focal point in the airy living roomA gently curved, skylit staircase leads to the first floor, where the team placed a primary bedroom, two bedrooms and a family room.
    Atop the building is the new studio, which was constructed using pine. In addition to the studio, the building contains an onsen room with a barn-style door.
    The building contains an onsen room with a barn-style doorThe studio opens onto a terrace with terracotta flooring. Rainwater is collected on the roof and channelled to a reservoir below.
    “The roof terrace serves as a space to gather but also works as a rainwater collector, where rain travels throughout the house into a water reservoir and filter system beneath the back patio,” the team said.

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    Throughout the home, the team used earthy materials and neutral colours. The lighting design – created in collaboration with lighting expert Luca Salas – is meant to balance “ambiance, functionality and aesthetics”.
    Notable finishes include oak parquet flooring and closets faced with cotton-canvas. Oak was used for window frames, kitchen cabinets and other elements.
    Pisos de pasta flooring features in the kitchenIn the kitchen, the team took a sample of existing checkered tiles, made of pigmented concrete, to a local craftsman, who then replicated them.
    This style of flooring – called pisos de pasta – is very common in older homes in Mexico City and southwest Mexico, said Estudio Estudio.
    The stucco-clad dwelling had endured years of neglectOverall, the house is meant to balance historic elements with a contemporary lifestyle.
    “This house proudly stands as a harmonious blend of past and present, inviting residents to embark on a captivating journey of refined and simple ways of living,” the team said.
    Other projects in Mexico City’s Condesa district include a renovated house by Chloé Mason Gray that embraces its lack of natural light, and an apartment block covered in small, wooden squares that were inspired by vegetable crates.
    The photography is by Zaickz Moz Studio.

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    Għallis exhibition suggests alternative to Malta’s “unstoppable trajectory of hyper-development”

    Valentino Architects and curator Ann Dingli have presented a proposal to retrofit a historic fortification at the Venice Architecture Biennale to suggest alternative methods of conservation in the face of Malta’s rapid development.

    Curated by Dingli, the small-scale exhibition was part of the Time Space Existence showcase and featured an abstracted plan to retrofit the 17th-century watchtower on the north-eastern shore of Malta.
    The Għallis exhibition was presented at the Venice Architecture Biennale. Photo by Luca Zarb”The Għallis watchtower in isolation is not remarkably significant – it’s been vacant for years,” Dingli told Dezeen. “But it belongs to a network of micro-fortifications that were built along the edge of the islands in the 17th century and tell a part of the islands’ wider military story.”
    “Today the tower is a marker along the coast and not much more,” she continued. “The point of the exhibition is to re-charge its significance by introducing new usability and graduating it from just a visual landmark to a habitable space.”
    It focused on an abstracted plan to retrofit the 17th-century watchtowerWith its proposal, the team suggests changing the use of the building to create a multi-use structure that can be utilised in numerous ways.

    “The design reverses the exclusive nature of the tower – conceived as a fortress designed to keep people out – to an inclusive building that invites people in,” explained Valentino Architects.
    “Its programme is flexible, adapting to three permutations that allow for varying degrees of private use and public access.”
    The team proposed renovating the towerThe tower was showcased at the biennale to draw attention to a wider issue facing Malta – the commercialisation of its historic buildings.
    The team aimed to demonstrate that historic buildings could be converted into useable structures rather than being restored as empty monuments.
    The Għallis tower was the focus of the exhibition. Photo by Alex Attard”Heritage architecture in Malta has a strong focus on preservation of building fabric and less so on functional innovation,” said Dingli.
    “This means heritage buildings very often serve one programme – usually as museums of themselves or as institutional buildings – and as a result become inaccessible or redundant to everyday use,” she continued.
    “This design moves away from heritage as a product and towards heritage as useful space.”

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    The team hopes that the exhibition will draw attention to the rapid development of Malta, which it says is happening at the expense of the country’s existing buildings.
    “The islands are on a seemingly unstoppable trajectory of hyper-development,” explained Dingli. “Malta is the most densely populated country in the EU, and one of the most densely populated countries in the world.”
    “Its built environment hasn’t met this intensity with the right blend of retrofit and newbuild development – the former exists in extreme scarcity, despite a huge stock of existing building fabric crying out to be re-used in smarter ways,” she continued.
    The team proposed turning into a multi-use spaceAlthough the exhibition focuses on a historic fortification, the team believes that prioritising reuse over rebuilding should be implemented across the country.
    “The argument for conservation needs to be extended to any form of building stock, not just heritage buildings,” explained Valentino Architects.
    “Demolishing existing buildings to make way for new ones is almost never sustainable,” they continued. “When there is no alternative but to remove a building, we need to advocate for dismantling as opposed to demolishing.”
    “Materials such as Malta’s local yellow limestone – which has traditionally carved out the architectural identity of our island – is a finite resource that needs to be both protected and used,” they added.
    Alongside the Għallis exhibition, the Time Space Existence show presented work by architects, designers and artists from 52 different countries in venues across the city. These included a tea house made from food waste and a concrete emergency housing prototype developed by the Norman Foster Foundation and Holcim.
    The photography is by Federico Vespignani.
    Time Space Existence takes place from 20 May to 26 November 2023 at various locations across Venice, Italy. See Dezeen Events Guide for an up-to-date list of architecture and design events taking place around the world.

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    Mesura furnishes Casa Vasto apartment and gallery with “constellation of objects”

    Local studio Mesura has designed a live-work home for a gallery owner that combines exhibition space with living quarters in a former factory in Barcelona.

    Casa Vasto is situated in the city’s seaside neighbourhood El Poblenou, characterised by its 18th-century industrial buildings that were deindustrialised in the 1960s and 70s.
    Unfurnished areas serve as exhibition spaceThe apartment is located in one of these former factories and comprises two spaces – the public living and kitchen area that also houses gallery exhibitions, and the private bedroom and bathroom that are reserved solely for the owner’s use.
    A service core made from birch wood divides the space without being attached to the walls or to the ceiling, which has an unusual vaulted design characteristic of factories built in Barcelona in the 19th century. This channels services to the kitchen and bathroom components and contains a toilet, shower and storage.
    Bespoke furniture sits alongside design classicsOn one side of the core is the living and gallery space. This has plenty of space to hold exhibitions and is filled with monolithic furnishings that create functional zones, including a long dining table with cylindrical legs and a blocky stainless-steel kitchen island.

    A low, sprawling sofa defines the lounge area, which centres around a coffee table fashioned from waste material created during the apartment’s construction by designer Sara Regal.
    Low-lying furnishings underline the height of the space and the unique ceilingArtworks and furniture have been arranged throughout the space, which was curated in collaboration between the owners and Mesura.
    “The project’s interior design is reinterpreted as a constellation of unique objects detached from the apartment’s limits,” said Mesura.
    “These elements contrast with the white-washed walls and light-wood furnishings to emerge as accents of colour and form, weaving a cohesive and contemporary identity throughout the project, drawing focus to the pieces and artwork.”
    The minimalistic kitchen unit shares the central core’s oblong profileBespoke pieces custom-made for Casa Vasto are flanked by iconic design classics, such as architect Mies van der Rohe’s MR10 Chair and architect Mario Botta’s Seconda Chai.
    “Some of the interior pieces were specifically designed for the space – kitchen, dining table, service core, bathtub – and the others – sofas, chairs, lighting – were more of a process with the clients, who had their own preferences and interests,” Mesura told Dezeen.

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    Frames are hung on the walls in the bedroom, which also contains two sinks and a bathtub encased in blocky concrete volumes.
    As in the rest of the space, rectangular windows extend from floor level to let natural light into the space.
    The bed, bath and sink unit are all custom-made for the project”We think the pieces selected for the interiors create a comfortable and unique atmosphere when in touch with the bespoke furniture we designed for the project,” the studio told Dezeen.
    Other adaptive reuse apartment projects on Dezeen include an apartment in a converted bank office by Puntofilipino and a flat in a former chocolate factory by SSdH.
    The photography is by Salva López.

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