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    Otherworlds transforms Goan villa into restaurant that “celebrates chance encounters”

    Local design studio Otherworlds drew on the traditional Goan balcão when converting a 1980s villa in Panjim, India, into the Terttulia restaurant and bar.

    Housed in a Portuguese-style villa, Terttulia Goa is defined by a central island bar informed by the balcão – an outdoor porch with built-in seats that serves as the entrance to a typical Goan home.
    The restaurant takes its name from the Spanish word tertulia, meaning a social gathering with literary or artistic associations.
    Intimate two-seater booths flank the bar”The balcão is a crucial part of a Goan home as this is where one spends most of their time,” Otherworlds founder Arko told Dezeen.
    “At a time of rampant urbanisation, all houses tend to become very self-contained, private and detached, separated away from the city or the neighbourhood,” he continued.

    “The balcão becomes all the more important at such a time as it is built with the idea of reinforcing the kinship between the house and the neighbourhood.”
    Terttulia Goa is defined by a central bar informed by the balcãoMultidisciplinary studio Otherworlds overhauled the villa, which it describes as a “formerly enclosed shell”, by removing some of the external walls and extending the dining area into an outdoor porch.
    This area is sheltered by a large bamboo canopy with elliptical openings that diffuse the natural light, transforming the space throughout the day.
    The canopy is intended to mitigate the region’s extreme weather conditions; sheltering customers from the rain during monsoon season and providing a semi-open space with plenty of air circulation during the hot summer months.
    Low-hung lamps add a sense of “whimsy”Otherworlds designed the bar so that customers face each other, rather than facing the wall, in a bid to “encourage chance encounters”.
    “The intention was to create an immersive atmospheric experience that inspires a feeling of being in a tropical, lush outdoor space under an overgrown natural canopy,” said Arko.
    A metal and fluted glass structure hung from the building’s external walls floats above the white marble bartop and holds the arc-shaped lamps that light the intimate two-seater booths flanking the bar.
    A bamboo canopy was inserted to mitigate the region’s extreme weather conditionsAt night, the restaurant is lit by low-hung sinuous lamps informed by sweeping stems that are intended to add a sense of “whimsy” to the interior.
    Adhering to Terttulia’s signature green and white colour scheme, the studio opted for a palette of locally sourced materials, including the green-pigmented hand-cast concrete that it used to create the restaurant’s flooring.
    “The green pigmented hand-cast concrete floor, largely termed as IPS [Indian Patent stone], is found in most places in the country and is also used to finish the balcão in all Goan homes,” Arko explained.
    Terttulia Goa is housed in a revamped 1980s villaOtherworlds worked with local workshop Jyamiti & Sea to create ovoid terrazzo accents that are scattered in various places across the floor and walls.
    The studio achieved what it terms “the perfect green” using a mixture of white and grey cement and green oxide pigment.
    Otherworlds opted for a palette of locally sourced materials”The tricky bit with coloured concrete is achieving the exact shade [because] once the cement sets and is polished, the result is quite different from the initial wet mix,” said Arko.
    “The process required numerous iterations and experiments to get the right mixture of materials that would yield the correct shade.”
    The green cement is offset by dark wood derived from the matti, Goa’s state tree.
    “We imagined the restaurant to be an extension of the house and while being part of it, [we also wanted it to] feel like a part of the city.”
    Other projects that take a contemporary approach to Indian design traditions include a rammed-earth family home in Rajasthan designed by Sketch Design Studio and a Rain Studio-designed “native yet contemporary” home in Chennai.
    The photography is by Suryan and Dang. 

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    Twisting bamboo installation weaves through Barcelona's Casa Loewe

    Spanish fashion brand Loewe has reopened its Barcelona flagship, which it has transformed into a gallery-like space with an undulating bamboo installation that winds across its surfaces.

    Casa Loewe is set inside Casa Lléo Morera, a modernist building created by Catalan architect Lluís Domènech i Montaner off one of the Spanish city’s major shopping streets.
    Loewe has reopened its flagship store in BarcelonaThe flagship was renovated to create a gallery-like space and restored to highlight the 19th-century building’s original features, including gold-leaf detailing that adorns the ceilings.
    Loewe creative director Jonathan Anderson interspersed art collections and curated furniture across the store’s interior, alongside the luxury fashion brand’s ready-to-wear collections, accessories and fragrances.
    Casa Loewe features a bamboo installation by Tanabe Chikuunsai IVAs craft is an integral element of Loewe’s identity, a key goal for Casa Loewe’s interior scheme was to showcase various artists and artwork.

    Anderson filled the store with installations and objects that the brand explained epitomised innovation and craftsmanship, including sculptures by winners and finalists in the brand’s Craft Prize.
    The store was designed to look like a galleryA centrepiece of the interior is a twisting bamboo installation by Japanese artist Tanabe Chikuunsai IV, which weaves across the store’s ceiling, walls and structural columns.
    The installation, titled Yūgo, was crafted from 6,000 pieces of tiger bamboo woven together to create the winding tubular forms.

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    “It was important for me to express Loewe’s tradition and innovation while creating a work that merges the building and the bamboo installation together,” Chikuunsai IV told Dezeen.
    “[Anderson’s] essence is his passion for materials and creating innovation while maintaining tradition,” he said. “Thus, I wanted to create something that fuses art, fashion, and nature together in order to form a futuristic and creative universe.”
    It incorporates decorative furniture and artwork. Photo is courtesy of LoeweAlongside Chikuunsai IV’s bamboo installation is a macramé structure by Catalan artist Aurèlia Muñoz. It is suspended from the ceiling of the ground floor in front of a blue tile-clad wall, which was created by Ceràmica Cumella.
    Ceràmica Cumella also erected ceramic-clad columns across the store in varying shades of white and blue to reference the Mediterranean Sea.
    Chikuunsai IV’s installation was crafted from 6,000 pieces of bambooIconic furniture pieces are dotted throughout Casa Loewe on top of its concrete floors, including Gerrit Thomas Reitveld’s Utrecht chairs and an oak arts and crafts armchair by William Birch.
    Other recent projects by Loewe include the costume design for an immersive installation at London’s Tate Britain in 2018, developed in collaboration with Anthea Hamilton.
    Tiles in shades of white and blue reference the sea. Photo is courtesy of LoeweCeline creative director Hedi Slimane recently employed a similar interior scheme across his London flagship store for the French fashion house – balancing historic Edwardian features with contemporary art and furniture.
    Other retail spaces recently featured on Dezeen include a Balenciaga store clad in pink faux fur, which is featured in our roundup of ten weird and wonderful shop interiors.
    The photography is by Adrià Cañameras unless stated otherwise.

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    Daosheng Design creates monochromatic bar with looping bamboo sculpture

    The Flow of Ecstatic is a bar in Dongguan, China, designed by Daosheng Design with an all-grey interior featuring a swooping ceiling sculpture of bamboo.Located in the city’s business district, the bar counter is topped by stainless steel, the walls are covered in textured grey silk and the floors are tiled in a matching grey.

    Top: the stainless steel bar counter. Above: swooping bamboo decoration
    A looping bamboo sculpture is suspended from the ceiling. Daosheng Design said this is intended to evoke the brushstrokes of traditional Chinese calligraphy and the movements of the dragon dance.
    This dance is performed on festive occasions and involves a team of dancers moving in synchronicity under a colourful silk dragon costume.
    The serpentine bamboo shape is designed to be evocative of this fluid and dynamic performance.

    A sculpture perches on the bar

    Daosheng Design said the studio deliberately designed the bar to encourage patrons to decompress from their hectic urban lifestyles.
    “Life and entertainment should be two sides,” said the designers.
    “However, in the era of rapid development, life sped by, and modern people hurried to catch up, and it was difficult to slow down and enjoy life.”

    Different seating areas occupy corners of the bar
    Different seating areas invite different forms of leisure activity, such as high brass-backed stools at the bar for sampling drinks or tables with banquettes for dining.
    Groupings of triangular stools cluster around low tables for casual drinks with friends.

    Grey fabric covers the walls
    All of the furniture and furnishings are realised in shades of grey. Figurative sculptures are dotted around the room, including one that is perched on the edge of the bar.

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    The Flow of Ecstatic has been shortlisted for Dezeen Awards 2020 in the bar interior category, alongside a bar decorated with insects trapped in amber and a bar in London decorated with a mural of female faces.
    Photography is by Jack Qin.
    Project credits:
    Interiors: Daosheng DesignLead designer: YongMing HeParticipating designers: Daosheng Design TeamClient: Excellence Real Estate

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  • Imafuku Architects completes Dongshang bar in Beijing with bamboo surfaces

    Canes of bamboo interlace across the ceiling to form a canopy above guests in this bar in Beijing, China designed by Imafuku Architects.Dongshang – which is shortlisted in the bar interior category of this year’s Dezeen Awards – offers an extensive menu of sake and whiskies from Japan, as well as a selection of Japanese dishes.
    When it came to designing the interiors of the bar, Imafuku Architects wanted to use a material that spoke of the bar’s Japanese menu, as well as its Chinese location – bamboo immediately came to mind.

    Bamboo lines the upper half of the corridor leading into Dongshang

    “The history of planting and using bamboo in these two countries can be traced back to ancient times,” explained the studio. “Both Chinese and Japanese people have utilized bamboo as a material for construction, furniture, containers and even art pieces.”
    “Dongshang invites guests on a story of traditional aesthetics and crafting techniques of the two countries through the contemporary reinterpretation of bamboo.”

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    The studio had also become particularly inspired by the Seven Sages of the Bamboo Grove, a group of Chinese scholars, musicians and writers from the third century who would convene in a bamboo grove to escape the turmoil and corruption associated with the royal courts at the time.

    The bamboo is fixed to the walls with brass nails
    Guests are led into Dongshang through a long corridor. The bottom half of the walls here are lined with dark grey terrazzo, while thin strips of bamboo have been affixed to the upper half with brass nails.
    Some of the bamboo strips arch up and away from the wall to form a lattice across the ceiling. Spotlights have been installed directly above the latticework so that, when switched on, light dapples the surrounding surfaces much like “sunshine filtering through tree leaves”.

    A “canopy” of criss-cross bamboo canes appears in the main dining room
    The terrazzo and bamboo-strip walls continue into Donshang’s main dining space. Mushroom-coloured sofas and armchairs have been dotted throughout, arranged around square wooden tables.
    Canes of bamboo have been arranged into a criss-cross-pattern “canopy” on the ceiling, a feature that the studio hopes will lend the room a cosier and more intimate ambience.

    Mushroom-coloured furnishings have been used to dress the space
    More bamboo canes appear at the rear of the room but have been stood upright to create a fluted feature wall behind the drinks bar. Backlit liquor bottles are openly displayed on three-millimetre-thick shelves crafted from steel.
    A splash of colour is offered by the high chairs that run around the bar counter, which are upholstered in sapphire-blue velvet.

    Bamboo canes create a feature wall behind the bar
    Dongshang restaurant will compete in the 2020 Dezeen Awards against projects such as J Boroski by Atelier XY, which is decorated with over 1,000 insects, and The Berkeley Bar & Terrace by Bryan O’Sullivan Studio, which includes a cosy, pink-hued snug where guests can enjoy their cocktails.
    Photography is courtesy of Ruijing Photo.

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