Mesura constructs Barcelona Aesop store from 19th-century building fragments
Spanish studio Mesura salvaged stone remnants of old fountains, archways and Gothic buildings to create the interior of this Aesop store in Barcelona. More
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Spanish studio Mesura salvaged stone remnants of old fountains, archways and Gothic buildings to create the interior of this Aesop store in Barcelona. More
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in RoomsJapanese design principles were combined with Mediterranean materials inside this compact apartment designed by Miriam Barrio Studio in Barcelona, Spain. More
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in RoomsArchitect Raúl Sánchez has renovated a flat in a typical Barcelona apartment building, adding built-in cabinetry and furnishings in hues that echo the original mosaic flooring.
The 85-square-metre flat was created following the subdivision of a larger apartment with aspects towards the Carrer d’Enric Granados on one side and a large internal courtyard on the other.
Raúl Sánchez Architects has renovated a Barcelona apartmentSánchez’s studio was tasked with making the most of the available space, which is just six metres wide and needed to incorporate two bedrooms and two bathrooms along with a generous living area.
Following the partitioning of the original apartment, this smaller flat was left with an entrance set within the building’s interior at one end and a gallery-like room overlooking the courtyard at the other.
A wall covered in gold leaf separates the living area from the gallerySánchez chose to leave the main living area and gallery open to enhance the sense of space and connection with the view.
The rest of the interior comprises private functions that are arranged along a hallway leading from the entrance to the living space.
The gallery houses the dining room and overlooks the courtyard”I wanted to maximise the light throughout the apartment and make something special of the corridor that was necessary given the situation of entering at one end,” the architect told Dezeen.
“Even though the apartment is small, there are different space situations like differences in height, materials, dimension or colour, which create a very rich experience inside the flat.”
The kitchen features a pink marble splashbackThe hallway is lined with full-height cabinetry, incorporating doors that lead to the bedrooms on either side. Each bedroom receives natural light and ventilation from a window that opens onto an internal courtyard.
Small annexes that serve as dressing rooms connect the bedrooms with en-suite bathrooms, one of which is also accessible from the hallway. These spaces feature cabinets, shelves and handles made from water-resistant varnished MDF.
The flat is styled with modern design pieces including a sofa from KragelundThe walls lining the hall feature a rose-gold finish, only interrupted by a pair of dark blue lacquered bookshelves roughly halfway along.
Sánchez explained that the colour choices derive directly from the intricate mosaic floors, which were preserved and treated to restore them to their original condition.
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Rooms where the mosaic had previously been removed now feature off-white micro cement floors.
“Everything inside the apartment has a bit of that brownish-reddish-beige hue of the tiles,” he pointed out. “Even the blue of the shelves, which may seem a big contrast, can also be found in the tiles.”
Full-height cabinetry lines the hallway of the flatThe hallway’s walls form a datum that extends through into the living space, where the original exposed ceiling beams create a differentiation in height that is emphasised by a subtle change in colour.
The rose-gold hue used for the cabinets is echoed by a pink Portuguese marble splashback in the kitchen that was assembled from unmatched salvaged slabs.
Small annexes connect the bedrooms with en-suite bathrooms from the hallwayAn existing structural wall separating the living area from the gallery space was covered with gold leaf in order to lighten its appearance and conceal its load-bearing purpose.
“This imparts a more symbolic and abstract presence, serving as a connection element with the exterior, reflecting the light that falls upon it from the backyard,” said Sánchez.
The flat’s furnishings echo the mosaic flooring of the original apartment designThe property is owned by a client based in Dubai, who will use it as a pied-a-terre as well as renting it out some of the time.
It was styled with modern design pieces including a sofa from Kragelund, a chaise longue by Sancal and a cork stool from Vitra.
Dark-blue lacquered bookshelves coexist side-by-side with the rose-gold cabinetryLocal gallery Víctor Lope Arte Contemporáneo provided the various artworks.
Raúl Sánchez has lived and worked in Barcelona since 2005, where his studio takes on global projects across architecture, interiors, urbanism and design.
The office was named emerging interior design studio of the year at Dezeen Awards 2022 and has previously completed projects including a townhouse with a four-storey spiral staircase and an apartment featuring a shiny brass wardrobe.
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in RoomsPale walls, sculptural furnishings and sunken plant features provide a striking backdrop to photoshoots taking place inside this Barcelona modelling agency, devised by Spanish studio Isern Serra.
The Blow Models office occupies the ground floor of a 1920s building and its adjoining warehouse in Barcelona’s Sant Martí neighbourhood.
Isern Serra designed its pared-back interior as “a landscape where the models can take pictures”.
The Blow Models office centres around conversation pits and a sunken plant featureThe studio began by knocking through the building’s false ceiling and most of the partition walls to make the interior appear more open and airy.
A long, rectangular skylight was carved out of the ceiling to allow for more natural lighting, and all surfaces were painted in a pale buttermilk hue.
A long concrete desk accommodates staff computersAs the building doesn’t sit above a basement or car park, the studio took the opportunity to dig down into the site’s foundations.
At the heart of the office, the floor is now punctuated by three holes. Two of these were turned into cushioned conversation pits while the third overflows with leafy tropical plants.
“Light and vegetation becomes the centre from which the project is structured,” explained the studio. “[The] unusual and beautiful background is intended to encourage photography.”
Steel stools were placed around another concrete tableTwo large concrete tables were placed on either side of the office – one functioning as a communal work desk while the other can be used for general staff gatherings, surrounded by steel stools.
Steel was also used to create a sculptural prep counter in the office’s kitchen.
The counter in the staff kitchen is also made from steelThe only rooms that are closed off are those used for meetings or by the accounting department.
Plain white curtains were installed around their perimeter so that they, too, can serve as spaces to photograph models if necessary.
Formal meeting rooms are closed off from the rest of the floor planTo maintain the office’s open plan, the toilets were tucked away beside the building’s stairwell. Here, an expansive picture window overlooks the street, bisected by a chunky concrete washbasin.
There’s also a floor-to-ceiling mirror where visiting models can do their makeup.
Picture windows in the toilets offer views of the streetThis isn’t the only workspace that Isern Serra has devised in Barcelona. Earlier this year, the studio designed a calming, minimalist office for eyewear brand Gigi.
Back in 2023 the studio also created an office for digital artist Andres Reisinger, finishing its interior with quartz and stainless steel details.
The photography is by Salva López.
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in RoomsBarcelona-based Miriam Barrio Studios has transformed the interiors of a modernist building into Curly Lab, a curly hair salon incorporating curved shapes and copper-toned surfaces.
Located at the base of a gothic and modernist building designed by Catalan architect Enric Sagnier in 1895, Curly Lab is situated at Diputación in the Eixample district of Barcelona.
Miriam Barro has designed curly hair-informed interiors for Curly Labs salonMiriam Barrio Studios designed Curly Lab’s 65-square-metre-interior to convey an “organic and natural language”. The space, previously occupied by a real estate agency, now features rich textures that contrast the surrounding architecture.
Continuous microcement surfacing was used across the salon’s light-toned floors and its terracotta-toned wall to create a distinct backdrop. This microcement was locally sourced and manufactured within the vicinity of Barcelona.
Microcement was used for the light-toned floors and terracotta-hued wallsNew elements include curved shapes that form the structure of salon countertops, furnishings and lighting fixtures, creating pathways and routes across various workstations.
“The organic shapes were a match because in the modernist world they symbolised beauty and were entirely aligned with the DNA of curly hair,” designer Miriam Barrio told Dezeen.
Polished copper tiles decorate these countertop bases, coexisting with historical features also on display.
Copper-toned tiles furnish the bases of workstation countertopsRemnants of the previous interior are still visible throughout the renovated space. They include exposed brick walls and a Catalan vault ceiling with original floral paintings, which the studio preserved in their current state.
This process involved a thorough cleaning. The studio then unified the ceiling backgrounds using plain colours, followed by a matte and transparent patina application.
“The colour of the original ceiling drawings, they were pure inspiration!” Barrio said.
“A great find and a stroke of luck since there is nothing more natural and special than copper tones,” she added.
“We wanted to choose a colour derived from the tones of the ceiling and make it the protagonist. It needed to be warm and deep at the same time, neither too feminine nor too masculine. Based on that colour, all the materials for the project were chosen.”
Preserved features include exposed brick walls and a Catalan vault ceiling with original floral paintingsThe lighting in the space was arranged to highlight the interior’s key architecture and design components, creating an eye-catching display at night when viewing the salon from outside.
“The lighting in the main space with high ceilings needed to serve two functions: technical lighting for work and decorative lighting to set the atmosphere and enhance the architecture,” Barrio said.
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“They were positioned at mid-height to illuminate the ceilings from the same element. Curved track lights were designed to flow in the space in the same way as the other elements,” she added.
Barrio used black metal for the majority of the fixtures besides lighting, including oval-shaped mirrors on dressing tables and Color Bar furniture. Other notable accessories include ceramic lamps and velvet sofas.
Lighting fixture positioning accentuates the architecture and design of the space”I think it is important to feel beautiful in a salon, for the space to be a fitting companion,” Barrio expressed.
“We want [consumers] to feel welcomed and inspired, close to feeling like they are in a special temple. In a place of care on all levels.”
Curly Labs combines new and old shapes and colours to create an “organic and natural” atmosphereOther innovative salon interiors across the globe include the Buller and Rice in London designed by Anita Rice and Stephen Buller, Koda in Sydney by Arent & Pyke and Treadwell by Gin Design Group.
The photography is by Salva López.
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in RoomsSpanish architect Juan Gurrea Rumeu used a palette of warm, textural materials and carefully positioned voids to create atmospheric living spaces inside this house he designed for himself and his wife in Barcelona.
Rumeu and his wife, the Madrid-born artist Beatriz Dubois, decided to move to the architect’s home city for work after living for several years in Paris.
Bolívar House takes up a narrow site on Barcelona’s Carrer de BolívarThey purchased a site occupied by a derelict storage building in the Vallcarca district that was affordable due to its northern aspect, narrow proportions and busy urban context.
Bolívar House is located on the Carrer de Bolívar and is surrounded by buildings from various eras, ranging from early 20th-century art nouveau houses to industrial workshops and 1970s apartment blocks.
Three square openings animate its street-facing facadeIn this chaotic and energetic environment, Gurrea Rumeu’s practice Gr-os – working with local architects Mercè Badal and Teresa Rumeu – sought to create a restful retreat defined by its considered use of space and light.
“Despite its complicated urban setting, surrounded by taller buildings and heavy traffic, the interior atmosphere is surprisingly peaceful,” Gurrea Rumeu told Dezeen.
“The position and scale of openings frames views and curates intimacy and light.”
Dark wood was used throughout to create a sense of calmThe building itself comprises a monolithic grey box punctured by three square openings, which animate its street-facing elevation while defining views from within.
A concrete plinth becomes a column that supports a visible steel lintel, which also acts as a recessed channel to hold utility cables as they pass across the simple frontage.
One of the building’s structural steel columns is left exposed on each levelThe exposed beam provides a subtle ornamental detail that references the facade composition and, in particular, the decorative frieze found on a traditional residence across the street.
The house’s exterior is rendered using a textured stucco that evokes rustic Catalan properties called masias. According to the architect, this finish adds a textural element to the otherwise minimal elevation that recalls an artist’s brushstrokes.
The dwelling shares its long and narrow site with a multi-storey apartment building, in which Gurrea Rumeu and Dubois were able to add a studio on the basement level.
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The studio is visible across a central courtyard separating it from the home’s kitchen and dining area, which also looks onto the lush tropical planting through a full-height opening.
At the front of the property, a double-height concrete volume containing the garage and a stairwell provides an acoustic barrier between the living areas and the street.
Three bedrooms and the main living room are accommodated on the first and second floors, with the bedrooms at the rear overlooking the tranquil courtyard.
The kitchen opens onto a small courtyardDespite being a north-facing house, the design is not focused on capturing as much natural light as possible, Gurrea Rumeu explained, but rather on emphasising the moody atmosphere through careful material choices.
“We decided to use honest and expressive materials which are pleasant for the senses and accentuate the value of shadows,” the architect pointed out.
“In-situ concrete walls, dark walnut floors, white marble and glazed tiles create a rich atmosphere in which subtle changes of light become apparent throughout the day and the seasons.”
Monolithic wooden staircases feature in the living room and the foyerGurrea Rumeu also used simple architectural interventions to amplify the sensorial experience within the home, with voids and openings allowing sunlight to illuminate the spaces in intriguing ways.
Monolithic wooden staircases located in the entrance lobby and living room follow the home’s two main axes and add complexity to the circulation. Their bold presence helps to emphasise the volume of these double-height spaces.
The majority of the building’s structure is left exposed, with services and false ceilings concentrated towards the centre of the plan.
Concrete ceilings add a brutalist touchA central concrete core conceals the upper flights of stairs and supports the floor slabs, while one of the structural steel columns is left exposed on each level as a nod to the building’s construction.
The columns become a feature in their respective rooms, becoming thinner higher up in the building as the load reduces.
The property contains a limited and carefully curated selection of furniture including vintage pieces, bespoke elements and classic designs chosen for their special significance to the owners.
Tiles complete the home’s tactile material paletteGurrea Rumeu received his master’s from the Royal College of Art in London before completing his Professional Practice diploma at the AA School of Architecture. He worked for firms in Beijing, Paris and Barcelona before establishing his own studio in 2020.
Other recently completed homes in Barcelona include La Clara by CRÜ, which is set inside a former public laundry, and a brick extension to a 19th-century terrace house by H Arquitectes.
The photography is by Max Hart Nibbrig.
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in Rooms3D-printed shelving structures informed by Catalan-modernist buildings were used for shelving in this store designed by External Reference for a Spanish jewellery brand.
Experimental jewellery designer Adriana Manso asked Carmelo Zappulla’s studio External Reference to develop a suitably unusual interior concept for her first physical store in the city.
The store is in the Eixample districtThe project involved designing a window display and shelving for the 25-square-metre store, which is located in Barcelona’s Eixample district just a few metres from the house where Manso was born.
Manso is known for her playful pieces made from recycled plastic, which she wanted to display in a space that evokes the luxury feel of an haute-couture boutique.
It features a 3D-printed interior informed by architectureExternal Reference sought to combine the contemporary plasticity of La Manso’s jewellery with motifs influenced by Barcelona’s early 20th-century architecture, including the building in which the store is situated.
“Our design concept revolved around bringing the exterior facade inside, creating a melted and fluid background that would serve as an artistic canvas for showcasing the jewellery,” Zappulla told Dezeen.
“By blending the expressive elements of Catalan modernism with the organic forms inspired by La Manso design, our goal was to craft a visually captivating environment that elevates the overall shopping experience.”
External Reference created wavy shapes for the spaceThe designers selected fragments from the decorative facade and abstracted them using a process involving hand drawing and computational design techniques.
In particular, floral details from the elaborate canopy at the store’s entrance were reinterpreted as large rosettes incorporating futuristic glitches and bas-reliefs.
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The organic shapes form shelving units that range in height from 90 centimetres to 1.7 metres. Jewellery and accessories are displayed on the shelves, as well as on a small table at the centre of the space.
The furniture was produced using a robotic 3D-printer and is made from biodegradable cellulose coloured using Pure Tech’s water-based CO2-neutralising paint.
Zappulla and his team refined the digital models to optimise them for printing. This involved splitting them into manageable parts that could be processed by the machine’s robotic arm.
The aim was to provide a neutral backdropAll of the printed elements are finished in a muted off-white shade that matches the rest of the interior and provides a neutral backdrop for displaying the jewellery.
Large, mirrored surfaces help to make the interior feel more expansive, while spotlights provide targeted illumination for highlighting the collection.
In addition to the main furniture, the designers also developed a window display and 3D-printed signage that extend the store’s conceptual design out into the street.
The La Manso interior has a muted colour paletteLarge-scale 3D-printing technology offers designers possibilities to create unique elements for branded interiors, which makes it increasingly popular for retail spaces.
Spanish design studio Nagami has created a store for sustainable clothing brand Ecoalf featuring transparent 3D-printed displays that recall melting glaciers, while Dutch architecture practice Studio RAP used the technology to produce a wave-like tiled facade for an Amsterdam boutique.
The photography is by Anna Mas.
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in RoomsLocal studio Mesura has designed a live-work home for a gallery owner that combines exhibition space with living quarters in a former factory in Barcelona.
Casa Vasto is situated in the city’s seaside neighbourhood El Poblenou, characterised by its 18th-century industrial buildings that were deindustrialised in the 1960s and 70s.
Unfurnished areas serve as exhibition spaceThe apartment is located in one of these former factories and comprises two spaces – the public living and kitchen area that also houses gallery exhibitions, and the private bedroom and bathroom that are reserved solely for the owner’s use.
A service core made from birch wood divides the space without being attached to the walls or to the ceiling, which has an unusual vaulted design characteristic of factories built in Barcelona in the 19th century. This channels services to the kitchen and bathroom components and contains a toilet, shower and storage.
Bespoke furniture sits alongside design classicsOn one side of the core is the living and gallery space. This has plenty of space to hold exhibitions and is filled with monolithic furnishings that create functional zones, including a long dining table with cylindrical legs and a blocky stainless-steel kitchen island.
A low, sprawling sofa defines the lounge area, which centres around a coffee table fashioned from waste material created during the apartment’s construction by designer Sara Regal.
Low-lying furnishings underline the height of the space and the unique ceilingArtworks and furniture have been arranged throughout the space, which was curated in collaboration between the owners and Mesura.
“The project’s interior design is reinterpreted as a constellation of unique objects detached from the apartment’s limits,” said Mesura.
“These elements contrast with the white-washed walls and light-wood furnishings to emerge as accents of colour and form, weaving a cohesive and contemporary identity throughout the project, drawing focus to the pieces and artwork.”
The minimalistic kitchen unit shares the central core’s oblong profileBespoke pieces custom-made for Casa Vasto are flanked by iconic design classics, such as architect Mies van der Rohe’s MR10 Chair and architect Mario Botta’s Seconda Chai.
“Some of the interior pieces were specifically designed for the space – kitchen, dining table, service core, bathtub – and the others – sofas, chairs, lighting – were more of a process with the clients, who had their own preferences and interests,” Mesura told Dezeen.
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Frames are hung on the walls in the bedroom, which also contains two sinks and a bathtub encased in blocky concrete volumes.
As in the rest of the space, rectangular windows extend from floor level to let natural light into the space.
The bed, bath and sink unit are all custom-made for the project”We think the pieces selected for the interiors create a comfortable and unique atmosphere when in touch with the bespoke furniture we designed for the project,” the studio told Dezeen.
Other adaptive reuse apartment projects on Dezeen include an apartment in a converted bank office by Puntofilipino and a flat in a former chocolate factory by SSdH.
The photography is by Salva López.
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in RoomsSlight variations in tone and texture differentiate surfaces inside the PJ Lobster glasses store in Barcelona, which Spanish interiors studio El Departamento has finished entirely in green.
The shop in the El Born district features walls, floors and stuccoed ceilings all covered in soft, tranquil tones of seafoam green, creating an immersive experience designed to challenge the eye.
The PJ Lobster store in Barcelona is finished entirely in green”The human eye is able to distinguish more different shades of green than any other colour,” El Departamento told Dezeen. “That’s because, deep inside us, we’re still hunters from the prehistoric era.”
“So that’s what we wanted to aim for here, not to hunt anything but to recover the challenging visual exercise of exploring a wide range of greens.”
A glossy counter stands at the centre of the shopThe practice was also influenced by Charles and Ray Eames’s short film Powers of Ten, which explores the scales of the universe.
This informed El Departamento’s study of different textures within the store “from macro to micro”, from the small-grained velvety micro-cement on the floor to the rough textured plaster that was applied to the wall by hand to achieve the right level of thickness.
“We wanted to get to the last step, just before a texture becomes a topography,” the studio said. “It was done manually, carefully and step by step to achieve the perfect state.”
The examination room is located at the rear of the storeStainless steel is another key player in the store, used to create banks of display shelving that frame each pair of glasses, with the soft sheen of the metal creating a striking contrast with the deliberately blobby texture of the walls behind.
Another textural juxtaposition is provided by the large, capsule-like counter at the heart of the store with its high-shine gloss finish and mirrored top.
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Further back in the store is an area dedicated to visual examinations, delineated by a shiny pleather curtain and a softer carpeted floor.
The result, according to El Departamento, is “a vibrant space that swings between the soft and the hard, the rough and the velvety”.
Glasses are displayed on stainless steel shelvesThe studio has been collaborating with PJ Lobster since the eyewear brand was founded in 2018 under the name Project Lobster, helping the company to expand from an online business into real-life stores.
With this latest outpost, El Departamento wanted to encapsulate the evolution of the brand and its products.
The examination room is hidden behind a shiny pleather curtain”We wanted to show that the brand has matured,” the studio said. “We tried to show somehow the organic evolution of the brand by giving this space a more technical and precise atmosphere, where the wide range of textures speaks of the precision levels of the products.”
Other monochrome eyewear stores include Lunettes Selection in Berlin, which is enveloped by mint-green floor-to-ceiling cabinets, and Melbourne’s Vision Studio where cool-toned industrial materials such as aluminium and concrete are paired with grey marble surfaces.
The photography is by José Hevia.
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